Dance classes for adults in college station,1. _____ i win the lottery i will have to work for a living,free english classes in new york - Review

Stop dreading the dance floor and enroll at one of Boston’s many dance studios for adults. When you think about dance classes, your mind probably goes right to images of 5-year-old girls twirling around in pink tutus and satin slippers. With personalized care and convenient locations, it’s no wonder patients love primary care at Tufts Medical Center.
Indulge your childhood ballerina fantasies with classes taught by professional dancers at one of the Boston Ballet School’s three locations. Students must be at least 18 years old for all classes, meaning you’ll never have to share the floor with giggling high school girls. Flamenco Boston offers classes at a range of experience levels, all offered on an ongoing basis. This studio, located in Cambridge, offers group and private lessons in a variety of styles, like ballroom, club salsa, swing, and Argentine tango. Bhangra, the traditional agricultural folk music and dance of the Punjab region of India, comes with a lively, energetic style of dance. Dancers at Urbanity must be at least intermediate level, but those who are can take contemporary lessons from this company.
You should also mention Moody Street Circus in Waltham – belly dance classes for women. There are tons fot pole places indeed if you wanna take pole dancing lessons, which imo, everyone should try at some point. If you’re like most Boston singles, you probably agree there are plenty of proverbial fish in the sea. Metaphorically speaking, your hectic work life can lead to your office feeling like the center of your world.
With its thriving wharf it’s no surprise that Plymouth restaurants provide plenty of fresh seafood, but what may surprise you is the community’s dedication to eating local. Patrick Ahearn is known for his stunning architectural restorations and reinventions of Edgartown’s palatial waterfront compounds.
Stroll along the Greenway to Boston’s only architecture and design gallery for some creative play time with upcoming Family Design Days!
Like many ancient cultures, the Egyptians and Greeks created structures like the pyramids and Parthenon to pay homage to great deities and rulers. Leisurely Sunday drives can lead to beautiful site-seeing amongst quintessential New England backdrops. House of Blues is known for showcasing up-and-coming (and already-there) singers and bands at their legendary clubs around the country. It’s amazing how cacti prosper in arid terrain, suppressed by intense heat for whole seasons.
Some adults will sit back and stay seated because they think its inappropriate to take a class for themselves; that their focus should be solely on providing dance classes for their young dancers. Getting involved in dance classes as an adult, especially as parents, may help inspire (or re-inspire) your own child! Students 15 years through seniors (50+) stay healthy and fit while enjoying the movement and music of dance. The Adult Division offers stand-alone classes in classical ballet technique, modern, dance exercise, yoga and Pilates. THE SCHOOL OF RICHMOND BALLET WILL BE CLOSED JANUARY 18 IN OBSERVANCE OF MARTIN LUTHER KING, JR. Come join us at Richmond Ballet for a dance class that will leave you smiling and sweating. Rhythm & Motion (R&M) was founded in 1979 by Consuelo Faust in San Francisco and has now merged to the east coast through Richmond Ballet! Our dance workout program cultivates a welcoming, accepting atmosphere that promotes health and well-being for all people regardless of background. This class is designed for the adult who has a hankering to try a ballet class but is either intimidated, self conscious, or just needs a gentle beginning. No experience necessary, however Intro to Adult Ballet (4 week session) is highly recommended for a better introduction into the ballet world. Feel free to take any adult class of your choice by purchasing a Dance Card that gives you the advantage of a discounted class rate. Modern dance encourages the student to connect rhythmically to music and movement, address qualities of balance and off balance motion, and to challenge a variety of patterns and styles. Mat Classes: are one hour long and include work on the Mat plus the Magic Circle Series, the Weight Series and the Wall Series – all of which can be done at home or in a hotel room!
Yoga is a mind-body practice that combines stretching, controlled breathing and relaxation. Stoner Winslett is the founding Artistic Director of Richmond Ballet, the first major company of professional dancers in the Commonwealth of Virginia.
