On ear noise cancelling headphones review jax,tinnitus behandlung 2015 qualifikation,i can hear weird noises in my ear - For Begninners

Paradigm H15NC Noise-Cancelling On-Ear Headphones$299.99An active noise-cancelling headphone with a dual microphone design. The H15NC and H15 are designed to give you the very best audio experience available in a portable, private listening format. Who better to design headphones than a company that has been winning awards for sound innovation for 30 years.
Flexible headband accommodates a full range of head sizes without adversely affecting the frequency response curve. Three layers of contoured foam: Memory foam provides a layer of comfort, high-density foam prevents low-frequency “bottom out” and the closed-cell layer isolates and attenuates background noise.
But when I say that I genuinely dig the sound of Paradigm’s new noise-isolating headphone and its noise-canceling brother (whose style I dig quite a bit more, by the by), hopefully that observation carries a little more weight. Paradigm was kind enough to send over one of the very first H15 production samples for my thoughts, followed a few weeks later by the H15NC, and I’ll admit to being a little perplexed at first by the former.
Thankfully, no such otological peculiarities affect my experience with on- or over-ear headphones (hence the continued appearance of such reviews on HomeTechTell), so I feel pretty confident in saying that the sound of the H15 isn’t going to be described as “dull” by anyone. Despite my misgivings about the look of the H15—not to mention the less-than-refined feel of its “FlexiPoint” slider extension arms for size adjustment—it’s a quite comfy headphone, with a really snug fit, good noise isolation, and even if swiveling cups don’t really make it any more compact, they do help to assure solid noise isolation.
A lot of the H15’s design elements (and even its less-than-compact folding design) started to make way more sense when the noise-canceling H15NC arrived a few weeks later. Both headphones feature detachable cables, which—unlike the e3m—are amongst the least microphonic I’ve ever heard. Amazingly, the active H15NC doesn’t sounds radically different from its passive little brother. Here’s the weird thing about the sound of the H15NC, though: engaging the noise-cancellation results in virtually no perceptible change in its audio quality. That may have something to do with the fact that the H15NC’s noise cancellation isn’t anywhere near the most aggressive I’ve ever heard.
The H15NC is mostly effective at canceling only low frequency noise, and I really wish I’d had a chance to try it out on a flight, but I put it to the test against lawnmowers and suburban traffic, and really dig the way it removes the rumble, if not the whine. Another peculiar (much appreciated, but peculiar!) thing about the H15NC is that its noise-cancellation doesn’t result in that disconnected, puffy-headed feeling that so many NC headphones give me. Paradigm Shift H15NCOne other thing that sets the H15NC apart from other noise-cancelling headphones is that it doesn’t rely on store-bought batteries. The new Paradigm H15NC Noise-Cancelling Headphones are the latest foray into the lucrative headphone market and part of the Shift line of Paradigm products. The headband is flexible enough, along with the adjustable extension of the ear pads, to fit a range of head sizes. Listening to, in particular, the percussion on a few of Hans Zimmer's film scores I noticed a couple things.
I think Paradigm is definitely targeting a wider user base than that of the picky audiophile the H15NC headphones are clearly designed with that in mind. The Best Equipment at the Best Prices: Electronic Creations prices are competitive with any authorized internet retailer or authorized local dealer.
Equipped with in-line remote and microphone compatible with Apple devices and most smart phones. Tagged as Audio, cancel, H15NC, headphones, isolating, noise, paradigm, shift collection, shift series, Sound. Read on for the inside scoop on the science, a feature comparison chart and technical specs.
Our unique understanding of what makes a speaker sound magical in a listening room was applied in the design of our headphones. I own four pairs of shoes, half of which are flip flops, and one pair of which is covered with genuine imitation Astroturf. I’ve laid hands on the prototype of the H15NC a few times now at trade shows, and really like its grey die-cast accents, especially the way its dual-tone design breaks up the profile of the headphone.
