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New Pioneer hardware may look like other offerings – but there are some twists on controller mappings, and velocity-sensitive pads.
The story around digital DJing increasingly seems to be controllers built around specific software.
Library support for Scratch Live, ITCH, DJ Intro (for users with the beginner-level software), and your library in iTunes.
It seems like Serato and Pioneer wanted to get this hardware in by the Christmas buying season.
To me, some of the innovation on the Serato side that you can get right away has come in the form of integrated video support, enabling complete audiovisual sets. In Velocity Mode, you can now trigger velocity-sensitive SP-6 Sample Player slots – a nice touch. DJ TechTools has their own analysis of the new hardware, and gets the scoop on pricing – US$1,199. CDM is an online magazine for creative technology, from music and DJing to motion and more. CDM by Create Digital Media GmbH is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. If the term is clumsy and foggy, though, the ideas behind it are potent, the latest blossoms in a deeply-rooted musical tree. It appeals to people like my friend Martin Backes, a German-born and Berlin-based media artist, composer and sound designer, and veteran DJ. Consider this a starting place from someone outside the scene that’s producing the music, providing a window to look in.
And to address Afrofuturism, I would suggest the book More Brilliant than the Sun: Adventures in Sonic Fiction by Kodwo Eshun. Laurent Fintoni cornered Sam Binga, Om Unit, and Fracture, among other artists – good voices on the topic.
We made almost no mention of locations or artists, because to do so would require a much longer article.
Heh, well, Chase is a regular reader and commenter – we can add in more Miami in the near future. Honestly it would have been better if you just admitted that you soiled the sheets with this article. I got some buddies that started Scooby-core a couple years ago; and lets not forget about Polka-step.
The most tantalizing sign that Pioneer intends to make this a product is that the lettering is blacked out where the product identifier would be.
Technics walked away from the 1200 in 2010, just as vinyl records were making a niche resurgence. One very good reason for not including any sort of built in digital interface is the complete lack of an open industry standard protocol like midi which you know will be supported by multiple vendors long after its release. Think about that for a second, you pick up a 1200 built way back in 1978 and it will offer the exact same functionality as when it left the factory floor.
Further what tosque says below, a USB connector would mean an AD converter, and chances are it wouldn’t be any better (worse?) than the USB turntables currently on the market. If they make this with a built in DVS system, so you plug in a USB stick, use a timecode vinyl, and out spews some music, this could be a winner. IMO, if pioneer made a DVS system that tied into rekordbox and the rest of the nexus line that would be sweet.
When there are so many alternatives out there, why is it that the 1210 has such a market share and reputation? Oh well, are you sure that all Technics 1200s and 1210s have been manufactured anywhere outside China or Taiwan? So, “generic OEM” implies in your logic that this would just be a device like many others too? On the line of Do-The- New Tata DOCOMO has announced a first of its kind ‘CREATE Music Contest’.
The CREATE Music Contest is meant for those who have aspirations in the field of music and especially for those who have a passion for music but never had an opportunity to showcase it. Accordintg to the Tata Docomo, the philosophy behind the contest is respecting the power of ‘DO’, whereby TATA DOCOMO is felicitating the individual prowess by the way of opening up its brand and asking people to play with it.
Sanjay Bafna covers Mobile Operators, 3G, Broadband, 4G, LTE, Telecom Policies & Regulations and Mobile Phones.
Three things – first, right off the bat, the Akai LPD and LPK look like they might have the edge on build quality over the Nanos. I have no complaints on build quality on the nano line, especially for their size, with the exception of the nanoKEY… on which the keys fall off.
On the nano's, my guess is that the optimal combo would be something like nanoPAD + nanoKONTROL + Akai LPK25.
Having said that I wish that the microkontrol had a midi out port so I could plug it in to the midi port in my USB soundcard, would remove the need for a hub. Then, along came the Korg Monotribe, which grafted ultra-simplified analog drum circuitry and a sequencer, and … somehow, you wanted to love the thing instead of just loving it. Well, Korg has wisely returned to the cute, impossible-not-to-buy, pocket-sized monotron package with two new models. See also DE:BUG coverage [Deutsch] – hi, guys, see you tonight at your Berlin Music Days party!
Bullshit apart… my evil plans are to take a monotribe a monotron duo and a monotron delay and mold them all together to what Korg really should be releasing! They should use some of the micro korg technology, ms-20 & these little guys to come out with a MS-30.
