22.02.2015

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One of lifea€™s true delights is having a pal who is always ready for any escapade or adventure one may conjure up. We had great fun decorating and cooking for my sistera€™s Christmas wedding and reception, carrying it off with the resplendence of a Southern Living layout.
A remarkable facet of our relationship is that Irenea€™s husband, Paul, is also a very good friend of my husband Marc. The rest of this wonderful blend are two daughters, of like ages, in each family, and my son Jim who served as a surrogate son for the Ca€™s particularly since he too joined the brotherhood of Aggies.
Since our families are so compatible, we decided a number of years ago to go on a joint ski trip.
After the requisite hardy mountain breakfast, our enthusiastic bunch were all chomping at the bit to hit the runs. Others of us split into various compatible pairs and proceeded to have wonderful times exploring the runs and becoming familiar with the mountain. We elders took a bit longer to rejuvenate, but decided, after a brief siesta, we would make a few more runs before daya€™s end. Marc and Paul helped me convince Irene that this run wasna€™t any steeper, for the most part, than the bunny run, and she could enjoy a nice long un-interrupted practice.
All I had considered, when I had first encouraged her to go, was the nice long gentle run DOWN, not this panicking bundle of nerves that was developing beside me on the way UP. Because she really had no choice at this point, or perhaps because she was too numb from the cold to think of a reasonable alternative, she meekly followed me on to the second lift, which unfortunately traveled over the top of a black mogul run. Miraculously, we dismounted the lift without a mishap, and as we slid away from the lift, I could almost hear a a€?Heavenly Halleluiah Chorus,a€? as the marvelous, long, gentle green run finally came into view.
In spite of this comforting view, I knew she was still terrified, both from the climb, and horrifying spill we had just had the misfortune of watching. While to Irene I was smiling and encouraging, internally I was making a mental note of the fact that not many others were swishing past us now.
About this time we overtook another female duo, with one on the ground, and both looking exhausted. Oh, it cana€™t be, I thought to myself, as the two we had passed earlier on the ground, had incredibly rejuvenated and were now sailing past us. She still hadna€™t fallen, but she was exhausted and we had gotten to a stretch with no slope at all. As conditions on the mountain worsened and fatigue became a major factor, Irene had here, so near the end, finally slipped and fallen several times when the ski patrol returned on this way down. Since we were in sight of the bottom, he went ahead to tell Paul and the rest of our worried family members that we would be arriving intact momentarily.
A few days later, on our return home, Irene, still my friend, presented me with a small square ceramic magnet she had picked up in an airport gift shop. A remarkable facet of our relationship is that Irenea€™s husband, Paul, is also a very good friend of my husband Marc.A  The fact that they are both Aggies provided an instant rapport, and the fact that Paul is a super nice guy sealed the deal. To top this off, our children were old enough to handle their own ski gear.A  What more could Irene and I ask for? After the requisite hardy mountain breakfast, our enthusiastic bunch were all chomping at the bit to hit the runs.A  Being the only inexperienced skier in the group, Irene parted our company, and checked herself into ski school. Marc and Paul helped me convince Irene that this run wasna€™t any steeper, for the most part, than the bunny run, and she could enjoy a nice long un-interrupted practice.A  She was hesitant at first, but a bit more persuasion and she finally capitulated to our pressure and the challenge.A  We were off!


Because she really had no choice at this point, or perhaps because she was too numb from the cold to think of a reasonable alternative, she meekly followed me on to the second lift, which unfortunately traveled over the top of a black mogul run.A  Talk about losing it!
Miraculously, we dismounted the lift without a mishap, and as we slid away from the lift, I could almost hear a a€?Heavenly Halleluiah Chorus,a€? as the marvelous, long, gentle green run finally came into view.A  It lay before us, smooth and white, bounded on both sides by beautiful towering ever-greens, looking ever so much safer than the rocky terrain we had just been dangling over.
Well, I reasoned, Ia€™ll just have her sit down and slide on her bottom.A  a€?Almost there,a€? I yelled out, a€?keep it up!
The Beatles: certainly the dominant force in music for the second half of the twentieth century - as ever, in my opinionated opinion.
With the Beatles - released in the US as Meet the Beatles, with significant playlist changes - confirms that emergence. That suspicion is confirmed with A Hard Days Night, comprised entirely of originals built around the movie. And just when we all thought they were at the apex of their creativity, with nowhere left to go, there is Revolver. Otherworldly, with what sounds like flocks of birds and a small army of tom toms, the four, George Martin and Geoff Emerick invert and reinvent the recording process (John discovered a€?backwardsa€™ during Ia€™m Only Sleeping, and wanted to record the entire album that way.
Magical Mystery Tour, from their first-time film production but third movie, is the first crack in the invincible armor, allowing critics the opportunity to snipe. The Beatles (commonly known as the White Album) is brilliant: four massively talented musicians coming into their own, pointed in four very personal directions. Eventually I put the second record on my turntable: Birthday, Yer Blues, Mother Naturea€™s Son, Everybodya€™s Got Something to Hide (except for me and my monkey), Sexy Sadie (originally titled Maharishi), Helter Skelter, and Long Long Long. Opening with a rehearsal of Get Back, they proceed with Dona€™t Let Me Down, Ia€™ve Got a Feeling, One After 909, I Dig a Pony, and then close with Get Back. And then - because they are the Beatles - after twenty seconds of silence, McCartneya€™s bizarrely edited, irreverent snippet Her Majesty. No one dreamed theya€™d ever record again, after the acrimony of Let it Be, but everyone rose to the occasion when they asked George Martin to produce once more on Abbey Road (originally titled Everest). Youa€™re so funny,a€? she said, her spirits reviving, partially because her feet were back on terra firma, a few thousand feet further above sea level than she might have liked, but solid ground nevertheless.A  a€?You are going to do great!a€? I reassured.
You look wonderful,a€? I said, as I saw her beginning to smile.A  I felt myself relaxing, beginning to think we might get through this yet. I havena€™t fallen once!a€?A  a€?Youa€™re doing great Irene,a€? I responded.A  We made that little slope and she really was amazing me, but I could tell she was getting tired, and I knew we had a steeper slope yet to go near the bottom. Beginning with the LP Please Please Me - their first effort, recorded in one mammoth twelve hour session and culminating in an astounding second-take vocal from John Lennon on Twist and Shout - each successive release is a quantumA  pole-vault in songwriting, performance and technology. The covers are mind boggling: Johna€™s visceral rendition of Barrett Stronga€™s Money (Thata€™s What I Want), again on William Garreta€™s Please Mr. I would guess the newness was beginning to wear a bit thin, and there is a subtle aura of treading water: the old stage chestnuts are again mined, but new frontiers are pushed with Lennona€™s No Reply and Ia€™m a Loser, and Maccaa€™s lyrical Ia€™ll Follow the Sun. George Harrison introduces his dark horse songwriter persona with I Need You and You Like Me Too Much. This album inspired Brian Wilson to write and produce Pet Sounds, and both of those tesseract the paradigm of popular music. Beginning with Lennona€™s magnum opus Tomorrow Never Knows, which draws from the Tibetan Book of the Dead, this one song takes up-wards of forty hours to record. And he does indeed sound like a disembodied sprit, his vocal caught in the centrifuge of a Leslie speaker system.