There’s oodles of high-end sparkle here, and although I don’t have the sophisticated measurement equipment that allows Brent to do such wonderfully scientifically meticulous headphone reviews, I’m still hearing plenty of useful energy from the H15 all the way up into the 16kHz range (and all the way down to 20Hz). Throw in something like “Gangster Trippin’” and you’d swear these headphones were voiced specifically to sound amazing with that track—the way its low-frequency extension rocks the bottom end, its forward midrange thrusts the vocals and instrumentation right into the middle of your noggin, and its high-end puts a razor’s edge on the track. It’s amazing how much of an impact the little things can have, but the presence of grey die-cast detailing on the H15NC makes all the difference for me in terms of looks.

The flip side to that is that they tangle up into an impenetrable rats nest if the wind blows the wrong way. Its bass is a bit warmer and more forward, which has the effect of evening out the sound even more.
I compared it to both the Bose QuietComfort 2 (which, in its day, cost me about a hundred dollars more) and Audio Technica ATH-ANC25 (which retails for about two hundred dollars less), and both of those models did a much more thorough job of combating environmental noise across a broader range of frequencies.
When I say that the noise-cancellation circuitry has no discernible effect on the audio, I don’t mean just in terms of tonality—I mean you really can’t hear it, unless you turn your tunes completely off. The unit charges via a USB cable in a little over an hour, and on one charge I’ve been putting the headphone through its paces for the better part of a week now, with no need for a top-off. As much as I lurve Paradigm to itty bitty pieces, and as much as I dig its unique sound, I have to admit I probably wouldn’t buy the H15. They feature a noise isolating on-ear design along with active noise cancellation which utilizes a microphone paired with processing to analyze the noise around you and filter it out. These headphones are finished in matte black and silver and are certainly more conservative looking than some flamboyant, bright colored designs. There were times when I felt the flex was too loose; certainly not flimsy, but also not overly rugged.
The cable, at 1.2m, is just long enough to reach from your pocketed playback device to your head and even features in-line controls to change tracks, adjust the volume, or answer phone calls.
I found the memory foam padding to be quite comfortable and eased some of the discomfort I often find with on-ear (as opposed to around-ear) designs. The goal is to analyze outside noises, create a 180 degree out of phase signal of the unwanted sound, and send that inverse though the speakers. The H15NC handled the soundtrack with a bit of angst, throwing each note at you with force. Their increased bass output along with a softer high-end compliment the mixing style of most popular music (of course there are always exceptions). If you take a look at the charts for July 2013, at the top are Robin Thicke, Miley Cyrus, Jay Z, Imagine Dragons, and Makelmore & Ryan Lewis. While celebrity endorsements have made headphones a fashion statement, sound quality is often overlooked.
Unlike many headphones on the market and despite the variations in human ear sizes and shapes, Paradigm’s design boasts a perfect seal. My ride is a 2001 PT Cruiser covered in Pastafarian propaganda stickers and an eighth-inch layer of dirt. So when the H15 showed up all in black, with no die-cast bits, it came as a bit of a disappointment. I wouldn’t call the sound entirely flat, since there does seem to be some emphasis on upper-mid frequencies—especially via the iPhone, although it’s less noticeable via the headphone amp in Emotiva’s XDA-2—but either way, it has the effect of giving the headphone plenty of presence, especially with the female vocals and acoustic instruments that define so much of Abigail Washburn’s sound on City of Refuge. Unlike the H15, the H15NC wears its price tag proudly, and yet at the same time, it carries over all the elements that make the H15 so comfortable to wear. The simple, all-matte-black styling just doesn’t appeal to me (although, again, I remind you: I wear fake-grass-covered flip flops), and for the exact same amount of coin, I would probably opt for Bowers & Wilkins’ ultra-compact P3 instead.
I like the styling much better, I like the sound a good bit better, and the noise-cancelation—although, again, not the most aggressive I’ve ever heard—knocks out most fatiguing environmental noise frequencies, while still allowing you to clearly hear voices and even approaching cars, if you wear them out and about.
Paradigm believes that sound quality trumps celebrity endorsement, and I couldn't agree more. Both the headband and the ear pads feature soft, squishy memory foam that really helps in the comfort department. Since these feature a powered active noise cancelation mode, an on-off switch is located on the back of the left ear. While it might be theoretically possible to cancel out every sound wave entering your ear, it would take a lot of processing and speaker power to do so. With clean lyrics and a strong bass line, Jay-Z's latest album Magna Carta sounded superb on the H15NC.
