Their attachment to ego and lack of feminine sensitivity shows me that they're not aligned with my values anyway.
And yes, at the beginning of this love-letter, you're just a "possible girlfriend." As you move through this love-letter, you'll be able to determine whether or not your values are in alignment with my values (as your future-boyfriend). I intend to create a relationship that magnifies the happiness of two "whole" people, creating a 200% experience.
Most "half-people" enter relationships thinking the other person is going to "complete them." I discuss this idea in greater depth in my next book. If you're still reading, I imagine you find this content intriguing enough to at least consider becoming my future-girlfriend. In Chapter 23 ("Loving Relationships Work Because There Is No Work") of my new book, I outline the ten qualities that I find most important in a woman. Aligned With My Sense of Humor -- You love hearing me wail old school R&B songs in the shower.
Physically Attractive -- Our physical connection is the icing on our already beautiful cake. I'm cute, funny, smart, honest, loyal (faithful), spiritually-aware, compassionate, empathic, intuitive, driven, generous, thoughtful, slightly thuggy with a touch of "bad boy" flava, focused, inspirational, motivational, creative, dependable, humble (okay, I'm working on it), and ready.
Most humans try to rush into relationships without being "ready." A person has to be at a certain maturity level before having the skills to properly "relate" to another human.
A man can't expect to intelligently relate (in a relationship) to a woman, until he fully understands himself. In order to create a mutually-beneficial "mature" relationship, you need two "mature" human beings.
We've been told time and time again that Photoshop is playing tricks on us, stretching, smoothing and buffing the models in magazines and ads to make them even more gorgeous (and less realistic). If models are getting the treatment seen in this video, it's no surprise lingerie model Erin Heatherton once said about her photos, "I feel like it looks like someone else.
It was a blues number, a€?Save Me for Latera€? on her album, Me a€™n Mabel, that first worked its magic for me. Suzie has become recognized as an accomplished blues singer and guitarist, but she has many ways to seduce a listener. Suzie would gravitate toward music as a kid a€” singing along to an ever-present flow of mainstream radio tunes would make her feel good a€” but becoming a musician was not a conscious thing. Her parents had what looked like a cool record collection, but the stereo was broken throughout her childhood. The sole parental musical influence occurred when her father listened to country music in the car.
By age 11, she also was playing saxophone in her grade-school concert band and singing in the chorus. While Suzie continued to explore other instruments, the guitar, in combination with her voice, got her noticed.
When she was in fourth grade, her teacher called the principal into her class and had Suzie sing a€?Country Roadsa€? for him and the class. She remembers at age 11 or 12, taking her allowance a€” she might have done a tiny bit of baby-sitting to add to her spending money a€” and going down to the Sears in downtown Saskatoon and plunking down $14 to buy her first album, Supertrampa€™s Breakfast in America. When she got a little older, she got her own small record player and would sing and play along with records alone down in the basement, her voice bouncing off of the faux paneling. I conjectured that playing the bass gave her a better sense of lower notes or the a€?bottoma€? in her guitar playing. In addition, she had discovered the Saturday jams at a blues bar, Buda€™s on Broadway, in Saskatoon.
Over the years, Suzie has studied with a number of people and works today with a vocal coach when she can because therea€™s always something to learn.
Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year. At one of Tonya€™s shows, her brothera€™s friend introduced her to the man she would marry about five years later.
She made some musical connections, did some gigs, and then got a full-time job working for Marty Simon, a film composer.
Suzie also worked in other musical side projects to pay the bills, providing bass and lead and backing vocals.
Betty & the Bobs is a 7-piece variety-show type band which plays quirky music that its members wouldna€™t play in other projects. Suzie did solo gigs with guitar all through the years with Rick and the other groups, and is now predominately a solo artist.
33 Stars, released in 2002, has a pop feel.while Happy Here, released in 2008, is rootsier.
Her most recent album, Live at Bluesville (2012), came about when a radio interview turned into a recording session.
Although her parentsa€™ record player didna€™t contribute to to her development, her brother had a stereo that could crank out the decibels and he allowed her to listen to records on that. Fresh out of high school, Suzie attended the University of Saskatchewan in Saskatoon for a year.A  She was in a general arts study program, which included drama and music theory.


