Mitchell Page has worked within a number of areas, including customer service, retail, tutelage, website administration, and freelance web design for a number of clients both locally and internationally.
Creatio specialises in web design and development for businesses of any size using the latest technologies. I also design and produce a regular e-Newsletter for the company titled "News Holland", which is distributed amongst New Holland staff & affiliates.
The role was quickly extended to include extensive Flash work for their Beanie Kids product site, which was achieving upwards of 90,000 to 100,000 unique hits per month. I was contracted to a number of web-based projects for AffordableWebs, which included a shopping cart, logo design, website layout design, Flash banners and splash screens, content management, and multimedia presentations. Mitchell was offered a highly challenging role to be the mentor or personal coach of 18-year-old HSC student Jeffery Tang in late 2004. My services were hired by Steve Timpson between March 2003 and December 2004 to provide regular computer tuition and technical support. I accepted an unpaid role as a trainee website designer assisting in the web design process of a number of their clients websites between 2002 and 2003.One of the central projects I was involved in was HillsWeb (see link above). Between December 2002 and March 2003, I worked as a part-time collections officer five days a week.
For several years I have been involved in creating works in digital media, either for clients, academically, or for myself.
Since beginning freelance multimedia design in 2001, I have designed and developed over 30 websites for a wide variety of clients and businesses, including web developers, high schools, law firms, and funeral homes.
Owner & operator Terry Condron wished to bring his business to the web in order to attract new business and be listed on local online business directories. The main purpose of the website is to provide information about their courses and class times, while also allowing customers to book a spot in these classes by either making a deposit or full payment.
The site needed to reflect their logo and colour scheme, which consisted of blue, red and yellow hues.
Clients can use the website to specifically to learn about Benign Technologies products, including Kilfire, Erossion-Ex and Emission-Ex. In addition to designing the website, a content management system (website manager - see file below) was developed to help the staff manage their website content quickly and easily. The purpose of this website is to provide the customers (those who have experienced the loss of a friend of loved one) with all the information they need about Mannings funeral services, but also some more general information about the nature of funerals. I was able to firstly design a new image for the company (including logo and colour schemes), and provide a suitable website design which was immediately approved. In addition to the website, I also designed the logo for this client (which is displayed on their shopfront). AffordableWebs commissioned me to create the graphics, navigation, and website layout for The Pincott Group's tyre recycling website. The site design needed to illustrate the services provided by the company, as well as complement their existing logo.
The site includes an update-able news system, a free online system for clients to request a quote, and a contact form for client enquiries.
The site was used to keep customers updated regarding the regular events and specials taking place at the venue, as well as to regularly report customer gaming statistics, and distribute monthly newsletter. The site was made for Domenic Pompeii who is the owner of the entrance apartment this website is advertising. My roles as both a freelance multimedia designer and website administrator has seen me complete of a wide variety of graphics & animation projects, ranging from games to splash screens, business cards and website banners.
The Flash header needed to showcase at a glance, to potential customers, a variety of the products available through the online store (computer hardware and software). The Flash game consists of 6 levels where the player must jump, shoot, avoid enemies and obstacles in order to win.
AUSkey is a piece of software which generates license keys for Advance User Systems (AUS) software programs.
Data Import is a software tool developed by Advanced User Systems (AUS) to read data files, such as Excel spreadsheets, and automatically import the data into a customer relationship management (CRM) package. Since its launch in early 2006, the window has been successful in attracting visitors to new features on the website. The Faculty of Architecture, University of Sydney, asked me to assist with designing a banner for the 12th International CAAD Futures Conference, to be held in Sydney in 2007. Given creative control I developed a Flash-based E-card system which included six animated cards for various occasions. I was contracted to create a step-by-step interactive application to provide instructions on how to set up a custom email address via ones website control panel.
I was required to create a introductory animation to be used on the splash page for the DMPS (Daniel McNamara: Planning Solutions) website. I was contracted by AffordableWebs to create a Flash introduction to be used on the splash page of the new Vital Medical Supplies website. This graphic was created as a splash graphic for the software application package AccountLink created by AUS Pty Ltd.