Peppera€™s Lonely Hearts Club Band further deconstructs the recording process, adding exponents to the care, creativity and craft involved. While the movie was arguably not great, the soundtrack is a greatest hits compilation of their psychedelic period: the first recording sessions for Sgt.
Songwriting again grew in prodigal leaps and unexpected directional twists, for John and Paul and George.
This was the first incident where I listened to the first side (of 4) for a month and a half, astonished by something new in each successive listening: Back in the USSR, Dear Prudence, Glass Onion, Ob-La-Di Ob-La-Da, Wild Honey Pie, The Continuing Story of Bungalow BIll, While My Guitar Gently Weeps, and Happiness is a Warm Gun. After the puzzler that was Revolution 9, I was put away by Good Night when Ringo revealed it was a Lennon song. The lagniappe shots of swarms of people on the street, climbing out windows, and swivel-necking up at the sound contribute to the magic. Postman, and yet again with Smokey Robinsona€™s Youa€™ve Really Got a Hold on Me; George steps up to the microphone for Richard Brian Drapkina€™s Devil in Her Heart, and Paul on Meredith Wilsona€™s Till There Was You from The Music Man. Pepper - Strawberry Fields Forever and Penny Lane (John and Paula€™s respective take on the same idea) - released as singles, as were Hello Goodbye, Baby Youa€™re a Rich Man and All You Need is Love - Lennona€™s tongue in cheek love anthem. Donovan Leitch, in their entourage, taught John to Travis Pick, and the results are spectacular: Dear Prudence, Julia, Happiness is a Warm Gun, Cry Baby Cry and Ia€™m So Tired all emerge from this one source of inspiration. After a month or so I turned the record over, out of pure curiosity, for a flash of satori: it may be more astounding than the first side! When the police arrive - as planned, no doubt - to shut them down, Lennon closes with his inimitable a€?Ia€™d to to say a€?thank youa€™ on behalf of the group and ourselves, and I hope we passed the auditiona€?.
But the genius is the songs, snippets and remnants from India edited together to form the medley culminating in The End.
Martha My Dear, Ia€™m so Tired, Blackbird, Piggies, Rocky Raccoon, Dona€™t Pass me By, Why Dona€™t We do it In the Road?, I Will and Julia.
Geoff Emerick - who was the recording engineer at EMI on almost everything the boys recorded - has a memoir entitled Here There and Everywhere: he here tells stories out of school that destroy me. Beginning with Johna€™s ethereal Because (based on Beethovena€™s Moonlight Sonata), it segues into Paula€™s You Never Give Me Your Money, then ping pong from John (Sun King, Mean Mr.
George introduces Indian instruments to the world at large with Love you To, and the acerbic Taxman.
Ultimately Paula€™s creation, the theme and title song are his, along with A Little Help From My Friends, Fixing a Hole, When Ia€™m Sixty Four, and Shea€™s Leaving Home. Mustard, Polythene Pam) to Paul (She Came in Through the Bathroom Window, Golden Slumbers), to close with The End - a sardonic jam with dueling guitar solos (3!) and a drum solo from Ringo - under duress. Lennona€™s stellar contribution is the lysergic (which he denied) Lucy in the Sky (with Diamonds).
Lennon and McCartney collaborate - rare, at this point in time - on the closer A Day in the Life.A  Thank engineer Geoff Emerick the for endless, ending crescendo.



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