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Nashville Predators defenseman Shea Weber celebrates after scoring a goal against the San Jose Sharks during the second period in Game 3 of an NHL hockey Stanley Cup Western Conference semifinal playoff series Tuesday, May 3, 2016, in Nashville, Tenn.
Dave Wakeling will bring the ska, rock and pop styles of the English Beat to The Egg on Saturday. Although the cinematographer and editor work in different phases of projects, by collaborating early, their synched efforts will result in a better final film.
The editor, on the other hand, mostly works during post-production by taking the shot footage and making decisions on how to best put the project together. Some low budget filmmakers prefer to do one or both of these jobs in addition to directing, as it saves money and resources and is often perceived as preserving the director’s vision. If the editor participates with developing the shot list, he or she will have a clear understanding of what to expect upon delivery of the footage. Traditionally, the shots are planned by the director through developing a shot list and then commissioning storyboards to illustrate those shots.
One of the biggest problems facing filmmakers is whether or not the footage they shoot will actually cut well together. For instance, the camera crew has to adhere to the 180 degree rule, otherwise editing becomes much more difficult. Additionally, an editor can identify other potential editing problems ahead of time and suggest supplementary ideas for coverage. The director of photography works hard to create a specific look for the film by choosing angles, lenses and lighting schemes. Another person, other than the picture editor, may be the one responsible for performing the color correction and grading after the picture lock is complete, but the editor will probably oversee this process (especially in lower budget projects). The director needs to act as a ringmaster in coordinating the efforts of all the various departments, especially cinematography and editorial.


San Antonio Spurs forward Kawhi Leonard, right, goes up for a basket in front of Oklahoma City Thunder center Enes Kanter, left, during the second half of Game 3 of a second-round NBA basketball playoff series, Friday, May 6, 2016, in Oklahoma City. OKLAHOMA CITY (AP) — This time, the San Antonio Spurs made the hustle play they needed to beat the Thunder. Pittsburgh Pirates' Jung Ho Kang, right, is congratulated by third base coach Rick Sofield after hitting a solo home run during the eighth inning of a baseball game against the St. Directors rely on their crew and must coordinate the efforts of each person, in particular the department heads, in order to see their vision to fruition. Let’s get the basics out of the way first, and look at what each of these positions does.
During principal photography, the editor’s main responsibility is to organize the dailies and sync the sound. Oftentimes the editor sees the footage for the first time while watching the dailies and then must make sense of all the disparate images they receive. They know how the pieces fit together to effectively communicate dramatic and emotional expression to the audience, as well as determining proper pacing of the story. A lot rides on this, including consistent performance from the actors and continuity of props, costumes, hair and makeup, actor placement, etc. For instance, if the director is planning an extended take, an editor can see opportunities for alternate shots to cut to in case the extended take doesn’t work. Not only does the lighting provide illumination for the actors, but it also creates a mood through brightness level, direction of the light and color—all of which, to varying degrees, can be altered in post-production. These department heads need to be brought in as early as possible to prep the film and work out any potential problems, provide a unified effort toward the completion of the movie and to support each other with their duties and responsibilities. Smith (5) and Kyrie Irving (2) celebrate after Game 3 of the second-round NBA basketball playoff series against the Atlanta Hawks, Friday, May 6, 2016, in Atlanta.


On larger productions, you’ll have an entire team of people handling picture edit, sound and color grading, but on smaller films, you may have a single person responsible for all of the post-production. However, the one phase where they should collaborate is pre-production, which Alfred Hitchcock considered to be the most important stage of filmmaking. However, if the editor participates in pre-production, then he or she has a clear sense of what the director wants in the final film. All films will benefit if the editor is involved in the early stages of planning, working with the cinematographer so that both are on the same page about how the director wants the story to unfold visually. The director of photography needs to worry about camera placement and gathering appropriate footage that the editor can use. The editor can also point out places where insert shots and cutaways can be used for the best effect. The cinematographer’s primary responsibility occurs during the principal photography stage of production, but they must also spend a great deal of effort during prep and may even oversee the color grading during post production. An editor brings in objectivity to post-production and can “kill the darlings” — cutting shots and scenes that the director can’t bear to part with but need to go for the sake of the film. It’s better to have the scene play out naturally without any distracting edits that pull the audience out of the story.



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