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For the past three decades, Anthony Robbins has served as an advisor to leaders around the world.
What began as a young person's desire to help individuals transform the quality of their lives has grown into Robbins' lifelong crusade as he is called on by leaders from every walk of life-presidents, political leaders, advocates for humanity, CEOs of multinational corporations, psychologists, peak performance athletes, world-class entertainers, teachers, and parents. Chinese paintings, and may also be of some assistance even to the more sophisticated scholar or collector of Chinese paintings in bridging some of the diverse gaps that still exist in our collective assessment of individual works.
Chinese ethnicity, and generally trained through the traditional private master-pupil relationship. This approach to learning by copying was the standard method by which all Chinese artists learned to paint. Taipei Xiaozhong xianda album, does add some credence to the notion that the Taipei album may in fact be by Wang Shimin himself.
Based on the theories of scholar painters of earlier periods, chiefly Su Shi (1036,1101) and Mi Fu (1051-1107) of the Song, Zhao Mengfu (125-1322) of the Yuan, and Dong Qichang (1555-1636) of the late Ming, the Qing dynasty literati painters, who generally were also connoisseurs and collectors, established an orthodoxy of correct models, techniques of painting, and most important, standards for brushwork.
A A A  This approach to learning by copying was the standard method by which all Chinese artists learned to paint. A A A  In a remarkable set of twelve hanging scrolls, now in the Shanghai Museum, painted in 1670, Wang Jian transformed these compositions once again, but this time into full~size vertical scrolls of uniform dimensions.
A A A  Based on the theories of scholar painters of earlier periods, chiefly Su Shi (1036,1101) and Mi Fu (1051-1107) of the Song, Zhao Mengfu (125-1322) of the Yuan, and Dong Qichang (1555-1636) of the late Ming, the Qing dynasty literati painters, who generally were also connoisseurs and collectors, established an orthodoxy of correct models, techniques of painting, and most important, standards for brushwork. I love that Deepak compared this form of stretching as physically stretching before you exercise. Stretching more than you can reach requires curiosity about the world and a desire to go beyond the limitations of your present knowledge and experience. By evaluating our work in measurable terms, we remain in control of our progress, our time, and our resources.
This is where the rubber meets the road and you align yourself with what you really want vs.
For there to be agreement between the inner world of our values, goals, and beliefs and the outer world full of contentious individuals with conflicting ideas, we must find a deeper level of commonality.
When we choose to live in the moment, trust our inner voice and reflect on the messages we receive daily, we begin to feel valued in the scheme of life which makes us feel light, energized and ready to grow and accept all the good that life has to offer – true success.
Now is when we need to synchronize our new found awareness with that of the universe, acknowledging that while we are not bound by time, there are 7 different ways to spend our time daily to optimize our brain and bring a sense of fulfillment. This is something I’ve been trying to make a part of my everyday for years, but which I still struggle to keep up with the consistency necessary to make it routine. As you can see S-M-A-R-T choices require us to move out of our comfort zone and into the law of intention, where the universe will reflect it back to us. It is Melissa, glad you stopped by and kind find a way to incorporate into what you’re already doing – love that!
Thanks for stopping by Claudya and hope it inspires you and motivates you to the path of true success! A recognized authority on the psychology of leadership, negotiations, organizational turnaround, and peak performance, he has been honored consistently for his strategic intellect and humanitarian endeavors.


