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An impressive debut novel from a new voice in fiction, The Secret History tells of a small circle of friends at an esteemed college in New England, whose studies in Classical Greek lead them to odd rituals, shocking behavior - and murder. REVIEWS and CRITICISM - for short reviews and longer critical pieces that analyze and comment upon specific works of art, performances, movies, broadcasts, products, and the like. I first read it ten years ago when it was first published, and haven't found a better book yet!
It is a book I pick up quite often though I don't necessarily start at the beginning every time. I wasn't particularly looking forward to reading this (I had to study this with reference to "The Bacchae") and it was amazing. This well-written first novel attempts to be several things: a psychological suspense thriller, a satire of collegiate mores and popular culture, and a philosophical bildungsroman. Generation X Factor: Why Has Hollywood Struggled to Crack The Secret History and Other '90s Literary Sensations? Donna Tartt’s The Secret History, published twenty years ago this September, may be the most mystifying of Hollywood’s many missed opportunities from that era. The stories of how The Secret History and these other beloved tomes got lost in the Hollywood shuffle are as varied as they are maddening.
There’s been no shortage of interest in adapting Tartt’s celebrated portrait of the liberal arts college hothouse that’s been known to breed a very specific brand of self-importance and solipsism that can be dangerous when left unchecked. Published near the end of 1989, Dunn’s National Book Award finalist about a pair of carnies who concoct a scheme to boost ticket sales by breeding a family of freaks and geeks seemed tailor made for Tim Burton and Johnny Depp’s comic-macabre romanticism. Weighing in at 1,079 footnoted pages, Hollywood was slow to jump into the ring with this literary heavyweight. This Pulitzer Prize-winning meditation on a suburban man’s muted midlife crisis constitutes the meat sandwiched between the first and last books of Ford’s spare trilogy about a sportswriter-turned-real-estate-agent named Frank Bascombe. If an anthology were compiled collecting all the great book adaptations that never came to fruition, this Pulitzer-winning novel would appear on the cover.
En poursuivant votre navigation sur ce site, vous acceptez l'utilisation de cookies pour vous proposer des contenus et services adaptes a vos centres d'interets. Then he arrived at Hampden College and quickly became seduced by the sweet, dark rhythms of campus life - in particular by an elite group of five students, Greek scholars, wordly, self-assured, and at first glance, highly unapproachable. Dissatisfied "with the crass values of their fellow students, a small corps of undergraduates groups itself around a favored professor of classics, who nurtures both their sense of moral elevation and an insularity from conventional college life that ultimately proves fatal. You can choose from a multitude of writing games, gizmos, generators, writing prompts and exercises, tips, experiments and manifestos from infamous avant garde writers and how-to articles on fiction writing and poetry. Enabling JavaScript in your browser will allow you to experience all the features of our site. But when they go beyond the boundaries of normal morality their lives are changed profoundly and forever, and they discover how hard it can be to truly live and how easy it is to kill.

