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Space Cowboy (song), and check out Space Cowboy (song) on Wikipedia, Youtube, Google News, Google Books, and Twitter on Digplanet.
Cowboy Take Me Away, and check out Cowboy Take Me Away on Wikipedia, Youtube, Google News, Google Books, and Twitter on Digplanet. Driven by co-writer Martie Seidel's violin, Emily Robison's banjo, and Natalie Maines' evocative vocals, "Cowboy Take Me Away" quickly became one of the trio's signature songs. Starting with a quiet opening, the record ramps up to a mid-tempo country-pop groove and features violin breaks from Seidel as well as an exuberant outro. The first scene of the music video for "Cowboy Take Me Away" shows a car stopping on a busy street, with Robison's high hot pink cowboy boot splashing through a puddle, and Maines waiting in a crowded elevator until reaching the top floor of an empty industrial-looking loft, joining the other two Chicks.
The filming captured them at the height of their early days, when all three women had hair either naturally or dyed blonde.
The single peaked at #17 on the UK Singles Chart, and was the band's first number one on the U.S. One was recorded with Stuart Zender on bass, has a greater tempo, and uses a 'bass slap' technique during the chorus.

Most live versions of the song are as long as twelve minutes, adding additional verses, and instrumental parts. It was directed by Vaughan Arnell and Anthea Benton, and mainly featured Jay Kay dancing around a blue room with multiple versions of him and the other band members appearing and disappearing. The three begin singing the song and playing their instruments up there at the building-top in the center of a large city, resembling New York City. Maines' hair was cropped so short she looked like the country Cyndi Lauper and Martie Seidel with cross-colored braids and locks. Just Waiting For A Cowboy!x.Dixie Chicks - Cowboy Take Me Away (Official Video)Dixie Chicks' official live video for 'Cowboy Take Me Away'. This version is commonly known as the "Stoned Again Mix", even though it is the original version of the track. While the album version utilizes no wind instruments, some live versions, such as the ones from the Travelling Without Moving era, or the High Times: Singles 1992-2006 era, do.
The song's title is derived from a famous slogan used in commercials for Calgon bath and beauty products.

Gradually, the scene around them begins to slowly melt (via various CGI backdrops) of forest floors and snow-covered mountains and the like appear, while the trio dance and sing. Looking back, Robison commented, "You have three girls, so automatically you get the roll-the-eyes, you know; it's the band that's been put together," Robison says. The second version, the version that appears on the album, is considerably different, with a lower tempo, and a completely dissimilar bassline. The video makes use of motion control photography to allow a seemingly-continuous shot as the camera pans around the room.
The bass on the album version was not played by Zender, but by an unknown artist only credited as "Mr.

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