Today, Richmond Ballet reaches over 100,000 people annually across the Commonwealth and beyond, and boasts an expansive repertory that contains full-length classics as well as 60 original works from 21 choreographers from around the world. Brett Bonda, now in his 31st season with Richmond Ballet, has served the organization as a dancer, administrator, educator, and director. Malcolm Burn (Artistic Associate and Ballet Master), who originally hails from New Zealand, is in his 29th year on the artistic staff of Richmond Ballet. He and his wife, Austin Cary Hancock, have two children, Robert and Charles, ages thirteen and ten, and three grown children, Claiborne Hancock, a publisher, James Hancock, a filmmaker and Carter Johnston, a fashion designer. Judy Jacob (Artistic Associate and School Director) is from Detroit, where she studied ballet with Evelyn Smith.
Cat Studdard studied at American University and Virginia Commonwealth University graduating summa cum laude with a BFA in dance and choreography.
Jerri Kumery (Ballet Master) began her studies with Roman Jasinski and Moscelyn Larkin in Tulsa, Oklahoma, and later studied at the School of American Ballet. Lauren Archer, originally from Oklahoma City, Oklahoma, began her training at Academy of Ballet and Theatre Arts under the instruction of Lisa Webb.
Cody Beaton, of Round Rock, Texas, studied at the Austin Conservatory of the Arts for 12 years.
Elena Bello grew up in Jersey City, New Jersey, where she became a part of the National Dance Institute program.
Trevor Davis began ballet at the age of six in Los Angeles, California, with Meridith Baylis. Marty Davis began his training at the age of seven in Los Angeles, California, with Meridith Baylis. Matthew Frain began his ballet training at The School of Dance-West Ballet in Naperville, Illinois, and at The Chicago Academy for the Arts in Chicago.
Abi Goldstein, of Sarasota, Florida, began her professional training at The Sarasota Ballet School. Kirk Henning, of Momence, Illinois, began his ballet training with Watmora Casey and Avnun Yakubov. Thomas Ragland of Richmond, Virginia, began his dance training with Annette Holt and the Parks and Recreation City Dance Program.
Maggie Small began dancing at The School of Richmond Ballet where she rose through the ranks of the School to become a trainee and an apprentice.
Valerie Tellmann-Henning began her training at Tulsa Ballet and Lexington Ballet before attending The School of Richmond Ballet.
Ira White, native to Richmond, Virginia, discovered his love for dance through Richmond Ballet’s Minds In Motion outreach program. David Claypoole, a Chesterfield, Virginia native, graduated in 2014 from Virginia Commonwealth University’s joint program with Richmond Ballet’s trainee program, with a BFA in dance and performance. Peter Elverson was born in Des Moines, Iowa where he trained at the School of Classical Ballet and Dance.
Great Kids Activities-Ballet, Hip-Hop, Tap, Modern, Contemporary- Adult and Kids Dance Classes.
Preschool children are exposed to preparatory elements, movements, and the most rudimentary vocabulary in ballet and tap always in a fun and playful approach.
Introductory steps in ballet increase the physical and mental requirements while retaining a “fun” approach. Children in Beginner level Ballet, and Jazz classes, are taught an elementary vocabulary and technique in hour long classes which challenge coordination and concentration abilities.
Advancing beginners are exposed to a wider vocabulary within their genre, Expectations are placed on better posture and an understanding and execution of vocabulary.
Dancers broaden their vocabulary and are challenged to achieve more technically correct positions and execution of steps. A new offering at DCNJ is the Supplemental Track for students who are multi-disciplined, and only take one class per week. In this prepointe level, dancers develop a firm grasp on the vocabulary, and demonstrate cleaner execution. The Pro-Track Level is only for those very serious dancers committed to pursing a career in dance. Adult programs offer personal challenge and promote the maintenance of and the return to, a healthy condition.
