In more recent news, there has been an announcement for a Sword Art Online Movie: Ordinal Scale in 2017. Also as Sword Art Online II has come to an end, and a movie is announced release date somewhere in 2017 as of current, S3 might follow after so no asking about it. It took a vagarious group of craftsmen one month to survey the place; the diameter of the base floor was about 10 kilometers — large enough to fit the entirety of Setagaya-ku within. Inside, there were a couple of large cities along with countless small scale towns and villages, forests and plains, and even lakes.
The name of the castle was «Aincrad», a world of battles with swords that continued floating and had engulfed approximately six thousand people.
Sortiliena Serlut (????????????, Sorutirina Seruruto?) is the mentor of Kirito during his 1st year in the «North Centoria Imperial Sword Mastery Academy», and the 2nd-seat elite swordswoman at the Academy, where she is known as the Walking Tactics Manual (??????, Aruku Senjutsu Souran?). If you are uploading light novel or manga screenshots please include page and volume number in the title. Fan content (including fan art, fan fics etc.) is not to be used in the content of official pages. Additionally, if you wish to help out with any ongoing projects, you can check out the Jobs Board, and the Jobs Board Forum, to sign up for a project, and help out! If you ever encounter an issue that you an editor can not fix, the Admin Support may be able to address your problems, just contact one of our admins through the convenient threads already in place. It started off decently enough; the first two episodes were compelling despite some odd narrative issues. With episode 24 wrapping up the Alfheim Online arc, episode 25 serves as a closer, tying up the loose ends that had been piling up.
There were some moments when the animation quality or artwork took a dip, but it was never for any extended period of time.
SAO also made the big mistake of spending most of its first half introducing characters that would never again play any kind of important role in the series. Yet for all of the first arc's problems, the series only truly began to collapse upon itself once we entered Fairy Dance, the second major arc in the SAO narrative. Fairy Dance commits the egregious crime of spending most of its time following Kirito and Leafa as they do pointless things.
I could talk for hours about the many problems that plagued Sword Art Online; ridiculous character tropes, poorly written female characters, creepy rape antics, ridiculous villains and the like.
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it. If the file has been modified from its original state, some details may not fully reflect the modified file. Only one stairway linked each floor to another, and the stairways existed in dungeons where large numbers of monsters roamed; so discovering and getting through was no easy matter.


However, they may be freely used on personal user pages or blogs, so long as the Unofficial Image and Personal Photo categories are added to any unofficial image. Kirito makes his way to the hospital to see Asuna, but is interrupted as Sugou confronts him with a knife. Taking Sugu with them, Asuna and Kirito meet up with the others only to find that the get-together is actually to celebrate Kirito completion of Sword Art Online. I came into this series so excited only to find myself scratching my head over the ludicrous choices made throughout the production. Action sequences were relatively few and far between, but when they popped up, they were a blast. Plagued with plotholes and deus ex machina, Sword Art Online is a mess of ideas and characters that never truly come together. Lizbeth and Silica were pointless inclusions, and the fact that they both fall madly in love with Kirito made their presence even more groan worthy.
The whole first half of the arc sees our duo travel across the land, only to have them double back to fight a random battle to save some in-game races from going to war. I know a lot of you folks really enjoyed this series, and hell, I stuck with it to the end despite how poor I think it is. Please report harassment, spam, and hate speech to our community fisters, and flag the user (we will ban users dishing bad karma). We have no control over development or production, no direct connection to the franchise, and my patience for any questions about them happens to be nil because the answer will always be the same "We will need to wait for its announcement by the company, until then patience. However, once someone made a breakthrough and arrived at a city of the upper floor, the «Teleport Gates» there and of every cities in the lower floors would be connected making it possible for anyone to move freely through these levels.
For example, the first mention of Kirito in an article should be linked, while the second mention of Kirito shouldn't be. Facing death in the real world, Kirito manages to pull a fast one and snatch the weapon away from his insane opponent.
Poor Sugu feels out of place since she never had anything to do with the original game, but our hero won't have any of that. I suppose in the interest of fairness, I should get the positive stuff out of the way first.
Stand out scenes include Kirito's first brief duel with Heathcliff, his battle with General Eugene, and the confrontation with the army of guardians toward the show's end. One complaint I do have however, is how poorly handled the Skull Reaper battle was in episode 13 and 14. One specific theme was used over what felt like every single action sequence in the entire show. Our main protagonist, Kirito, is essentially an invincible Batman who somehow seems to have all the luck in the world.


That's all well and good, except for the fact that the audience has no attachment to Alfheim Online or its denizens. After the party ends, everybody meets up in Alfheim Online to witness the return of Aincrad, the giant castle that kept them imprisoned for two years.
Lavish and filled with lovingly exaggerated movement, I'd argue that these moments made the series worth watching. An action sequence that should have been deeply engaging and stressful was instead cut down to a minute or so of real fighting. Hell, even the original novel author, Reki Kawahara, admitted to being incapable of writing a female character who doesn't fall in love with Kirito. Sugu, like every other female character in the entirety of Sword Art Online, is madly in love with Kirito. Unlike the Sword Art Online game, there are no real consequences for losing or death, making each battle or encounter that much less gripping. The first two episodes did an admirable job of setting up an extremely interesting universe, but I think that Sword Art Online squandered a fantastic concept. Despite how many horrible memories were born due to the SAO incident, that giant floating building was their home, so everybody heads back to clear it from top to bottom, once and for all. Reduced to a series of still frames and bright flashes of light, the Skull Reaper encounter is a rushed sequence that served no real purpose in this adaptation. Yes, he's actually just her cousin, but I'm sick of shows playing up the easy incest angle instead of trying to write a convincing sibling relationship. Instead, we get to spend half of the series watching Sugu lust after her brother in both the real and digital world. Even after being stabbed and losing all of his HP, he's capable of killing Heathcliff with his sword! As much as both Reki Kawahara and the staff of A-1 want us to think Sugu is a compelling character, no amount of putting her in the spotlight can make her interesting. I'm of the firm belief that moving on from SAO was a poor idea, because nothing will ever match the edge of your seat nature of that original set up. Alfheim Online has no protective measures in place to prevent Kirito from using a digital ID card to access the backend of the game?



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