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It was a blues number, a€?Save Me for Latera€? on her album, Me a€™n Mabel, that first worked its magic for me. Suzie has become recognized as an accomplished blues singer and guitarist, but she has many ways to seduce a listener. Suzie would gravitate toward music as a kid a€” singing along to an ever-present flow of mainstream radio tunes would make her feel good a€” but becoming a musician was not a conscious thing. Her parents had what looked like a cool record collection, but the stereo was broken throughout her childhood.
The sole parental musical influence occurred when her father listened to country music in the car.
By age 11, she also was playing saxophone in her grade-school concert band and singing in the chorus. While Suzie continued to explore other instruments, the guitar, in combination with her voice, got her noticed.
When she was in fourth grade, her teacher called the principal into her class and had Suzie sing a€?Country Roadsa€? for him and the class.
She remembers at age 11 or 12, taking her allowance a€” she might have done a tiny bit of baby-sitting to add to her spending money a€” and going down to the Sears in downtown Saskatoon and plunking down $14 to buy her first album, Supertrampa€™s Breakfast in America. When she got a little older, she got her own small record player and would sing and play along with records alone down in the basement, her voice bouncing off of the faux paneling.
I conjectured that playing the bass gave her a better sense of lower notes or the a€?bottoma€? in her guitar playing.
In addition, she had discovered the Saturday jams at a blues bar, Buda€™s on Broadway, in Saskatoon.
Over the years, Suzie has studied with a number of people and works today with a vocal coach when she can because therea€™s always something to learn.
Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year. At one of Tonya€™s shows, her brothera€™s friend introduced her to the man she would marry about five years later.
She made some musical connections, did some gigs, and then got a full-time job working for Marty Simon, a film composer.
Suzie also worked in other musical side projects to pay the bills, providing bass and lead and backing vocals. Betty & the Bobs is a 7-piece variety-show type band which plays quirky music that its members wouldna€™t play in other projects. Suzie did solo gigs with guitar all through the years with Rick and the other groups, and is now predominately a solo artist.
33 Stars, released in 2002, has a pop feel.while Happy Here, released in 2008, is rootsier. Her most recent album, Live at Bluesville (2012), came about when a radio interview turned into a recording session. Although her parentsa€™ record player didna€™t contribute to to her development, her brother had a stereo that could crank out the decibels and he allowed her to listen to records on that. Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year.A  She was in a general arts study program, which included drama and music theory. In between gigs, she worked the counter in a gas station, baby-sat and did other part-time work, such as helping an accountant with income tax preparation and cleaning houses. In 1993, a serendipitous crossing of paths in Toronto proved very rewarding.A  Influential Canadian roots music DJ Chopper McKinnon met accomplished blues player Rick Fines for a beer. The introduction of the microprocessor, a single chip with all the circuitry that formerly occupied large cabinets, led to the proliferation of personal computers after 1975.
For this listener and avid audience member, it doesna€™t hurt that theya€™re both at home with a retro a€™50s appearance. Rebecca had continued to play guitar and write all the way through college and played her first gigs every two months at a coffee shop in Providence.
Rebecca just liked making music and didna€™t know what she wanted yet, so she performed in all sorts of bands, including funk bands and a Bulgarian choir.
Apparently, they were sensible about getting serious, so it wasna€™t until the summer of 2012 that they got married. When Rebecca explained Richa€™s influences to me, it became clearer why I was so besotted with the soundscapes he creates. Rebeccaa€™s education seems to have allowed her to approach her songwriting and playing in a manner less inhibited than most of her contemporaries.
Likewise, shea€™ll take her guitar and put it in a strange tuning to move herself outside of her comfort zone.
In 2007 she released her first full-length album, Departures & Arrivals with Nine Mile Records, and began touring seriously. Rebecca plans to get back to touring in late spring, doing local and regional shows and a U.K. A brief Internet perusal reveals that Aphrodite had no musical skills and actually was a bit of a tramp. Situated midway between the east and west coasts, I thought that would make her the Canadian equivalent of a a€?Midwesterner.a€? She characterized it as more of a prairie environment, so a€?Ia€™m a a€?prairie girl,a€™a€? she said.
It was a large console that became more of a nice piece of furniture that they stored things in. She said that, a€?My voice was the first instrument that I got to play around with,a€? she said, a€?but I got bolder when I picked up the guitar.a€? It enabled her to accompany herself and she found a lot of cheerleaders among her teachers. She perceived that the other guitar player in the concert band had a better understanding of jazz chords needed to play in the large band repertoire. While she didna€™t disagree, she felt, more importantly that it allowed her to a€?meter-map out how songs move chordally.a€? It was good for her ear, she added. Her husband got a job in Toronto and they moved there in 1998, but the marriage ended shortly afterward. From her Wikipedia page, we learn Happy Here was a nominee for Roots & Traditional Album of the Year a€“ Solo at the 2009 Juno Awards. He told Rick he shouldna€™t be sitting with him when he could go see the bass player at a different bar up the street.
