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30.05.2015
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Two years ago we were invited by my sister to attend Joyful Noise, put on by KTIS 107.7FM, with her family.
The first band started at 5pm on Friday and we had decided to arrive a little early to make sure we had great seats. We heard great artists such as Jason Grey, Tim Timmons, Mandisa, and many more amazing artists.
It was truly awesome as a parent knowing I could bring my five year old to a concert and know I wouldn’t cringe at the words he was hearing. Sign up for a chance to win a $10 gift card!Sign up for our newsletter and your email address will automatically be entered to win a $10 Gift Card every month!
I have just been sent details, from my Liberal Democrat Councillor colleagues in Surrey of a petition to Surrey County Council, regarding Helicoper Noise. I must confess, it does not bother me desperately, but to be fair, our house is not on any direct flight path. The Liberal Democrats and their elected representatives may use the information you’ve given to contact you.
Glenn Branca, of course, is the legendary guitarist and avant-garde composer with some serious music-dork street cred– I mean, mere mention of the guy’s name is liable to send anyone with a no-wave soft spot into an aggressive tizzy. Attendees before the show starts at Glenn Branca Symphonies, part of the Red Bull Music Academy Festival, at Masonic Hall, NY, USA on 16 May, 2016. The B+B editor in chief was lucky enough to catch Glenn Branca chatting it up at a talk held earlier this month (also part of Red Bull Music Academy stuffs), where the supremely raspy-voiced, 67-year-old composer waxed on about how freakin’ amazing this show was going to be. By some great cosmic mistake, I was actually allowed to stumble into the Masonic confines for the Monday night showing of Branca’s Symphonies as performed by a buncha hellions. John Myers and an all-star group of musicians perform Glenn Branca’s Symphonies, part of the Red Bull Music Academy Festival, at Masonic Hall NYC in Manhattan, NY, USA on 16 May, 2016. I was so bowled over by the in-your-face explosion that it took me a minute to make out all the faces on stage, floating above Persian rugs that evoked every basement show I’ve ever been to, and come to the realization that, yes, all of that noise and symphonic sound, part of the first movement of Symphony #10 was actually, actually coming solely from rock-band instruments. It seemed like it was a role the players gradually grew into, however, as opposed to one that came to them immediately and naturally.
Glenn Branca hands out roses to the musicians taking part in Glenn Branca’s Symphonies, part of the Red Bull Music Academy Festival, at Masonic Hall NYC in Manhattan, NY, USA on 16 May, 2016. I left the Mason Lodge in an elated mood, my head felt blissed-out beyond belief, and the ride home was hazy– that might have had something to do with the fact that I could barely hear the lurch of the A train and the creaking slam of the subway doors, or anything at all for that matter.
But researchers from the German Aerospace Center (DLR) say they are the first to provide a visual explanation of the cause for all that noise.
And armed with that knowledge, they’re in a better position to make helicopters quieter and more comfortable, good news for civilian and military pilots and passengers. To answer the question of why helicopters are so noisy, researchers set up camp in a limestone quarry and pushed skilled pilots to pull off risky maneuvers just 30 feet above the ground.