Since fathering the life coaching industry, Robbins has produced the #1-selling audio coaching system of all time. Following the model of the calligrapher, the best painters sought to master the styles and techniques of a number of different artists and gradually to synthesize the results into an individual personal style. 4 In either case, the album embodies the attitudes of early 17th century literati towards the artistic process. The assumption was that a skilled artist was capable of capturing the essence of each large-format model and recreating the essential stylistic features and spirit of the original through his scaled-down copies. In the case of the literati scholar-painters, the student not only mastered the techniques of painting but also aligned himself, through the selection of appropriate models to copy, with the great masters of the past.
7 Wang ]ian probably painted this series, or other versions of the compositions depicted in this album, many times. The same composition could be ascribed to different artists, even by the same copyist, but this did not lessen the value of either the original or the copy.
Using calligraphy as a model, the Qing literati reinforced the notion that brushwork should be the principal criterion for judging quality in painting. It is crucial, therefore, that the visual templates themselves are accurate representations of the categories they purport to represent.
It is for this reason that it is useful to study copies and forgeries in addition to original works, using the former to chart the evolving image of early masters down through the subsequent ages.
Today, we fly all over the world to view blockbuster exhibitions in Shanghai, Beijing, Tokyo, New York, London, and Taipei. Wai-kam Ho, editor, The Century of Tung Ch'i.ch'ang 1555-1636, volume 2, Seattle and London, 1992, p. This mental stretching prepares your mind for making smart choices in every circumstance that arises in your day, just as stretching before a workout prepares your muscles for whatever exercise you will be doing. By recognizing the ways in which we are being transformed, we firm up that transformation and establish that change as something real and useful to our forward progress. I'm the founder and digital content creator for Your Sassy Self and work full time as a Multimedia Designer.
Taking care of my baby keeps me so busy and my mind is pretty much occupied by him that I dont make it a point to reflect on myself without him in mind.
His nonprofit Anthony Robbins Foundation provides assistance to inner-city youth, senior citizens, and the homeless, and feeds more than three million people in 56 countries every year through its international holiday "Basket Brigade." Robbins has directly impacted the lives of more than 50 million people from over 100 countries with his best-selling books, multimedia and health products, public speaking engagements, and live events. They attempted to transform the methods of their predecessors and use them for their own creative ends. The copyist hoped to penetrate the internal essence of the original artist's creation and transmit the spirit of the large compositions through his small copies that duplicated the external forms of each composition. Many artists of the same aesthetic persuasion as Wang Shimin produced versions of the same compositions featured in the Xiaozhong xianda album. 13) is a highly attenuated version of the now-familiar composition elsewhere ascribed to either Wu Zhen or Juran. Ming scholar painters, such as Shen Zhou (1427-1509) and Wen Zhengming (1470-1559) had modeled their styles primarily after Zhao Mengfu and the Four Yuan Masters.


The connoisseur must constantly update his visual database as new discoveries are made and new evidence is revealed. Moreover, connoisseurship in general has been increasingly de-emphasized in art history programs worldwide, in favor of less object-oriented approaches to art.
Most importantly, by making everything measurable, we can make smart decisions that are aligned with our values and worthwhile goals. Without this kind of deliberate affirmation and confirmation, subtle yet profound spiritual experiences can be casually disregarded and forgotten. 960~980) and Wu Zhen i??(1280-1354) in the album on paper, but curiously assigned to Wu Zhen and Xu Ben (d. Although Wang had to manipulate the proportions of the landscape elements in order to fit the vertical format, he retains all of the basic forms and compositional relationships among forms. In other words, a painter's individual personality was discernible and significant, but only within the context of a relatively narrow range of acceptable conventions of brushwork techniques and compositional modes.
By adapting large vertical compositions on silk to smaller, less vertical formats, often on paper, the early Qing literati were able to expand the pantheon of acceptable models to include a broad range of artists from remote antiquity who worked in styles as diverse as those of Fan Kuan (c. We can exchange information twenty-four hours a day with colleagues halfway across the world by telephone, fax, and e-mail. 960~980) and Wu Zhen (1280-1354) in the album on paper, but curiously assigned to Wu Zhen and Xu Ben (d. If they are recorded and registered in our mind, they can be like sprouting seeds that can continue to grow.
1403) in the silk versions, were most likely part of a complete album on silk, or perhaps silk and paper. The harsh, raw strength of the brushstrokes and the intimidating angularity of the forms in the original are entirely lacking.
Chinese paintings are sold at public auction and in galleries, and are available for study in museums throughout the world.
Because you have clarity controlling your choices vs allowing your moods, stress, etc take you out of the here and now. 6 In any case, Wang Hui's version reflects the same attitude of reverence towards the ancients and similarly attempts to faithfully convey the spirit and form of the original compositions. 1046-after 1100), and Gao Kegong (1248-1310), as well as the Four Yuan Masters and Zhao Mengfu. We have the tools to elevate connoisseurship to an unprecedented level of accuracy but, in order to do so, we must match the diligence, sensitivity, and passion of our predecessors.
Historical differences in scale, function, and artistic intent were subordinated to the promotion of a universal aesthetic based on brushwork.



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