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In 1884-86 he edited four of Quaritch's Shakespeare Quarto Facsimiles, and in 1888-89 seven plays of the "Henry Irving" Shakespeare. He became a member of the staff of the Athenaeum in 1891, and of the Saturday Review in 1894. His later verse is influenced by a close study of modern French writers, of Charles Baudelaire and especially of Paul Verlaine. He reflects French tendencies both in the subject matter and style of his poems, in their eroticism and their vividness of description.

His volumes of verse are: Silhouettes (1892), London Nights (1895), Amoris victima (1897), Images of Good and Evil (1899), A Book of Twenty Songs (1905).
He translated from the Italian of Gabriele D'Annunzio The Dead City (1900) and The Child of Pleasure (1898), and from the French of Emile Verhaeren The Dawn (1898).
To The Poems of Ernest Dowson (1905) he prefixed an essay on the deceased poet, who was a kind of English Verlaine and had many attractions for Symons.
A nervous breakdown in 1908 greatly curtailed his work, the struggle with which appears in his Confessions (1930).

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