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There are many kinds of filters to help you control the light in a scene when capturing the shot.
Circular polarizing filters are designed for metering and auto focusing functions of a camera. Linear polarizers are less expensive but cannot be utilized for cameras with through-the-lens (TTL) metering and auto focus, which encompasses most of the models of digital SLR cameras. These may best be applicable in scenarios where you need to smooth out a shot when trying to capture images that include flowing water such as rivers, waterfalls and oceans. Just a couple of ND filters are needed to achieve extreme light reduction to allow long exposures in broad daylight and a few f-stops for subjects in motion. GND filters, also known as split filters, limit just how much light comes through to an image. Before the use of digital cameras, these filters were necessary to create dramatic lighting in landscape images. There are two types of settings in GND filters; one has a soft edge for a more gradual blend and the other has a hard edge to get a more abrupt blend. Keep in mind the differential in the amount of light allowed in one side of the blend compared to the other end. Lighting – flowers are quite delicate so avoid harsh lighting like direct sunlight which can erase tiny details such as the texture of the petals.
Focus – flowers in their natural state are often surrounded by leaves and other flowers.
Color – It comes as no surprise that some colors are named after flowers, such as carnation pink, orchid, cornflower blue, and lavender. Flower Variety – there are thousands of flower varieties and they all bloom in different shapes and sizes, some prettier and some stranger looking than the others. Taking pictures of flowers is an enjoyable process which you can actually make money out of. Remember when cameras used to be just cameras and telephones were used just to call people? Play with the camera modes – many camera phones have modes such as panorama, night mode and sequence mode.
Take lots of pictures – your phone screen might be too small to make any photo mistakes noticeable. Take pictures with crazy camera angles – phone cameras can go where regular cameras might have difficulty accessing.
When the land gets covered in snow, it transforms into a different place, something magical, mysterious or desolate. Adjust exposure settings – snow is white and has reflective properties, and without adjusting camera settings, your images can end up looking underexposed or dirty gray. The objective of street photography is to capture subjects doing regular and candid activities in public settings. It is one thing to take photographs of subjects in a studio or at home where you are comfortable and where all the elements are controlled by you, and quite a different experience to be out in the street among strangers in an environment where you do not have much control.
Be inconspicuous – do not go out and stand in the middle of the sidewalk to shoot pictures of people. Know your light sources – sunlight is usually the main light source in street photography. Know the effect of time of day – as mentioned earlier, the light changes at various hours. Ask permission to shoot – some people appear so interesting that you really want to take a closer shot of them.
Travel light – bring as little gear as possible so you can move more flexibly as you roam around taking photographs. Enter the side streets – there is much to be seen in the less travelled areas where tourists rarely enter.
Use different angles – break away from your usual viewpoint when you shoot the scene. Attend street events – parades, street performances, rallies, and the like would make great points of interest.
Get a model or property release if needed – if you are planning to use your photos commercially by selling them, you will need model releases for recognizable faces and property release for structures showing in the images.
A wedding event is composed of the preparations on the wedding day, the ceremony itself and the reception afterward.
There are so many things to consider when photographing wedding events, especially the ceremony itself. A wedding may just be the most important day in a bride’s life and nothing should go wrong for either you or the bride and groom. Have the right equipment that will allow you to cover the whole wedding without encountering any problems.
Always remember that the bride and groom hired you to record this momentous occasion in their lives and through this, they will be seeing their wedding through your eyes.
On such a busy day, many of the couples never get the chance to actually enjoy the little details of the reception venue while it’s set-up before it starts to fill with guests. Usually, if the camera is equipped with autofocus, a circular polarizer is what is most advised.
You can make do without metering and auto focus, but these are sure fire ways to help improve your images. This is most helpful when long exposures are not possible in a range of apertures that are set at the lowest ISO setting.
Now light can be reduced by using faster shutter speeds, or using a smaller aperture which will impact depth of field.
When using digital cameras, one could use two separate exposures and combine the two images using a linear gradient in Adobe Photoshop or other photo editing software. Flowers make great subjects since they are naturally pretty, full of interesting details, and as a bonus, some of them smell really good as you are composing them in the frame.
From the ever popular roses to the more exotic orchids, you will not run out of options to choose from as your subject.
You can present them as a still life composition or rooted in soil in their natural environment.