Pointe is a technique for the more advanced student enabling the dancer to stand on the tips of their toes producing a lighter, more graceful and ethereal look. Variations Offered to Intermediate IV level ballet students and above, Variations class is an opportunity to expand technical ability and at the same time, develop a sense of artistry. Modern dance technique utlizes the mind, body and spirit as means of expressive communication through movement. 5th Element Dance (formerly Nicole Marshman Dance) provides dance classes to suit all ages, levels and abilities. Ballet, the most graceful form of dance, is offered to students of all ages, from 3 years to adult. Contemporary dance is a style of expressive dance that combines elements of several dance genres including modern, jazz, lyrical and classical ballet. Please Contact us if you have any queries about which classes would best suit your dancer. We are able to offer a number of different options for each level and would love the opportunity to assist you with a personalised timetable for your student. But even if you left elementary school behind decades ago, there are plenty of places in the city to learn everything from ballet and jazz to pole dancing and hula.
Drop in for open adult classes on a pay-as-you-go basis, or attend more structured ballet workshops.

The Balboa, the Charleston, and other related dances are also mixed into the classes, which run for six-week long sessions at its Boston and Newton locations. Classes include ballet, jazz, tap, hip-hop, Broadway, contemporary, lyrical, pop jazz, and belly dance. Take your pick among saucy options like Pole-On-The-Go, Chair Flair, and, for the truly brave, Exxxotic Dancing. You can start from scratch with the company’s hula and Tahitian classes for beginners, and then move up to intermediate and advanced options as you progress. We reserve the right to remove impersonators or personal attacks, threats, profanity, or flat-out offensive comments.
Ask someone what they know about frogs and they may mention Kermit, tales of transforming princes, or general sliminess. If you were good at something and worked hard, that was usually enough to move up the ranks. While this is a wonderful outlook and providing outlets for our children is extremely important, I am a big believer that happy parents make happy children.
Whether youa€™re looking for something technical like a jazz or ballet class, more cardio based like Cardio Hip Hop dance classes or Zumba, something to do with your significant other like ballroom, OR something to do WITH your child like a YOU&me class, their is an option for you!
If they have never had exposure to dance, your participation and enjoyment in classes may spark them to want to try a class of their own, and if theya€™ve been bored with their current dance classes this may give them the extra push to find their own passion and love for dance again.
DAY, MARCH 28-APRIL 3 FOR SPRING BREAK AND MAY 30 IN OBSERVANCE OF MEMORIAL DAY.  NO ADULT CLASSES WILL BE HELD. This class is perfect for beginners who have never danced before through professional dancers! An alternative to the “perfect body” standard that permeates our society, our dance workout program cultivates a welcoming, accepting  atmosphere that promotes health and well-being for all people regardless of ability or background. All R&M teachers are experienced dancers who draw from a common body of choreography inspired by a popular and international mix of music and dance. Susan Massey will teach the class which will meet for four lessons, touching on history, basic technique, and terminology. This class will begin with an intermediate technique warm-up which will focus on preparing the dancer to address core strength and qualities of release. The Pilates Method builds long lean muscle without adding bulk and develops the whole body in a balanced way.
Most people willing to work to achieve and maintain a healthy body can use the Pilates Method to do it – regardless of fitness level and at any age from mid-teens to the elderly. Lessons are 60 minutes and include work on all the apparatus designed by Joseph Pilates plus the Mat work and the other series taught in Mat Classes. The postures are a series of movements designed to increase strength and flexibility in the body.
In this ALL LEVELS class learn a Vinyasa yoga series that will relax your mind, energize and strengthen your body and most importantly leave you feeling CALM and HAPPY. Winslett’s arrival in 1980, Richmond Ballet was a student company that contracted with guest soloists for its performances. Winslett was trained by Ann Brodie, Aldofina Suarez, and Michael Lland in Columbia, South Carolina, at the American Ballet Theatre School in New York and the North Carolina School of the Arts on scholarship.
During his 25-year dancing career, he performed leading roles in the standard classic repertory as well as numerous creations of contemporary ballet.
Hancock, a former business lawyer at Troutman Sanders and former President of the Richmond Ballet Board of Trustees, re-joined Richmond Ballet in January 2014.
Hancock has led a variety of the Ballet’s outreach and development initiatives, including the Corps of the Richmond Ballet (an all male engagement group) and the Encore Society, while also serving on the Building Committee which oversaw the design and construction of our headquarters.