Supposedly brilliant students at a posh Vermont school (Bennington in thin disguise) are involved in two murders, one supposedly accidental and one deliberate. The Goldfinch Her novelsl The Secret History and The Little Friend were also international bestsellers.
Gen-X-ers have taken a fair amount of flack for what amounts to a collective predisposition toward self-pity and negative thinking. An inordinate number of the most significant and celebrated books of the '80s and '90s have stalled on their way to the big screen. Both crisply contemporary and steeped in academic erudition, Tartt’s amorality tale about a cabal of Classics students at a small New England college whose bacchanalian ritual ends in tragedy immediately captured the zeitgeist became a massive bestseller and developed a cult of this-is-my-favorite-book-ever devotees that continues to grow in numbers to this day. Fittingly, perhaps, for works of such nuance and philosophical inquiry, there are no easy answers or tidy resolutions to the mystery of why such worthwhile books have been marooned on the island of incomplete adaptations. Sure enough, the frequent collaborators snatched up the film rights and then promptly did nothing with the project. Wallace’s complex, quasi-satirical study of the insidious effects of the American addiction to more of everything -- particularly escapist entertainment -- weaves together multiple narrative strands involving an addiction recovery facility, a fancy tennis academy, and a dysfunctional family reeling from the patriarch’s recent suicide. There are no bombshells or particularly remarkable vicissitudes that befall Bascombe as he navigates his way through divorce and a series of disappointments (minor and otherwise). Hollywood’s on-again, off-again love affair with John Kennedy Toole’s revered posthumous novel about a thirty-year-old New Orleans momma’s boy who embarks on a crusade to find a job and get a life has become the stuff of legend. Even the name had an austere Anglican cadence, to my ear at least, which yearned hopelessly for England and was dead to the sweet dark rhythms of little mission towns.
The book's many allusions, both literary and classical (the students are all classics majors studying with a professor described as both a genius and a deity) fail to provide the deeper resonance of such works as Umberto Eco's The Name of the Rose . All that hand-wringing about working McJobs and the hopelessness of finding fulfillment and meaning in a world ravaged by Baby Boomer greed now seems like the self-indulgent effects of an over-education and under-employment population living in a simpler time.
For every two adaptations of Foxfire, shelves of award-winning works of heartbreaking literary genius have been left to languish in development purgatory.
Case in point: Andrew Garfield told Signature last year he had just started reading The Secret History because his girlfriend adored the book. But now that On the Road is due to finally reached its cinematic destination after a long arduous journey, there may be hope yet for these twentieth-century late bloomers.
Pakula optioned the book early on and dispatched literary power couple Joan Didion and John Gregory Dunne to conquer the screenplay. But Ford captures modern ennui with such haunting elegance and humanity that it seems like a criminal not to have the opportunity to watch Bascombe embodied in a masterful performance by, say, Bryan Cranston.
A motley assortment of filmmakers, from Harold Ramis to Steven Soderbergh, has attempted to crack Confederacy to no avail. And while some masterpieces like Murakami’s The Wind-Up Bird Chronicle have understandably been filed under “unadaptable,” there are a handful of novels from that era whose propulsive plotting and compelling characters seemed destined for a second life in film or cable TV.

Similarly, actor Ioan Gruffudd admitted in a recent piece in the Guardian that he had become obsessed with Tartt’s debut novel after devouring it while on vacation.
Even with that kind of bookish firepower, the project failed to take flight and was left in limbo when Pakula died in 1998.
But several years ago, not long after Wallace died, a series of intriguing rumors surfaced indicating that director Sam Jones (“I Am Trying to Break Your Heart: A Film about Wilco”) was shepherding an Infinite Jest film.
Fortunately, HBO, which owns the rights to the trilogy, made a promising move several years back, when it hired writer-director James Mangold to oversee the project. This is the Holy Grail of fiction adaptations; and Hollywood has refused to give up its quest to bring it alive on the big screen.
Four years later, Gwyneth Paltrow and her brother Jake resurrected History with financial backing from Miramax and Warner Bros.
Meanwhile, HBO was developing a simultaneous adaptation of the massive novel into some sort of multipart series. Recently, indie auteur David Gordon Greene made a run at the project, with Will Ferrell attached to star. When he arrives, he notices a group of five eccentric and unapproachable students—they are the Classics majors, whose existence is almost completely independent from that of the rest of the college.
But the project was then derailed yet again after Gwyneth and Jake’s father, director Bruce Paltrow, passed away at the end of '02. Then, just four months ago, Confederacy rose from the dead yet again, with Flight of the Conchords creator James Bobin on board to direct and Zach Galifianakis poised to play the schlubby protagonist. Having studied Greek for two years himself, Richard is tempted to join them, but he is told that Julian, the professor who single-handedly constitutes the Classics department, selects his students by methods nobody can quite divine.
Don’t think for a second, however, that this makes The Secret History any less suspenseful.
And that was more than enough to keep me completely riveted.But the suspense is actually only a small part of why I enjoyed The Secret History so much. When we get to the actual murder, which happens more or less halfway through the story, I was about ready to strangle Bunny with my bare hands.
Of course, she then devotes the second half of the book to letting the full horror of what was done sink in.I love the fact that all the ethical issues raised in The Secret History were explored complexly.
But the myriad reasons why people do it are complex, as are the feelings and motivations that lead them do it, and the ways in which they deal with it afterwards.

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