You may sell them as stock photos since a lot of clients look for flower photos to use as backgrounds, wallpaper, or magazine covers. I must stress that the image quality is not necessarily proportional to the number of megapixels.
Avoid using the digital zoom (if it has this feature) if you can since this can reduce image quality by making pixels bigger.
If you’re used to taking five shots of a subject with a regular camera, take ten shots at least with your camera phone. Pictures of winter landscapes can be mesmerizing but taking those shots can be one big challenge. Not only will you be less uncomfortable but it will lessen the chances that you will shiver and cause camera shake.
Bring extra batteries, just to be on the safe side, and keep all your batteries as warm and cozy as possible by placing them in your pocket next to your body or by keeping your camera in an insulated bag when not in use. The reason for this is that the camera meter is designed to compute for the middle gray in a scene and if what the lens sees is a lot of white, the light meter will compensate by underexposing the snow, hence making it appear gray instead.
Practicing street photography, where you have little control over the surroundings and the people, can be both a nerve wracking and an exhilarating experience for the beginner photographer. Aside from obstructing traffic, majority of people will not like their picture taken, especially not without warning and permission.
Climb one floor of a commercial building and shoot the scene from the high vantage point, or sit on a bench and tilt the camera upwards. The everyday street scene transforms into a stage and these occasions are a splendid opportunity to capture the richness of society’s culture. It is now time for the bride and groom to share their new marital status with all the invited guests. In covering the reception, include all major players in the wedding such as the entourage, the maid of honor, the bridesmaids and the best man. Include close up shots of the food and the table setting before the guests start to eat, the wedding cake, the souvenirs and gifts. Make sure that you are ready outside the church when the bride arrives since it is an important moment that you cannot miss.
As the bride and groom walk down the aisle and outside of the church, this is a moment full of photo opportunities. If the wedding is big, with hundreds of guests and a wide church area, it would be an advantage to have an assistant. Try different angles and perspectives when shooting from the aisle to give greater visual impact.
Lights from a flash can be distracting so ask the priest’s permission beforehand if you can use a flash. Whenever you are not using a tripod, use camera settings that will not capture camera shake.
Use memory cards with lots of memory space so you won’t need to change it during the ceremony. Check out the church before the ceremony so you have a good idea of its layout, where you can set up your tripod, which areas would make great backgrounds, and what the lighting is like so you know what kind of extra light sources you will need to use. It is crucial that you don’t make them miss out on anything and this includes the complete scene of the day.
We previously explained how polarizers can affect an image and here we will explain the difference between linear and circular types. It also helps reduce diffraction which also reduces sharpness by allowing a larger aperture to make subjects in motion appear less defined, allowing blur to indicate movement. However, by using an ND filter, it allows you to reduce light without compromising your exposure settings.
This technique however cannot be used with fast moving subjects or changes in light unless in single exposure shots that are twice developed from RAW file format.
Hard edges can create excessive darkening or brightening in the area where the blend occurs if light transitions faster than the filter.
Flowers can embody these emotions, which is why we connote red roses to love and yellow ones might symbolize friendship. Since they are very popular, it is easy for a flower image to appear cliché so this is where your creativity comes in.
You can now use phones to do many things such as take pictures, access the internet, and send written messages. Since you don’t have much control over exposure, try to have adequate lighting in-camera so that there will be little post processing needed. Some of them might be blurry or pixilated and you won’t be able to tell until you upload the images in the computer. We handle our phones all the time; we put them in our pockets, stick them to our ears, keep a firm grip on them as we walk, on place them on public tables or countertops. Not only will you have to think of composition and lighting but also how the cold will affect your camera gear. Gloves might make it awkward for you to hold and use the camera but numb fingers won’t be a good thing, either.
Avoid keeping your camera slung around your neck and try not to carry a lot of gear while walking. The area you might want to shoot might be very well lighted in the morning but might appear very dark in the afternoon when it is hidden in the shadow of the nearby huge building. The surroundings will look different in the early morning when only a few people are up and about compared to lunch time when it is rush hour and there are crowds of people milling and resting in the shade. This solves the problem of you trying to get a good shot without letting yourself be noticed.
Some scenes convey more meaning in black and white and there are others that are more striking when in full color. Everyone around you may be in a celebratory mood, but keep in mind you still have a job to do to capture and record the happenings during the wedding reception.