Hancock returned to Richmond Ballet after serving in a variety of roles for several businesses, which followed a 34-year law career at Troutman Sanders, LLP, and its predecessor, Mays and Valentine.
She trained in London, England, with Anne Heaton, John Field and Valerie Taylor, and at Butler University and Indiana University with George Verdak, William Glenn, Peggy Dorsey, Anton Dolin and Kenneth Melville. She began working with Richmond Ballet’s Minds In Motion (MIM) in its third year, training under founding director Brett Bonda and continuing her training in New York with Lori Klinger, Executive and Artistic Director of Rosie’s Theater Kids and Jacques d’Amboise, founding Artistic Director of National Dance Institute. She danced with the New York City Ballet under the direction of George Balanchine, Jerome Robbins, and Peter Martins. Upon graduation from the Kiev Choreographic Institute, he joined the Donetsk Ballet (Ukraine) as a soloist.
She started her professional career as a member of Tulsa Ballet II in 2008 performing such works as Don Quixote, Nutcracker, Carnival of the Animals, and Cinderella.
She attended summer programs at Colorado Ballet, Virginia School of the Arts and American Ballet Theatre. At the age of 12, he continued under the direction of Philip and Charles Fuller and soon attended the Los Angeles County High School for the Arts. When he was 13, he continued his training with Philip and Charles Fuller while attending Los Angeles County High School for the Arts.
Her early training was strengthened by attending programs at the School of American Ballet, Chautauqua Ballet and Pennsylvania Ballet. In 2009 he continued his training at the Kirov Academy of Ballet in Washington DC, graduating with an Artistic Diploma in 2012.
He has worked with the Joffrey Ballet and the Milwaukee Ballet, where he appeared in works by Val Caniparoli, Twyla Tharp, Michael Pink and Petr Zahradnicelz. She attended summer programs at The School of American Ballet and Miami City Ballet School. At the age of 19, Kirk joined the Dayton Ballet where he received a Josie Award for individual excellence in the art of dance. He then continued his training with The School of Richmond Ballet, eventually attending both its trainee and apprentice programs. He studied there for five years before moving to Cuba where he danced with Prodanza, under the direction of Laura Alonzo, for one year.
While in middle school, Maggie also participated in Richmond Ballet’s Minds In Motion educational outreach program.
Soon after, he signed up for ballet and other countless classes that Richmond Ballet offered. He has performed as a guest with Todd Rosenlieb Dance and has attended summer programs with Gelsey Kirkland Academy of Classical Ballet, The Joffrey Ballet School in New York City, Ballet Austin in Texas, as well as Hubbard Street Dance Chicago. He later attended San Francisco Ballet’s summer intensive and year-round training program for three seasons before joining the Ballet Theatre of Maryland for two years. Dancers will learn solo and small group variations from classic ballets such as Sleeping Beauty, Swan Lake, Raymonda, as well as originally choreography by our faculty.
Our Modern class, beginner and intermediate, introduces the fundamental principles of movement and shape as it relates to time and space. All of our classes have a unique structure that while the students are having fun and getting fit they are learning all the technique and skills they will need if they ever decide to teach dance or become a dancer, while progressing at their own pace.
Contemporary dancers strive to connect the mind and the body through fluid dance movements.
Our Little Dancers while having fun and telling stories through dance will learn the beginnings of dance technique, musicality and performance. Predominately classical with blend of jazz, this class provides dancers with an opportunity to enjoy both styles of dance while developing rhythm, co-ordination, balance, memory and confidence. Taught by a qualified dance teacher, this class is designed to tone and increase cardiovascular fitness and flexibility as well as teach and increase dance knowledge and technique. Whether it be the young dancers I am teaching, the siblings of those dancers, or someone in the crowd at a dance performance.
Although attendance is not mandatory, students are encouraged to attend classes regularly in order to make progress, gain strength and have an enjoyable experience. All dances are pre-choreographed, so it is a fast-paced challenge, but the Teaching Artists will help you along if it’s your first time.
