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Revolution in Photography reveals Alexander Rodchenko's talent for experimentation as well as the range of his work.
The exhibition presents a retrospective of Russian avant-garde artist Alexander Rodchenko, including more then 200 vintage photographs some never before exhibited in the West.
Aleksandr Mikhailovich Rodchenko (Alexander Rodchenko) was born on December 5, 1891, in St. Rodchenko experienced the influence of Kazimir Malevich, Vladimir Tatlin, Wassily Kandinsky, and other artists working in abstract style. Alexander Rodchenko became one of the founders of Constructivism and Productivism in Russia.
The exhibition Revolution in Photography is made in collaboration with the Moscow House of Photography. Irving Penn’s unbroken stream of creative invention spanned seven decades and established an indelible standard of clarity, grace, wit, and elegance. I was there this morning and am in Starbucks now typing this to thank you for suggesting the visit. The NSL Photography Blog has been included in Photography Colleges "Top 100 Travel Photography Blogs." It's listed at the top of the "Industry and Advice" section of the list. The french government commissioned Palais de Tokyo for 1937 Paris International Exhibition. In 1961, the modern art collections of the City of Paris of Petit Palais were transferred to the new Paris Modern Art Museum in Palais de Tokyo. Continuously enriched by donations (in 2011, 4 paintings by Bernard Buffet and 61 by Giorgio de Chirico), Paris Modern Art Museum competes with Centre Pompidou as 20th century art museum.
Paris Modern Art Museum is famous for its paintings by Giorgio de Chirico, Robert Delaunay, Raoul Dufy (La fee electricite), Fernand Leger, Henri Matisse (La danse), Kees Van Dongen. Acquired through the generosity of the Photography Council Fund and the Contemporary Arts Council of The Museum of Modern Art. From sharp-witted photomontage to documentary reportage in Moscow’s streets, from dynamic architectural studies to intimate portraits of his circle, Rodchenko's photographic activity had a breadth and scope matched by few artists of his day. Alexander Rodchenko (1891-1956) is one of the great innovators of 20th-century avant-garde art and one of its most versatile practitioners.

He was the pupil and assistant of Vladimir Tatlin, and his work was initially influenced by Cubism, then Cubo-Futurism. From the late 1930's to the end of his life he was forced to quit photography amidst the paranoia of Stalinist censorship.
The Museum of Modern Art has collected and exhibited his photographs since 1943, and in 1984 we were proud to present a retrospective organized by his friend John Szarkowski, then head of MoMA’s Department of Photography. If you know of a new photographic exhibition which you think the Blog should publicize, please contact me.
Levi, a long time professional photographer specializing in travel photography plus corporate photography.
They were completely trusting of the Grit + Gold team to develop and execute their full planning and design. Its bright and spacious interior is a perfect setting for the permanent collections and the remarkable exhibitions. Having first gained international acclaim as a painter, sculptor and graphic designer, Rodchenko took up the practice of photography in the early 1920s, convinced that it would become the artistic medium of his era. Indeed, though more than half a century has passed since his death, his many significant accomplishments continue to influence a wide range of contemporary practitioners. He returned to painting sporadically after 1942, made a series of abstract decorative compositions, but his art was ostracized. Ned is also an active photojournalist.Today, with so much "eco-travel," travel to see the natural world, travel photography includes making images of all kinds of wildlife, which has been a passion for decades.
It’s evident from the outcome that those that can let go and enjoy the process end up with the most beautiful details, moments and memories!!
Over the course of the following two decades he developed a bold new vocabulary of acute camera angles, extreme foreshortenings of perspective and close-ups of surprising details. He worked with a wide variety of media as a decorator, furniture and theatre designer, printer, painter, sculptor, and photographer. In addition to introducing design as an integral element of photography, Rodchenko’s approach balanced formal concerns with an interest in documenting the social and political life of the Soviet Union. His way of photographing from unusual and obscured viewpoints, exploring the potential of shadows, opened new dimensions in photo-art.

Rodchenko was constantly harassed by officials for his art, his membership in the Union of Soviet Artists was canceled, and he was made an outcast.
You can also find Ned in the Nikonians Forums where he is a moderator of several forums, including the Travel Photography Forum. In the process, he helped to change the way people perceived not only photography, but also the role of the photographer. He believed in new opportunities for art and became active in many applications of art, illustration, commercial designs, and photography.
Rodchenko shot his subjects from high above or below angles, to shock the viewer and to postpone recognition. From 1910-1914 he studied art at the Kazan School of Art under Nikolai Fechin, then at the Stroganov Art Institute in Moscow. In 1921 Rodchenko replaced Wassily Kandinsky as Chairman of State Institute of Artistic Culture (INKHUK) and Chairman of Museum Bureau and Russian State Art Acquisitions Commission. He made important photo-portraits of actress Lily Brik, writer Osip Brik, actor Vladimir Mayakovsky, director Vsevolod Meyerhold, director Dziga Vertov, director Aleksandr Dovzhenko, and other Russian culture luminaries. Rodchenko died of a stroke on December 3, 1956, in Moscow, and was laid to rest in Donskoe Cemetery in Moscow, Russia.
He collaborated with writer and actor Vladimir Mayakovsky, director Vsevolod Meyerhold, composer Dmitri Shostakovich, filmmaker Dziga Vertov, and many others. Rodchenko made a beatiful job, but remained under suspicion during many years of the dictatorship of Joseph Stalin. His most innovative and interesting work was his graphic design and montage works for advertisements and movie posters, which was his major contribution to film-poster art. His posters for such films as 'Battleship Potemkin' (1925), 'Kinoglaz' (1924), and other works, are regarded among the highest achievements in film-poster art.

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