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MAGIX Software GmbH has updated its movie-editing product range with the release of MAGIX Movie Edit Pro 2014. The new build also comes with "tons" of new content, with all elements now HD and 16:9 compatible.
Movie Edit Pro 2014 comes with the promise of now being capable of supporting up to eight simultaneous AVCHD tracks on a Core i7 PC, an increase of five on the previous version. Plus and Premium users also gain a new proxy editing feature, which creates virtual copies of original video files that are simpler to edit and smoother to navigate and preview, even if the original material is 4K footage. The latest build is also better optimized for touch displays, with key controls such as preview window buttons, the timeline and menu bar now supporting touch on compatible Ultrabooks and displays -- those who purchase the Plus or Premium edition also get the companion MAGIX Movie Edit Touch Windows 8 app for free. Finally, support for Intel WiDi also allows users to stream content from the preview window to compatible devices wirelessly. MAGIX Movie Edit Pro 2014, MAGIX Move Edit Pro 2014 Plus and MAGIX Movie Edit Pro 2014 Premium are all available now as a free trial downloads for compatible Windows PCs. You can purchase full versions of all three packages in the Downloadcrew Software Store, with MAGIX Movie Edit Pro 2014 available now with a 14 per cent saving on its MSRP at just $59.99. Also available are MAGIX Movie Edit Pro 2014 Plus, which comes with added functionality including with a 99-track timeline, full stereo 3D support, multicam editing, audio dubbing in 5.1 surround sound, many additional effects (including HDR), professional movie templates, and custom menu design. In television production there are three pillar skills which if mastered a world of opportunity awaits – writing, shooting and video editing. In the last decade, video editing has become an even more powerful tool as more and more consumers are doing the work that had previously been reserved for special people locked in dark rooms with $30,000 suites of fancy equipment. Many amateur video editors wonder if the skills they have learned creating their own pet projects or home movies can actually be developed and refined into a career. There are many careers in television where video editing is the primary skill put to use each day.
As statewide promotions manager it is Rafferty’s job to produce and edit on-air marketing and promotions for all the CBS stations from Kalispell to Billings, while also building the branding elements and graphics used within the various newscasts. Working in promotions, or sometimes referred to as creative services, isn’t as easy as editing a video for YouTube, but it’s a goal worth pursuing if you’ve found video editing is something you truly enjoy doing. As a former Director, you’ve made quite the shift to working in promotions, what are the skills you’ve had to develop in this role?
I’ve also had to really study up on the interactive side of things, with an extra emphasis on social media.  We don’t have a huge online department, so the promotions department handles a lot of our online work along with my usually television duties. Fear is a powerful motivator – you see it used often in TV news – what emotions do you try to tap into to get viewers to stick around or come back later? Rafferty: There’s the exaggerated promo line of “there’s something in your house that could kill you…we’ll tell you what it is at 10”. Instead of flat out fear, I always try the “arming you with information” approach.  The world’s not coming to an end, but there’s some stuff you should really know to make sure it doesn’t. When there is a tragedy and one of your stations is doing continuous coverage, you jump into action to “brand” what the station is focused on – how hectic is it trying to be creative against a deadline?
We don’t come up with sensational Dateline-like “Murder in the Heartland” titles for things. As far as the creativity on a deadline, it can be tough but we also prepare for these sorts of things.  We have a very strong graphics package and style guide, so we’re not starting from scratch on everything. After that, it’s just a matter of incorporating it into our existing package.  I can typically have a full package of graphics ready for all of our stations to put on the air within 2 hours after a story initially breaks. With your technical background is it hard to watch a fictionalized show like “The Newsroom” that is entertaining, but does some technically impossible things?
Remember the early 90’s movie with Robert Redford and Michele Pfeiffer “Up Close and Personal”?  How in the hell did they do a live shot from inside a prison without any cables running to the camera or microphone?  I can understand the possibility of an RF camera or a wireless mic…but through prison walls and steel bars back to a simple microwave van?