Rhythm & Motion emphasizes the joyful spirit and open expressiveness of dance and invites it into daily life for individuals, friends, families, and the larger community. Each class will incorporate basic barre work and center work, with hopes of building confidence with each class. Students will be encouraged to work with a broad range of ideas to develop risk, versatility, and strength. It gives exceptional abdominal strength while improving posture, flexibility, circulation, breathing, and imbalances in strength and alignment, preventing injuries. By the end of the year, she had become the Artistic Director of this promising organization. Bonda performed much of the company’s repertory, dancing lead roles in ballets such as Rodeo and Coppelia, and appearing in the premiere of Stoner Winslett’s original work, Ancient Airs and Dances.
Hancock brings considerable non-profit fundraising experience to the Ballet, In addition, he has served on numerous boards, including that of a publicly traded Fortune 1000 company, as well as of small businesses and not-for-profit arts and educational organizations such as Richmond Ballet, The Carpenter Center, St. He has served as Stage Manager for the Martha Graham Dance Company, Elisa Monte Dance, Pascal Rioult Dance Theatre, Cortez and Company, 35 and Hartford Ballet. In her 15 years with Minds In Motion she has taught over 2500 performers and written and produced several culminating performances.
In 1990, he was invited to join Richmond Ballet, where for five seasons he danced leading roles in works by George Balanchine, John Butler, Antony Tudor, William Soleau, Malcolm Burn, and Stoner Winslett. She decided to continue her training in New York City at the Ellison Ballet Professional Training Program from 2011-2013. She spent one season with the Colorado Ballet Studio Company, and in the following three years, progressed through Richmond Ballet’s trainee and apprentice programs. He studied with various scholarship programs through Kaatsbaan International Dance Center, Jacob’s Pillow and Boston Ballet. Marty attended summer programs at San Francisco Ballet and at Boston Ballet, where he was invited to continue his studies through the company’s trainee program. She danced as an apprentice with North Carolina Dance Theatre and also studied at Indiana University before accepting an apprenticeship with Richmond Ballet. In March of that same year, Richard performed by invitation at the Bolshoi Ballet Academy’s Gala.
As a trainee at Boston Ballet for two seasons, Abi performed with both the company and Boston Ballet II. In 2004, he joined Richmond Ballet and in subsequent years danced with The Suzanne Farrell Ballet, where he received a 2007 Movado Future Legends Award, and for Jessica Lang Dance. After graduating from their Post Secondary Program, she spent one year as a trainee with The Washington Ballet. He then studied at Juilliard in the summer program on full scholarship before joining Richmond Ballet in 2006.

She spent one year at the Tisch School of the Arts at New York University before joining the Richmond Ballet.
In 2007 and 2008, he attended the summer intensive programs at North Carolina Dance Theatre’s school on full scholarship. While dancing with Richmond Ballet, she has performed principal roles in both classical and contemporary productions. Through the years, he rose through the ranks of the School, including a year spent in its trainee program, and three seasons in the second company. If students show the potential and a passion to take dance further we offer classes and opportunities to help them succeed. Our Excellence Programs challenge the exceptionally talented dancer, leading to part-time and full-time dance courses with various registered training organisations in Australia or internationally. Following the Royal Academy of Dance (RAD) ballet curriculum, we offer everything for the aspiring ballerina under the expert guidance of Nicole Marshman Geyl. Contemporary dance stresses versatility and improvisation, unlike the strict, structured nature of ballet, and can be performed to many different styles of music.
It will gently improve and develop their skills and technique, without stressful exams and unnecessary pressure.
This class focuses on developing: Balance and strength, Flexibility through the practice of proper stretching techniques, Agility, Motor coordination and body awareness. I believe most people who do not live in or near Boston thought the Boston Bhangra was a type of disease you can get if you go to the wrong parts of southie!!!!!!!!! Again, choosing a class that doesna€™t feel like or a chore, or one that is rushed will help you stick with it longer! After all four lessons, the student will transition into the Adult Ballet I class already offered.
