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David Fincher?s The Girl With The Dragon Tattoo has its own walk and its own talk, even when it sticks remarkably close to Stieg Larsson?s original story. Warning: There are many spoilers in this  Girl With The Dragon Tattoo book to movie comparison. Summary Judgment: It shouldn?t be easy to fit a six hundred and something page book into a two and a half hour movie. Overall, I would argue The Girl With The Dragon Tattoo makes for a superior film than a book. If you noticed anything I missed, feel free to join the conversation in the comments section, below. But it?s that tinge of grimness added to the normal mystery format that made The Girl With The Dragon Tattoo a New York Times bestseller for multiple weeks. Some of the creative license Fincher takes might throw those of us who?ve enjoyed the novel off a bit, but it?s all in the name of streamlining.  Below are the top 8 changes I noticed from the book to the movie in my screening of The Girl With The Dragon Tattoo. We are reminded of this again and again as Blomkvist?s personal world is condensed into a tiny bubble.

For the sake of cutting minority characters, her mother is nonexistent and her non-hacker group of friends are never introduced. Though Martin does manage to escape in the same manner,  he doesn?t chicken out and run himself purposefully into oncoming traffic. If you look at the longer Harry Potter books turned into movies, for example, there are so many plots that must be refocused or cobbled together differently the whole thing nearly feels like a new adventure. However, if you are of a mind that?s into thousands of rigid details, I?d certainly suggest the read over the more glossy film. And it?s because of that dark atmosphere that The Girl With The Dragon Tattoo is so compelling when it?s recreated onscreen. Some of these changes are purposeful, others detract a bit, but they all come together to make for one hell of a movie.
The Wennerstrom affair, Blomkvist?s relationships, and the problems at Millennium are all put on the backburner. Salander is always outside looking in within the books, but in the movie she is defined by this loneliness and alienation.

For example, Blomkvist jumps at identifying Anita in a window just moments after he starts looking at Vanger family photos. Showing her prowess, Lisbeth gets a little too close and Martin accidentally runs himself off the road.
In The Girl With The Dragon Tattoo, the details of Stieg Larsson?s storyline are so meticulous that most changes are either barely noticeable blemishes or are changes that work for the better. She also returns to face her rapist, threatening him even after the initial tattoo justice. It?s a more satisfying way for the sadist mastermind to lose everything he?s carefully constructed.

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