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If you could have an ear infection, the tinnitus should just gradually lessen as chlamydia starts to proceed away. If you cover your ears using palms and be able to wrap your fingers around your supervisor. On the surface, the name Power Pill Fist evokes visions of mohawks, spitting and out-and-out punk rock.
Power Pill Fist is the second band of Pittsburgh musician Ken Fec, previously of Black Moth Super Rainbow.
From the perfectly molded melodic white noise of “YFF, Lou Pappans” rolls the ear-smacking synthesized bass of “Sagadraga,” possibly the best piece of experimental music written in the last decade, and this is only the beginning.
Kongmanivong is a breath of fresh air within a genre that has been getting horribly stagnant in recent months. We all know it's hard to handle that pummeling experimental electronica, but lets take a minute and enjoy the destruction of the brain because there might just be a great consequence.
Ever since horrible noise started messing around in Romper Room territory, experimental acts using the stuff have gone out of their way to outcute one another.
Take "YFF, Lou Pappans," the lead track from Power Pill Fist's second album, Kongmanivong: Strip away the distortion, and it would fit right in with the more charming moments from Black Moth's 2007 disc, Dandelion Gum, with its spangly-sparkly keyboard patterns undulating beneath grinding-gearshift overlays of fuzz. That sort of playfulness is in surprising abundance here, as when "Vile" sneaks in a brief quote from Boogie Down Productions' "The Bridge Is Over" and the iconic piano part is transposed to fuzzed-out keyboard bass.
Who would have thought that an Atari 2600 would be the instrument of choice in the new millennium, but as technology moves forward in leaps and bounds, seems like the most forward thinking sound makers are reaching back, WAY back.
But for our generation, there's just something about the sound of 8bit buzz and crunch, the video games of our childhood, the strange alien computer soundtracks, it may push lots of nostalgia buttons, but you didn't have to grow up in the early eighties to dig that sound. So here we have the first release from Ken Fec, one of the folks responsible for the tripped out bubblegum electro pop dreaminess of Black Moth Super Rainbow, who for his alter ego as Power Pill Fist, seems to have gone back to his childhood home, pulled all the boxes out of the basement, and plugged every video game and antiquated game console from his youth into a 4-track, run it through his fractured pop sensibilities, a bank of damaged effects, and voila.
Originally this was touted as a record that was almost a straight recording of Fec PLAYING an Atari 2600, which would probably have been amazing, but this is way more musical and composed. It’s not often something comes along that is actually experimental: Power Pill Fist creates a unique combination of hearty synthesizers and, well, more synthesizers for a sound recalls noise rock, chiptune, industrial, ambient, and so much more. Upon hearing the name Power Pill Fist you should be thinking one of two things: either a poor translation of some NES game item, or some drugged-out experimental tunes.
What’s interesting about Power Pill Fist is that unlike many noise-oriented electronic acts that lack any sense of melody, these scratchy buzz fests reside almost entirely within major key structures. Evidently Fec is the house DJ for Graveface Records and he certainly seems to know his way around a beat. Kongmanivong is definitely dance driven, but it gets a little Krautrock here and there in the quieter parts.
Last year we made Kongmanivong by Power Pill Fist a Record Of The Week, a dizzying blast of crunchy 8-bit tripped out fuzz drenched madness that became an immediate aQ fave, created of course by Ken Fec, one of the guys in Black Moth Super Rainbow, another group we love who plunder the past, taking all sorts of retro sounds and whipping them up into something wild and new. The core sounds are still the crunch of 8-bit video game music and super lo-fi crumbling distortion, chopped up and arranged into strange rhythms and abstract textures, but where Kongmanivong was a pop record flecked with noisy bits, Extra Life plays out more like a noise record flecked with bits of pop.
Should you have room in the collection between your quasi-limited Wolf Eyes 12"'s and boyarm's Il Programma Di Religione comp - Extra Life will make friends in time zero. So, if you’re like me, and you remember the aldi cream soda pop + Atari 2600 disaster of your youth with fondness, you owe it to yourself to check out this sound.
