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Since the Beats Studio Wireless are essentially the wireless version of the Beats Studio headphones we reviewed recently, we figured this would wind up being a pretty straightforward review.
Aside from adding $80 over the price of standard Studio headphones, Bluetooth brings a few differences in how you use them. Along the top of our review sample’s glossy blue headband (the Studio Wireless are also available in glossy black, red and grey, with a special matte black version available) Dr. Removing labels from the on-board controls gives the Studio Wireless a cleaner look, but track-advance and reverse no longer have their own buttons. In the box with the headphones we found two red, rubbery, tangle-resistant headphones cables – one with an inline control microphone, one without – both with 90-degree 3.5mm input jacks, a USB charging cable, a USB wall adapter, a requisite carabiner, some product literature, a Beats sticker, and a microfiber cleaning cloth. The new Studio Wireless still sport spongy memory-foam ear pads covered in soft leatherette, and we’re still fans of how they feel.
Beats managed to increase battery life in the new model by two hours, now offering 12 hours of wireless audio performance, or 20 hours when wired up. The new Studio Wireless feature the same dual-mode noise-cancelling circuit: one for music listening, the other for simply shutting out the racket around you. We pitted the Beats Studio Wireless against the Beats Studio, comparing the wireless fidelity of the former to the wired fidelity of the latter. We’re pleased to report that the Beats Studio Wireless actually sound a little bit better while streaming music via Bluetooth than they do when they are hard-wired, or compared directly to the Beats Studio.
With all of that that said, the Studio Wireless just couldn’t hold up to the Phiaton Chord MS530 or the PSB M4U2 in terms of pure sound quality. Now we’re going to take off our audiophile hat for a moment and get right down to what’s most important: how the Studio Wireless’ intended audience will feel about them. The Beats by Dre Studio Wireless won’t win the hearts of audiophiles any time soon, but the company did a good thing by taming the bass and presenting a clearer overall sound. The way we saw it, either the Bluetooth sound quality was going to be good or it wasn’t – everything else would stay the same, right? Like the revamped Studio headphones, this wireless version is considerably lighter and more streamlined than it predecessor. Battery strength and power status are represented by a row of five small, white LEDs and a single LED on the power button, all of which live on the underside of the right ear cup. The so-called “Beats Acoustic Engine” uses DSP (digital signal processing) to ensure the headphones produce a specific sound signature.
It is important to note, however, that the auto power feature only works when you insert or remove the headphone cable from the left ear cup.
We also brought the Phiaton Chord MS530 into the mix for comparing both Bluetooth sound quality and noise-cancellation properties, and the PSB M4U2 for general sound quality and noise cancelling.
This may be because the wireless streaming process pulls some of the treble response back just enough to make the headphones a little less aggressive in the highs, and, therefore, less grating in general.
In terms of passive noise isolation, we felt the Studio Wireless did better than the Phiaton or PSB, but when it came to active noise cancelling, the race was much tighter. The Studio Wireless’ sound signature seemed to change with the volume, becoming more aggressive in the treble and upper mids as the volume was turned up. Thanks to the Bluetooth streaming process, these headphones manage to keep sparkling treble without aggravating us with piercing highs all the time. Still, many of the basic design elements remain the same, so if you find yourself thinking this review reads a lot like our Beats by Dre Studio review, you’d be right. The design is almost entirely curves, and the material in use feels more flexible and resilient. The undersized travel case also remains the same size despite more and larger accessories, making it even more cramped. From our listening tests, we suspect the noise-cancelling and acoustic-engine processes are in cahoots. If you fail to turn them off manually and pack them up with the cable still inserted, they’ll remain on until they’re dead (which we learned the hard way, naturally).
The treble still sparkles, and it’s well north of neutral, but we found ourselves more interested in listening to the Beats Studio Wireless on the long term than any other Beats headphone we’ve auditioned so far. Both the PSB and Phiaton did just slightly better with airline and train noise than the Beats, but just slightly. The Beats’ midrange, wasn’t as color-free as the Phiatons or even the PSB headphones, due mostly to their forward upper midrange. They combine all the most popular features in a slimmer, sleeker package with better battery life.
As a result, we wore the Studio Wireless headphones for a much longer than any other Beats headphone we’ve tested thus far. Overall, the new Studio Wireless have a cleaner, less clunky feel to them than the previous version did. Also, we’re happy to report the odd thumping in the right ear that we heard with the Studio is not present here. But when it came to the bass, we remain pleased with how Beats reined the low end in, keeping things in check, if still intentionally heavy-handed. No matter how you slice it, however, Audio-Technica and Bose have them all beat when it comes to noise cancellation.
At $380, these headphones seem a little over-priced, even with their super-popular, iconic image taken into consideration.

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