Who would believe cities were just great, big, living battle-suits we just haven't figured out how to operate yet? As the battle ensues, Jenny converts herself to her energy form and attacks the city, but is repelled. Nearby, Japan starts to shake, growing and evolving into a humanoid form, until it stands up and grabs Kansas City. I find book covers really satisfying; marrying the imagery with the text and information in the most eye catching way possible. The posters were intended to be situated in the tube, 6 along the escalators, one large 16 sheet across the platform and one in the tube carriages themselves. A magazine I designed, illustrated and edited while in my final year at university; there was no real student art magazine to speak of so I invited students to send their work in and collated the results. This large hardcover book focuses on little-known areas of the Martin Goodman publishing empire, which included the various comics companies that became Marvel Comics.
Much is said about Martin Goodman, and in some ways this is close to biography for him, except that Martin’s immediate family did not contribute, so many stories and opinions are second or third hand.
Instead the book is profusely illustrated with art and covers from the Goodman pulp magazines (and a few other types like large-size slicks and digests) in black and white and in color. If you’re looking for lots of info on the Marvel Comics of today that really began in the 1960s, this book will not help you much. Colossal war-machines with heads and hearts and a blood-supply rushing around in the form of millions of tiny people? Jenny is in Russia, speaking with scientists about a strange man held in a containment cube. Jenny inquires the scientists how often this occurs, and is told it happens every couple of hours.
One of Jenny’s demands is met: Gerald Ford lost his reelection and Jimmy Carter is instead elected as president.


Just like my illustration work, I also do freelance graphic design such as logos and posters. I was shortlisted for the 2009 Penguin Design Award with my cover for The Secret History by Donna Tartt. It was a self initiated brief set around the idea of sustainability and the environment, aimed at encouraging young people to get involved. This is her online portfolio and blog, with musings on illustration, design, fashion, advertising, branding, marketing, music, cakey-bakey goodness, culture and all things cool. The origin of this name does not only derive from the fact that the book was locked up in a treasury for forbidden books in the imperial library at the beginning of the Ming period (1368-1644), but also because the book was written in Mongolian language but written in Chinese characters. The title is a little misleading because the history it details is not secret, and the spotlight is on the pulp magazines put out by Goodman, with the comics taking a back seat. Still, a picture of the man and his working methods does emerge, and it’s not particularly attractive. No wonder nobody breathed a word about what really happened on the night a future city with a bad attitude came back to kick the arse of the 20th century. He regains consciousness, and finds himself back in the ballpark, naked and covered in an alien substance. Going forward, everyone involved against the future Kansas City are unaware of Jack's location since the incident in the South Pacific.
The idea was aimed at 16-25 year olds and was about getting them not to upgrade their mobile phones, for environmental reasons. I used retro imagery and old phones like the classic nokia 3210 as inspiration, as well as more standard retro imagery like cassettes, rubix cubes and space invaders!
The Chinese characters were only taken in their phonetical value, not with the actual meaning.
Ward did for Harry Donenfeld’s pulp empire, though the example above is by Norman Saunders, a painter I like better.


Jenny is taken from the lab into a hall filled with super beings who have been called in to help prevent the future threat from the 70th century. For modern historians or people who not understanding old Mongolian, a word-by-word translation in Chinese characters is written alongside of the Mongolian main text, and a prose translation is added as an appendix. Vassallo, which comprises about the first third of the book, there are lengthy artist profiles featuring art from the pulps and magazines by artists mostly known for their comics work.
Their intention is to evolve Jack so that he can combat a lifeforce that has already obliterated the 70th Century.
Jenny inquires about the enemy and is told that it is the city of Kansas City, now a sentient, living city. Like the Howe book, this one has almost no images from the comics, with the Captain America one on the cover and one early comic cover being about the only exceptions. Jack Kirby is first up with the longest section (and the only artist mentioned on the cover). She resists at first, but quickly issues demands if she is to lead the team, stating the team needs her more than she needs the team. I know Marvel declined to give permission to Howe unless they could have control over the text, and that may have been the same here.
The art printed poorly on the old interior pulp paper to begin with, and the style is not as dynamic as later Kirby work. Some of the other artists represented interested me more, like Alex Schomburg (with surprisingly sadistic examples), Bill Everett, Frank R.



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