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First let me state for the record that I thought Chadwick Boseman is best damn James Brown imitator I have ever seen (and I have seen a LOT of them!) He should win as many acting awards as the white man (and the "knee-gro elite") wants to give him.
The story, while it deals with many of the known facts about the life of James Brown, really misses the three main reasons why I would want to see a movie about James Brown. There are lots of other things that I would consider important (ex: no mention of Henry Stone's career long involvement with James Brown, no mention of Mr.
I guess one redeeming thing about there being NO BLACK WRITERS involved in the creation of this movie is that there was absolutely no discussion in the movie about the lyrics of James Brown's songs. Another good thing that this movie clarifies for me is that James Brown was such a dynamic, visionary & multi-dimensional individual figure, that there should be many movies or TV shows made about him, made from multiple perspectives. Right now there are a whole lotta folks who are pretty upset about "Get On Up." I say, don't fret. That's because had he not been ill, Henry Stone would have called and reminded me that James Brown would have never been signed to King Records in the first place, had it not been for Henry Stone, and didn't the idiots who put the damn movie together know enough about the history of Black music to come and ask Henry Stone about James Brown? Do you think that someone with all of these accomplishment in the music business should be in the RRHOF? One day Henry said to me, "Bob what is your mailing address, I want to send you our catalog." I gave him my "snail mail address," and the next week a giant box arrived from Henry Stone containing over 200 CD's.
The reason I liked Henry Stone so much is because in our telephone conversations, he was willing to share so much of his history with me. I'll always be thankful, that he was so willing to provide me with one hell of an education. One of the questions I get from readers is "Why can't we have a new Motown?" My answer to them is that they haven't been paying attention. TK Records was an "indie soul label" that was also the home to mega selling artists such as; KC & the Sunshine Band, Timmy Thomas, George McCrae, Latimore, Little Beaver, Gwen McCrae, Clarence Reid, Bobby Caldwell, Newcleus and more. Both are excellent albums, are reviewed in detail below and if you click on the links you will be taken directly to websites where you can listen to them. After reviewing and re-reviewing for the last few hours all the wonderful comments and reviews received from you on the new Latimore album "All About the Rhythm and the Blues" what can I say, Bob Davis one of the greatest Rhythm and Blues writers of all time has spoken his piece along with Earl Gregory's live review of the album. It announces a new release from our friends TN'T (Trish N' Tom.) I have heard the album myself and I really dig it! Here's a brief note, letting you know we are releasing the first single 'Today' from our forthcoming LP. I was in the house at BB Kings for this one and had a blast myself, along with the rest of the packed house. On a warm beautiful Saturday evening, a great musical happening took place at the infamous B.
As Smith exit stage left, Tracy Brathwaite, a extraordinary talent in her own right, chilled us with a heartfelt belting performance of the legendary Etta James' 1961 classic standard of, 'At Last'. Entering his 2nd return on stage, this time with a black outfit, Carlton shared with the crowd his memorable moments on stage with footage of his daughter Misa Love Smith as an infant in 2004, and as a 4 year old in 2008. Now at the age of 10, Misa Love wowed the audience with a wonderful cover of Aretha Franklin's classic hit of 1967 'Chain Of Fools'. Smith's boyhood friends, EQ hit the stage, also attributing to Michael Jackson with his masterpiece smoothie LP cut of 1982, 'The Lady In My Life' with a still photo shot of Carlton and Michael J. Background singers, Romona and Zahmu paid great homage to Marvin Gaye & Tammi Terrell with 'Ain't No Mountain High Enough' as Carlton bounced back on in red, paid respect to the late great Bobby Womack with 'Daylight' 'Across 110th Street' and 'If You Think You're Lonely Now'. If you ever want to re-energize your funk and soul, well baby, get refunked to sounds of the Carlton J.
The following are some rough notes that I took last Friday at the Boney James show in Lakewood, NJ last Friday.