This will get you acquainted with possible lighting issues you may encounter so you can bring the necessary lighting equipment you may need. Pack an extra camera body, make sure your batteries are fully charged, that you have enough memory cards, lenses and lighting equipment.

It is common to have a photographer covering all the intimate scenes at a wedding and it is surprising that most of the time, they are considered part of the scene.
With the advent of digital photography, you can recover images that appear over or underexposed. The bride and groom might be too busy to notice all the little details at the time and will want to see more of them later on. Take shots of her getting out of the car with her father, and some poses of her and the bridal entourage by the church doorway.
A wedding ceremony is a solemn occasion and no one would like it if you were walking back and forth in front of everyone just to get shots of the bride and groom.
Make sure you have shots of the couple’s faces in close up, full body shots of them walking out the church door, and the expressions of the guests as they throw rice and congratulate the couple.
Someone who can help carry all your gear and help you guide people in group shots means you will have more time to focus on the actual picture taking. Being in a room filled with people allows you to take several shots that include a lot of guests in one shot. If you want to take a shot of only the bride and groom without including the guests behind them, you can use a shallower depth of field to blur out the background. The usual wedding photographer’s equipment include around three camera bodies and all kinds of lenses from prime lenses to telephoto lenses to specialty lenses such as a macro or a fisheye lens.
It can even be considered an heirloom in the future for those who would want to pass on the dress to their daughter. Every little detail counts, from how the table was set, how the food was served, the placing of the bouquet up to the setting of the sun. This permits you to filter out any undesirable reflections from surfaces that are non-metallic such as glass and water.
This method inadvertently will increase noise in an image unlike if you were to use a GND filter. An example would be a landscape which includes dark trees and fields while the sky is too bright.
If there is no cloud in sight, use some sort of light filter instead to diffuse the sun's strong rays.
One obvious advantage of having a camera phone is that it is very convenient for you to take a picture whenever you want to, if you’re the type who always has a mobile phone nearby. Of course, a very low MP such as 1MP means you will end up with a small sized image which you might not be able to satisfactorily post process without losing quality. The panorama mode will stitch several pictures into one right then and there and the night mode can automatically illuminate dark areas.
Can you imagine the dirt that can accumulate on the lens if you don’t bother to clean it? If you are in not so familiar territory such as hiking in the mountains, stay away from snow drifts and areas which might be dangerous. It follows the concept of straight photography where the photographer tries to be as objective as possible in documenting the subject in the scene, using no in-camera effects or manipulation that might affect its reality. At night, there are a lot of light sources that can create mood and tension such as a bright moon, lamplights, street signs, and lighted windows. Use the burst mode of your camera to capture a sequence of shots that shows the energy and emotion of the newlyweds as they dance.
Remember that you were hired for the purpose of recording this special occasion and don’t be shy to gain prime positions or squeeze yourself in between guests and even family members to capture rare shots. Post processing nowadays can make bland shots amazing so don’t rely on the camera preview to decide whether to keep an image or not. Find a position where you have a good view of the couple and the guests without them noticing you too much.
Since they will be seated for most of the time, you have more opportunities to set up your composition. Make sure you know beforehand the specific time, location and most especially the key places where you can position the bride and groom as well as family members and the wedding entourage for portrait shots. It would be ideal to mix colored as well as black and white photos for variations in effects and impact. It also allows color saturation and makes hues more vivid with improved contrast without affecting the color balance of an image as a whole. With the use of a hard edged GND, the available light would be let in the lower half of the frame where the trees are while less light is allowed in the section of the sky. A thin white sheet can be sufficient although you will need assistance to hold it up while you are taking pictures. Instead, go closer to your subject but not too close or again, the image will be out of focus. You can get your creative juices going for angles and also where to position yourself when photographing the bride and groom.
To add to the list is the father dancing with the bride as well as the mother dancing with the groom. For example, during the exchange of wedding rings, zoom in on the rings and the hands from a spot by the aisle. As much as you are engrossed taking shots of everyone, they are also busy and probably highly excited as they help each other prepare.
You can shoot the bride wearing the dress or just the dress as a solo subject against a background that frames it well. When you arrive home, give your camera time to adjust to the change of temperature before using it to avoid moisture or fogging of the lens. Listen to their answers and stories as you take your shots, do not pretend to be interested by nodding your head every few seconds at everything they say.
You can play around with intensity and positions where the light is coming from, such as sidelighting or backlighting.

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