I did hear some negative comments, but I can see a lot about it that's potentially very likable. I have a Monotron, and while I greatly enjoy playing with it, I pretty much just use it (together with a mini Kaoss pad) as a toy for making space noises.
The addition of the range selector has made these little guys a lot more usable than the first one, still, you could get some melodies out of them with some practice and appropriate tuning.
I have a monotron and would be interested in replacing the existing ribbon with a longer one, for either greater range or better precision.
Why would you want an MS-10 filter if you couldn't turn up the resonance, and isn't that delay just going to be one from the Kaoss pad?
And in exchange, we get two oscillators wired in parallel to the amplifier – I think. We lose basic monosynth features for things we could do better in any software sampler or DAW. It looks like the exact same casing is used for all 3 Monotrons, just with different dyes in the plastic. That being said, my Monotron is currently broken, in that the Filter Cutoff knob no longer works.
I see these micro synths as a very in-expensive promotional item for Korg, and perhaps a gateway (drug) to entice users to favor higher end Korg brand products down the road. They should come up with some future models that all have some toy-like modular-ability, where one unit can be master kb, sync tempo, etc. DJ site DJ TechTools continues to create their own hardware, augmented by custom mappings to popular software, with the Midi Fighter Twister.
But while you could use those encoders for anything, DJ TechTools, true to their name, is leading with a solution for users of Traktor. Tomash continues to develop his own hardware for step sequencing – and even has a new video out (included at bottom). Comparing the DJ TechTools solution with what Tomash did, there are some different approaches to controller mapping, though the same underlying approach to exploiting the Remix Decks remains. Now, whether this will prove the killer feature for Twister, or whether people will be just as eager to step sequence other things, we’ll see. Looking at their current lineup, the MidiFighter 3D *after a price drop* is still over $200. Hey – Ya know there is the Behringer BCR2000 if you want to go completely budget on this.
I can understand you are happy with a cheaper option that get rid of the functionnalities you don’t like in the Code. This means you need at least 2 x Twister to make 1 code: $200 + $200 = not so far from the price of the code, right? We are not competing against a laptop but supplying alternate solutions for musicians and audio engineers. Technically, I agree, in that laptops are designed by definition as a general purpose machine, and thus all the processing that takes place goes through an architecture built for that purpose. Secondly, the reason Audacity project files are broken into chunks is so that edits on one part of the audio do not require the rest of the track to be rendered, which has a big performance advantage. The comments about a lack of non-destructive editing and realtime effects aren't particularly valid in this case. Finally, the advantadges of the Trinity over conventional field recorders will become obvious once the device is launched – it really can do things that no other product on the market can do. SONAR had recently added a step sequencer, but improvements make this version the one to try. Even with its competitors packing in features, SONAR 8.5 is a tool that really loves MIDI, just as other software focuses on audio.
You might have to squint to see it, but there’s a powerful arpeggiator on every track. A new way of improvising arrangements, “Matrix View.” A cell-based interface for non-linear triggering of audio and MIDI clips sounds like Ableton Live. I still don’t think SONAR is for everyone – though, of course, I don’t really think anything is for everyone. But I’ll say this: it’s funny how a few subtle changes can change how you think, but the combination of brilliant effects, this ridiculously-powerful step sequencer, and the possibility that AudioSnap really nails audio manipulation has me taking a second look at SONAR.
Nice to have new features but before I bite for an upgrade I want the marker functionality modified so the loops work flawlessly. I am now considering another platform along with a Euphonix MC Pro to allow me to be a producer instead of a technical troubleshooter. Sorry guys, but I've written entire lists of workflow issues that you have simply ignored over the years.
Howtocreate is a site filled with tips and know-how on producing electronic music, ranging from Trance to Progressive house and Deep to Electro house. Producing music is an exciting thing to do, especially for those trying to make a living out of it. For those of us on a tight budget Focusrite has developed several outstanding audio-interfaces for very affordable prizes.
Beats by Dre headphones come in 5 versions, one for DJ use, one for monitoring and mixing down productions and three for consumer use. Chord progressions for dancemusic doesn't really follow strict rules like some other styles do, there are a few guidelines they do follow though, on this page you can find a few for trance music and progressive house.

If you're looking for a decent headphone without spending a fortune on it, take a look at our good cheap headphones chart.