It turns out that the New Studio Wireless Headphones aren't the only new audio product that Beats has just released. The Pill is lightweight and has a handle, and that's most of what we can say about it. The best part is that this "tap to" functionality doesn't rely on any attachments or applications. NFC is the final asset, as it allows the device to easily pair with other NFC-enabled Bluetooth devices, which is most phones, tablets and laptops nowadays.
Likewise, if you have sinus problems or nose allergies this could be causing wax put together up in your ears can easily bring about tinnitus remedy. Unlike their fellow contemporary noise bands, Power Pill Fist don’t just produce compositions devoid of melody.

The album drifts from one track to the next, questioning everything believed that experimental noise music could do and excelling every expectation for the genre.
Power Pill Fist have the ability to make avant-garde seem almost natural, giving newcomers to the noise genre a step up along with a warm welcome.
Power Pill Fist, aka Black Moth Super Rainbow, uses an Atari 2600 to spin fuzzy distortion synths and sample the video game bloops and bleeps from your childhood memories. Power Pill Fist, the second group of Pittsburgh-based Ken Fec (lo-fi indie-psych darling Black Moth Super Rainbow was the first) may be the cutest of all--or the cutesiest, depending on your blood-sugar level. Even the poky acoustic guitar that pops up midway through would simply settle the ear in any other context; here it's another signifier that anything can be made funnier, or more alluring, when you can barely hear it under static. Kongmanivong is uneven, much as Dandelion Gum was, but its aims are more modest, and that makes a difference. Souped up Gameboys, home soldered circuit boards, old school analog synths, even the recent Tristan Perich release which did the 8bit-ers one better (or more precisely seven better) by creating a suite of music assembled from ONE bit sounds, as low as we can go.
There do seem to be some guitars, and some extra percussion, lurking within and beneath all the crunchy fuzzy buzz, but it's that buzz and crunch that defines the record. Power Pill Fist, though, isn’t for everyone — not all people equally enjoy being sonically assaulted when they listen to music. The interesting thing is that with Kongmanivong, the second album from Ken Fec’s (Black Moth Super Rainbow) alter-ego, you get both. Sure, the feedback itself is dissonant, but the blips, bleeps, and other samples here, like the soundtracks from `80s video games, are something that can actually get stuck in your head. Power Pill Fist seems to be a bedroom synth project from a dude with a serious video game fixation. It’s a long way from Slave DJ-ing at The Buidling in the early 90s, but it’s almost kinda nice to hear the pulsating Nitzer Ebb grind again in dance tracks. It’s not my world, but judging by some internet digging, it wouldn’t surprise me if Power Pill Fist and Kongmanivong were video game references.
We knew there was another Power Pill Fist record, but couldn't seem to track down enough copies to list, until now. Dense and thick and a little bit caustic, sounds layered into repeating loops, fractured rhythms, often left to just drone or buzz, it definitely sounds a lot like a room full of arcade games gone haywire, little bits of playful bloop and bleep surface here and there, but they tend to be surrounded by thick sheets of wild corrosive blown out psych noise freakouts and pulsing lo-fi buzz.
Well - you could be a real fan and have a spot right beside last years (way out of print) 15-minute opus Chinese Guy With a Witch Axe 3" - the mashed up state of PPF and BMSR in unison that joined the 2600 and additional synth.
Listening to PPF brings back all sorts of bizarre memories of how my Atari 2600 started acting bizarre after I accidentally spilled an entire can of Aldi’s Cream Soda into it. The Pill XL is the star here, as it has a very peculiar ability in that it can sync with another one of its kind. Tap two Pill XLs together twice and you'll turn one into the left channel and the other into the right channel. For that matter, neither do the other perks, like the 5-light LED battery fuel gauge that says how much of the lithium battery's charge is still available. Instead, Power Pill Fist delivers a group of intellectual-looking musos playing noise in such a way that Mike Patton would shed an envious tear wishing he’d thought of what they are doing.
