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28.06.2014
Next Thread » Thread Information Users Browsing this Thread There are currently 1 users browsing this thread. We can move any size of house whether you own a 8000 sq ft mansion, or just a few pieces from one house to another.
And that’s one thing I’ll probably keep coming back to as I dive into exploring this sub-genre. But old or new, there are some elements or combination of elements that are almost always present in the Haunted House movie.
And while I’m mostly covering Haunted House movies this month, there are a couple that don’t actually meet this first requirement. Because that’s the first important thing, one of the big drivers of the tension is the feeling that there is no escape.
A lot about the Haunted House genre is exploration of family and how a family reacts to a threat. I guess, maybe, it’s because no matter how old we get, we can still hear the things that go bump in the night. And once that fear becomes tangible, the adrenaline rush found in facing it becomes even greater. But while they’re missing the house, what they do still have is that sense of isolation, the claustrophobia, the feeling of being trapped.


Usually there are creepy noises, a wind will blow out of nowhere, a door will open or shut on its own, there will be a shadow or movement just out of the corner of your eye.
I think the thing with kids so often being involved may go back to Henry James and The Turn of the Screw.
Faces in the windows, blood dripping down walls or out of faucets or bubbling in the basement. Unless you’re that house from The Amityville Horror and then you scare even the priests away. More often than not they just want to tell their story, as nobody listened to them while they were living. I know a lot of it goes back to being afraid of the dark as a kid, hearing the weird sounds in the night. I feel like I say this often, especially when it comes to these horror movies, but most times less really is more. Some people call it a dumbing down of the genre (in some cases they’re definitely right). Some of these movies turn to religion, some try to philosophize on the meaning of life or life after death. Remembering when you first learned about death and mortality and trying to come to terms with what happens after.


Sometimes it’s not literally a house – sometimes it’s a spaceship or an insane asylum or a school or a cabin in the woods.
As in 1963’s The Haunting, sometimes it’s hard to tell if there actually is a ghost or if the house itself is evil. Some don’t bother to try to explain a damn thing, they’re just telling you a scary story and taking you along for a ride.
Either way, as we move into the modern ghost film we often see more of the ghosts, get a lot more blood, and wind up with a much higher body count. Whether it’s Insidious or Paranormal Activity, The Woman in Black or The Innkeepers, our fascination with the Haunted House movie is alive and well.
Other than maybe the serial killers it’s the paranormal, the ghosts that are the ones that we can most imagine to be real.



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