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Annemarie Peen Rodt is a Postdoctoral Fellow at the Department of Political Science at the University of Southern Denmark, where she is affiliated to the Center for War Studies and teaches on the Masters in International Security and Law. Fabien Terpan is Associate Professor in Public Law & European Studies at Sciences po Grenoble (France). Dr Nathalie Tocci is Deputy Director of the Istituto Affari Internazionali and Associate Editor of The International Spectator. Yahoo , Facebook , Facebook , Twitter , Twitter , Google+ , Google+ , Myspace , Myspace , Linkedin , Linkedin , Odnoklassniki , Odnoklassniki , Vkontakte , Vkontakte , Google , Google , Yahoo , Yahoo , Rambler , Rambler , Yandex , Yandex , Gmail , Gmail , Yahoo! Designers Manufacturers , ??????? ????????? - ?????????? ???????????? , Gorgian Wikipedia - Free Encyclopedia , ????????? ?????? ????????? , Cambridje Dictionary Online , ????????? ???????? ????????? ?????? ????????? , Oxford Advenced Learner's Online Dictionar? , ??????????? ?????? - moazrovne,net, ???
1906: Availability of panchromatic black and white film and therefore high quality color separation color photography.
G+ #Read of the Day: The Daguerreotype - The daguerreotype, an early form of photograph, was invented by Louis Daguerre in the early 19th c. The first photograph (1826) - Joseph Niepce, a French inventor and pioneer in photography, is generally credited with producing the first photograph. Easy Peasy Fact:Following Niepcea€™s experiments, in 1829 Louis Daguerre stepped up to make some improvements on a novel idea. Smith (Co-Chair) is Director of the European Foreign Policy Unit and Professor of International Relations at the London School of Economics and Political Science. Chiara de Franco (Coordinator) is Research Associate, and Deputy Director of the Foresight Research Project on Early Warning and Conflict Prevention, in the Department of War Studies at Kinga€™s College London. Bastian Giegerich is a Senior Researcher at the Bundeswehr Institute of Social Sciences (SOWI). Gunilla Herolf is the Vice President of the Royal Swedish Academy of War Sciences (Kungliga Krigsvetenskapsakademien). Herolfa€™s areas of research include European integration, European security cooperation, including the CSDP and NATO, with focus on France, Germany and the UK, Nordic security policy, transatlantic relations and the European Neighbourhood Policy (ENP). He is the author of Genocide: Europe between the past, the present and the future (Cide 2007). Her main research appraises the role of regional actors in the military management of violent conflict and the protection of civilians.
Luis Peral isA Senior Research Fellow at the European Union Institute for Security Studies. Julia SchA?nemann is an independent consultant and researcher in the field of peace and conflict and has given policy advice to, inter alia, the EU, the Interamerican Development Bank (IDB), and the Norwegian Ministry of Foreign Affairs. Ekkehard StraussA is a human rights lawyer, who, inter alia, supported the first Special Adviser on the Prevention of Genocide in establishing his office and develop his working method.
She held previous research posts at the Transatlantic Academy, the European University Institute, and the Centre for European Policy Studies. Talbot was active from the mid-1830s, and sits alongside Louis Daguerre as one of the fathers of the medium. Niepcea€™s photograph shows a view from the Window at Le Gras, and it only took eight hours of exposure time!The history of photography has roots in remote antiquity with the discovery of the principle of the camera obscura and the observation that some substances are visibly altered by exposure to light. Again employing the use of solvents and metal plates as a canvas, Daguerre utilized a combination of silver and iodine to make a surface more sensitive to light, thereby taking less time to develop. She has written extensively on EU foreign policy, EU external human rights policy, and genocide. She has published on different subjects, including the warning-response gap, conflict prevention, the role of religion in conflict escalation, and international political communication. He is also the Consulting Senior Fellow for European Security at the International Institute for Strategic Studies (IISS) in London where he has previously worked as Research Fellow for European Security (2005-2010).
He was previously lecturer in international law at the Carlos III University in Madrid, Senior Researcher at the Center for Political and Constitutional Studies of the Spanish Government, Senior Research Fellow at FRIDE and Director of the Conflict Prevention and conflict Resolution Programme at the Toledo International Center for Peace. Previously, she worked as a researcher and project coordinator for FRIDE and the European Commissiona€™s Directorate-General for External Relations.
