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Concept, bespoke hand-cut typography and branding for annual AIDS Trust Sydney Food & Wine Fair 2OO8-2O11.
LEUVER DESIGN is a graphic design studio dedicated to timeless, intelligent and innovative design solutions. Following 11 successful years running the award-winning Leuver Leuver Leuver & Leuver, Marita Leuver (Director) established Leuver Design in 1997.
Over the last 29 years, the Leuver name has cemented its reputation for excellence through the many successful identities, campaigns and publications delivered to our diverse list of clients including government, arts, legal, corporate, retail, lifestyle and health sectors. Regardless of scale, we approach every project with the utmost joy and respect in order to reveal the best outcome for our clients. Lyndon Design is renowned for quality handcrafted upholstered seating and furniture and is widely specified throughout hospitality and corporate environments. Daniel Pabst, and check out Daniel Pabst on Wikipedia, Youtube, Google News, Google Books, and Twitter on Digplanet. Daniel Pabst (June 11, 1826 a€“ July 15, 1910) was a German-born American cabinetmaker of the Victorian Era.
The most famous pieces attributed to Pabst are a Modern Gothic desk and chair made to the designs of Frank Furness. The newly formed architectural firm of Furness & Hewitt won the design competition for the Pennsylvania Academy of the Fine Arts (1871a€“76).
A 17-year-old architecture student visiting Philadelphia in June 1873, Louis Sullivan, closely examined a house nearing completion at 510 South Broad Street, and decided that he was going to work for the firm that designed it.
Henry Charles Lea Library (1881), as now installed in Van Pelt Library, University of Pennsylvania. The most prominent object of the class was a black-walnut sideboard designed and made by Daniel Pabst of Philadelphia.
Late in life, Pabst made a list from memory of his customers.[K] It included prominent Philadelphians such as John Christian Bullitt, Henry Disston, John M. A year after his emigration to the United States, Pabst married Helena "Salina" Gross in Philadelphia, on June 11, 1850.
Pabst was active in Philadelphia's large German-American community, and sponsored other emigrants, "taking them into his household while they were studying and learning their way in the new country."[64] He was a member of the German Society of Pennsylvania, which published poems by him. Scholarship on Daniel Pabst rests on the foundational research begun in the early 1930s by Philadelphia Museum of Art curator of decorative arts Calvin Hathaway. Furness-Pabst bookcases (1870a€“71), made for Horace Howard Furness, one bookcase is at the University of Pennsylvania, the rest are in private collections.
Renaissance Revival dining room suite a€“ sideboard, table, 2 armchairs, 10 sidechairs a€“ (1868a€“70), made for Henry Charles Lea.
Furness-Pabst bookcase (1870a€“71), made for Horace Howard Furness.[117] Other bookcases and a pair of cabinet doors from the set are in private collections.
Unlike larger agencies, this hands-on approach is at the studio's core and is the foundation for our continued success. In pursuit of the wow factor, these meetings are crucial for identifying requirements for product range extension, bespoke creations and new speciation criteria. The Lyndon Design brand has long been associated with bespoke seating solutions, and with demand soaring from companies looking for a distinct design statement across both corporate and hospitality sectors, bespoke designs form a key part of our activities. Luge was first designed in collaboration with the renowned British Designer, Nick Munro, so the table has to reflect the same design values,” explains Tom. Visiting the customer in the early stages of design is vital to obtain critical dimensions for the project, and to assess site access and identify any obstructions.

