Here's a list of organizational skills for resumes, cover letters, job applications and interviews. Based on the descriptions below, how would others describe your default leadership patterns?
I loosely monitor what’s happening in the ministry and step in only if things go really bad.
I set clear goals and standards and closely monitor the staff and step in when things begin to get off track. Find a few trusted friends and ask them to share with you where they’d place you on this scale. COACHINGIf you recognize the need for an outside voice with fresh eyes to spur on your personal development, consider a coaching relationship to help you see your way out.
SPEAKINGI've been speaking professionally for over 30 years on Leadership, Character Formation, Generosity, and Family & Parenting. In 1965, while working as a waiter that summer in the Catskills, a folkie came through and stopped at our little hotel to visit a friend on the staff. Upon my return to Connecticut, I promptly sought out Will Tressler, my folk-singing Industrial Design professor.
We were also getting off on rock staples like the Beatles and Stones and our homebred establishment bashers, The Jefferson Airplane. His father had seen Jorma pick up and fail to continue with other instruments, so he agreed that if Jorma could learn two songs on his friend's guitar, he could get a brand-new one. In high school he became friends with Jack Casady, also a guitarist, and together they went to concerts and clubs. A subsequent work-study program through Antioch allowed him to live in New York City and strengthen his chops further.
He played at open mics at Folk City, and got to watch the Reverend play live there, as well as people like Sonny Terry and Brownie McGee and John Lee Hooker.
In 1962, Jorma moved to the San Francisco Bay area and enrolled at Santa Clara University where he finished getting his degree in Sociology.
He was teaching guitar in a small music store in San Jose during this time, playing as a solo act in coffee houses and backing up a young, promising blues singer on the acoustic scene by the name of Janis Joplin.
Old friend Barry Mitterhoff (left), mandolinist extraordinaire (a member of Silk City when Acoustic Live featured them in our December 2000 issue) has joined Jorma (center) and Jack Casady in the present version of Hot Tuna. When the band went on tour, at first, shows weren't as long as they would later become, and Jorma and Jack still had plenty of energy afterward. In 1972, the Airplane disbanded and Jorma performed and recorded both solo and with Hot Tuna.
In 1988, while playing a gig with Hot Tuna in Key West, Jorma took notice of a woman from the stage.


In addition to guitar, there is also instruction on bass guitar, lap steel guitar, mandolin, percussion, vocals and songwriting. There is also a concert hall at the ranch where national touring artists look forward to playing. Life is full for Jorma these days between touring and teaching and being a husband and father (he has a 10-year old son and 18-month-old daughter). A subsequent work-study programA  through Antioch allowed him to live in New York City and strengthen his chops further. For example, we set a ministry or organizational goal and when a staffer helps that goal get met, a reward comes. Regardless, I only recommend products or services I use personally and believe will add value to my readers. Charles StoneABOUT MEI help pastors, churches & ministries get UNSTUCK by applying neuroscience insight to spiritual leadership. The first six or seven years, I spent bouncing around academia, pitching fitfully toward a B.A. He rocked his head back and forth, flinging long hair side to side while his foot plied a wah-wah pedal.
Sufficiently toked, we decided to take in some music at a local venue that presented two or three nationally touring acts per evening (Paul's Mall? He remembers learning Louvin Brothers songs and he was able to make that trip to the music store. There he met Ian Buchanan, who turned him on to fingerstyle guitar, specifically the music of the Reverend Gary Davis. Perhaps it stemmed from the time that Ian Buchanan helped him learn how to play finger style, or simply to pass along the torch of the old craft, down from the Reverend, to new generations of players.
Besides Jorma, the pantheon of great teachers includes, at various times, Jack Casady, Chris Smither, Little Toby Walker, Happy Traum, Bob Margolin, John McEuen, Barry Mitterhoff, Woody Mann, David Lindley, David Jacobs-Strain, Beppe Gambetta, Tommy Emmanuel, Guy Davis, Rory Block and a host of others. He’s authored many books on the subject and has consulted with such organizations as the Willow Creek Assocation, Zondervan, and Wycliffe. In contrast, however, we should seek to grow our leadership so that we lead more often as transformational leaders.
The sound of the metal picks against the bronze strings blew everything else out of the water. Around that time, I learned that the Reverend Gary Davis, an inspiration to many 50's and 60's folk-era fingerstyle guitarists, was playing one evening at a church coffeehouse in the area. Not sure -- the 60's had finally kicked in.) Among the people appearing over two nights running were Pentangle, Livingston Taylor anda€¦ Hot Tuna. When Jorma was 17 years old, he and Jack (then 15 years of age) formed a band called the Triumphs.


When Paul Kantner asked Jorma to be in a new band, he demurred at first, having reservations about going electric.
Soon, they were doing acoustic sets in the middle of Airplane concerts to enormous audience enthusiasm. On a whim, Vanessa Lillian, a civil engineer, had accepted an invitation to attend the concert. There are lessons in guitar, from Jorma, Woody Mann, David Wolf (includes beginner level), bass from Jack Casady and Oteil Burbidge and mandolin from Barry Mitterhoff. Papa John Creach, violinist for theA  Airplane, also joined the band for a couple of years. For anyone who harbored a fondness for fingerstyle guitar, this was an inclusive jewel of life-changing proportions.
Hot Tuna took a hiatus in 1977, leaving Jorma to do solo work, both solo acoustic and electric, with bass and drum backup.
As if following a Hollywood script, they talked all night, and then got together the next day, then again the following night. That dream has come to fruition in Fur Peace Ranch, a guitar camp in Pomeroy, in the hilly farmland of southeast Ohio, about two hours drive from Columbus. The site allows the student to contact the instructor and receive specific help to smooth out any rough spots with the lessons. Vanessa's engineering background and her organizational skills enabled the dream to achieve reality. In the two samples which show Jorma, a song is broken down into sections and demonstrated throughly.
Their acoustic blues set reinforced the cross-pollination between the folk and rock worlds. Jorma developed a fondness for blues and bluegrass.His early influences included The Carter Family and Flatt and Scruggs. I didn't know then that Jorma had already paid homage at the shrine of the Reverend Gary Davis, genuflecting numerous times. When he was 15, he decided he wanted to learn guitar and play bluegrass and old-timey music.



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