I don’t think so.  I saw that movie in the theater with my sister and absolutely ruined it for her. I’m willing to toss aside reality for the sake of a good story, but it can be like nails on a chalkboard.  The second season premiere of The Newsroom when they cut an audio track live over the phone really angered me. There are powerful video editing programs out there like Adobe Premiere, Final Cut Pro and Sony Vegas that are wonderful training grounds for a career that entails video editing. To jump to the next level, consider learning photo and video manipulation software packages like PhotoShop and After Effects.
Recently Brian has become addicted to Google+ and LinkedIn so add him to your circles and make him a contact. MAGIX, a leader in multimedia software, leverages Dolby technology within their premium products to the market.
Dolby Digital 5.1 Creator maintains audio fidelity while preserving valuable disc space to allow for sharper picture quality or longer recording time. MAGIX continues to work closely with Dolby technology to deliver professional tools to its customers and ensure the highest fidelity experience.
Reach out to the author: contact and available social following information is listed in the top-right of all news releases. Image quality, reliability and speed are just three of Capture One Pro 7’s attributes. In our Corel PaintShop Pro 8 review we weigh the pros and cons of this budget photo editing software to determine if it’s a viable option for photographers. In our DxO Optics Pro 8 review we weigh the pros and cons of this photo editing software to determine if it’s the perfect Photoshop alternative for photographers. If you are a Nikon loyalist and shoot in RAW, you can make tweaks to your Nikon raw files and experiment with different looks using Nikon’s Capture NX2 software.
In addition to these handy features, when you open a RAW file in Capture NX 2, you gain access to an extra Camera Settings panel that enables you to get more from your shots. Nikon Capture NX 2 software offers a lot of precision tools for making selective adjustments to your photos that can enhance a specific part of an image.
Capture NX 2 Control Points, for instance, enable you to click on a specific colour or tone to sample it. Adobe Systems Incorporated today announced Adobe Premiere Pro CS5, a new release of the industry-leading nonlinear editor, offering breakthrough performance and features that drive post-production workflows. Adobe Premiere Pro CS5 software has been optimized from the ground up to deliver outstanding performance and exceptional stability. Adobe Premiere Pro CS5 makes the most efficient tapeless workflow available even better by adding new native support for the latest tapeless and DSLR cameras, expanding Adobe’s leadership in next-generation workflows. Adobe Premiere Pro CS5 enables video professionals to collaborate with ease by supporting roundtrip editing between Adobe Premiere Pro CS5 and Apple Final Cut Pro, Avid Media Composer or Digidesign Pro Tools software. The open, flexible architecture of Adobe Premiere Pro CS5 allows it to be extended to work within custom infrastructures. Adobe Premiere Pro CS5 is the only nonlinear editor that is truly optimized for online video—while enabling distribution to standard formats as well. Adobe Premiere Pro CS5 is scheduled to ship within 30 days with availability through Adobe Authorized Resellers, the Adobe Store and Adobe Direct Sales.
Also available in Plus and Premium versions, the new build comes with the promise of improved multi-track performance through more efficient use of multi-core PCs. Movie Edit Pro 2014 also gains HDR effects for the first time too, while Plus and Premium users gain a new proxy editing feature. This has been achieved through more efficient use of the multi-core architecture in the playback engine’s threading model.

In fact, it made me so mad I haven’t watched the rest of season 2, it’s still sitting in my DVR waiting for me. When video editing don’t become overly reliant on effects, stick with story development and save the effects for special purposes. MAGIX has incorporated this award winning technology into its own award winning software in Movie Edit Pro -Video Editing Software and its professional video editing software - Video Pro X. Dolby Digital 5.1 is crucial for the truly amazing audio creation in MAGIX video editing software tools. Is this latest photo editing software from Phase One an Adobe Lightroom and Photoshop killer?
Capture NX 2 is also designed to read all the extra information in a NEF file, so you can make edits and try out various White Balance settings.
In this Capture NX 2 tutorial we will show you how to use your software’s Control Points for greater precision in your photo editing. You can then use a Control Point’s sliders to adjust a wide range of attributes for the sampled colour, such as hue, saturation and brightness.
Adobe Premiere Pro CS5 includes Adobe OnLocation CS5 and Adobe Encore CS5 software to facilitate production from script to screen.
The all new Mercury Playback Engine is 64-bit native, optimized for operating systems, multicore processors, and NVIDIA GPUs to provide an amazingly fluid, real-time editing experience. With native support, users do not have to waste valuable production time transcoding or rewrapping, and have access to the original file’s pristine quality.
This gives users and workgroups maximum flexibility when moving assets between applications and collaborating on projects. Adobe Premiere Pro CS5 is extensible using panels created in Adobe Flash Professional, enabling broadcast and film companies to use Adobe Premiere Pro in sophisticated, tightly integrated workflows, including integration with asset management and file transfer systems, as well as with newsroom systems such as ENPS. From ingest to encoding, Adobe Premiere Pro uses metadata to make assets easier to find and navigate, adding intelligence along the way that makes content more valuable when distributed online.
Available for both Mac and Windows, estimated street price for Adobe Premiere Pro CS5 is expected to be US$799. Users are able to create professional surround effects with Dolby Digital 5.1 Creator surround creator, so MAGIX included it in a number of their key products for people to create real surround sound with channel control and live mixing.
In our latest Raw Tuesday post we put them all head-to-head to find out which is the best photo editing software, offering photographers the most complete package of features and ease of use along with value for money.
Video professionals can maintain full frame rate, at full resolution when applying multiple color corrections and effects across many video layers, and when working on complex timelines and long-form projects with thousands of clips—whether a project is in SD, HD, 2K, or 4K.
This open extensibility allows customers to use industry-standard, designer-friendly Adobe authoring tools to create customized and compelling, integrated workflows, bringing the power of the Adobe Flash Platform for engaging experiences directly into the editing workflow. Adobe Premiere Pro enables users to deliver your work everywhere, from broadcast video formats to Blu-ray Discs, DVDs, Web DVDs, mobile devices and beyond. Editors can also open large projects up to 10 times faster, and mix and match AVCHD, P2, XDCAM, RED, and DSLR camera formats freely in the timeline, without rendering. Editing is significantly faster on laptops for in-field editing and with mid-range systems, the productivity gains measured in independent benchmarks conducted by Pfeiffer Consulting demonstrated up to 10 times performance increases over earlier versions on effects-heavy, high resolution projects.

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