Yoga also… reduces stress, improves concentration, stimulates circulation, aides in digestion and weight loss, provides balance, inspires creativity, and creates connection. Since 1984, when she and the Ballet’s Board took the company professional, Richmond Ballet has grown from a small ensemble of twelve dancers, contracted for twenty weeks per season, to a group with twice the number of performers and work weeks. The Ballet’s scope also includes a school, The School of Richmond Ballet, which celebrated its 40th anniversary last season and serves more than 800 students annually; and many outreach programs featuring the unique Minds In Motion program that celebrated its 20th anniversary last year.
After learning of the outreach work done through Lori Klinger and the National Institute of Dance, Mr.
Hancock serves as Campaign Director, managing campaigns designed to promote the organization’s long-term financial sustainability.
Hancock worked at Mays and Valentine for 25 years before becoming Counsel for Troutman Sanders in 2000. Jacob danced professionally with Memphis Ballet, performing principal roles such as the Sugar Plum Fairy (The Nutcracker), Swanhilda (Coppelia), and the title role in Cinderella. He has also worked on projects with David Finely Associates, William Electric Black, Jacob’s Pillow Dance Festival, SPARC, Spoleto USA, Metropolitan Opera Guild, and Central City Opera. Kumery has served as repetiteur for Ballet Teatro Lirico Nacional and Pacific Northwest Ballet, and from 1990-2007 was Associate Artistic Director of North Carolina Dance Theatre.
During that time he was also a medalist and best couple award winner at the International Ballet Competition in Jackson, Mississippi. Lauren spent one year as a member of Richmond Ballet II and this is her second season with the company. Elena moved to South Carolina to attend the South Carolina Governor’s School for the Arts and Humanities. After two seasons as a trainee in Boston, Trevor joined Richmond Ballet in 2008 as an apprentice and became part of the professional company in 2010.
She was promoted into the professional company after two years and has treasured her experiences performing as part of Richmond Ballet while traveling to such amazing venues as Linbury Theatre at the Royal Opera House, the Joyce Theater, the Kennedy Center, and more recently in the opulent theatres in Beijing and Shanghai as part of the Company’s tour to China. While dancing for Richmond Ballet, Matthew has performed in Jerome Robbins’ Fancy Free, as the old chieftain in Salvatore Aiello’s The Rite of Spring, as the ugly stepsister in Malcolm Burn’s Cinderella, and as Gamache in Don Quixote. After two years with the Richmond Ballet’s second company, she is very excited to begin her second season with the professional company. Kirk was recently married to Valerie Tellmann-Henning and is excited to be returning to Richmond Ballet.
During her schooling, she attended many summer programs including those at Boston Ballet, Nutmeg School Conservatory, and an exchange program through the John Cranko School. Maggie has participated in the National Choreographers Initiative, has appeared periodically with VOICE Dance Company and has performed with Jessica Lang Dance at Jacob’s Pillow. She has performed at the Linbury Theatre at the Royal Opera House in London, at the Chicago Dancing Festival, multiple times at the Joyce Theater in New York City, and most recently in theatres throughout China. Increases stamina, flexibility, and strength while once again developing skill, co-ordination, balance, memory, and self-confidence.
And the longer you participate the more benefits (such as coordination, flexibility, and higher energy levels) youa€™ll get out of it!
Only requirements: commit to all four lessons and come dressed in clothes you can easily move in!
The Company is now recognized both nationally and internationally for the strength of its dancers and its culture of cultivating new ballets while preserving classic traditions.
The organization operates from a state-of-the-art training and performance center on Canal Street, developed in 2000 under the direction of Ms.
Bonda elected to retire from the stage to become the Education and Minds In Motion Director for Richmond Ballet. Leslie Strickler co-chaired the Marketing Committee which set the tone for the company’s inaugural trip to the Joyce Theatre in 2005. He has also served on the Executive Committee of the Virginia Bar Association and as President of the St. She also created roles in ballets by choreographers Ron Cunningham, Jill Eathorne Bahr, Norbert Vesak, Robert Kelley and Philip Jerry. For the next several years, he danced with Deutsche Oper am Rhein in Dusseldorf, Germany, and made guest appearances with major ballet companies in Berlin, Madrid, and Nice. After graduating, she spent two years studying dance at Purchase College before auditioning for Richmond Ballet.