This band played some SEVERE off the hook almost RETURN TO FOREVER type BUTTHOLE WIPE STANK FUNK up in here for about 10 min. The guitarist (Norris Jones) is outstanding on this otherwise forgettable cover of "Ain't No Sunshine." He now sounds something like Carlos Santana.
I also was in attendance at this show in "The People's Republic of Brooklyn," a few weeks ago.
When "Paperboy" Reed was done sound checking, he hopped over to join forces with Jennie Wasserman as The Sugar's backing vocalists. She reprised two of the duets she recorded with Etta James; Do I Make Myself Clear and In The Basement. So in terms of the sum total of energy put in, The Sugar clearly is more vested on this recording than Etta.
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Sugar Pie DeSanto's manager, Jim Moore once showed me an email from Little Jimmy Scott and his wife giving kudos and encouragement to The Sugar after she lost her husband. For me Bobby Womack is a total and complete enigma, despite the fact that I spent 2 weeks daily conversation with him back in the 1990's. For me it was a wonderful 2 weeks, that at the time was probably the most important thing going on in my life at that time.
Whets most interesting about that is that for two weeks of something that today feels almost like it never happened, there is in fact a very tangible thing that exists, that was the end result of the two weeks that I spent with Bobby Womack. If you go to Bobby Womack's Wikipedia page you can find all of the basic facts about his life and career. What I got during those two weeks I spent with Bobby Womack was the "un-sanitized" version of what you would find on his Wikipedia page. However I also had to focus on all of the "dots I had to connect," both online and offline in order to pull off the chat session.
In short there were many things that could go wrong, and cause the whole thing to result in failure. And one of the things that I had to do within that process was to talk to Bobby Womack, multiple times per day, every day for two straight weeks.
About 50 people showed up for the actual chat session, some quite well steeped in the details of Bobby Womack's career, and some who were "star-struck" at being in the same "space" with Bobby Womack.
Yesterday afternoon when there was some confusion about if Bobby Womack had passed, a number of people contacted in and out of the media me for information. I don't understand this particular "compulsion" that folks on the internet have to know if a person that they didn't even know is dead or alive. I can tell you this much, Bobby Womack is no doubt having a huge laugh about all of that right now.
As I drove from New Jersey to Reading Pa, the site of the Berks Jazzfest on rainy Saturday afternoon, I had the album Global Noize - "Sly Reimagined" playing in the car CD player.
What made me anticipate this show so much is because I knew that they would be performing most, if not all of the songs from their innovative and highly acclaimed 2013 release called "Sly Reimagined." To me one of the very best kind of concerts one can possibly attend is one where the artist performs an entire album.
Maya Azucena on lead vocals (in place of the ultra-sultry ) and featuring Karen Briggs on electric violin that, who along with drummer Gene Lane took this funky joint from Global Nozie's 2012 album called; Prayer For The Planet to a whole nother level. This song, the old "pull your self up by your bootstraps song," appears on the surface to be an anthem that even the Republicans might adopt? From the 1973 album called "Fresh," which is regarded as pretty much the last gasp for Sly & the Family Stone. Jam For Joe is a slammin joint that appears on the very first Global Noize album from 2008. Clyde has arranged with the promoter of a big Doo Wop show coming up on April 19th in Philly to secure tickets for a bus load of young folks from Harlem to attend the show. However he needs CA$H to secure bus transportation to physically get the kids from Harlem to Philly so they can attend the show.

We hope to bring the children of Harlem Got Talent to a show in Philadelphia on April 19th.
My feeling is that if they can raise the money for the bus, they will create 50 - 60 brand new doo wop fans, who will likely become doo wop fans for life. As I mentioned a few weeks ago, there is a whole series of Tribute shows coming up in Philly. Is there anything or any point that you would like me to make about the artistry or the biography of either Barry White or Teena Marie, that you feel has been either overlooked or marginalized by the mainstream media?
Earlier today I asked how many of you would attend a John Coltrane or a John Lennon Tribute show.
