Apple final cut video editing software free download,free video hosting with password,affiliate marketing tools free xp,best mac video editing software for youtube unblock - For Begninners

Apple has an "all sales and rentals of products are final" rule as part of its iTunes and App Store policy, but it appears the company is quietly making an exception for its new $299 video-editing software. A number of users in an Apple support discussions thread are reporting success in getting a refund on their purchase of Final Cut Pro X after writing in to complain that the software did not meet their expectations, The Next Web reported today. Apple did not immediately respond to a request for comment on whether this is a blanket exception to its App Store rules.
Refunds on digital goods continue to be one of the big differences among digital application stores.
Apple this week released Final Cut Pro X, a totally revamped version of its popular video editing software. Check out the too-long pauses, the dead air, the puzzling transitions and more Final Cut fumbles (below). The top spots in mid-level video editing are (arguably) held by Apple and Adobe, and many people are looking for a specific comparison between Premiere Pro and Final Cut Pro (FCP). Traditionally FCP has been more popular amongst professional editors, although this can also be attributed to the popularity of Mac vs Windows in the same market. Both Premiere and FCP are standalone video editing applications, and both are available as part of larger software bundles. One fact in Premiere's favor that is that it integrates very well with After Effects (video compositing) and Photoshop (for graphics).
Other than that, the practical differences between Premiere and FPC were relatively minor up until the release of Final Cut X in 2011. Before Final Cut X I would have said that if you want the best and money is no object, FCP was probably the way to go. On the other hand, if you're a hobbyist and don't need the professional features, FCX is still worth a look. FCP is in a precarious position and we're all waiting to see whether it can bounce back from the FCX debacle. Useful tips for vidders (fan video makers) for converting your video for YouTube, or for preparing clips for editing.
Please note: All these tutorials show you how to convert your clips to a file format that is good for editing.
If you wish to, trim down your clip to just the scene you want by picking in and out points. Under a€?Sound,a€? you can pick MPEG-4 AAC and select 128 kbps or above, or can select a€?No Sounda€? (like I have in this screenshot) and eliminate sound from your clip. Like with the tutorial above, open your file (this time an H.264 MOV file) in MPEG Streamclip. In most cases you will have no sound, so Select a€?No Sound.a€? Otherwise, go with a€?Uncompresseda€? for sound. Quality can be a 100% but Apple Intermediate Codec only has one quality setting, so it doesna€™t seem to change anything when you fiddle with the quality setting. Then click on a€?Make Moviea€? and wait for MPEG Streamclip to convert your whole video over! You will follow the same process as outlined above, only instead of Apple Intermediate Codec, youa€™ll select some flavor of a€?ProResa€? from the Compression drop-down menu.
If you have Final Cut Pro 6, youa€™ll probably only get to choose from ProRes 422 and ProRes 422 (HQ).
Choose the same settings for Frame Size and Sound as are used in the Apple Intermediate Codec tutorial.
Please note again that when you convert your clips over to DV or MJPEG, that the files will be larger in size, and this is GOOD for editing. If you are downsizing a large HD clip to Standard Definition DV, then CHECK the a€?Better Downscalinga€? box. In most cases, pick a€?Progressivea€? as a€?Scan Modea€? (at least this is what I always do) and pick your Aspect Ratio. If you are converting some other kinds of clips, odds are (that if you are converting clips from a film or recent TV show) that the aspect ratio is still 16:9, but you need to confirm this. Then return to MPEG Streamclipa€™s main window, and click on the a€?Make AVIa€? or a€?Make Moviea€? button (bottom right corner) to have MPEG Streamclip convert the clip over to DV MOV or AVI. If you are converting some other type of clips, consult the aspect ratio tutorial for more help determining what aspect ratio to choose. Click on a€?Better Downscaling,a€? since you are converting HD clips down to a smaller size.
If you are converting some kind of non-HD clip and you know that they are fullscreen (4:3) then pick the numbers 640x480. Click on the a€?Make Moviea€? or a€?Make AVIa€? button and wait for MPEG Streamclip to convert your clips over!
So, leta€™s say that you have a lot of little clips and you want to convert them all over to some other format.
