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The Secret Garden by Frances Hodgson Burnett is a classic children’s tale that I think adults can enjoy too. The Secret Garden is a tale of Mary Lennox, an orphaned girl around the age of ten, who is sent to live at Misselthwaite Manor in Yorkshire, England with her uncle Mr.
I knew this story inside and out because I had seen the movie several times before I knew that it was based on the book written by Burnett. Although, this story by the description can sound rather morbid, with Mary being sickly and orphaned when she arrives, her uncle being an unhappy widowed hunchback and Colin being doomed to a sad, unhealthy and short life, it is actually a story of hope.
Since I studied psychology, I know that in the past, people with mental health disorders were locked up (usually chained) in the cold, dark basements of asylums.
I think that it is a great story for children and it also makes me want to spend more time outside and for anyone who is interested in flowers or gardening, I’m sure it would get you itching to get gardening. I could reread The Lion, the Witch, and the Wardrobe one hundred times and never fail to notice something new. I LIKED THIS NOVEL THE SECRET GARDEN AS IT CREATES LIVELINESS AND ENCOURAGES TO DO SOMETHING . I love the book so far!I am reading the book for book club and my hole group likes it.You have inspired me to do more,with writing. Nicole BasarabaNicole Basaraba is a Canadian writer focusing on topics of travel, culture, literature and publishing, and communications. A young British girl born and reared in India loses her neglectful parents in an earthquake. A spoiled, selfish young girl, Mary Lennox (Kate Maberly) is orphaned and goes to live in a vast, loveless house on the Yorkshire moors. You are using an outdated version of Internet Explorer which is unable to show this page correctly. From left, producer Sin Woo-cheol, scenarist Kim Eun-sook, actor Hyeon Bin, actress Ha Ji-won, actress Kim Sa-rang, actor Yoon Sang-hyeon and actor Lee Philip pose during a photocall of a press conference for SBS TV series "Secret Garden" held at the broadcaster's headquarters in Seoul, South Korea on November 10, 2010.
Scenarist Kim Eun-sook is back, the writer of romantic series about couples in love ("Lovers in Paris", "Lovers in Prague" and "Lovers") and dramas about professionals ("On Air", "THE CITY HALL").
The strongest weapon "Secret Garden" holds is in how its characters' souls are switched, to the extent that both main cast Hyeon Bin and Ha Ji-won said, "Our souls switching is the toughest yet also the most attractive element [to the story]".
The viewer will be able to tell that writer Kim's most recent drama, SBS' "THE CITY HALL" which talked about politics with city hall set as the background, is noticeably different in terms of both genre and characteristic to "Secret Garden" which she said, "I intentionally wrote to be fun". Subscribe to HanCinema Pure to remove ads from the website (not for episode and movie videos) for US$2.99 per month (you can cancel anytime).
The first step is to be a member, please click here : Sign up, then a subscribe button will show up. I can say that there are a few discrepancies in the story between the movie and the book, but it stayed mostly true to Burnett’s world.