Plain & simple, I'm having a whole lotta trouble getting excited by much of anything that I hear.
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Earthjuice," given the amount of money we spend in the Davis household each month for various Satellite TV services, therefore making it fiscally irresponsible to "go to the movies," yall convinced me that I should go see it.
James Brown isn't really "whitewashed" in the movie, but he is marginalized, because the power of his truth is not told!
The movie says that James Brown influenced many artists - Hell, why not show me which ones. Bobbit who was James Brown's right hand man, No mention of "capeman" Danny Ray, no mention of Fred Wesley, etc.) Worst of all is the foul treatment of James Brown's parents in the movie, when there is documentation to the contrary of what was depicted in the movie. Clearly the reason for this is because no white man in his right mind would dare to try and interpret what James Brown is saying. And most importantly contains JAMES BROWN (warts and all.) It airs nationwide on TV ONE Aug 17 and also in Sept. How ironic that Henry Stone should pass away within a few weeks of the release of that horrible James Brown movie. But the larger question should be, why was it that those who claim to care about the history of Black music NOT go and speak with Henry Stone. Motown was an "Indie Soul" label back in the day that had a huge impact on the music scene. We know the name Henry Stone, because he was the producer of the hit albums by these artists. Ms Brathwaite informed the audience that she'll portray the great Etta James in near future shows, in which I'm looking forward to. With style, poise and stage commandment Misa Love's apple doesn't fall far from the musical tree that her dad planted. He then rocked the David Ruffin's 69' hit 'My Whole World Ended', giving shoutouts to each member of the Rolling Stones and and tributes to Marvin Gaye (Keep Gettin' It On' Sexual Healing') and Michael Jackson with ('Roses Make Me Feel' aka ' The Way You Make Me Feel)'. One of the things that I have learned about "smooth jazz," is that although many of the records are formulaic and boring, that the live shows are often full of surprises. Even a brova like me, married for as long as I have been still needs a nice place to take his lady on a Friday night!
We know from the git go that we aren't exactly getting John Coltrane or even Grover Washington Jr with him. The bass player sounded like Stanley Clarke, guitarist sounded like Al DiMeola & drummer sounded like Lenny White. On the next jam, the guitarist is now doing a STANK cover of "Sweet Thing" Drum & Bass are on point too. In addition to all of the above, he also sang several songs during the course of the evening. Earthjuice" asked me if we would be coming back for any of the other shows in the summer series.
But it's a good thing that our friend Tee Watts was also there to provide this review, since I was too busy dancing! The Sugar also performed Keep It Like It Is, Life Goes On, Soulful Dress, Use What Got, Slip In Mules, Go Go Power, Hello San Francisco and In the Basement.
As the "producer" of the chat session, it was truly a test of all of my "PMP Trained Project Management Skills," from a business, technology and operational perspective. You see I knew that since I knew that the primary reason for taking the drive was that I would be seeing Global Noize. Since I knew that I would be writing this review I wanted to do a comparison between the studio and the live versions of the album. We just went from Mahavishnu Orchestraesque fierceness to something that sounds like a funky nursery rhyme. Instead it was a catch phrase that then candidate Barrack Obama used many times over during the 2008 Presidential campaign. You know the song that quite literally transitions from Soul to Funk three-quarters of the way thru, almost as if to trumpet the arrival of FUNK music itself to your consciousness. Clearly there was much more than just music that formed a bond between Sylvester, Freddie, Rose (and sometimes Vet.) In the song "Family Affair," Sly Stone's genius lyrics are clearly vignettes about his own family. However the song "In Time," is a tasty and funky little morsel that was very clearly an influence on Shuggie Otis, Prince and others, later in the 1970's. Thank You For Talking To Me Africa was perhaps the best song on the album "There's a Riot Going On, " and for my money is one of the greatest songs in the history of FUNK music!