Their tracks have surprising amounts of melody considering the type of noise with which they are constructing music. There are plenty of moments that sound as if somebody forgot to plug in the right lead, but the good far outweighs the bad. Nothing like what childhood was, "Vile" drops as heavy as the bass beats can get with all the fuzz on it and mixes harmonious guitar bits. There are some seriously noisy moments for sure, but at its core Power Pill Fist definitely has a glowing pulsing energy crystal pop heart. Give this thing BIGGER beats and you can almost imagine Daft Punk or Justice rocking some of these tracks in a DJ set.
Or Autchre recording a new record using only a busted up old acoustic guitars and the guts of a Sega Genesis, or some crazy psychpop jam session, but with Intellivision consoles instead of guitars. I, on the other hand, find it interesting and a nice break from the more gentle, relaxed music we typically spotlight here.

This is experimental electronic music that takes vintage video game sounds, douses them in layers of fuzzy distortion (think the motors in Excitebike), and then lays down some sleazy funk meets Kraftwerk beats underneath. If you remember Hilt from back in the heydey of industrial, there’s the same kind of schizophrenic industrial grind underpinning the songs. It gets a little bit harder, but never really goes full on Skinny Puppy, not that it seems to be Fec’s intention. And actually, we barely have enough to list, 10 to be exact, but not everyone who loved that one will dig this one, since unlike Kongmanivong, Extra Life is a bit less playful, a little harder, more muscular, and WAY more noisy.
So fair warning to all the folks into the playful almost hip hopitty vibe and bubbly retro pop feel of Kongmanivong, this one might be on the difficult listening side, and will probably appeal more to drone folks and noiseniks, it's definitely a lot heavier, and darker, and way crunchier, although even adventurous pop nerds might give this a try, strap on some headphones, and Extra Life sucks you right in, burying you in a glorious soft cacophony of crunch and crumble and stutter and glitch and buzz. The fact that he is giving away "Mashed Potato Legs" on his site is a fucking godsend, for this is the radio single if there ever was one.
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Adding to that, their ability to make previously inaudible sounds catchy is no simple task. Check out the new album Kongmanivong that gets those video gamer years all worked up inside and prepares you for the destruction of your previous mentality of weird ass experimentation. The noise may be as much the point as what goes on below it, but the more you can hear what's scurrying around down there, the more the entity snaps into place. The disc opens with a murky bleep filled jam, the warbly melody and scratchy rhythm buried beneath thick layers of hiss and whir, wrapped around a simple way-down-in-the-mix guitar strum. Weird and warped, fuzzy and fun, heavy and crunchy, poppy and druggy and just fucked up and freaky enough to keep our ears buzzing and ringing non stop. A selection of tracks (five of them, to be precise) is posted below for your listening enjoyment or exploration. It’s not that there aren’t melodies, but you shouldn’t get used to them, cause they’ll be tampered with as soon as you get used to them, if not before. It starts endearing but gets a little old pretty quickly, but my electronic dancing days are long gone. It gives tinnitus relief me the forum to write whatever Meet new friends and at the same time help somebody out there with the things which I attempt to write on the subject off.
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And it's flecked with bits of skittery electronica, downtempo hip hop, and whatever else Fec had up his sleeve or in his head at the time. Kongmanivong is well put together and far from unpleasant to listen to, but nothing I’d want to hear more than a couple times. So, don’t suffer at home unnecessarily, go and watch your doctor doing this occurs what causes ringing in the ears. A very simple tinnitus remedy that usually do not ingest is drumming your finger son the back of your own. List here are herbs for tinnitus that used to efficiently cure for tinnitus this ear problem. The follow up is all big lurching drums and warbling blown out synths, that sounds like something Beck would jump all over. Some of the other tracks are much noisier, but even then, soft melodies, and haunting song fragments lurk below the surface. Then there's songs like "Chuckanut Drive" that sound like they could have been, should have been, heck, maybe actually were the soundtrack to some super obscure video game, bits of ­other games-, Pac Man, Donkey Kong, etc.

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