She also stretched her limbs in new directions this spring and extended her China adventure alongside Richmond Ballet’s Malcolm Burn, helping to stage Ma Cong’s powerful Lift The Fallen ballet on Guongzhou Ballet. Matthew participated as a choreographer in Richmond Ballet’s New Works Festival for the 2014-2015 season, premiering his work Inventory. Sabrina spent two years in Richmond Ballet II and this is her second season in the professional company.
In 2012, she was featured on the cover of Dance Magazine as Richmond Ballet’s ‘Homegrown Ballerina’. Outside of Richmond Ballet, she has spent summers performing with Terpsicorps Theatre of Dance in North Carolina and with the National Choreographers Initiative in California.
Hip hop dance has a direct impact on the style of dance that many teens now use in social settings.
Proclaimed The State Ballet of Virginia in 1990, Richmond Ballet has expanded its reach, performing across the Commonwealth and in major cities around the United States. Winslett is the longest tenured artistic director of a major ballet company and one of the few female artistic directors in the U.S.
Ballet in South Africa, where he won the Ivan Soloman Award for Best Male Dancer in 1973, 1976 and 1980. Hancock played a leadership role in both the Ballet’s ‘Raising the Roof’ and ‘Anniversary’ campaigns.
Hancock’s areas of practice at Troutman Sanders included commercial real estate development and finance, insurance legislative and regulatory matters and issues affecting early stage companies, including strategy, corporate structure, capital formation and financing. She was the Associate Artistic Director of Fort Wayne Ballet prior to joining Richmond Ballet in 1995. Kumery was awarded an Arts & Science Council Fellowship for her meritorious contribution to the artistic community in Charlotte, North Carolina.
Returning to Richmond Ballet in 2003, he continued to perform with the company, conduct rehearsals, and teach. She spent two years as an apprentice and one year in Richmond Ballet II, and is now enjoying her third season as a part of the Richmond Ballet professional company. In 2013, she danced with The Suzanne Farrell Ballet at the Kennedy Center, in Washington, DC.
The Company made its international debut in London in 2012, in a highly acclaimed run at the Royal Opera House’s Linbury Theatre, and conducted its first tour to China in May of 2015, with performances at the National Centre for the Performing Arts in Beijing and the Shanghai Grand Theatre. She is the curator of the Salvatore Aiello ballets and serves as repetiteur with The George Balanchine Trust.
In the summers, Elena enjoys teaching dance for disabled children in Jersey City, NJ with her family. She is looking forward to performing with them again in the fall of 2015, alongside her newlywed husband, Kirk Henning. Burns’ choreographic works for Richmond Ballet include Romeo and Juliet, The Sleeping Beauty, Cinderella, A Tribute, Classical Symphony, Faces, Walpurgis Nacht, Pas Glazunov and Complete Trust.
Jacob was appointed assistant ballet master in 1996, and has been The School of Richmond Ballet director since 1998. Antonov stepped into the role of leading Richmond Ballet’s second company, Richmond Ballet II. Still, she often states that her highest honor has been the privilege to work with the talented professionals and dedicated community members who have made a real difference in the world by building Richmond Ballet.
Bonda has served as the Ballet’s company manager, tour manager, and video producer, before stepping into his current role as Managing Director where he has worked closely with members of the Ballet’s Board to oversee the organization’s strategic planning and governance, and this year, to initiate the new Road To China program. Winslett’s tenure at Richmond Ballet is a testament to the power of dance, and to the culture which can emerge when like-minded people come together. Bonda’s work with Richmond Ballet has been recognized both statewide and nationally, having been asked to serve as a panelist for the National Endowment for the Arts and as a juror for the Coming Up Taller Awards.
Bonda received Richmond Magazine’s Theresa Pollak Award for Excellence in the Arts and in the summer of 2014, he represented the United States at the US-China Consultation on People-to-People Exchange in Beijing alongside U.S. Bonda is an alumnus of Virginia Intermont College, and lives in Mechanicsville with his wife, Annette, and their two sons, Aaron and Ethan.

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