He is credited with some of the most extraordinary custom interiors and hand-crafted furniture in the United States.
Created for the architect's brother Horace (and slightly altered from Frank's surviving drawings), they are now at the Philadelphia Museum of Art.[7] Furness family papers document a set of bookcases created by the pair a€“ "These bookcases were placed in position this daya€”February 18th 1871.
The Philadelphia art-museum-and-school's original furnishings included a lectern, bookcases, and set of Modern Gothic furniture for the boardroom.[11] Armchairs from the set, attributed to Furness and Pabst, are in the collections of the Victoria and Albert Museum in London, and the Allentown Art Museum in Pennsylvania.
The next day he presented himself to Frank Furness, and was hired as a draftsman at US$10 a week.[21] The Bloomfield H. The cameo-carved maple exhibition cabinet in the Sitting Room (center) and the ebonized chimneypiece and bookcases in the Library (background, left) are attributed to Pabst.
The 1877 article specifically credits the dining room's "very elaborate buffet" to Pabst,[H] although only its base survives. When it was re-installed at Van Pelt Library in 1962, the fireplace was moved from one of the long walls to a short wall.
269 South Fifth Streeta€”One of the leading and most successful designers and manufacturers of artistic furniture in Philadelphia is Mr.
He saw his heritage as integral to his success: "I brought all of Germany here with me, in my inward eye.
Utilizing the Pabst customer list, provided by the cabinetmaker's daughter Emma Pabst Reisser, Hathaway tracked down furniture still owned by descendants of those customers.
In addition to the above museums, he is represented in the collections of the Museum of Fine Arts, Boston, the Brooklyn Museum, the Cleveland Museum of Art, the Munson-Williams-Proctor Arts Institute in Utica, New York, the Winterthur Museum in Wilmington, Delaware, and elsewhere. It's how well they resolve the challenges of designing a piece coupled with their craftsmanship and technique. He tended to envelop the object's architecture with a fine scale pattern; it was an invention of his own. Like Christopher Dresser and Bruce Talbert, he conventionalized design, departing from the realistic motifs of the mid-19th century.
An ornate spoon is jokingly awarded each year to the most-popular member of the senior class.
All our products are manufactured using high quality timber, so the CNC process directly aids our detailed frame manufacture. The Team spend time evaluating the shape, structure and strength of the new table, as well as refining its shape and detail, and assessing the quality of finish before proceeding to production.
After drawing up CAD plans, this information is transferred into drawings for the client, and subsequently used for production-related drawings to aid the manufacturing process. The woodwork and furniture were based on designs by Frank Furness, and are attributed to Pabst. Sometimes working in collaboration with architect Frank Furness (1839a€“1912), he made pieces in the Renaissance Revival, Neo-Grec, Modern Gothic, and Colonial Revival styles.
The excellence of his craftsmanship elevated him above his peers, as did the strongly architectonic (building-like) quality of his furniture designsa€”often massively scaled, with columns, pilasters, rounded and Gothic arches, bold carving and polychromatic decoration.
The lamps of the Furness-Pabst desk (now at the Philadelphia Museum of Art) are visible in the background, right. The ornate paneling, bookcases, cabinetry and mantels are based on designs in Furness's sketchbook,[17] and their manufacture is attributed to Pabst.
Three days before resigning he married his paramour, Elizabeth "Baby Doe" McCourt, in Washington, D.C. Pabst was the most distinguished cabinetmaker in Philadelphia in the last quarter of the 19th century.

As well as considering our product categories of upholstered seating, stools, coffee tables and collaborative work booths, we analyse their style, function and appeal. This process involves sheet material routing for the internal framework, as well as designing holding jigs, creating shaping contours and assigning tool processes for the leg detail,” notes George.
Examples of his work are in the collections of the Metropolitan Museum of Art,[1] the Philadelphia Museum of Art, the Art Institute of Chicago, and the Victoria and Albert Museum in London. He was a master at cameo-carving (intaglio) in wood a€“ veneering a light-colored wood over a darker, then carving through to create a vivid contrast. The pair is also credited with individual pieces of Roosevelt furniture.[18] The massive dining table a€“ with a base of carved egrets devouring frogs a€“ is now in the collection of the High Museum of Art, Atlanta, Georgia. The wood was filled and highly polished on shellac, as is the common practice of our cabinet-makers with their best work a€¦ The hinges and metallic mountings were of oxidized silver of the finest workmanship and spirited in design. Potts to remodel a circa-1850 suburban house at 3905 Spruce Street, Philadelphia.[42] And remodel it Wilson did, designing numerous additions a€“ including a 4-story tower a€“ and unifying the exterior with polychromatic diamond-patterned brickwork.
The bedroom suite was reputedly purchased just before or during their honeymoon, and returned with them to Colorado. Clearly, the quality of his carving and cabinetmaking is of the highest order, and Philadelphia has a tradition of producing superior furniture since the 18th century, overshadowing Boston and New York.
While I think there are masterpieces of Pabst's not from Furness's pen, he certainly benefitted from his close association with the architect. Some pieces were adorned with decorative tiles, others with painted glass panels backed with reflective foil. All the panels were filled with relief-carving, animal and floral forms being introduced; but these were not all of original design. The Potts House (altered 1875a€“76)[43] seems to have been strongly influenced by Furness's work,[44] and has over-the-top Neo-Grec interiors that may be by Pabst.[45] The dog-faced beasts appear again, flanking a fireplace, only this time they have wings! The business was established in 1854 by Pabst & Krauss,[55] who were pioneers in the trade here. Elaborate strap hinges and hardware were commonly used, and sometimes the furniture was ebonized.
A noticeable feature was the central mirror surmounted by a crocketed gable, richly carved, with finial composed of two birds resembling pelicans.
The Potts House barely escaped demolition in the late 1960s, when the University of Pennsylvania razed several city blocks to expand. The suite was later owned by publisher William Randolph Hearst, and was part of the furnishings of "Hearst Castle" in San Simeon, California. His Philadelphia shop grew to employ up to 50 workmen,[2] but the company's records do not survive. Four finials on the posts which defined the three main divisions were finished with carved cockatoos. The Tabors' rags-to-riches-to-rags saga became the basis for the 1932 film Silver Dollar and the 1956 opera The Ballad of Baby Doe. The premises are very spacious, admirably arranged, and equipped throughout with every facility and convenience for the transaction of business, employment being given to 25 skilled workmen. Pabst designs and manufactures art and antique furniture of all kinds, which, for beauty and originality of design, superior and elaborate finish are unexcelled.

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