His current research interests include EU-Israel relations, Financing CSDP, the European External Action Service, Soft law in the European Union, Resistance to EU norms, the European Court of justice and the Politics of Law. Porta (1541-1615), a wise Neapolitan, was able to get the image of well-lighted objects through a small hole in one of the faces of a dark chamber; with a convergent lens over the enlarged hole, he noticed that the images got even clearer and sharper. Though he is most famous for his contributions to photography, he was also an accomplished painter and a developer of the diorama theatre.

As far as is known, nobody thought of bringing these two phenomena together to capture camera images in permanent form until around 1800, when Thomas Wedgwood made the first reliably documented although unsuccessful attempt. Her most recent book is Forecasting, Warning and Responding to Transnational Risks (edited with Christoph Meyer, Palgrave, 2011) while her first monograph on Media Power in Contemporary Conflict is forthcoming.
In addition she is also a Member of the Swedish Society for International Affairs (Utrikespolitiska Samfundet) and a Member of the Steering Committee of the Euro-Mediterranean Study Commission (EuroMeSCo). His academic research and publications focus on UN peacekeeping, human rights and forced migration, as well as on multilateralism and global trends. She regularly spends time in fragile and post-conflict-affected countries and has published on EU external action, peace- and state-building, early warning, conflict prevention, security, and the rule of law and Latin America and the Caribbean. Schulze mixes chalk, nitric acid, and silver in a flask; notices darkening on side of flask exposed to sunlight. A daguerreotype, produced on a silver-plated copper sheet, produces a mirror image photograph of the exposed scene.
She was the recipient of the 2007 Anna Lindh award for excellence in research on European foreign and security policy. His latest books are European Crisis Management: Connecting ambition and reality (Routledge, 2008) and the edited volume Europe and Global Security (Routledge, 2010). The alchemist Fabricio, more or less at the same period of time, observed that silver chloride was darkened by the action of light.
Chemistry student Robert Cornelius was so fascinated by the chemical process involved in Daguerrea€™s work that he sought to make some improvements himself.
It was only two hundred years later that the physicist Charles made the first photographic impression, by projecting the outlines of one of his pupils on a white paper sheet impregnated with silver chloride. It was commercially introduced in 1839, a date generally accepted as the birth year of practical photography.The metal-based daguerreotype process soon had some competition from the paper-based calotype negative and salt print processes invented by Henry Fox Talbot.
And in 1839 Cornelius shot a self-portrait daguerrotype that some historians believe was the first modern photograph of a man ever produced.
Strauss is currently on leave from the UN and works as consultant and researcher from Rabat, Morocco. The photos were turned into lantern slides and projected in registration with the same color filters. In 1802, Wedgwood reproduced transparent drawings on a surface sensitized by silver nitrate and exposed to light. Nicephore Niepce (1765-1833) had the idea of using as sensitive material the bitumen, which is altered and made insoluble by light, thus keeping the images obtained unaltered. Long before the first photographs were made, Chinese philosopher Mo Ti and Greek mathematicians Aristotle and Euclid described a pinhole camera in the 5th and 4th centuries BCE. He communicated his experiences to Daguerre (1787-1851) who noticed that a iodide-covered silver plate - thedaguerreotype -, by exposition to iodine fumes, was impressed by the action of light action, and that the almost invisible alteration could be developed with the exposition to mercury fumes. In the 6th century CE, Byzantine mathematician Anthemius of Tralles used a type of camera obscura in his experimentsIbn al-Haytham (Alhazen) (965 in Basra a€“ c. It was then fixed with a solution of potassium cyanide, which dissolves the unaltered iodine.The daguerreotype (1839) was the first practical solution for the problem of photography.
In 1841, Claudet discovered quickening substances, thanks to which exposing times were shortened. More or less at the same time period, EnglishWilliam Henry Talbot substituted the steel daguerreotype with paper photographs (named calotype). Wilhelm Homberg described how light darkened some chemicals (photochemical effect) in 1694. Niepce of Saint-Victor (1805-1870), Nicephorea€™s cousin, invented the photographic glass plate covered with a layer of albumin, sensitized by silver iodide.
The novel Giphantie (by the French Tiphaigne de la Roche, 1729a€“74) described what could be interpreted as photography.Around the year 1800, Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance.
