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We are pleased to be able to add a modular route to our postgraduate continuing professional development (CPD) activity in Integrated Practice with Children and their Families, as an alternative option to our MA in Integrated Practice with Children and their Families. This CPD route is available to qualified practitioners and their employers in order to provide greater flexibility and choice for study at post-qualifying level.
As with our other CPD full awards, the modules will be taught by academic staff with strong and substantial professional experience, and whose teaching content reflects the best and latest research.
JULIE LYONN LIEBERMAN HAS helped develop the multi-style string field over the last thirty-five+ years through her work as an educator, author, radio producer, composer, recording artist, journalist, and performer.
Julie Lyonn Lieberman was one of the first educators invited by Juilliard to teach improvisation to their students in the L&M Department. Julie has also created seven hours of programming for National Public Radio on jazz violin (The Talking Violin hosted by Dr.
JEREMY COHEN’S ELECTRIFYING jazz violin performances have earned him nationwide accolades. Cohen has performed as soloist with numerous orchestras including the Virginia Symphony, the California Symphony and the Reno Philharmonic.
A faculty member of the Henry Mancini Institute (Los Angeles) since 1997 and The Jazz School (Berkeley) since 2004, Cohen also taught for six years at the Stanford Jazz Workshop. VIOLINIST, FIDDLER, COMPOSER, producer and educator, Darol Anger is at home in a number of musical genres, some of which he helped to invent.
Anger has produced dozens of critically lauded recordings since 1977 which have featured his compositions and performances. Anger helped found the String Resource Board of the International Association of Jazz Educators. Turner completed his undergraduate studies at Lawrence University and his Master of Music degree in Third Stream Studies (now the Contemporary Improvisation program) at the New England Conservatory of Music, where he studied with Dave Holland, Geri Allen and Joe Maneri, and where he was the recipient of a Distinction in Performance Award. Born at an early age in a little log cabin he built with his own hands, Paul Anastasio began studying the violin at the age of nine.
By 1977 he was studying with jazz violin pioneer Joe Venuti and playing with Merle Haggard as a member of Merle’s band, The Strangers.
Paul then headed to Nashville, Tennessee, where he worked for three years with Larry Gatlin and the Gatlin Brothers and two years with Loretta Lynn. Paul flipped in 1996 when he first heard violinist Juan Reynoso play the remarkable traditional violin music of the Mexican states of Guerrero and Michoacan. He has also been teaching at music camps, where he has been much in demand in recent years, and he writes a regular column, entitled ‘On Improvisation,’ for Fiddler Magazine. As an Irish fiddler, Tom has made multiple trips to Ireland to perform and research traditional Irish music (studying with and playing alongside legendary fiddlers including Manus McGuire, Maurice Lennon, Liz Carroll, Kevin Burke, Frankie Gavin, and Gerry O’Connor). Classically trained with a degree in music education, Tom Morley’s career spans more than thirty years and a host of genres. AARON MINSKY’S dozen music books , published by Oxford University Press, have become standard repertoire.