For computers generally referred to as PCs, see IBM Personal Computer and IBM PC compatible. Her parents arena€™t musically inclined, so shea€™s not sure where her musicality comes from. One of the ways this manifested itself was that her voice teacher, in addition to instruction and exercises, spent hours a€?hanging outa€? and listening to music, exposing Rebecca to the singing styles of people like Bonnie Raitt and Leon Russell, analyzing not only featured players, but albums of supporting players.
The overall spirit of Early Hours is decidedly far jazzier than anything else Ia€™ve heard from her. She released her second full-length album, Viewfinder, and made successful tours in the U.K. But if she could sing, with her seductive skills, it might produce the same effect that Suzie Vinnick does.


Me a€™n Mabel (2011) shows Suziea€™s skills with just her and her Larrivee parlor guitar (christened Mabel as a result of a slip using the word a€?maplea€?).
Since there was no bass in the orchestra, she asked her teacher if she could learn it and take that slot.
She joined two female trios with different styles, Vinnick Sheppard Harte and The Marigolds. Kinga€™s Bluesville station, basically said a€?Herea€™s our studio, go in and have some fun!a€? The result was a typical Suzie tour de force of vocal and guitar.
Chopper knew that Suzie was playing bass for Back Alley Johna€™s band, which was in Toronto for a gig.
Anna€™s in Brooklyn, was Montessori-like in allowing students to select and control their own curriculum. A key factor in her partnership with Rich is that he will follow her and work out on guitar (or piano) what will work with her composition. She played Celtic Connections, a winter music festival in Glasgow, Scotland, which features artists from around the globe alongside the best Scottish talent. Her previous album, Happy Here (2008), is lushly orchestrated and shows Suziea€™s ability with a torch song.
I just liked the idea of singing songs off the radio.a€? She continued guitar lessons for two years, but there there were other instruments on her radar.
Her voice teacher, Naomi Freisen, was a classical singer but still appreciated the a€?Broadway beltera€? style and was able to help her with blues and rock a€™n roll. Tony played in a style similar to guitar greats Albert King, Freddie King and Stevie Ray Vaughn. He kept in touch and asked her to come out for a summer, saying that he had a bunch of gigs lined up.
He told Suzie stories about the music business (some of them hair-raising, no doubt) and she learned a lot from him.
He told Suzie stories about the music business (some of them hair-raising, no doubt)A  and she learned a lot from him. She said: a€?I try to write without anything in mind and then I see what comes out a€¦ songs are a bit like dreams.
While the vocals are a bit more controlled and perhaps a little purer, it seems, to these ears, to lose nothing in terms of style, so this is apparently a jump further past her a€?post-collegea€? phase. Ia€™ve listened to all of Viewfinder and find that its bigger sound and spaciousness with guitar reverb could have added to the tendency to erroneously lump her in the country mold.
In the summer, she and Rich played in the Emerging Artists Showcase at Falcon Ridge Folk Festival.
Therea€™s a cool video of her song a€?Better That Waya€? (see still above) and youa€™ll also be able to find out when and where shea€™ll be appearing next.
She tried the upright bass for a bit, but didna€™t care for it and settled with the electric.
Suzie had no commitments in Saskatoon and enjoyed her time in Ottawa over the summer, so she decided to move there. Bodega owners in her neighborhood of Park Slope called her a€?the whistling baby.a€? In school, she sang in choir.
She owned two books of Beatles sheet music for each of their compilation CDs (1962-1966, the Red Album and 1967-1970, the Blue Album) and put in many hours transforming the complex chord structures into simpler versions she could sing along with.
She had done a lot of musical theater in high school, but found it mannered and boring by the time she moved on.
One critic said about Frisell, a€?there was this odd whiff of country music in his improvising. You make them and then you interpret them, but where they came from is a bit of a mystery and I wouldna€™t want it any other way. The lead track in particular, a€?Hard Times,a€? reminds me of Nancy Sinatraa€™s country hit a€?These Boots Are Made for Walkina€™.a€? However, there are other tracks which show a breadth of expression. Of the tracks I sampled, I was really impressed with the covers of a€?Big Yellow Taxi and a€?Love Hurts,a€? from My Favorite Shirt. A lot of folks embraced the musical style of Chris Isaak, who turned up the reverb and recycled the a€™50s sound in 1984.
Her music teacher told her parents (paraphrasing here), a€?This little girl has a big voice.
