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Why might she have chosen the first two, which address the need for spiritual growth and love?
What connection, might there be between the "unknowable" that sits there "licking its chops" and our need for spiritual growth and love? One of the dominant motifs in the novel focuses on the contrast between the spirit and the law.


Is there any special significance that can be attached to the fact that Wells ends her novel with a marriage?
Why does Wells switch back and forth between the present (Sidda's current life) and the past (Vivi's youth and early motherhood)? Discuss the concept of the "good enough" mother and what acceptance of that concept means to a woman's acceptance of self.
The young Ya-Yas prick their fingers and drink each other's blood and experience a communion. For instance, Sidda must remind herself and be reminded that she is a "grown up." Which characters in the novel experience personal growth? The Ya-Yas and Buggy have very different ideas as to what makes a statue of the Virgin Mary beautiful.


The Ya-Yas and the Catholic Church have very different ideas as to where Genevieve can be buried.
Look closely at Margaret Mitchell's Gone with the Wind to see how it influenced Vivi's idea of who she was. And, on one occasion, Vivi thinks that "Sometimes higher laws than Thornton's must be obeyed." To what higher laws is Vivi referring?
Do those higher laws have any connection with the conflict that Wells seems to see between the spirit and the law?



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