Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common.
A report from a panel at Los Angeles Asian Pacific Film Festival about diversity in the light of the 2015 Oscar ceremony. Much of the film’s allure springs from Mae Whitman’s performance as Bianca, the DUFF—or Designated Ugly Fat Friend—of the title. FFC Gerardo Valero discusses the devolution of Quentin Tarantino by comparing The Hateful Eight to Pulp Fiction.
Attention: About %80 of broken-missing video reports we recieve are invalid so that we believe the problems are caused by you, your computer or something else. Video is definitely there but it may take some time to load because of high demands to the servers. But quickly and convincingly, it becomes its own funny and fast-paced phenomenon with its own modern-day charm. While Whitman is none of those negative things—and director Ari Sandel’s film, based on the YA novel by Kody Keplinger, is quick to establish that DUFFness is a relative concept—she provides the film with both its grounding and its radiance.Quite simply, Whitman is adorable. You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie.

After a long career of mostly supporting roles—including hilarious work as George Michael Bluth’s mousy, religious girlfriend, Ann Veal, on “Arrested Development”—this should make her a star. Sofia is put in a difficult position when she struggles to get her village friends and her new princess friends to get along and feel comfortable with each other during her first slumber party at the castle.
However we also experienced that your browser may cause the problem if this is the case restart your browser completely and try again. Whitman displays flawless comic timing and consistently makes inspiring choices in terms of delivery, reaction, even the slightest facial expression. She shines confidently in a self-deprecating role, and it’s irresistible.She also has sparkling chemistry with Robbie Amell as the next-door neighbor she’s known her whole life, who just happens to be the hunky, handsome captain of the high school football team. His character, with the studly name of Wesley Rush, could have been a typically vapid jock, but Josh A.
Amell brings the requisite swagger but also a sense of humor and even a sweetness, which are unexpected. Basically it means she’s the slight outsider in terms of coolness, popularity and fashion, and even though she’s usually the smartest person in the room, she’d never realized this about herself. The discovery sends her into a tailspin (Allison Janney has some nice moments as her recently divorced mom who tries to perk her up with self-help platitudes) but it also inspires her to take action.

She quickly unfriends both girls across all social media platforms and sets out to make herself over on her own terms.But she can’t do it alone—she needs a clue—so she enlists the one person whose feedback she (reluctantly) acknowledges she can trust in Wesley.
In turn, she helps him pass chemistry class, where his failing grades might cost him his scholarship to Ohio State.
Naturally, there’s a different kind of chemical reaction going on between the two lifelong friends, even though Bianca insists she has a crush on emo singer-songwriter Toby (Nick Eversman, who played Mick Jagger in “Get On Up”). Wesley and Bianca also have to navigate the savage advances of Wesley’s on-again, off-again girlfriend, the resident mean girl Madison (a sharply icy Bella Thorne). He even manages to find clever avenues into the tired tropes of the genre, such as the trying-on-clothes montage.But after bopping along deftly for a long while, “The DUFF” missteps toward the end by laying it on too thick with speechifying about self-esteem and defying labels. Even once was too much, but Whitman gets saddled with having to spout this notion a couple different times, when the revelations and resolutions within the film itself made it perfectly clear.

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