In between gigs, she worked the counter in a gas station, baby-sat and did other part-time work, such as helping an accountant with income tax preparation and cleaning houses. In 1993, a serendipitous crossing of paths in Toronto proved very rewarding.A  Influential Canadian roots music DJ Chopper McKinnon met accomplished blues player Rick Fines for a beer. There are performers who scale the heights of imagination and feeling, who walk the high wire of entertainment with such aplomb it leaves audience members giddy.
When Ariana sings a€?Oh The World,a€? about an act of love so precious, it seems too good to be true.
In one of her many YouTube videos, we watch as she and her father, David, play a€?Oh The Worlda€? as a duet.
When Ariana was 15 or16, she attended an Ontario Council of Folk Festivals (OCFF) Conference. When she was 16, she released a self-titled demo which had only 300 copies printed a€” primarily used for her appearance at her first conference. At her fathera€™s urging, Ariana attended more folk conferences which continued to raise her profile. Ariana didna€™t really become serious about music until a three-month bout with double pneumonia brought her close to death.
Arianaa€™s first album, To Make It Make Sense, was released in 2009, when she was 18 years old.
I asked Ariana about the source for the allegorical song, a€?John and the Monster.a€? She couldna€™t pinpoint anything in particular. In the video, her father, ever the supporter and mentor, sits across from her and when she finishes, he murmurs, a€?Not bad.a€? In response, Ariana laughs. When we first encountered Ariana at the 2011 NERFA last November, we were shocked to discover that the youthful-looking sideman on guitar, Dobro and mandolin was Arianaa€™s father, David. Ariana and David will be making a number of appearances in the United States this fall, and specifically the Living Room in NYC each month. We discussed the underlying truth of the fantastical story in the song a€” that something of beauty can be destroyed by a society who would imprison it and destroy its magic. A brief Internet perusal reveals that Aphrodite had no musical skills and actually was a bit of a tramp. Situated midway between the east and west coasts, I thought that would make her the Canadian equivalent of a a€?Midwesterner.a€? She characterized it as more of a prairie environment, so a€?Ia€™m a a€?prairie girl,a€™a€? she said. It was a large console that became more of a nice piece of furniture that they stored things in. She said that, a€?My voice was the first instrument that I got to play around with,a€? she said, a€?but I got bolder when I picked up the guitar.a€? It enabled her to accompany herself and she found a lot of cheerleaders among her teachers.
She perceived that the other guitar player in the concert band had a better understanding of jazz chords needed to play in the large band repertoire. While she didna€™t disagree, she felt, more importantly that it allowed her to a€?meter-map out how songs move chordally.a€? It was good for her ear, she added. Her husband got a job in Toronto and they moved there in 1998, but the marriage ended shortly afterward. From her Wikipedia page, we learn Happy Here was a nominee for Roots & Traditional Album of the Year a€“ Solo at the 2009 Juno Awards. He told Rick he shouldna€™t be sitting with him when he could go see the bass player at a different bar up the street. It happened at the Northeast Regional Folk Alliance (NERFA) Conference last year when we first saw Ariana Gillis, and it happens over and over, every time we see her. Ariana took piano lessons when she was young and didna€™t become interested in guitar until she got one when she was 12.
When I mentioned that I found her to be a lot like Josh Ritter in her imaginative storytelling, she verified that observation, saying a€?I like it that he [Josh] tries to intertwine another story with a love songa€¦ it makes it more interesting.
When Ariana was around 13, her father would take her with him when he was playing certain gigs, especially ones that hea€™d booked himself. David started calling around asking bookers for venues to let Ariana open for artists theya€™d already booked.
These soul-defining experiences are the catalyst that affects the skewed stories she is compelled to tell.
She got a publicist who helped her introduce her CD, getting radio airplay even before it was officially released, and who helped her get bookings a€” and they were exclusively her gigs.
Wea€™re used to it now, but it hasna€™t lost that sense of a treasured combination of father-daughter bonding in such an exalted endeavor a€” the making of music. Eine ungewohnliche Entscheidung der Photoshop-Experten.Glamour's November issue, she too fell victim to the photoshop madness.
But if she could sing, with her seductive skills, it might produce the same effect that Suzie Vinnick does. Me a€™n Mabel (2011) shows Suziea€™s skills with just her and her Larrivee parlor guitar (christened Mabel as a result of a slip using the word a€?maplea€?).
