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Take advantage of our occasional emails and benefit from special offers, discount codes and more! History and Social Life Costume Headgear and Hairstyles Jewellery Military Costume Religious Persons Textiles and Dyes Style History and Social LifeThe Kushans established their empire in the first century AD and were contemporaneous with the Satavahana (Andhra) and western Satraps (Sakas) kingdoms during part of the second century AD. Tagged as Bead, Beaded, Beaded Bracelet, Beadweaving, Beautiful, Bracelet, Brick, Brick Stitch, Colorful, Directions, Earring Patterns, Easter, Easter Bracelet, Easter Earrings, Easter Necklace, Easter Pattern, Easter Project, Easter Tutorial, Egg, Instructions, Necklace, Pattern, PDF, Tutorial.
Easter is one of our favorite holidays for so many reasons – the meaning behind the holiday, the longer warmer days, abundance of spring flowers, plethora tiny birds at my window feeder and, last but not least, malted chocolate Robin’s Eggs!
It’s a great feeling when you wear an accessory for the first time and someone compliments you on it. Now, this started just because I wanted to add a new animal into my animal accessory collection, and it ended up giving me my favorite pair of earrings that I have ever owned.
Don’t forget to read the reviews and check the return policy of the seller before you buy anything from them.
One fantastic Etsy vendor for unique accessories is Wendy Edsall-Kerwin, a craftsperson working with lovely pieces of metal. If you’d like to find handcrafted goods without buying them off the internet, find an American-made store near you. Most of these stores carry from local artists, which means if you like something that they make but you would like it slightly different, you have the opportunity to meet with the artist. One such local is Megan Auman, a metalsmith and painter who makes beautiful, handcrafted jewelry and scarves. My favorite design from Megan is a pair of earrings that are so simple and yet somehow exquisite.
About the AuthorAmanda Schaeffer is a fun loving, adventurous woman with an eye for design. Our popular tea of the month club and daily featured articles help you slow down and connect with yourself and the important moments in your life, from mindful moments alone to special occasions shared with friends and family. These round blue opal and cz diamond earrings are just the right size to be versatile and comfortable to wear. Our manufacturer's warranty covers any unlikely defect and includes replacement or repair free of charge. Jewellery must not have been worn and should be returned in the original packaging with a proof of posting or a tracked delivery.
International delivery is by Royal Mail International and we aim to deliver within 5-10 working days. My lawn has colorful plastic eggs decorating it all week – confusing the heck out of our dogs! It’s an even better feeling when said article of style was not mass-produced in a sweatshop in China but lovingly crafted by a metalsmith, or handwoven by a friend, or carved by a skilled craftsman. If the person does not have any reviews, don’t be afraid to message them and ask questions before you buy. One of my favorite pieces that Wendy has up right now is called the Memento Aurum ring, and this is a perfect example of her creativity and uniqueness. Now these stores are not called American Made, for the most part, but rather advertise themselves as stores that carry American-made crafts. For example, if you loved a necklace that a local artisan made but they used whales in it when you really like octopi, you may be able to envision this creation with the artist who brought to life.
Most large cities, and some small ones, have events led by all sorts of artists, where they take over the streets of the cities with their art on certain blocks one night out of the month.

These are great gifts for those coffee and tea drinkers in your family and they also help save the environment, so you can feel like you’re doing a good deed at the same time.
She spends most of her time creating dresses from her mind and searching the internet for crazy patterned fabrics.
To celebrate, we have designed these beautiful little Easter Eggs that incorporate different types and sizes of beads nestled in a silver QuickLink that end up looking both classy and whimsical. Most of the craftspeople on Etsy are friendly and willing to work with their customers, so don’t be afraid to be friendly and inquisitive with them.
I have found excellent paintings and jewelry during First Friday and it is also a great treat to watch the artists make some of their creations right in front of you. If you are a lover of clean lines or the layering affect, or are looking for that simply-stated “wow” factor, Megan’s designs are perfect for you.
Thus, it is better to have several pieces of jewelry that you wear often than a box full of things you never touch.
The love and passion that they place into their craft gives meaning to the object so that it’s not just an earring or a ring but something special that holds a great memory and meaning. With 110 high resolution photos and easy to follow step-by-step directions, I’ll show you how to make a stunning pair of Easter Egg earrings, a chain and pendant necklace, and adjustable dancing egg bracelet. Gandhara, in the northern part of the empire, was built by craftsmen from eastern Rome who were employed by patrons of Buddhism. These craftsmen brought with them the Graeco-Roman style, particularly in the drapery of the sculpture, so that the Buddhists represented there were dressed in the classical Greek and Roman garments, the chiton, rimation, stola, tunica, chlamys, etc. The ordinary dress consisted as usual of an antariya, uttariya and kayabandh, with a turban for men. With the advent of the Kushans this was extended, and the fashion of wearing sewn garments of central Asiatic pattern seems to have made headway with all classes of Indians in north India. This last category is of great interest as it shows how clothes changed and evolved, how some of the purely draped garments of the Indians were replaced by cut-and –sewn garments, especially in north and north-west where influences were felt more keenly, and where climatically sewn garments were more suitable. Their purpose was not only decorative but functional as well, as they helped lift the tunic in the middle for riding, by gathering the cloth along the seams.
This helped to give the distinctive draped effect with four sharp pointed ends at the hemline.
The drape of trousers too was held in place by means of these gold or metal plates stitched down the centre front. It is interesting to note that elaborate embroidered panels later replaced these gold or metal plates.
An earlier version was used by the Saka warriors, where the tunic was simply picked up and tucked into the belt on two sides at centre front, to free the spread of knees when riding a horse. The long ruched sleeves are visible underneath and could be shortened version of Roman long gown (stola) worn as covering for the breasts. In addition, the typical Indian uttariya is worn across the back and over both arms, and Indian jewellery completes the ensemble.
These females guards adapted their own phygian costume to a tight mid-thigh length jacket with crossover at the neck and a gathered or pleated skirt worn with the antariya, along with a crossed vaikaksha with metal buckle shield and sword.
Servants and dancers from many parts of the world were brought into the country from a very early period in Indian history. The pravara or chaddar, a large shawl, continued to be worn by both sexes as protection against the cold and it was known to have been perfumed with bakul, jasmine and other scents. The purely indigenous antariya, uttariys and kayabandh continued to be the main costumes of Indians with slight modifications. This tuft is in the form of a ball or disc; the rest of the hair is drawn back, folded in and held with a brooch at the nape or worn in chignon which protrudes at right angle to the neck or almost vertically upwards.
Sometimes a bow of cloth is placed saucily on top of the head, and sometimes a ‘relic’ or box containing scented sandal or some other perfume paste is secured to the bun by a ribbon. At other times, a band of diadem, or twisted cord or scarf is tied around the head and over the bun.
The chaplet of leaves, made of nard leaves on fabric, or else of silk of many colors and steeped in unguents, was even exported to Rome.