She also found an online website that transcribed Jonia€™s songs, complete with the various tunings that Joni used. In her junior year, the elite members of the school choir, including Rebecca, traveled to Austria and Hungary to perform. She also played numerous shows at many other venues, some long-disappeared, like Bar B and Kavehaz.
His most imitated stuff a€” the volume-pedaled notes swelling up from silence, his whammy-bar bent tones and his slow drowsy vibrato a€” conjured pedal steel guitar.a€? This explains why some people think Rebecca and Rich are heavily influenced by country music.
Ia€™m better off just seeing what comes out of my brain when I have an instrument nearby, just singing melodies and words and seeing what happens. The Marigolds was a more delicate, folkier group with a€?killer songwriters and singers who could pour out jazzy vocals,a€? Suzie said.
Over the span of eight years together, the couplea€™s sound has evolved into something similar, with the added kick of Rebeccaa€™s dreamy, enigmatic songwriting.
She should get training.a€? Thus began a nearly continuous stretch of vocal training that began when she was 8 years old and lasted through college and a bit beyond. For six years, from the end of high school through college, Rebecca swung back and forth changing her guitar from standard tuning for Beatles material to alternate tunings for Joni songs. In fact, Rebecca, Brooklyn-raised, and Rich, from Staten Island, had never listened to country. An example of Richa€™s skill in accommodation occurred at the 2013 Northeast Regional Folk Alliance Conference.
THESE VERY SAME ENFORCEMENT AGENCIES, WHO HAVE SWORN TO PROTECT AND SERVE, OUR COUNTRY, AND CITIZENS ,ARE BUT SOME, OF THE CORRUPT,GREEDY TRAITORS .ENGAGED IN THE TYRANNY AND TORTURE. She also attended The National Guitar Workshop (now defunct), a summer guitar camp in New Milford, Conn., for four years. It was only after people made comparisons that they did some investigating and found it appealing.
Considering portability, Rebecca brought her tenor guitar for its small size and Rich brought an acoustic guitar, leaving his electric at home.
Rebeccaa€™s cats-eye horn-rimmed glasses would look right at home in my high school yearbook and I fought off the temptation to scan and Photoshop it into existence.
Suziea€™s robust vocals did a strut all over Tonya€™s snarling guitar licks while her bass provided a relentless throb below. She was a student for the first two summers a€” two weeks each time a€” and an employee for the second two years, taking classes as well. In their late-night Acoustic Live guerrilla set, Rich fingerpicked melody patterns in harmony with the songs Rebecca sang.


In 2008 and 2009 she and Rich solidified the band lineup and toured a€?a ton.a€? In 2010,they embarked upon their first United Kingdom and European tour. The lead track on Only Daughter, a€?Rise Up,a€? urges the listener to shake off the restrictions that hold them down: What was it you used to be living for? As they left the room after their set, I overheard WFUV DJ John Platt compliment Rich on his choice of accompaniment.
The lead track on Only Daughter, a€?Rise Up,a€? urges the listener to shake off the restrictions that hold them down:A  What was it you used to be living for? Sometimes an idea is really great but ita€™s just not linking up with anything else and I need to let go of trying to control that as soon as I can. The school district has moved to a biometric identification program, saying students will no longer have to use an ID card to buy lunch.A  BIOMETRICS TO TRACK YOUR KIDS!!!!!i»?i»?A TARGETED INDIVIDUALS, THE GREEDY CRIMINALS ARE NOW CONDONING THEIR TECH! Paul Weindling, history of medicine professor at Oxford Brookes University, describes his search for the lost victims of Nazi experiments. The chairman of the board at ESL a€” then proprietor of the desert wasteland in Nevada known as a€?Area 51a€? a€” was William Perry, who would be appointed secretary of defense several years later. EUCACH.ORG PanelIn a 2-hour wide-ranging Panel with Alfred Lambremont Webre on the Transhumanist Agenda, Magnus Olsson, Dr. Henning Witte, and Melanie Vritschan, three experts from the European Coalition Against Covert Harassment, revealed recent technological advances in human robotization and nano implant technologies, and an acceleration of what Melanie Vritschan characterized as a a€?global enslavement programa€?.Shift from electromagnetic to scalar wavesThese technologies have now shifted from electromagnetic wave to scalar waves and use super quantum computers in the quantum cloud to control a€?pipesa€? a reference to the brains of humans that have been taken over via DNA, via implants that can be breathed can breach the blood-brain barrier and then controlled via scalar waved on a super-grid. Eventually, such 'subvocal speech' systems could be used in spacesuits, in noisy places like airport towers to capture air-traffic controller commands, or even in traditional voice-recognition programs to increase accuracy, according to NASA scientists."What is analyzed is silent, or sub auditory, speech, such as when a person silently reads or talks to himself," said Chuck Jorgensen, a scientist whose team is developing silent, subvocal speech recognition at NASA Ames Research Center in California's Silicon Valley. We numbered the columns and rows, and we could identify each letter with a pair of single-digit numbers," Jorgensen said. People in noisy conditions could use the system when privacy is needed, such as during telephone conversations on buses or trains, according to scientists."An expanded muscle-control system could help injured astronauts control machines.
