The right minimalist sans-serif or swooping, elegant script typeface can be just as expressive as the words it spells out, and can sometimes even stand in for brushstrokes of paint and other illustrative media.
This tourism ad for the city of Sydney, Australia extolls the virtues of the area in the form of a typographic illustration of the Sydney Opera House.
3D designer Chris Labrooy based an unusual (and awesome) set of typographic illustrations on the styles of his favorite architects, including Tadao Ando. Crafted character by character in the shape of the Salt Lake Temple, designer Cameron Moll’s letterpress tower took hundreds of hours to create. A German photographer saw more than just roof lines and blue sky when gazing up at buildings; these imaginative letters were made with creative cropping.
In this design Chris Labrooy has captured the essence of German Modernism – both the architectural style and the typeface it inspired. One place where architecture and typography notably came together was in this poster for the movie Inception, in which dream architecture unlimited by the laws of physics played a starring role.

Artist Helen Parada of El Salvador crafted an urban scene using nothing but letters in a heavy, rounded typeface for this digital illustration. Chris Labrooy shifted his focus from interpreting architectural styles with typography, to turning a typeface into architecture. Creative director Rhett Dashwood spent several months searching Google Maps to find architecture, farms and natural land features that form the letters of the alphabet. Just as typography is sometimes used as a bold graphic element in architecture, it can also be used as the building blocks to create imaginative structures and cityscapes.
Ando’s solid yet place-sensitive structures, often made of concrete, inspired the perfect basis for an imagined complex that looks as if it could really have been designed by the architect.
The beautiful architectural qualities of the letterpress medium itself pay fitting tribute to a painstaking process, with letters and typefaces chosen by shape for each portion of the design. One can almost imagine this concept coming to life as a real building complex, standing in tribute of minimalism and clean lines.

Giovambattista Palatino and an anniversary trip to Rome, typography artist Cameron Moll spent a full year hand-crafting this incredibly detailed illustration of the Colosseum using characters from the Goudy Trajan and Bembo Pro typefaces.
Helvetica, perhaps the most beloved typeface of typography enthusiasts thanks to its elegant simplicity, is fittingly cool and modern when translated to a series of imaginary buildings. They gave credit for their awakening to a strange being who came to them from the sea wearing a diving suit and who taught them writing science agriculture architecture and of course magick Necronomicon is reputed to be the greatest magical grimoire in existence.
Its secrets go beyond mere necromancy and reveal the cosmic horror of ultimate reality editions in many languages since it was first written by Abdul Alhazred in the early 8th century.

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