Keanu is fun, and even sometimes outright hilarious, but it doesn’t live up to the skills of its central performers.
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. A report from a panel at Los Angeles Asian Pacific Film Festival about diversity in the light of the 2015 Oscar ceremony. When I went to Ireland to visit the set of "Ryan's Daughter," the studio sent a car to ferry me and my cohort McHugh to the Dingle Peninsula. FFC Gerardo Valero discusses the devolution of Quentin Tarantino by comparing The Hateful Eight to Pulp Fiction.
Il film a disegni animati (e che disegni!), opera prima di Tomm Moore, ha partecipato in Francia al Gerardmer Film Festival dello scorso anno e da li e partito per un lungo tour di festival in giro per il mondo, fino ad approdare alla cinquina fiinale che si contendera l’Oscar per il miglior cartone animato. Cosi, dopo piu di un anno di viaggio intorno al pianeta, The secret of Kells trova spazio per uscire anche il sala (che poi sarebbe la corretta destinazione di ogni film), per il momento negli Stati Uniti, per il nostro paese ci vorra ancora un po’.
Si, perche si narra la nascita del Book of Kells, un manoscritto miniato (cioe con disegni in miniatura) realizzato da monaci irlandesi prim dell’anno 1000. E proprio nel monastero e ambientata la vicenda il cui protagonista e il monaco dodicenne Brendan. La vita nei monasteri raramente e tranquilla come sembra ed in questo caso c’e anche un problema non da poco, visto che i monaci sono assediati dai vichinghi che vorrebbero proprio impossessarsi del monastero.
Quindi una vicenda avventurosa con al centro un bambino ma strettamente legata ad un evento storico culturalmente molto importante.

Ci sono tutte le caratteristiche  perche The secret of Kells meriti di essere visto, e se date uno sguardo al trailer qui sotto riuscirete ad accorgervi che non manca nemmeno il ritmo e le animazioni sono ottimamente costruite. Tuttavia quello che mi affascina maggiormente rimane questo tratto pastello cosi elegante, cosi sereno, cosi coinvolgente.
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I marchi citati e tutti i marchi e diritti collegati sono di proprietà dei legittimi titolari dei relativi diritti di copyright. Chiudendo questo banner, scorrendo questa pagina o cliccando qualunque suo elemento acconsenti al loro impiego. McHugh and his brothers told me how as lads they picked up change by discovering the Irish surnames of Yankee tourists and offering to show them where their ancestors lived.
They always led them to the same shop in a little cottage, where the owner gave them a "consideration" for any purchases made.What does this possibly have to do with "The Secret of Kells," one of this year's Oscar nominees for best animated feature? Here is a film about a young and very brave medieval monk named Brendan, a sacred book, a storied monastery, a fairy girl, an alarming creature and a forest containing little nuts that make brilliant green inks. If there are not, how does she know for sure?The Irish are a verbal people, preserving legends in story and song; few Chicagoans may know there's a First Folio of Shakespeare in the Newberry Library, but few Dubliners do not know that the Book of Kells reposes in Trinity College.
It is a painstakingly illuminated medieval manuscript preserving the four gospels, and every page is a work of art. Perhaps some of that brilliant emerald green was his, extracted from nuts he gathered in the forest.

Brendan (voice of Evan McGuire), the youngest and pluckiest monk in the walled monastery, befriends old Brother Aidan (Mick Lally), a traveler who has arrived bearing the precious book. He can start by disobeying the Abbot (Brendan Gleeson), venturing outside the walls, and gathering the nuts.This and his further adventures are related in Tomm Moore's film, which is a little like an illuminated manuscript itself. Just as every margin of the Book of Kells is crowded with minute and glorious decorations, so is every shot of the film filled with patterns and borders, arches and frames, do-dads and scrimshaw images. That reflects the creation of the original book in the centuries before the discovery of perspective duringn the Renaissance. Like the people in Nina Paley's "Sita Sings the Blues," these images move mostly from back and forth within the same plane, which is only correct since perspective hasn't yet created spatial dimension. Indeed, in a season where animated images hurl themselves from the screen with alarming recklessness, I was grateful that these were content merely to be admired.The movie has a wide appeal, with a gap in the middle. I think it will appeal to children young enough to be untutored in boredom, and to anyone old enough to be drawn in, or to appreciate the artistry. For those in between, the "Transformers"-damaged generation, it will seem to be composed in a quaint, unknown language.

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