Maddox and Benett, between 1871 and 1878, discovered the gelatine-bromide plate, as well as how to sensitize it. As with the bitumen process, the result appeared as a positive when it was suitably lit and viewed. A strong hot solution of common salt served to stabilize or fix the image by removing the remaining silver iodide. On 7 January 1839, this first complete practical photographic process was announced at a meeting of the French Academy of Sciences, and the news quickly spread.

At first, all details of the process were withheld and specimens were shown only at Daguerre's studio, under his close supervision, to Academy members and other distinguished guests.
Paper with a coating of silver iodide was exposed in the camera and developed into a translucent negative image.
Unlike a daguerreotype, which could only be copied by rephotographing it with a camera, a calotype negative could be used to make a large number of positive prints by simple contact printing.
The calotype had yet another distinction compared to other early photographic processes, in that the finished product lacked fine clarity due to its translucent paper negative. This was seen as a positive attribute for portraits because it softened the appearance of the human face.
Talbot patented this process,[20] which greatly limited its adoption, and spent many years pressing lawsuits against alleged infringers. He attempted to enforce a very broad interpretation of his patent, earning himself the ill will of photographers who were using the related glass-based processes later introduced by other inventors, but he was eventually defeated. Nonetheless, Talbot's developed-out silver halide negative process is the basic technology used by chemical film cameras today.
Hippolyte Bayard had also developed a method of photography but delayed announcing it, and so was not recognized as its inventor.In 1839, John Herschel made the first glass negative, but his process was difficult to reproduce. The new formula was sold by the Platinotype Company in London as Sulpho-Pyrogallol Developer.Nineteenth-century experimentation with photographic processes frequently became proprietary.
This adaptation influenced the design of cameras for decades and is still found in use today in some professional cameras.
Petersburg, Russia studio Levitsky would first propose the idea to artificially light subjects in a studio setting using electric lighting along with daylight. In 1884 George Eastman, of Rochester, New York, developed dry gel on paper, or film, to replace the photographic plate so that a photographer no longer needed to carry boxes of plates and toxic chemicals around. Now anyone could take a photograph and leave the complex parts of the process to others, and photography became available for the mass-market in 1901 with the introduction of the Kodak Brownie.A practical means of color photography was sought from the very beginning.
Results were demonstrated by Edmond Becquerel as early as 1848, but exposures lasting for hours or days were required and the captured colors were so light-sensitive they would only bear very brief inspection in dim light.The first durable color photograph was a set of three black-and-white photographs taken through red, green and blue color filters and shown superimposed by using three projectors with similar filters. It was taken by Thomas Sutton in 1861 for use in a lecture by the Scottish physicist James Clerk Maxwell, who had proposed the method in 1855.[27] The photographic emulsions then in use were insensitive to most of the spectrum, so the result was very imperfect and the demonstration was soon forgotten. Maxwell's method is now most widely known through the early 20th century work of Sergei Prokudin-Gorskii.
Included were methods for viewing a set of three color-filtered black-and-white photographs in color without having to project them, and for using them to make full-color prints on paper.[28]The first widely used method of color photography was the Autochrome plate, commercially introduced in 1907. If the individual filter elements were small enough, the three primary colors would blend together in the eye and produce the same additive color synthesis as the filtered projection of three separate photographs. Autochrome plates had an integral mosaic filter layer composed of millions of dyed potato starch grains. Reversal processing was used to develop each plate into a transparent positive that could be viewed directly or projected with an ordinary projector. The mosaic filter layer absorbed about 90 percent of the light passing through, so a long exposure was required and a bright projection or viewing light was desirable. Competing screen plate products soon appeared and film-based versions were eventually made. A complex processing operation produced complementary cyan, magenta and yellow dye images in those layers, resulting in a subtractive color image.
Kirsch at the National Institute of Standards and Technology developed a binary digital version of an existing technology, the wirephoto drum scanner, so that alphanumeric characters, diagrams, photographs and other graphics could be transferred into digital computer memory. The lab was working on the Picturephone and on the development of semiconductor bubble memory. The essence of the design was the ability to transfer charge along the surface of a semiconductor. Michael Tompsett from Bell Labs however, who discovered that the CCD could be used as an imaging sensor.

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