Click on the a€?Add Filesa€? button, then navigate through your computera€™s files for the clips that you want to convert over.


Find the folder where the clips are, and then select one from the top of the list, HOLD DOWN THE SHIFT KEY and then select the clip at the bottom of the list. Check on the a€?Join all the filesa€? if you want all your clips to be joined into one long clip.
Then youa€™ll be asked to a€?Select a Destination Folder.a€? This is where you want all your converted clips to be placed after MPEG Streamclip has finished making them. Then youa€™ll be asked all the familiar questions that you should know by now if youa€™ve followed the other MPEG Streamclip tutorials: Compression, frame size, and so forth. If this is all you want to convert over, click on the a€?Goa€? button and wait for MPEG Streamclip to do its thing.
When you click on the a€?Converta€? button, wait while MPEG Streamclip converts, converts, converts!
Tutorial keywords: MPEG Streamclip, MJPEG AVI, HD, converting video tutorial, fanvideos, fanvids, vidding tutorial, vids, vidders. Once you pick your compression, MPEG Streamclip will automatically select a frame size which corresponds (either DV-NTSC or DV-PAL). Get the best tech deals, reviews, product advice, competitions, unmissable tech news and more!
TechRadar is part of Future plc, an international media group and leading digital publisher. Apple released Final Cut Pro X last week, and in the process, replaced the version of the software that was available as part of the Final Cut Studio product.
While Apple, Microsoft, and Research In Motion all maintain an "all sales are final" policy, Google gives buyers a short grace period after making a purchase.
Late-night show host Conan O'Brien, for example, said on Thursday that his editing staff were positively tickled by Final Cut Pro X, despite what others have said.
While the editors tout features like background rendering and the slick new interface, their interviews are cut off at awkward times, and their sound isn't always in sync. For a number of years Premiere was only available on the PC and FCP only available on the Mac. In my experience Premiere has been very stable on Windows systems since at least Windows XP.
The bundles are highly recommended in both cases, giving you much more power and flexibility over things like audio, graphics, etc. It's also worth noting that when one application had a feature the other lacked, the gap was often closed in the next round of releases.
However there hasn't been much to split them for many years, and for a long time you've been able to get essentially the same functionality from Adobe for less money. If you're a serious video professional, Final Cut X is unlikely to meet your needs as it lost many critical features required by pros.
It's unlikely to be worth buying an Apple computer just for the editing, but if you already own a Mac then it's a viable option. To follow this tutorial, download the free video encoding app MPEG Streamclip (for both Mac and PC). This tutorial may be useful for some Windows users, particularly those using Sony Vegas and Corel VideoStudio. Expect to use up approximately 1 GB of disk space for every 5 minutes of footage (more or less). If you need audio (and your clip has audioa€”some might not), then choose a€?Uncompresseda€? for Sound. Well, if you are using software that doesna€™t support HD (like Sony Vegas Movie Studio, non-Platinum version) or you have a slower computer that might not deal with HD that well, then this might become necessary.
Smaller clips (like DivX, XviD, H.264, WMV, MPEG) are compressed and do not play well in your video editor, and can eventually cause crashing or other quality issues. It works best if all the clips you want to batch convert are in the same folder (but they can be in various places if that works better for you). Or, if you just want to convert select clips, hold down the Apple (Command) key (Mac) or the Control key (PC) to cherry-pick just the clips you want. If youa€™ve been following the above tutorials, you will know if you want to convert to MOV, AVI, or whatever.
In this case, Ia€™m going to convert to Quicktime (MOV files) but you can convert to AVI, MP4, iPod, just whatever you need.
Select whatever options work best (consult the above instructions on this page if necessary). Otherwise, click on a€?Add Filesa€? and locate more clips you want to convert over, repeating the process until youa€™ve added as many files as you need to the list. You can leave your computer to convert overnight, or just be busy with other things as it finishes converting all your files. It shows the quality differences between a€?regulara€? resolution, a clip made from HD (but converted a€?downa€? to DV MOV or DV AVIa€”as instructed on this page) and a real HD clip. This wasn't the Final Cut Pro that people had grown to love, that had revolutionised the video editing industry and that had taken both the independents and the major studios by storm.