S-Tek I.T was a small Information Technology company specializing in networking and computer installations for educational institutions such as primary and high schools. During my senior high school years in 2001 & 2002, I was involved in a partnership with close friend and graphic designer Matthew Kendall.
Throughout my degree, I completed a variety of individual and group projects in the fields of digital media & design. In the late a€™90s, out of all the players who showed up to the open mic at the Fast Folk Cafe, he was one of the very few who stood out and lasted. As a child, barely beyond his toddler years, Marc intuitively would sing songs around the house. Marca€™s brother, four years older, introduced him to a mix of things like Bob Marley, Crosby, Stills and Nash, The Eagles and The Beatles.
Hansmann used a standard Mel Bay system, teaching sight reading of melodic passages and chord formations at the same time with some music theory mixed in. After a year and a half, Marc came to class and confessed that he hadna€™t practiced that weeka€™s lesson.
Before he got his first guitar, Marca€™s father actually rented a guitar for over a year for him to use. When he got to the eighth grade, he collaborated with other young musicians, finding a drummer and bass player. The music Marc was playing at the time was a mash-up of Beatles, Pink Floyd and Yes, who he also liked.
Late in his junior year of high school, Marc dropped out of the band and concentrated on solo guitar, preparing for a college music school.
Marc applied to The Hartt School of Music, Dance and Theater in Hartford, Conn., The New School in Manhattan and the Ithaca College School of Music. Hea€™s still friends with the bassist of that college band, John DeCrescente, who played bass on Crash Boom Pow. For the first five years after getting out of school, Marc didna€™t care how he made money.


He did a stint in a cover band, which made money, but he found it wasna€™t getting nearer his goal of being an original solo artist. Around 1997-98 he wanted to start finding himself and performed solo at a number of venues including The Fast Folk Cafe open mic, where I first encountered him. Although he played a lot of rock music, he continued to expand his skills with the acoustic guitar, using it for his songwriting.
Life took a quantum leap upward when Marc was asked to be a backup singer and guitarist for Rob Thomas, the lead singer for Matchbox 20. Crash Boom Pow fuses an intensity of rhythm and melody to create a groove that is impossible for the listener to ignore.
Marc likened a€?Who Are All These Peoplea€? to a€?Crash Boom Powa€? in its kaleidoscope of imagery. This included the creation of regular splash screens, games, and activities for the website users and members to interact with (age range 8 to 14 years).
Mitchell stood out among thirty odd applicants in his understanding of this role and demonstrated his ability to deal with delicate human issues.
Prior to this arrangement, Steve Timpson had little to no experience using a personal computer. This role included working in a call centre, where I was responsible for both outbound and inbound calls.
Terry contacted Mitchell Page as he required as her required an easy-to-use, standards based and Google-friendly website design that he could use to promote his business and gallery of beautifully sanded & polished floors. To handle this process, a sophisticated content management system (Website Manager) was created to handle bookings placed via a secure booking form on the website. Therefore I was responsible for creating the businesses logo, colour scheme and font selection. The objective was to create a user-friendly website which incorporated the clients existing logo. By continually clicking on the bouncing ball, preventing it from touching the ground, the player accumulates points. AUS wished to have a software splash graphic which reflected the programs use and its existing icon, which utilized a number of keys on a keyring. These characters were introduced over a period of 3 months, resulting in an ever-changing interactive experience. Working closely with Dr Andrew Vande Moere, a banner graphic and website design was produced for use on the conference website. The E-cards allowed users to input customised messages and titles, which are then mailed automatically to the recipient. This application could be downloaded (or handed out on CD-ROM) and executed on a customers computer who had their website hosted with AffordableWebs, providing simple instructions which they could easily follow.
As such they required a modern and technical looking splash animation as the opening page for their website (which is yet to be launched). I was contracted by AffordableWebs to design and implement the animated introduction, which needed to display a variety of the works done by DMPS in a 'slide-show' fashion, while also incorporating the city of Sydney skyline.