If an astronaut is suffering from muscle weakness due to a long stint in microgravity, the astronaut could send signals to software that would assist with landings on Mars or the Earth, for example," Jorgensen explained. These are processed to remove noise, and then we process them to see useful parts of the signals to show one word from another," Jorgensen said.After the signals are amplified, computer software 'reads' the signals to recognize each word and sound. Our Research and Development Division has been in contact with the Federal Bureau of Prisons, the California Department of Corrections, the Texas Department of Public Safety, and the Massachusetts Department of Correction to run limited trials of the 2020 neural chip implant.
We have established representatives of our interests in both management and institutional level positions within these departments.
Federal regulations do not yet permit testing of implants on prisoners, but we have entered nto contractual agreements with privatized health care professionals and specified correctional personnel to do limited testing of our products. We need, however, to expand our testing to research how effective the 2020 neural chip implant performs in those identified as the most aggressive in our society.
In California, several prisoners were identified as members of the security threat group, EME, or Mexican Mafia.
They were brought to the health services unit at Pelican Bay and tranquilized with advanced sedatives developed by our Cambridge,Massachussetts laboratories.
The results of implants on 8 prisoners yielded the following results: a€?Implants served as surveillance monitoring device for threat group activity. However, during that period substantial data was gathered by our research and development team which suggests that the implants exceed expected results. One of the major concerns of Security and the R & D team was that the test subject would discover the chemial imbalance during the initial adjustment period and the test would have to be scurbbed.
However, due to advanced technological developments in the sedatives administered, the 48 hour adjustment period can be attributed t prescription medication given to the test subjects after the implant procedure. One of the concerns raised by R & D was the cause of the bleeding and how to eliminate that problem. Unexplained bleeding might cause the subject to inquire further about his "routine" visit to the infirmary or health care facility. Security officials now know several strategies employed by the EME that facilitate the transmission of illegal drugs and weapons into their correctional facilities. One intelligence officier remarked that while they cannot use the informaiton that have in a court of law that they now know who to watch and what outside "connections" they have. The prison at Soledad is now considering transferring three subjects to Vacaville wher we have ongoing implant reserach. Our technicians have promised that they can do three 2020 neural chip implants in less than an hour. Soledad officials hope to collect information from the trio to bring a 14 month investigation into drug trafficking by correctional officers to a close. Essentially, the implants make the unsuspecting prisoner a walking-talking recorder of every event he comes into contact with.
There are only five intelligence officers and the Commisoner of Corrections who actually know the full scope of the implant testing.
In Massachusetts, the Department of Corrections has already entered into high level discussion about releasing certain offenders to the community with the 2020 neural chip implants.
Our people are not altogether against the idea, however, attorneys for Intelli-Connection have advised against implant technology outside strick control settings. While we have a strong lobby in the Congress and various state legislatures favoring our product, we must proceed with the utmost caution on uncontrolled use of the 2020 neural chip. If the chip were discovered in use not authorized by law and the procedure traced to us we could not endure for long the resulting publicity and liability payments. Massachusetts officials have developed an intelligence branch from their Fugitive Task Force Squad that would do limited test runs under tight controls with the pre-release subjects.
Correctons officials have dubbed these poetnetial test subjects "the insurance group." (the name derives from the concept that the 2020 implant insures compliance with the law and allows officials to detect misconduct or violations without question) A retired police detective from Charlestown, Massachusetts, now with the intelligence unit has asked us to consider using the 2020 neural chip on hard core felons suspected of bank and armored car robbery.
He stated, "Charlestown would never be the same, we'd finally know what was happening before they knew what was happening." We will continue to explore community uses of the 2020 chip, but our company rep will be attached to all law enforcement operations with an extraction crrew that can be on-site in 2 hours from anywhere at anytime.
We have an Intelli-Connection discussion group who is meeting with the Director of Security at Florence, Colorado's federal super maximum security unit. The initial discussions with the Director have been promising and we hope to have an R & D unit at this important facilitly within the next six months. Napolitano insisted that the department was not planning on engaging in any form of ideological profiling. I will tell him face-to-face that we honor veterans at DHS and employ thousands across the department, up to and including the Deputy Secretary," Ms. Steve Buyer of Indiana, the ranking Republican on the House Committee on Veterans' Affairs, called it "inconceivable" that the Obama administration would categorize veterans as a potential threat.



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