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If you follow the links in the post, there should be a download button on the upper right corner of the font listing. Thanks to you all for your choosing these fonts, and for helping us put together such an interesting list.
The most popular ornament font of the year was designed by German designer Andreas Seidel and perfectly matches his own fine script fonts. The year’s top handwriting font was inspired by a genuine sample of handwriting from 1930s France. Designer Ray Larabie has made creative use of OpenType features to simulate the irregularity of hand-printed type, creating specially designed letter pairs that help break up the monotony of repeating letters. Subtitude’s Subikto Two earned its spot for the most popular picture font, beating the competition by miles. Canada Type wins the award for top formal script with its exemplary revival of Aldo Novarese’s Juliet.
Like an animated cartoon telling tales of unstoppable vegetation, typeface after typeface has grown flamboyant swashes and curls.
However, Ornament Accolades A can be used with any other calligraphic or classicist font to give your designs for cards, calendars or brochures an aura of elegance and luxury. Inspired by the monumental capitals of ancient Rome, Jupiter recreates the alphabet of Roman antiquity in a way that no other printing typeface ever has. Designer Torbjörn Olsson cleverly cropped each character to its essence, zooming in on significant details. Designer Mark van Bronkhorst turned it into a font with lively, rough outlines that retain the spontaneity of the original.


It undoubtedly owes its success to the stylishness of its intriguing silhouette shapes, allowing the user to use multicolored layers to create truly contemporary backgrounds and illustrations. Its recent use as a book typeface has demonstrated that it works perfectly even at small point sizes; thanks to its striking details it also acts as a display typeface with personality. It is a rich set that’s been impeccably drawn and systematically structured, making them easy to select and combine.
Designer Patrick Griffin provided the font with an unprecedented number of variations and ligatures. The result is a set of twin alphabets of rectangular boxes – black-on-white when typing the lower case alphabet, negative when using upper case. Equipped with a huge number of alternates, swashes, flourishes, beginning and ending forms, as well as snap-on strokes, Ambassador Script truly is the ultimate formal script. Like Jupiter, Aviano was inspired by the stone-carved capitals of the Roman Empire; however, it is a more personal, simplified interpretation.
We expect to continue in the same direction as more and more quality foundries are joining us.
Other technologies, font names, and brand names are used for information only and remain trademarks or registered trademarks of their respective companies.
Boasting a Sans and a Serif, special News, Headline and Display versions, as well as a smart set of Symbols, Leitura is a versatile and flexible type system for use in magazines, corporate identities, books and advertising.
Jupiter Pro, the OpenType version, uses programmed features and stylistic sets to combine all these alternates to splendid effect. In fact, Van Bronkhorst has designed countless alphabets, pieces of lettering and logos for Disney and other prestigious clients.


Being distinctly wider and less stern than its ancestors, Aviano emanates style and luxury. We are looking forward to presenting great new fonts every month, and will keep you posted on the latest developments.
We used sales numbers to build our shortlist, then picked the most popular fonts in ten categories – from various kinds of script fonts to a multi-style superfamily. An admirable project that deservedly made it into our top 10 as the year’s top type system. Hundreds of customers have discovered the font’s attractive features, so this One Night Stand has turned into a fruitful long-term relationship. Sometimes it takes years of experience to create something that looks convincingly nonchalant. Both Aviano and Aviano Sans are dignified all-caps display faces for invitations, brochures and packaging.
It might be inspired by hand-rendered lettering work from artists working for Hollywood or Madison Avenue. Its wide, connected shapes lend it an unmistakable authority and make it a fine font to create quality designs with a subtle hint of spontaneity.



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