Since there was no bass in the orchestra, she asked her teacher if she could learn it and take that slot.
She joined two female trios with different styles, Vinnick Sheppard Harte and The Marigolds.


Kinga€™s Bluesville station, basically said a€?Herea€™s our studio, go in and have some fun!a€? The result was a typical Suzie tour de force of vocal and guitar.
Chopper knew that Suzie was playing bass for Back Alley Johna€™s band, which was in Toronto for a gig. We find ourselves wondering, a€?Just how good can she get?a€? Her powerful voice, soaring through the high registers, suggests the pinnacle is not yet in sight. During that time she thought shea€™d overcome it, but had to retreat to bed as it hadna€™t really gone away. She played recordings of her original work for the interviewer and, highly impressed, he advised her not to attend school, but to stick with her own work. Sometime soon after that six-month period, Ariana was in the studio doing the vocals for her first full CD.
We learn from her bio that: a€?David Marsh played the track, a€?John and the Monstera€™ to his radio audience a€” one response was a phone call from an enthusiastic listener who wanted to know more about the unusual song, and the singer.
John, dying of a brain tumor rows out to the middle of the lake and coaxes the monster out of hiding. We have all these dreamsa€¦ but it slowly starts to disintegrate in front of us and we wonder, what happened to my shiny dream?a€? Ita€™s difficult to express here, its sound and the way it packs such an emotional wallop.
The potentially cute photo is ruined by a strange choice to cut off half of her arm (which somehow disappears into her leg). Her previous album, Happy Here (2008), is lushly orchestrated and shows Suziea€™s ability with a torch song. I just liked the idea of singing songs off the radio.a€? She continued guitar lessons for two years, but there there were other instruments on her radar. Her voice teacher, Naomi Freisen, was a classical singer but still appreciated the a€?Broadway beltera€? style and was able to help her with blues and rock a€™n roll. Tony played in a style similar to guitar greats Albert King, Freddie King and Stevie Ray Vaughn. He kept in touch and asked her to come out for a summer, saying that he had a bunch of gigs lined up. He told Suzie stories about the music business (some of them hair-raising, no doubt) and she learned a lot from him.
He told Suzie stories about the music business (some of them hair-raising, no doubt)A  and she learned a lot from him. Likewise, her song-stories, fed by a keen mind open to both reality and parables of fantasy, spark a wonder in us.
Catherine until Ariana was a year old, then moved further west to Vineland a€” about an hour south of Toronto. She also took music lessons in high school, studying oboe and upright bass and drums a€” and still wants to learn trumpet.
More often than not, it would be Ariana and a girlfriend whoa€™d do a cover song, something that the student body could relate to and that reflected the sermon that day. David would also perform at an annual Christmas show and would have Ariana perform as well. She slept in an upright position to keep breathing, waking up every hour, each night, coughing from the fluid in her lungs. The mystery caller was Elton Johna€™s lyricist and songwriting partner Bernie Taupin.a€? Thata€™s quite a connection a€” and one hell of a quote that came out of it. She tried the upright bass for a bit, but didna€™t care for it and settled with the electric. Suzie had no commitments in Saskatoon and enjoyed her time in Ottawa over the summer, so she decided to move there.
At the songa€™s end, the captured monster is dying, so John, sacrificing himself, sets him free, becomes sick again and perishes. Of the tracks I sampled, I was really impressed with the covers of a€?Big Yellow Taxi and a€?Love Hurts,a€? from My Favorite Shirt. He would constantly stop to play his guitar sitting nearby and finally gave up the piano and just stuck with the guitar. He wanted me to get better.a€? She said that shea€™d often co-opt Patty Griffin material and turn it into something of her own.
The Marigolds was a more delicate, folkier group with a€?killer songwriters and singers who could pour out jazzy vocals,a€? Suzie said. David created his own arrangements of songs and eventually competed in the annual United States championship contest in Winfield, Kan.
Even though her illness left her debilitated, she still managed to graduate from high school and made the honor roll. Suziea€™s robust vocals did a strut all over Tonya€™s snarling guitar licks while her bass provided a relentless throb below. He had a small career going when he was younger but gave it up and decided to help Ariana when he saw how talented she was.



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