In a January press release, the DLR explained that most noise comes from the helicopter’s main rotor. They took advantage of a common phenomenon: the way air seems to shimmer on hot days (due to changes in air density, which refract the light). Last year, the DLR researchers successfully visualized those rotor blade vortices by flying in front of a rocky background in the Alps, and over fields and meadows. Recently, they took things to the next level, with a BO 105 helicopter flying in the limestone quarry near Hanover.
The DLR says it plans to continue this kind of testing, and the results could help make helicopters quieter and more comfortable. Loaded up our car, buckled Titus into the car and the three of us were off for a two-day trip. We found a perfect spot, unfolded our lawn chairs, and waited excitedly for the first band. We listen to KTIS at home and it was fun to see him jumping, dancing, and singing along to many of his favorite songs.
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Ok, so maybe when it comes to the Marxist-guilt department, writing a glowing review about the aforementioned caffeine company’s spectacular music event tops one shameless night (ok, two) spent gobbling down all those freebies. He’s best known for his 1981 album The Ascension– a noisy wash of clangy, doom-inspiring guitar work and all-out disturbing weirdness (in other words– perfect)– which he dropped after disbanding Theoretical Girls. For one, the epic Mason digs were not too shabby, in terms of acoustics and atmosphere– seeing that the massive worship hall (er, whatever it is that Masons are doing in there…) was designed with old cathedrals in mind, complete with soaring ceilings, ornate details, a towering organ at the back, and balcony seating. After pushing through the theater threshold, I struggled through a crowd and took a less than ideal side-stage seat behind a lovely pillar (which immediately reminded me of our good friend Market Hotel Pillar– take that, prissy music critics! There were no strings, brass, or anything else that you’d fine in an orchestra pit or a philharmonic.
While Hunter Hunt-Hendrix was moving around like he would on stage during any Liturgy show, the rest were (initially) fairly stiff, looking down at their sheet music and uneasily up at their conductor and the crowd. Still, all of them were doing some impressive work, and I couldn’t believe how taxing a performance like this would be.
Or maybe it could be owed to the fact that Branca is especially capable of stirring up religious experience and lifting even in the most grounded people off into that otherworldly glory of classical music, without all the baggage it comes with, and with all the badass noise it declines to embrace. What’s trickier is explaining why, and finding a way to make the explanation visible to the naked eye. As it spins, air pressure drops above each blade, and rises below it (pushing the helicopter up).


Against the right background, that shimmering makes the air vortices created by helicopter blades visible. After setting up ten cameras at various angles, the team asked the pilots to rock the helicopter just 30 feet above the ground, in front of an exposed rock face. On Saturday the music started around 11:30, this gave us time to sleep in, eat breakfast, and slowly make our way back to the sports center. There were bounce houses, slides, and a whole football size area designed specifically to give kids a place to run off energy and have fun.
The kids are already talking about hearing Newsboys, David Crowder, Francesca Barnacelli, Chris Tomlin, and many more of their favorite artists!
If you continue to browse this website we will assume that you are happy to receive all cookies. But the real and honest-to-god truth is that Red Bull Music Academy is responsible for some truly killer (and sometimes truly rare) music happenings all over the world– Glenn Branca’s Symphonies, held at the Grand Lodge of Free and Accepted Masons, were no exception.
It was strangely beautiful, but above all louder than the devil on a year-long meth bender– it definitely helped that I was about six feet from the enormous stack of speakers. So close were my sorry eardrums to the noise procession that I could read Myers’s lips.
At this point, the contrast was palpable– the ripped jeans, wrinkled tees, and long, metal hair that some of the players rocked, was the polar opposite of the high-minded implications of the setting and their symphony set-up.
Here, the guitars started to distinguish themselves as the sounds they were spewing suddenly became definable as cello-like and viola-esque (but none were quite violin-ish), while one guitar lingered above the rest, like a lone bassoon.
Only one or two looked like they didn’t quite have the stamina or the patience, and were perhaps thinking about smashing their guitar on stage and calling it quits. Somehow, one of the guitarists managed to emit sounds that were exactly like vocals– specifically, the penetrating screech of an opera singer doubling down on a moment of falsetto. Carter Journalism Institute in collaboration with New York magazine, B + B covers the East Village, Lower East Side, Williamsburg, Greenpoint, Bushwick, and beyond. To even out the pressure difference, air flows around the blade, creating a concentrated vortex. Redhook Noisecopters · STOP THE TOURIST HELICOPTER NOISE POLLUTION at Stop the helicopter noise pollution. After the staff at the entrance checked our armbands we were welcomed into the National Sport Center in Blaine, MN.
They had everything from gyros, corn dogs, loaded nachos (deliciously amazing), to corn on the cob (again, amazingly delicious), and the traditional event hot dog. Except that there’s no way Myers would have ever said such a thing– the symphony was majorly on-point.



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