American remakes of great foreign films aren’t always a letdown (The Ring actually improved upon Ringu), but the track record is not good. Chiwetel Ejiofor is Ray Karsten, an investigator who remains haunted by an unsolved murder from 13 years earlier, and by some lingering feelings for his former co-worker Claire (Nicole Kidman). Now, after years of pouring through mugshots each night, Karsten returns to Jess, and to Claire, with hopes of re-opening the case. One of the many beautiful qualities of the original film was how it juggled the years and storylines intermittently but equally, poignantly layering the gritty crime drama with the wistful pangs of unrequited love. His cast is certainly game, especially Roberts, who digs in to Jess’s heartbreak with ferocity. Ray, who’s more seasoned as a writer (Captain Phillips, The Hunger Games) than director (Shattered Glass), pushes too hard in almost all directions, from xenophobic paranoia to the obstacles coming between Karsten and Claire.

Many of the changes Ray makes to the core story are curious but acceptable, as you wait to see how he approaches that knockout finale. Emotional resonance is replaced with lets-go-one-better excess, as if American audiences couldn’t accept any finale without a clearly drawn morality, for fear a dark beauty might follow them home. What Ray omits from the conclusion is nearly as criminal as what he adds, and his film ultimately wears an unwelcome irony.
But just when Secret in Their Eyes needs it most, when both storylines are converging in a deserving payoff, it cops out, and a glorious passion play becomes a common exercise in obligation.
The Martian by George Wolf The Martian is about brains over brawn, about thoughtful solutions trumping impulse. Recent CommentsJimmy The Locksmith on Street Knowledgemike on Falling Hardmaddwolf on Creed is GoodAJ on Creed is Goodmaddwolf on Ms.

Unpredictable and rich with symbolism, this Argentinian murder mystery lives up to its Oscar with an engrossing plot, Juan Jose Campanella's assured direction, and mesmerizing performances from its cast. To Karsten’s horror, the victim was the daughter of his colleague Jess (Julia Roberts), and the killer was never brought to justice. His pacing feels rushed, and his attempt to re-create the original film’s eye-popping sports stadium chase fizzles out quickly. Name* Mail* Notify me of followup comments via e-mailEnter your information to the left!Want a personal pic?

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