These are not what I would consider "audiophile mixes", yet they sounded great on the Paradigm H15NC.
Frequency response is rich, deep, authentic and free from ambient noise and audible distortion. I can see where Paradigm might have been going for a Beats-inspired aesthetic here, but for whatever reason, it doesn’t quite work for me.

The presence that comes through in Abigail Washburn’s tunes is still there, with an added weight and clarity to the bass that makes the higher frequencies sparkle all the more. Virtually every other active model I’ve heard sounds perceptibly different with the switch on and the switch off (if they even continue to deliver sound when off, which some don’t). Low frequency noise just seems to magically poof out of existence, without making you feel like you have a head cold.
Paradigm claims a 40 hour battery life for active noise cancellation and although I did not specifically time this, I inadvertently left them on over night after a couple days of listening and they were still functioning the next day. There were times when I was wearing the headphones where I needed to bend down or lean forward and the headphones would want to slip off. Instead, engineers focus on the more distracting lower frequency tones: consistent sounds like the drone of airplane engines, or HVAC systems are the ideal target for noise cancellation.
The more delicate tracks such as "The Scent of Love" still felt romantic and the sound from the Paradigm H15NC drew me directly into the haunting theme. Secondly, there were occasions that the timpani and other drums sounded a bit bloated, drowning out other instruments. 2 Chainz and Wiz Khalifia's "We Own It" bumps with deep bass and lyrics that are crisp but never harsh or fatiguing. For listening to Pop, Rap, and R&B, if you have a $300 budget and want active noise cancellation, then the Paradigm H15NC simply rock. Combine that with the fact that its rotating ear cups don’t really make the H15 any more compact, and the headphone’s entire aesthetic left me scratching my head.
For all its forward midrange and rich bass, the H15NC is capable of generating quite a dynamic range of spaciousness, especially in tracks like Hendrix’s “1983… (A Merman I Should Turn to Be),” and Beastie Boys’ “Hey Ladies,” whose first few bars sound more compact than I’m used to hearing—honestly, almost monophonic—before positively exploding out of the cranium when the phase shifts about nine seconds in.
Not a big concern, but I would not recommend these headphones for use when working out or other high movement activities.
My office has a rather noisy HVAC system with a vent directly above my workstation that puts out a constant hum. If you want tight, neutral bass, or just less bass in general, then there are better headphone options for you. Paradigm headphones deliver the full audio spectrum to the ear with crystal clarity and perfect tonal balance. So when I say that I’m not exactly wild about the design of Paradigm’s new H15 on-ear headphone, you should salt that observation to taste before imbibing. And an IEM that sounds balanced to most listeners is going to leave me clawing my eardrums out.
And given that the H15NC comes with a hard carrying case, not a travel pouch, its swiveling earcups actually do result in a bit of space savings, shaving at least a few fractions of an inch off the thickness of the case. Best of all, if you are on vacation and do not have a way of recharging, they still function like normal headphones, just without active noise cancellation. Your brain is smart enough to realize the sound isn't fluctuating and so you tend to forget it's there, that is until you take it away. Then save a hundred dollars and pick up the Paradigm H15 which are essentially the same as the H15NC, sans noise cancellation. The result is an intensely private, noise and distortion-free listening experience, one that makes music sound “live” and brings movies to life.
That’s the main reason you haven’t seen an in-ear headphone review from me in a long, long time, and if you ever do again it’s going to be riddled with caveats. After fitting the H15NC comfortably over my ears, I noticed some isolation from the office clatter and didn't really think about the HVAC hum, but when I flipped on the active noise cancellation, that nasty hum revealed itself as it disappeared.
Without that low frequency hum the music came through much clearer, and a tiny bit louder in part to the small amp built in for noise cancellation.
Whenever I listened to these headphones in the office, switching the noise cancellation on was a must. I could still hear that people were talking, or cars honking down on the street, but those noises did not pollute the music like the constant drone of the air conditioning system.

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