If you follow these laws for making citations you will be fine in avoiding plagarism and having a correct paper. Law Four If you asked ten people and only one or two even new what you were talking about then this is not common knowledge, cite it. Law Five If you are not certain whether you should cite something or not, cite it, but remember, this paper is suppose to be your ideas and interpretation of the information so citing everything is very bad. If you are interested in booking Jane for your guild program or quilt conference, please refer to this link for more workshop information.
This visual lecture is about accomplishing your work in spite of obstacles - family life, space limitations, etc. Under the Influence is a lecture of the visual and philosophical ideas that have influenced me and my work. Drawing skills are not needed but participants should have a strong interest in developing their own design language and unique visual symbols. 3-5 irons and ironing stations, electrical cords and extensions, multiple-outlet strip, adaptors, lighting (if necessary).
This course strives to stimulate new ways to add energy and excitement to your work with surface decoration.
We all have innate preferences for certain colors, shapes and proportions, as well as natural attractions to certain symbols, images and icons.
Students should have a desire to develop their own design language and unique visual symbols, plus an interest in the history of decorative design.
This is your chance to get familiar with the stitches contained in your sewing machine or to sample some stitches you have never tried before.


This workshop is for those of you who have collected Janea€™s colorful large floral printed fabric (by FreeSpirit) but havena€™t had the heart to cut into them yet. Together we will explore dramatic special effects of rhythm, motion and light by arranging rows of symmetrical a€?fussy cuta€? triangles.
Your friends will be impressed by your deceptively intricate quilt but really YOU WILL LET THE FABRIC DO ALL THE WORK! I have created a series of silhouette designs to be used in combination with my FreeSpirit fabrics.
This course strives to stimulate new ways to add energy and excitement to your work with surface decoration.A  It will also supply you with a collection of unique designs to apply to your surface design or fiber art.
Are you tired of wading through long lists of sources or shuffling through index cards to create your citations and bibliography in Word?
Review bibliography examples to check out the right format for MLA and APA formats and for books vs periodicals “How Do You Measure a Year in the Life? Many students come in to our library to do research One of the most common things you ask us is 'My teacher says I have to do a bibliography How do I do that .
Please see Chapter 11 Guidelines on How to Write a Bibliography for details When writing a bibliography, remember that the purpose is to communicate to the  .
Homework center topics on how to write a research paper including how to write a bibliography. The examples below will show you how to construct a simple bibliographic citation for different types of materials Each entry should end with a period. How to write a bibliography Includes bibliography formatting guidelines ( including APA & MLA styles) plus examples.


Anytime you are referencing another person's work or using a quote from some other person's work you have to create a work cited page for the references and make citations.
The following tutorial gives you the best information about making in- text citations and working with papers that require some sort of quotes or information form sources that have provided you with additional information for your paper. These workshops have been successfully conducted for thousands of people from Tokyo, Japan to Lincoln, Nebraska.
In this class we will study photographs and slides of a variety of historic and ethnic decorative objects to help uncover some of the motifs and symbols which may have powerful personal resonance. What ever machine you have, we will try to find the stitches which speak your language and will make your needle projects more expressive. Even though the piecing is quite simple, the interaction between the printed fabrics can create an illusion of sophisticated complexity. We will view slides of other artists interpretations of flowers in many mediums to expand our thinking from the traditional geometry of quilts.
In this class we will study photographs and slides of a variety of historic and ethnic decorative objects to help uncover some of the motifs and symbols which may have powerful personal resonance.A  For example, you may be drawn to Buddhist mandalas or Mexican milagros. In fact, Jane has been twice nominated for Teacher of the Year by Professional Quiltera€™s Magazine. Janea€™s comforting nature and encouragement will benefit seasoned artists and novices alike.



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