If it's as good as the last one, you will be able to talk about it as much as I have been, since the last show. And I have been asked to provide some historical context as I introduce each tribute artist.
I am truly in need of the equivalent of "de-fibulator treatment, into whatever the parts of my body are that are in control of my musical sensibilities.
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King & Barrack Obama, James Brown was the most influential Black American of the past 50 years - Tell the story of how James Brown was the most influential Black man in the country, after the death of Dr. The "angry black man" inside of me thinks this is an attempt to show Black families in the worst possible light.
There was no huge conglomerate, investment bank, real estate syndicate or hedge fund behind Henry Stone.
If you go there you will see that there is a TON of music up there, representing all of the musical styles I mentioned earlier and then some. But I got to hear a LOT of great music (doo wop, funk, southern soul, blues, etc) that I had NEVER heard before. Taken all together, it is a fabulous story and I hope that at some point Inez & Joe will put it all down on paper. Henry Stone is a "shadowy figure," whose name we all know from reading the liner notes of the albums we brought back in the 1970's & 1980's by artists who were on the legendary TK Records label. We've always presented the listener with music that is fun, real, energetic, of substance and uplifting all at the same time. King's began, Carlton's band in now which I knighted the CJS's' opened with Smith's composition of 'Old School Fool'.
With the devil in disguise, Carlton threw his orange jacket into the crowd and jammed with his drummer Lawrence 'LP' Perry on the drums. EQ member, Rick Torres was giving a heartwarming thanks by Smith, responsible for his humble beginnings in show business, and belief in his talent, during his teenage years.

This is all a part of our friend Jimmy Coefield's (& longtime Soul-Patrol member) vision of creating a regular spot for adult oriented Black music in South Central New Jersey. What you are going to get is a "family friendly" style entertainment that is smartly packaged and presented. Almost the type of venue where you might expect a "red carpet," to be situated near the entrance. Since the show, I have gone up on the internet and checked out some of his video's and he is just as SLAMMIN in a cornucopia of different situations (jazz, gospel, hip hop, rock) as he was last Friday night. This generation of artists that we are at the tail end of believed in our art and us as a people. A seemingly archaic and obsolete artifact, from an earlier time in the history of internet.
And as all that FUNK starts winding and twisting its way thru your body, you listen to the words. However the topics are so universal and so identifiable, that they resonate with us all and could easily be lyrics about our own families as well. Although Sly & the Family Stone itself had literally run out of time, they left us this gem. I went backstage not so much to congratulate the performers, but instead to try as I might to keep the vibe of the concert going. Done with the objective of extending the music that everyone here claims to love, into the future.
View this webinar today to ensure you are taken seriously and can handle any situation thrown your way. However his great performance is wasted, next to the disgrace that this movie is to the legacy of James Brown.
King, completely against all possible odds, especially with the "knee-gro elite" hating him so much, because he spoke directly to the folks that the "knee-gro elite" had their feet on the neck of. Because he would often send me a reply via email or he would call me to tell me how much he enjoyed what I had written (regardless of the topic) and encourage me to keep on writing, keep telling the truth and to maintain my integrity.
And if they do, I hope that they don't ask the folks who made that horrible James Brown movie to make a movie from their book.
No one individual looking for a good time, could have asked for a more dynamic entertaining showstopper, than the Carlton J. Smith (decked in white) entered the stage merrily and delighted us with 3 more of his composed tunes, 'A Man's Gotta Do What A Man's Gotta Do' 'Tripple Nickels' and a beautiful rendition of 'Glisten'.
Lawrence 'LP' Perry's skillful synchronized stokes on the skins, stunk up the place, funkier than green onion! The reality is that many of the "smooth jazz" musicians themselves are actually BADD AZZ FUNK MUSICIANS in disguise.
