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Premise: (from IMDB) Three scouts, on the eve of their last camp-out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak. Writers: Emi Mochizuki and Carrie Lee Wilson (the production draft you see in theaters was rewritten by Christopher Landon and Lona Williams). Yet still they managed to get one of the hottest young actors in Hollywood to join the film. There’s Dylan, the cool one, Matt, the proud one, Lloyd, the geeky one, and then a few other human versions of Swiss army knives. Little does the group know that on Playa del Amor, there’s a hidden research facility, and that some guy who works there named Carlos just got infected with the zombie virus.


As Dylan, Matt, and Lloyd finalize plans to invade a high school house party (I guess there’s a high school on this island??), their plans are interrupted when some local islanders try to, well, eat them. Unlike most zombie movies where the main characters don’t know what zombies are, our group is well-versed in zombie lore and know that they must get the hell off of this island or embrace an afterlife of animated rotting flesh.
For example, someone gets bitten inside one of those blow-up sumo suits and becomes “sumo zombie.” And hey, that’s a fun idea, sure. Now if you’re a good writer, your character will speak and act in a way that’s so unique to them, that I’m able to pick up who the character is without having to go back and re-read the intro.
There’s a character named “Jim” here, who’s apparently a main character, whose introduction I missed.


What I learned: Let’s say a law was passed that prevented you from writing traditional introductions to your characters (“JOE, 20, is a space-cadet with a penchant for pinball”). Zombies has our core crew of boy scouts, each 14 (there are 14 year-old boy scouts??), heading to the island of Playa Del Amor to engage in some weekend boy scout tomfoolery.



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