The animated introduction needed to be calm, and represented the slow piecing together of the company logo against a backdrop of instrumental music. This logo is being used on their website as well as signage for the salon shopfront itself. The graphic includes the vector transformation of a photo in the foreground, with a contemporary illustrated background.
I was asked to complete a Flash splash screen for their website (which is no longer operational).
The splash screens were to incorporate his music styles and introduce himself as a talented disc jockey. These have included wearable computing applications, installations, 3D animation, and more. He always had that something extra, that power in the vocals, a sharpness in technique on guitar, an assuredness that rendered him memorable. His brother took a few guitar lessons but didna€™t like his teacher and didna€™t stick with it. At 13 he got an amplifier for Christmas so he bought an electric pickup for his acoustic guitar. He got a distortion pedal and experimented with a€?throwbacka€? rock stuff, a lot of covers by a€™60s groups like Led Zeppelin.
Chords his guitar teacher taught him using the Mel Bay system would get used, perhaps by moving fret positions. There were the typical college entrance requirements and, in addition, a music school audition to prepare for.
Marc was exposed to a student community that was eclectic, comprised of a mix of suburban, Midwestern and hippie types. He sang in choral and a cappella groups in college and got general advice on breathing from the choral director.
One of them, McHale Barone, liked the sound and brought the band in to rearrange a Budweiser jingle, getting the Von Em sound on a€?This Buda€™s for You.a€? It premiered during the 2000 Superbowl broadcast and aired for two years.
He also felt the desire to work solo tugging at him and had been mixing in solo gigs during that time.
Marc credits Hudson Valley performer Kathleen Pemble for turning him on to early childhood music. It seems to make use of everything in Marca€™s very deep toolbox and has the best examples of the vagaries of human interaction. He got a distortion pedal and experimented withA  a€?throwbacka€? rock stuff, a lot of covers by a€™60s groups like Led Zeppelin. He sang in choral and a cappella groups inA  college and got general advice on breathingA  from the choral director.
It seems to make use of everything in Marca€™s very deep toolbox and has the best examples ofA  the vagaries of human interaction.
For these jobs I was often given full creative control.Reporting to the marketing manager, I was left to work unsupervised, completing all jobs within the specified time range. The greater portion of this role related to the collection and settling of outstanding debts over the telephone.
The system is completely automated, with confirmation emails sent to customers after a booking is made and processed. The application includes screen shots, text descriptions, and buttons to control the pace of the presentation. This was achieved using an advanced looking animated audio-waveform complimented by outlined speakers. I was commissioned by AffordableWebs to create the logo, which needed to entail a "funky" look while including the company's colour scheme; white, hot pink and black. This graphic firstly appears on the users screen whenever the AccountLink application is executed. These three Flash animations formed the splash screen, banner, and advertisement for our website (which now no longer exists).


Click here to view projects completed as a student within the Bachelor of Design Computing degree. Crossing 8th, in the crush of bodies around me, I feel someonea€™s toe against my left heel. His fathera€™s record collection included classical, blues and soul music, and that made an impact as well.
Marc, who was burnt out on the mechanical repetition of exercises, was actually convinced he was going to quit and said so. Hea€™d find that certain changes would create similar sounds to the aforementioned groups, and hea€™d use them in his banda€™s material. During that time, Marc experimented with a wah-wah pedal and played around with progressive, blues and traditional progressions. On top of his natural ability, he finally took voice lessons in his late 20s, which helped with a€?placinga€? his voice, he said. He worked a variety of jobs, including as cashier in an A & P, and as a roofera€™s helper. While Von Em had played to 500-1,000 concert-goers, the Rob Thomas tour was a whole other beast.
The title track, a€?Crash Boom Pow,a€? conjures up cinematic imagery, but not so specific that it dictates a story line. Over a funky guitar line, hea€™s rapping: Did I say that Ia€™d spray you with mace?A  All I meant was I needed my personal spacea€¦ Ita€™s the very apropos track a€?Personal Spacea€? from his new CD Crash Boom Pow.