As Native Instruments pushes their Kontrol line for Traktor Pro, Serato has rebooted both their software and their hardware approach. We do know what functionality will be in the software, though, and it looks like Serato users are getting some of the functionality that might have made them jealous in rival tools like Traktor (once you have the hardware to support it, that is).
The bad news: you still have to connect one of their approved controllers as the primary controller, making these a really big dongle for the DJ software.
As Native Instruments users complain about even subtle details like whether Remix Decks are fully-supported over MIDI, Serato will actually refuse to run without connecting supported hardware. And while you’ll have to wait until spring, some of this functionality will come to existing ITCH hardware, if you already own it. Slicing up samples on the fly and being able to trigger them from velocity-sensitive pads is nice, having a 4-channel mixer integrated is very nice, and some of the control mappings are clever. The pads, touch strip, & Slicer are great to use, and the extra controls on the new Pioneer look great, even if that plus the exclusivity are sending a lot of $500+ paperweights to the landfill this year.
And in its latest iteration, the music appeals to people well outside a demographic or commercial context or even continent. Martin and I will DJ tomorrow at Platoon Kunsthalle Berlin, an imposing venue fashioned from disused shipping containers. That trek has taken him from the roots of turntablism in Cage, Schaeffer, and musique concrete to scratch DJing, and later digital and controllerism. And Martin was an early adopter, hosting eclectic freestyle nights that included the first drum and bass parties in his hometown — even if Germany is typically not associated with the movement. But that was just the beginning, and doesn’t give us a clear a idea of what bass music really is now. In the space of three very short years, bass music has spread way beyond its dubstep roots, incorporating countless sounds, tempos, attitudes and artists.
Eshun takes on various musics of the black diaspora, from American hip-hop and funk to British jungle, from Detroit techno to German proto-electronics, and provides a useful guide for those wishing to connect the dots between their Roots and Phutures.
Before that we had Miami Bass and Goldie himself lived in Miami for a while before he went to London and started Jungle. He very, very clearly said that the *term* bass music began as as a term for describing music from the UK.
But I think a component of how bass music got to where it is today came from the bass test CDs and demonstrations that car audio enthusiasts collected in the early and mid 90s. Vinyl still isn’t a mass market product, but then Pioneer is king of its main audience, DJs and clubs. But even so, the challenge of finding SL-1200s means that record lovers might pick it up anyway. It could create an entirely new market, just at the time that iPad apps start to stream digital downloads from Spotify. If Pioneer were to bundle some digital interface with this it would more than likely be proprietary and not compatible with Serato or any other competitor.
The general population that wants to digitize their vinyl don’t know a 1200 from whatever Stanton is selling at Urban Outfitters. All I’m saying is that in my opinion it would make sense to add another value to such a product.
It *is* the blueprint for pretty much every DJ turntable out there, and they are not available any more other than used. So, where are the other decks that come in the same form, with the same features, from the same manufacturer? The core idea of this “CREATE Music Contest” is to allow participants to creatively re-create, re-compose or remix the current Tata DOCOMO brand signature tune into a 30-60 second long tune. It is also a massive encouragement for the aspiring musicians in India, who are presented with the opportunity to showcase their talent on a big platform.
It was too big to fit in my carry-on, so I tucked it into the outside pocket of my suitcase, knobs facing inward. I have also been impressed with Akai's build quality in the past as a previous MPC owner and now an APC owner. I may be wrong, but in ableton for instance the work around is to have a empty midi channel route the midi coming in from the controller and the route the midi out to midi yoke. It's pretty good stuff as far as durability, depending on the kind of plastic you use and how something is designed.
I'd rather have an extra vco or some other type of modulation in stead of the delay effect. I find it very hard to hit specific notes reliably, and so haven't found a way to really play melodies with it.
I was ironic about the monotrons being underpowered toys, or better there is that rational voice in me claiming that, but the guts know better than that! Which is an awesome sound on the Monotron, especially with slight finger deviations, but I digress. Presumably the knobs need to be fixed in number and arrangement to fit into that case, so this explains the lack of resonance on the Monotron Delay, and the lack of filter modulation on the Monotron Duo.
It will be of practical use to some musician (or to a succession of them) long after I'm dead.