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The new version of the video-editing application is a complete rewrite from the old one, and is missing a number of features video professionals have been quite vocal about, the main one being the capability to open and edit project files from previous versions of Final Cut. Google's Android and Chrome Web Store efforts offer users a 15- and 30-minute window, respectively, to return an application for a full refund from the time they downloaded it.
When purchased as part of a software bundle, Adobe products form a seamless package that operates almost like a single application. So as a general rule, don't base your decision on a feature of one product unless you are sure it isn't going to be introduced or upgraded by the other product in the near future. This is especially true if you already owned a PC capable of running Premiere but would have to buy new hardware for FCP.
Moreover, Apple has shown little regard for the professional community in recent years, the Mac Pro looks to be in trouble, and there is much speculation that Apple is abandoning the professional market in favor of its consumer products.
Then move the slider bar to your out point, press the a€?Oa€? key to set where you want the clip to end.
This is normal and expected and for a more seamless, stable editing experience, you WANT to edit in files of this size. The differences between the a€?regulara€? clip (from XviD source) and HD should be obvious.
This was something else, and given how many features had vanished, many thought it certainly didn't deserve its 'pro' monicker.
As a result, it's been the butt of a joke on late-night TV, and has spurred a petition seeking to bring back the previous version of the software.While the official iTunes terms and conditions are very clear about not offering refunds, Apple's Mac App Store FAQ notes that users should first contact developers if they "experience a technical issue with an app," and if that fails, to contact Apple. Application developers on the two platforms are also able to issue refunds after the window has closed.
In the past it would have been a brave editor who favored Adobe over Apple, but since Final Cut X many have come out publicly in support of Premiere Pro.
For an explanation for why this is necessary (and why editing in the smaller-sized XviD AVI, DivX AVI, WMV, MPEG, MP4 or other compressed file types is a bad idea), read this tutorial. Smaller, more compressed video files (like DivX AVI, XviD AVI, WMV) will give your software problems (either now or later on down the road). The differences between the a€?reala€? HD clip and the a€?HD converted down to DV MOVa€? may not be quite as obvious, depending on how sharp your eye is and your monitor resolution.
The differences between theA  a€?reala€? HD clip and the a€?HD converted down to DV MOVa€? may not be quite as obvious, depending on how sharp your eye is and your monitor resolution. But Apple is keen to show its customers that just because some features were dropped from the current version, doesn't mean that they'll never make a comeback.
The stakes in this case, with a piece of software that costs several hundred dollars instead of 99 cents, can be much higher. In e-mails from Apple support personnel on successful refunds, the company notes that it's making an exception.
Apple's engineers have tried to meet professional editors' most pressing needs, which include support for multi-camera editing, improved chroma keying, the ability to connect to broadcast monitors, and better import and export options, among others.
Just like in FCP7, it can handle up to 64 different angles, but unlike its predecessor, you can work with clips of multiple formats and frame rates without having to render or convert them - they all play at the same time in the Angle Viewer.
To test it out, we loaded up one of our first attempts at a green screen, where everything that could have gone wrong, had. It wasn't perfect – we would have been amazed if it was, considering the material it had to work with, but compared with what you could achieve with FCP7's built-in filters, it was impressive.
Compatibility with broadcast monitors is absolutely crucial and is achieved via third-party cards as well as Thunderbolt-enabled devices. The process is labelled a Beta, so check with the manufacturers to make sure their solution is compatible - you'll also need to be running Lion.
For instance, you can once more work with multi-layered Photoshop files and manipulate each layer individually. Keyframe behaviour has reverted back to the way it used to work: in the previous version, if you set a keyframe then altered that parameter elsewhere along the clip, another keyframe would be instantly created for you. But perhaps most important of all is the program's compatibility with XML 1.1, a format that allows you to import and export data from your project and its clips to and from other programs. This means it's now finally possible to bring your projects from FCP7 into Apple's new flagship editing application - although this can only be done via a third-party program called 7toX. For instance, it's still impossible to create sequences of any size - you're limited to a select few standard options.
However, the list of missing features is dwindling and it may be time to explore FCPX more seriously, especially if you can migrate your projects.
This is the first version that we feel may be worth considering from a professional perspective.



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