This did extend to making courtesy calls as well as information retrieval for the company's various clients. The strings on mine were so high off the fret board, I quit (much to my regret later) because my fingers hurt.
They played in a couple of bars to enthusiastic reception until the owners stopped it to avoid problems with under-age laws.
The national touring acts that came through included the Spin Doctors, Blues Traveler and, early in its career, Phish.
Carrying hundred-pound batches of shingles up long ladders was perilous, and protruding nails on stripped rooftops were hell on the flimsy shoes he wore. They toured the East Coast and opened for acts like The Mamas and the Papas and The Young Rascals.
Marc laughingly agreed, joking that he might have thought, a€?I can buy FIVE falafels today!a€? He also wrote a jingle for HIP insurance and a few others. At this point, Ia€™d been playing it for about three weeks, dropping into a groove each time. The national touring acts that came through includedA  the Spin Doctors, Blues Traveler and, early in its career, Phish.
It presents a a€?collage of imagesa€? gathered from Marca€™s time in New York City.A  It allows listeners to have their own reactions and pictures.
He developed a long-term friendly relationship with his teacher, Bob Hansmann, who still occasionally shows up at Marca€™s gigs.
They did a couple of a€?battle of the bandsa€? competitions in school a€” one each in his sophomore and junior years.
He remembers a course in sight reading where, in the final exam, the student was expected to see and play sharp and flat notes placed in odd places in a random test piece. For larger, special-event, multi-band shows with groups such as No Doubt and The Black-Eyed Peas, sponsored by Z-100 fm, there were audiences of 30,000. His robust playing style leaves him particularly suited for ruminations on the fragmented human condition, especially that of New Yorkers. I wanted to learn something cool like a€?Lucy in the Sky With Diamonds.a€™a€? He told Hansmann about this. He continued learning from early Beatles albums like Rubber Soul, experimenting with chords and guitar runs. They also played at some block parties, outdoor flea markets, an Ossining fair and a birthday party. Unlike some of his classmates, Marc liked a movement class where the student had to clap and step in different rhythms, ingraining the music on a physical level. When they played Live 8 in Philadelphia, counting cable viewers, the audience was more than two million. My work has been featured locally and internationally in newspapers, magazines, on radio and TV. His stuff is not exactly folky, but ita€™s definitely wooden music and it sure generates excitement.
Demonstrating an astute sense of timing, she fled Germany before the Nazi Holocaust could claim her.
Hansmann told Marc, a€?It took a strong kid to hold out for a year and a half.a€? He immediately switched gears and prepared a blues song for Marc to learn and worked out a Beatles song as well.
Marc wrote songs all through high school, though many were not suitable for the rock group he was in. His sense of rhythm is so strong that it would seem hea€™d have a real affinity for this class. Therea€™s a syncopation that captures the uneven nature of relationships and a minor key melody expressing a pessimism in outcomes. It breathed new life into Marca€™s dedication and he left feeling that he wanted to study and play music forever. I have developed skills in a wide variety of computer applications via both educational courses and self-teaching.
Then WFUVa€™s John Platt picked him for one of his monthly On Your Radar acts at the Living Room in New York City in August of this year. In terms of software, I have practical experience with a wide range of desktop and digital media tools, both on Windows and Macintosh platforms. I hadna€™t seen him in the flesh since the long-gone Fast Folk days, but we quickly got reacquainted before his set. Coming down off of that high perch, though was necessary for Marc to realize his dream of being a creative solo act. The intensity of his guitar and vocal attack sold me and I offered him a cover feature on the spot.
I have worked within in the Australia Human-computer Interaction Conference (OZCHI) as a student volunteer. I also regularly volunteer at university information & open days to advise and encourage future students on continuing education. During secondary school I was a member of the Student Representative Council (SRC), attending council meetings and organising school activities & fund-raisers.



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