So spending a bit more money on better quality components might be nice, even if this cost was passed on to the consumer. The answer is that I love the battery power and the built-in speaker, and none of the Etribes has those, or the Mono's combination of drums and sound-tweaking. From the early days of their 4×4 arcade button controller Midi Fighter, things have gotten a bit more sophisticated. That solution is in turn based on the work of Tomash Ghzegovskyy, who was the first to transform Remix Decks into a step sequencer, and whose ideas are incorporated here. But this very project inspired DJ TechTools to develop their own integrated Traktor Remix Deck Step Sequencing. As demonstrated in the video from DJTT, the Midi Fighter Twister will map to that set of sounds and allow you to edit sequences and mix parts together – no additional software required, as it simply combines internal sequencing triggers with the sounds in the Remix Deck. There are four voices (one on each column), each with 16 steps and velocity, plus separate controls for volume and filter. You don’t have to worry about any additional level of complexity or stability, because everything runs inside your Traktor set.
DJ TechTools is doing a preorder mailing list for now to gauge interest; we should know more about pricing and availability by beginning of next year. The one on the right is running a step sequencer with drum samples, and on the left a melodic sequencer. I don’t care if no wildlife was harmed in their making, or if the proceeds are spent on organic vegan food, etc etc etc. But don’t assume that if something is more than you want to spend, that means its margins are higher.
Just keep in mind that higher prices aren’t necessarily some plot by the manufacturers.
But you can like it without criticizing other brands, above all by using wrong arguments about their supposed margins. It’s enough to pay all the engineers and still have enough left over for a few records. USB device such as Oxygen worked great and even controlled the Amsynth’s filter knobs. It is hard to see how this is better than the little flash-based multitrack recorders that have become so widespread lately, like the Boss Micro BR, or a cheap laptop stripped down and paired with a good USB interface.
Of course, none of that means anything if a laptop is doing what you want it to do, and perhaps more than this. There is absolutely no need to piece together audio manually unless your project file is corrupted, and even then you can still recover the audio. You could achieve the same results with a laptop, but you would have to set up the software yourself, and the resulting system wouldn't be as portable.
Every single instrument loaded in SONAR now has a step sequencer, and every track an arpeggiator. Session Drummer 3 has long been a nice virtual drum tool, and now improves routing and mixing to come closer to what it feels like miking a new drum. I gave Apple deserved props, I think, for making Flex Time’s implementation in Logic 9 elegant and allowing squishing of audio materials around.
MIDI patterns, audio loops, grooves, and such can now be dragged-and-dropped into one place. The BitBridge XR plug-in not only lets your 32-bit plug-ins work on the 64-bit operating system, but gives each of them 4 GB of RAM for up to 128 GB of RAM. You can now hotswap audio and MIDI interfaces without restarting, and audio and stability are improved.
I've toyed with the idea of going the mac and logic route but as money is an issue have stayed ms. I’m a musician and a producer that tries to ensure my current and prospective clients that my stuff will work without interruption so the creativity will be captured. I was a bit disappointed that the last upgrade, some VSTs (such as Amber Pianos and some channel strips etc.) were locked to Sonar and could only be used with that software. All the headphones in our chart are of good to excellent quality and offer good value for money.
Serato DJ is the new generation of Serato software, with some much-requested features making their way to the tool. Of course, whether Serato DJ delivers on Serato’s promise of plug-and-play support is something we have to test when it ships. ITCH software, says Serato, will continue to get bugfixes, but otherwise, ITCH is replaced by Serato DJ. Bass music has become a worldwide movement, which is really hard to define when it comes to labels, genre, or tempo. I think he clearly was an influenced by those 808 kick bass lines that i already listend to in the early 90ties. Very few people I knew growing up had phenomenal home hi-fi setups but most of my friends had expensive amps and woofer setups in their shitty beater cars.. The hardware looks like someone took the most popular DJ turntable of all time, the legendary Technics SL-1200, painted it black, and re-lettered it with Pioneer markings. And in a way, whatever Pioneer is cooking, it might make more sense to just make a turntable than bother people with thinking of it as part of a digital vinyl system. I would definitely hope they would leave off any USB, digital conversion MP3 or whatever hot fad they think the kids want. Audiophiles and producers are most certainly running a dedicated amplifier, interface that has pro-specs.
And I have neither the random vinyl collection ripping enthusiast nor an audiophile hi-fi listener in mind.
I think so, just because Pioneer has such an extraordinary distribution and club installation apparatus.

People still go to that?) Our friend Ben Rogerson says Akai tells them these are expected Q3 of this year – just in time for back to school.