Have you ever had occasion to have a normal conversation with a famous person whose "voice" is burned inside of your mind? We talked about "sex, drugs & rock n' roll." I mean, damn it, I am after all supposed to be a "musicologist" myself. He said that it was very important to him that Soul-Patrol get as much recognition as possible since there were so few successful Black owned entities in the music business, he saw that as a part of a personal obligation for himself. It would be something like an album cover of the chat session, proof that it actually happened." He had the picture taken and sent to me via email. In fact I would dare say that I have seen Global Noize perform live more times than anyone reading this. It turned out to be one of the best concerts I have ever seen, In fact I have been wearing the same Sly & the Family Stone baseball cap I wore that night, everyday for the past week. Underneath the lyrics the monster groove makes it easy for us to roll with each individual story and such is the genius of the song. Show me how because of his influence, the United States government took him down, destroyed his businesses, stripped him of his communications empire, humiliated him, etc.
So what does that mean in "real life?" It meant that most of the time when I called Henry Stone on the phone, he answered himself. He pretty much always had a new Latimore, Gwen McCrae, etc album and he told me that he felt that it was important to him that Soul-Patrol get the new recordings first. Very often they are locked in a "smooth jazz box" on their recordings, but when you see them live, they get downright NASTY. To take a musical icon like Bobby Womack, put him into an internet chat room with 50 hardcore musicologists from all over the world, and have a freewheeling "meta discussion," about the highs & lows of his life and music.
They are perhaps one of the top 2-3 artists that you can possibly see live if you are a fan of FUNK music. However playing some MONSTER FUNK of that ilk, as the very first song, lays down a gauntlet that sets expectations VERY high. To take a STAND "for the things that you know are right." As I am intellectualizing about all of that I look up to seen "GREATEST GIRL GROUP WHO EVER EXISTED" (Maya, Maysa & Nona) still on stage and when that "transitional part comes" (you know the part when the song flips from Soul to Funk!) Maya, Maysa & Nona start dancing like they are on Soul Train. In my notes I wrote down; "Is that Maysa or is that Ella Fitagerald?" That's because our friend Maysa Leak reached waaaayyyyy down and did some scat singing from another universe.
I then left the venue as quickly as I could, despite the fact that there were more shows going on that night.
Hell, show me James Brown in Africa transforming crowds of hundreds of thousands of people.
And when he didn't answer, it was either his wife Inez or his son Joe who answered the phone.
Maybe he had Joe or Inez reading stuff to him or maybe he had some text-to-speech recognition software. Our taste in musical styles vary, so when we write and record this is reflected in the music. Food was served in a separate room that, that had a DJ, playing stank azz 70's funk and a larger dance floor than most clubs. Dee and Davis pleaded on national TV for Bob Kaufman to come out of his self imposed exile to take part in The Movement.
Bobby told me that he saw a parallel between that and what my brother & I were doing with Soul-Patrol.
In short, "Family Affair" is just about as close to being a "perfect song." As such you might be wondering why Global Noize would even want to touch it? Meanwhile, we'll continue to work on the cover design for our new cd entitled 'Don't Let Go'. Much like Kenny Vance (yeah the doo wop guy) Boney James moves about the stage in a highly choreographed manner, that suggests "dancing," but isn't really "dancing," but creates the illusion of "dancing." This is exactly what Kenny Vance does on stage, and just like Kenny Vance, Boney James is quite effective with this presentation.
I only mention the food, cusp if you come to the shows in the jazz series you should absolutely eat dinner here. He told me that even though he wasn't able to travel himself, he thought it was good to try to bring people together. As strange as it all sounds this type of stage presentation is an extremely good "audience engagement technique." Scoff at this type of choreographed technique all you want. I didn't want ANYTHING to interfere with the great show that was now on "continuous replay," inside of my head. DLG crosses genres, it's fast it's slow, it's soul, it's funk, its house, sprinklings of jazz, pop, gospel, and reggae. Which of course is where the Family Stone would have taken the family of mankind to, had they been able to continue to pursue the music. You see "Family Affair" was the next step after "Everyday People." And Global Noize takes us to the next step beyond.

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