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At WWDC 2013 show organized by Apple Computer, Apple unveiled the Mac Pro which is it’s highest-end machine. The new Mac Pro is targeted for high-end work in video editing, photo compositing, software development, computer-aided design. The new Mac Pro offers powerful performance, but which video editing applications are best suited for the system?
Two of the main benefits of those cores packed into the new Mac Pro is the ability to split (thread) parts of high performance tasks to each core, therefore getting the job done faster, and sending computational instructions to the two GPU’s that ship with each Mac Pro configuration.
But as the Mac Pro is new, there aren’t a load of software applications that are ready to do that multi-threading work. It may have to do with core clock speed since FCPX uses only 8 cores to render the two effects. Phillip Hodgetts, who is an outspoken supporter of FCPX, posted this video of FCPX playing back 5 streams of native RED RAW files in real time. In the latest Coloristo’s podcast Jason Myres leads a discussion on his round of color grading tests on both a 6-Core and 12-Core machines in Resolve 10. Colorist Tom Parish has blogged about his experiences in testing the new Mac Pro for color grading and whether an iMac might be a better buy depending on your performance requirements. If you’re still wondering about the difference between the Nvidia GPU vs the AMD GPU discussion then this short post from Linear Post should help you out. Although this next link from Business Insider, is a complete aside from color grading, it’s interesting to see that studios like Pixar are using the Mac Pro in their pipeline. During the course of this test, I learned that the Mac Pro does not support hardware acceleration, that clock speed is only part of the equation – with or without turbo boost – and that different codecs yield different results on both systems. If you are Canon XF305 user, you must surprise with the high quality videos, these captured files are in MXF file format.

When you get these MXF files and want to edit them with Final Cut Pro on Mac, you maybe face problem that you can't import Canon XF305 MXF into FCP for editing. Mac Canon XF305 MXF to FCP Converter is best MXF Converter for you to convert MXF to FCP on Mac. After running this Mac Canon XF 305 Video to FCP Converter, then just click "Add" button to upload the Canon XF 305 videos from your Mac. At this step, you can select Final Cut Pro > Apple ProRes 422 (HQ) (*.mov) as output format.
When all settings are done, you can click "Convert" button to convert Canon XF305 to ProRes for FCP on Mac. I took a quick trip into FCP’s preferences, disabled the background rendering function and enabled the dropped frames warning.
Interestingly in these Mac Pro benchmarks the 6-core D500 configuration beat out the 12-core D700 config.
The colorist’s conclude that the 8-Core with a D700 and 32gbs of RAM might be the sweet spot in terms of best bang for buck. Frankly, I never heard it, as even the quietest disk drives seemed to be louder than Mac Pro. The performance of both Premiere Pro and Final Cut Pro X on this hardware is way more than most people need, most of the time. In this first article he compares it’s performance to an iMac, performing a plethora of tests with different types of video content, codecs and lengths.
As you’ll see from the length of the article and the number of updates to it, it is not a straight forward comparison, but it is worth a read to get to the bottom of what is happening.
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The XF305 also offers multiple recording bit rates, resolutions and variable frame rates to expand your creative flexibility, and allow you to work in virtually any production environment. The MXF is a "container" or "wrapper" format which supports a number of different streams of coded "essence". So at this time, you should convert MXF to FCP supported video format such as MOV, MP4 etc. You can use it convert Canon XF305 MXF files to Apple ProRes 422, Apple ProRes 422(HQ) etc.
Then click the "Settings" button and choose 1920*1080 as output video size to keep HD quality.
After conversion, you can import these cnverted video into FCP for editing to make your own movies. Next, I switched the Viewer’s menu from the default “Best Performance” option to “Best Quality”.
In other words, the 12-core Mac Pro has no advantage over the 6-core (12 with hyperthreading) — at least in this instance. For a full run down of all the tests, the results and what they all mean, plus a PDF download of the results, head over to the Lift Gamma Gain forum.
If you are using FCP 7, you can choose Final Cut Pro > Apple ProRes 4444 (*.mov) as output format. With these settings in place, skimming and playback was very responsive, with the exception of the 4K RED RAW footage which dropped frames on playback (though skimming was absolutely fine).

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