I almost bought a nanoKey, but ended up just using qwerty with a virtual midi keyboard that works fine…one less thing to carry around and 50 bucks saved. They could even make it thick enough to hold MicroKorg XL-size pitch and mod wheels; the height is less of an issue to me than the length and depth. When I arrived, some wooden items deeper inside the suitcase had snapped, but the MicroKorg XL was unscathed. I like the idea of having a tiny keyboard that I can keep in my back pack and pull out at a moments notice. With a price of US$60 (or far less), a pocketable size, the ability to run on batteries, a nice, glowing red LFO knob, a delicious filter, and toy-like playability, everyone loves the monotron. I tend to use the filter modulation on my Monotron for FM anyway, so I'd rather sweep the filter manually, and have 2 VCOs that can be detuned and also do FM.
I find it very hard to whip up any enthusiasm for a $50 plastic toy that is going to wind up in a landfill next year. BTW for cheap autotuning if you have an ios device try plugging your monotron into the t-pain app.
You choose between patterns using one of the encoders, then press the encoder to edit the sixteen steps (with velocity fills).
But even if you wanted the same number of buttons as encoders, you’d be back in the same price range as Livid.
There are a lot of expensive boutique products on the music market that have very narrow margins – and a lot of the cheap stuff, believe it or not, has huge margins.
I say the price of his product is whack, and appeal to midi fighter to make their profits through quantity of sales VS inflated margins.
But I think the surprise is some of the stuff that won’t necessarily appeal to the widest audio production audience. Because it’s so well-tuned for Windows, that means you can drop it onto a wide variety of PC hardware without spending a lot of cash. The new step sequencer has a lovely pane for controllers, deep control over each step, and probability controls. But let’s skip the acoustic kits and get straight to the electronic ones: yes, there’s an 808 and 909, as you’d hope given Cakewalk is now “Cakewalk by Roland” but there’s also a 707, a 727, and a Sequential Circuits Drumtraks and Linn Electronics LinnDrum. But what frustrated me about their tool was that you couldn’t take your warped audio and do other stuff with it. That’s not a new idea, of course, but having custom presets for different locations is a welcome improvement (and why is it so hard to get other browsers to do that)?
Because it loads from RAM only and not from the hard disk, and because SONAR is built more as a studio tool than a live tool, I don’t expect it to be a Live killer. For drums, the PX-64 is a combination pre + transient shaper + compressor + expander + contour EQ + delay + output strip – so, roughly the same thing, with some drum-specific tweaks.
That’s possible on the Mac side with Apple’s Logic – but only with its sampler, not with third-party plug-ins. And when you do get the Windows 7 upgrade – which, based on my research so far, you will want to do from either XP or Vista – SONAR has been rigorously tested. The Matrix View is not – and is apparently not intended to be – a replacement for Ableton Live’s live performance features.
For new users, SONAR is $499 for the Producer edition with the extra effects and instruments, or $299 for Studio without them. It also looks like they are streamlining a bit rather than just adding disparate 3rd party tools. I have used Cakewalk and continue to use the product for 8 to 12 hours a day, every day for at least 360 days a year since 1987.
Music creation is a fairly complex process, it involves talent (preferably a lot) and know-how on audio and software equipment. And people who invested in ITCH hardware won’t get Serato DJ support until early next year. So much for the Bass lart of DnB, the drums itself not being particularly bassy actually, since they were mostly sped up 70ties (american) funky breaks.
And maybe having an in production 1200-clone will keep the used market from getting just stupidly over-inflated. But for anyone who would be in for a new set of turntables, any additional functionality connecting to an existing digital setup would be an additional selling point. Of course, on the full-size (or mini-key) keyboards from KORG, you have to try it to decide what you like.
The unit was bigger and pricier, but still lacked real control voltage or MIDI without hacking. Korg may have just created something more useful than the original monotron, because now you have a simple delay unit and the filter and the Stylophone-style controls in one unit, with an audio input jack. So for a portable device where storage space and battery life are constraints, Audacity is actually a good choice. Here’s a DAW that’s adding unusual new features for arranging tracks, putting an integrated arpeggiator on every track, beefing up its step sequencer (really), and dumping a bunch of class LinnDrum samples into the package.