But srajas or flower garlands were the most popular and could be of many kinds, worn at the waist, neck, or in the hair. However, a simpler line of twisted rolls of the fabric itself is more in evidence with hardly any of the complications of intertwining the hair with the turban cloth. The knob at the centre or side of the head, around which the turban was wound to form a large protuberance, slowly disappeared. When bareheaded, the hair was worn in a topknot or in the shape of a bow, often softened by curls on the forehead or at the nape especially in the northwest. Young men had begun to cut their hair short and adopted a short-skirted tunic with their antariya. The common man moved around bare-headed or used his kayabandh or uttariya to form a casual turban on the head against the sun in almost the same way as is seen today in India.Jewellery In relation to the Mauryan-Sunga period, we noticed a tendency towards greater refinement and simplicity in this period.
Gold was much in use and was called hiranya and suvarana, silver was known as rupya, and copper as tamra, and these continued to be for making jewellery. Sapphires, topaz, diamonds and cat’s - eyes were embedded or sometimes strung in various ways and worn as ornaments. The ring type, scythian in origin, could be simple with a gold wire wound around or mixture of both types, that is, a ring elaborately decorated with beads as well as bud-like pendants. Of these, the simpler kind was used by men, except for foreigners who are depicted as wearing none.
Those for women were often made thick or thin sheets of gold with hinged clasps, and elaborately ornamented and inlaid.
As the turban and head veils of women went out of fashion they were replaced by a bejewelled diadem or crown called mukuta, or a simple fillet or headband called opasa. The mekhala or girdle was mainly of beads and along with nupura or anklet, was worn only by women. There is an absence of forehead ornaments like the sitara and bindi of the Mauryan-Sunga period.
The third soldier in this army of Mara wears the purely Indian antariya and has his uttariya wound around his waist.
Foot soldiers are said to have used six-foot bows with very long arrows, tall shields made of undresses ox hide, and board swords three men carried smaller shields and were equipped with two lances each, but rode without saddles.Religious Persons Brahmin hermits or ascetics continued to wear garments made of bark leaves, or animal skins, and live austere lives in forests or other isolated places. The clothes of the bhikshu continued to be yellow or red in color and consisted of same antaravasaka, uttarasanga, samghati and kushalaka as before, along with a buckled belt or samkaksika. Only now the cloth of their garments was most probably donated to the monastery by wealthy merchants, and was not made of rags.
The sign of physical and spiritual perfection in the Buddha figures is the protuberance or ushnisa on the head, which evolved from the top knot worn by Brahmins.
Another symbol is the urna or tuft of hair between the eyebrows, representing the third eye. The elongated ear lobes are yet another sign of perfection.Textiles and Dyes For the first time trade with China was directly established through the ancient silk route.
Indian traders settled down in Chinese Turkestan, which was annexed by Kanishka, the Kushan King. In Rome, Augustus encouraged trade with India and exports increased resulting in a flourishing merchant class. In the northwestern is coarse cotton and wool were used for making tunics and trousers for horsemen, hunters, foreigners, and doorkeepers.
These are all variants and mixtures of the colors in dyes that were available in India in this period.Style The Kushan influence was felt in what developed into the Gandhara art and the art of Mathura which, while retaining the massive scale of Bharut and Sanchi, had carvings more sophisticated and images more flamboyant and sensuous than had been seen before. It is an if in the provocative display of courtesans with their sinuous bodies in the tribhanga pose and the delicate flower-like gesture of the hands, the foreigners had found aspects of the Indian experience that fired their imagination. This early form of kachcha-style sari is still used in Maharashtra and parts of South India.

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