Once the patients were given access to the grounds and fresh air, they began to improve with this adjustment to their lifestyle alone.
Craven’s journey to health and happiness and this growth is paralleled in the awakening and fostering of the secret garden. I enjoyed reading the book so much that I want to read it again just so I can stay in the Secret Garden longer. No wonder, then, that Hollywood had already filmed the story: the 1949 black and white film simplified and Americanised the characters for the screen, but was memorable for the way it burgeoned into colour for the garden sequences, And there was a lavishly produced, though indifferently acted, BBC production in 1987.
The blunt and arrogant department store owner Kim Ju-won (Hyeon Bin) turns into a pathetic man and stuntwoman Gil La-im (Ha Ji-won) who was always saying she is sorry, shakes her finger at Hallyu star Oscar (Yoon Sang-hyeon) without an ounce of hesitation, the man she had idolized for so long. And it comes after how after writing six dramas till now, she "contemplated on whether to write a drama that helps the world or one that will see good ratings". Known as Mistress Mary Quite Contrary when she arrives in England, Mary soon finds an appreciation for the moorland and gardens.
The symbolism is simple, but is weaved in so well that the reader can enjoy watching the simultaneous growths. However, this story focuses heavily on description and most of the time, it is a pleasure to read.
I enjoy many children’s stories,too many to name here, but some of my faves are by EB White, Roald Dahl, JK Rowling, Eve Bunting, and CS Lewis. I think that children’s classics might be on the horizon for this book club for a few more months because there are so many good ones to read! But it took a Polish director, an American executive producer (Francis Ford Coppola) and an almost entirely British cast and crew, led by cinematographer Roger Deakins and designer Stuart Craig, to put together this version - and it’s a beauty. That she is back with an SBS drama titled "Secret Garden" and that she has gone back to telling a story about lovers. And the absurd yet detailed setups such as how Ju-won will scream like a girl and crouch down, or say, "I just really wanted to tell you this is a really expensive brand" while turning his body around and pulling out the tag of his sweatsuit, as well as La-im increasingly acting like a man, is visual proof of writer Kim Eun-sook's words that she "will in a much more fun way show imaginary scenes that cannot stray too far from people's imagination".
She decided, "I let go of the depth I showed in 'THE CITY HALL' and my greed as well and made a drama which is easy for the entire family to watch on the weekends". Dickon, the brother of Martha who is one of the manor’s servants, being savvy with nature, helps her grow the garden. There are times though that you may find yourself reading over some paragraphs that seem very similar to previous descriptions of the nature.
Neglected once again, she begins exploring the estate and discovers a garden that has been locked and neglected. To top this off, the lines the actors say in the drama are tossed back and forth at a speed that adds to the cheerfulness of the drama.
After she spends some time outside in the fresh air, running, listening to birds and animals, and looking at the nature, she beings to grow stronger and healthier.

Aided by one of the servants' boys, she begins restoring the garden, and eventually discovers some other secrets of the manor. The story of a blunt rich man falling in love with an ordinary woman who has a strong ability to maintain her livelihood may seem similar to "Loves in Paris" at a glance. It will depend on how well the character' lines are fused into the plot of 'switched souls'. The continuity is dismayingly amateurish early on - the dirt on Mary Lennox’s face rarely stays in one place for two consecutive shots. But by adding the setup that the main male and female characters' souls are switched, "Secret Garden" strays away from ending up as another Cinderella story and instead heads toward becoming a comic fantasy drama. Her being unforthcoming even about how Ju-won and La-im meet over concern that she may be providing spoilers to the first two episodes of the drama is enough to show that "Secret Garden" will contain elements of fantasy from the beginning. The director makes too little use of the coldness of the interiors (they are lit, instead, with a kind of autumnal glow which gives them the aura of advertisements for English Heritage). Will writer Kim be able to achieve her hope of reclaiming her glory from her "Lover of Paris" days?
I could certainly have done without the heavenly chorus which swells whenever a plant comes into focus; and the climax is prolonged to the point of irritation. Nevertheless, the American screenwriter Caroline Thompson wrote a magical screenplay for Edward Scissorhands, and she’s pulled off the same trick again.
She has even spotted some largely unnoticed undertones of the original: the quasi-sexual relationship between Mary and Dickon, the extent to which the three children’s relationship is an emotional triangle in the making. In doing so, it must be admitted, Thompson is following every cinematic precedent of the Nineties.
Fatherhood, or the absence of fathers, seems to be the burning cinematic topic of that decade. In the film, the servants’ wearing of surgical masks when visiting the invalid Colin is laughable: in the book, there is more sense that they may have a point, that Mary Lennox may be meddling in things she doesn’t understand.
Maggie Smith offers a much richer, more comic interpretation: here is a woman who is fundamentally well-meaning but medically naive, insensitive, fearful for her job, and a stickler for Victorian ideas of discipline. She is, in her way, endearingly eccentric - and there’s a lovely moment towards the end when Martha the maid consoles her, in the movie’s one concession to a mother-daughter relationship. The director has wisely resisted all Hollywood temptation to sweeten them, so their journey from brattishness to openness is all the more realistic and unaffected - and, as a consequence, very affecting. Anyone of any age should enjoy this lovely, lively, often enchanting film - and it’s such an effective weepie that it will make even the most hard-hearted of us wish we had shares in Kleenex.

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the secret garden movie trivia

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