Given a choice between taking something out and putting something in, it puts the thing in. Most importantly, it could be the first software on any platform that convinces you to try a 64-bit OS – just at about the time you may be doing a fresh install of Windows 7. Oddly, you still have to look at a picture of a photorealistic drum kit – I’d like to see a visual representation of that LinnDrum, please. But if you’re happy with the SONAR workflow and want to try out ideas in its environment, it could still be useful. Cakewalk has done a lovely job with these strips, and they could be the sort of thing that justifies SONAR’s investment. And SONAR ships with a lot of 64-bit plug-ins in the box, not to mention that major vendors like Native Instruments are providing support. I don’t want to just repeat that without supporting evidence, though, so stay tuned for a separate story.
Open as SONAR is, I think it has new competition from the extensible architecture of Reaper. I have down loaded every version of the demos right up to version 8.0 to find no fixes for the most obvious issues I have repeatedly reported to Cakewalk. In other words, if I can use the new stuff in another DAW, I might consider buying but I don't like proprietorial locking.
Initially with Serato DJ, that means the new Pioneer DDJ-SX; even users of existing ITCH hardware will need to wait until 2013 for support in the form of a free upgrade. I’d suggest some reading that examines the question of what bass music is, where it comes from, and where it could go. But for actually playing a keyboard, the LPK looks like it could be the one to beat – while still fitting on a coach airplane seat tray along with your netbook.
If it doesn't have the build quality you want, then it's a non-starter, no question! Some of these units found very happy homes, to be sure, some mods were impressive, and it was great to see the circuit designs, which are quite clever, released. Surely as the owner of Livid he’s in a great position to shut me up with some substantiated facts to stick in my pipe and smoke. And yes, this does indeed take SONAR into FL Studio territory – but with a more conventional DAW bringing those kind of features together. SONAR had this going before, but I frankly found some of the selection tools and interface a little off-putting. I can’t imagine not liking the PX-64 having enjoyed the VX-64, both for its audio quality and the ease of drag-and-drop routings. And, of course, all of this is meaningless to Mac users – though I hasten to add, while the Mac faces a tough 64-bit transition ahead, Windows users can grab SONAR, clean install 64-bit Windows 7, and possibly barely notice anything at all aside from a whole bunch of gobs of memory.
As I am registered with the uk site, I will have to pay 50% more which seems pretty unfair to me, especially as the software is in download format. For this reason I have found no reason to pay your company any money for upgrades to new versions if there is no attempt to improve the issues that i have submitted to Cakewalk in the past.
If you are willing to read the suggest articles you will see that facing this question is not easy at all. And it’s got an arpeggiator, too, not that you really need one with something that only works with software. It’s otherwise the same monotron VCO square wave synth (double doubling your enjoyment in the process), but the addition of X-Mod should be good fun, as was the LFO on the previous model. And this is without considering the well documented faults of the code, flakey LEDs and knobs.
Ethically, maybe (if you’re willing to argue the fact and live your life entirely according to that ethos, and know where to draw the line between absolutely no machines involved and some machines involved, and if hand crafted actually just means hand assembled machine manufactured parts. There are positives and negatives to the approach – it’s the reason some readers of this site return to software on game machines that has more in common with early Amiga software.
FL users probably won’t be impressed, but if you longed for FL-style pattern sequencing but wanted to maintain an existing DAW, this could be for you. The UI has now been cleaned up, the Transient Tool makes it easier to grab trasients in your audio, and selection looks better.
And like Peter said, this is just an assembled reading list, nothing more and it would require a much longer article for sure. Update: it appears the DUO also has the key range switch present on the Monotribe – bonus!
Whether or not you intend to be patronizing or not has little or no baring on the net result, I mean seriously… informing me that the code has an 8×4 matrix ? You can do tempo detection, mapping, and syncing, so that this is useful not only for smooshing around your recorded audio but also mapping it to a tempo. The benefits of having a ubiquitous piece of performance gear were that replacing, repairing them was no big deal.
As much as I love Ableton Live for sound design and live performance, I find myself returning to something like SONAR for arrangement. And most interestingly, the transients you find in Audio Snap can be integrated with the new Step Sequencer. You need only put the livid code on your ebay watch list, or scout some forums where these are likely to be sold, and take a shot of bourbon every time you spot a unit with no problems.
There are also audio fidelity improvements for working with vocal, reed, and brass instruments.
Perhaps the next time someone expresses their opinion that something is too expensive, you might at the very least assume they know the tech specs of the item in question before replying if not also any common problems with the build quality etc.

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