His “celtar” style (which combines cello and guitar technique) has entered both the popular and classical worlds.
Already an accomplished rock guitarist in his teens, it was Aaron’s search for a new guitar sound that led him to the cello. We are committed to providing you with professional performers who are also professional educators.
The modules are all also available as part of the suite of awards we currently offer, and you will be able to use the credits you achieve by completing them successfully to build future awards. Our intention is to combine creativity and flexibility with rigorous academic approaches to learning, in order to develop practitioner students' skills and knowledge and to help support and enable them to deliver first class service quality to children and their families. Her newest book, How to Play Contemporary Strings: A Step-by-Step Approach for Violin, Viola, and Cello hits the market March 2016. Billy Taylor, and Jazz Profiles: Jazz Violin hosted by Nancy Wilson), and over fifty articles for music magazines, including STRAD, STRINGS, Fiddler Magazine, and American String Teacher Journal.
Classically-trained and a student of Itzhak Perlman and Anne Crowden, Cohen’s eclectic style reflects his respect for a wide range of violinists from Perlman and Fritz Kreisler to Joe Venuti and Eddie South. His recording credits include motion picture and television soundtracks including “The Dukes of Hazzard” and Jane Fonda’s “Dollmaker,” and as concertmaster on recordings with Linda Ronstadt, Ray Charles, Aaron Neville, Howard Keel and Cleo Laine. In addition to those with Quartet San Francisco, Jeremy has recorded two CDs of jazz standards with his “ViolinJazz” quartet (violin, piano, bass, guitar).
With the jazz-oriented Turtle Island String Quartet, Anger developed and popularized new techniques for playing contemporary music styles on string instruments. His work includes recordings, videos, and books of jazz originals and arrangements, and traditional-derived music in many styles.
He has led seminars at the Stanford, Oberlin and Amherst Jazz Worshops, regularly teaches at the Berklee School of Music and the Mark O’Connor Fiddle Camp, and at workshops and clinics from Campo Do Jordao, Brazil to the Music Conservatory at Bremen, Germany. He teaches privately and at fiddle workshops across the US, and has taught Irish fiddling for American Music Camps, O’Connor String Camps, SCOR! He’s played Celtic, bluegrass, classical, swing, Americana, and country honky tonk, earning a gold album for his work with “new traditionalist” country artist John Anderson. He composed the first classical arrangement ever approved by the Grateful Dead: “Dead Cello” (Latham Music). Wanting as broad a view as possible, he studied with many teachers – including Harvey Shapiro and Channing Robbins of Juilliard, Jonathan Miller of the Boston Symphony, George Saslow and Einar Holm, and David Wells of Manhattan School of Music where he obtained a Master of Music degree.
Our world-class faculty are passionate about music, about sharing their knowledge, and about contributing to your musical skills. You will thus have the opportunity to complete an accredited award over a longer period of time.
She currently has a portfolio of over fifteen string orchestra scores in American and world styles published by Kendor Music and Alfred Publications. He appeared on Carlos Santana’s Grammy-winning CD “Supernatural” and the original “Star Wars” compilation CD with John Williams.

In 2004 he released “Jeremy Cohen and Friends Celebrate Joe Venuti –100 Years,” his DVD tribute to the great jazz violinist. He has released two popular instructional videos for Homespun Tapes, is a Contributing Editor for Strings magazine, and serves on the ASTA Editorial Board.
But it is with Irish music—his focus for the past decade and a half—where Tom has truly found his passion, both as a performer, teacher, and book author. Aaron has given master classes and performances in the United States, England, Ireland, and Australia. Lieberman produced four American Jazz String Summits in the eighties and nineties featuring many of the top improvising string players in America, and co-produced three alternative string festivals within American String Teachers 2003, 2004, and 2005 conferences, serving as the chair for the 2004 component. On the stage he was the solo violinist in “Forever Tango” and “The Best Little Whorehouse in Texas” and has toured and recorded with the 2006 Grammy winners, the Turtle Island String Quartet. Cohen’s orchestral arrangements have been featured by the San Jose and San Francisco Chamber Orchestras, the Bay Area’s Peninsula Symphony, the Reading (PA) Philharmonic, the Reno Philharmonic, and the Sun Valley (ID) and Mendocino (CA) Music Festivals. His Grammy-nominated folk-jazz group Montreux was the original musical model for the New Adult Contemporary radio format. Turner is a Yamaha Performing Artist and currently performs and records with Bill Carrothers, Randy Sabien, and with the Jean-Marc Foltz Trio. Campbell Folk School, and for the Boston area annual 3-day workshop event known as the Fiddle Hell Gathering. He conducted the world premiere of his “Legends of Cellandia” for cello orchestra (commissioned by the London Cello Society) at the Royal Academy of Music, London.
Also known as Von Cello, Aaron has given interviews and performances on radio and television (including Good Day New York, FOX and Friends, and WOR). The David Grisman Quintet forged a new genre of acoustic string band music with Darol’s fertile inventiveness, surprising touches and technical mastery (Boston Herald) often in the forefront. In 2013 he took his adult fiddle group, the Irish Trad Explorers, on a tour across Ireland, where they performed in community centers, churches, and pubs, often alongside top Irish musicians. And, marking a great milestone, Minsky debuted his cello concerto, “The Conqueror”, with the Staten Island Philharmonic.
He is in Who’s Who in America and the International Who’s Who, and has performed with a wide range of artists from David Bowie to Mstislav Rostropovitch. He is a regular contributor to iFiddle digital magazine and is the author of two well-received fiddle books: the tutorial Learn to Play Irish Trad Fiddle (reviewed in Fiddler magazine, Irish Music magazine and the American String Teachers Assoc.

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