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With the release of Adobe's Premiere Elements 4, Windows users get an end-to-end video-editing application that's remarkably easy to use.
The functionality in Adobe Premiere Elements 4, a Windows-only download available Monday for $100, is comparable to that of Apple's iMovie, which is made only for Macs. Like iMovie, Premiere Elements 4 makes it easy for you to edit camcorder footage -- complete with music, titles and transition effects -- then share your creations on a DVD or upload the video directly to YouTube, all in about an hour. Adobe usually releases its software on both platforms, but chose to make Premiere Elements a Windows-only release because of iMovie's dominance on the Mac -- it's bundled free with every new machine. But with last month's release of iMovie '08, that window was unexpectedly opened a little wider.
According to Mohan, if Adobe could have predicted Apple's move, his team would have explored a Mac version of Premiere Elements more thoroughly. As things turned out, Windows users now have little reason to feel left out of the Mac's much-vaunted video-editing capability. The software is remarkably easy to use, but it also offers more-advanced tools than those found in rival video-editing apps for Windows, like Roxio Easy Media Creator, Sony Vegas and Windows Movie Maker. Premiere Elements has two work modes: The Sceneline offers a high-level view of the video you're editing, and the Timeline offers more-complete control over your movie. In the Sceneline, clips can be reordered by dragging thumbnails, and you can select the portions of each clip you want to use.
Like its other consumer-level tools, Adobe has replicated much of the functionality of its professional offerings, but the controls have been greatly simplified from complicated palettes to a few sliders and checkboxes. There are also hundreds of video effects to choose from, including image-softening and a grainy, black-and-white-film look. For those not fond of extensive hands-on tweaking, there are ready-to-go movie templates to choose from. Just choose a theme (like Comic Book or the American Idol-esque Performance Star), and everything about the movie is generated for you: titles, transitions, effects, and intro and outro sequences.
When it comes time to export, movies can be burned to a DVD with customizable menus, or uploaded straight to the web.
If you'd rather post your video on your own website, Premiere Elements can generate a stand-alone player and upload the result to your site by FTP. Premiere Elements supports all HD resolutions -- 720p, 1080i and 1080p -- and most consumer high-def file formats.
One gaping hole is a lack of support for AVCHD, the new high-def video format favored by the latest high-end consumer camcorders.
The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. In contrast, Premiere Elements started out with a complex and intimidating interface but has gradually improved its ease of use with each annual upgrade. The simpler timeline in iMovie is relatively straightforward and easy to use, but the Guided mode in Premiere Elements is very impressive and does an excellent job of introducing video-editing work for beginners. If you’re new to video-editing work, both iMovie and Premiere Elements also include a number of options that allow you to quickly create simple but slick movie projects without having to master their full range of editing tools.
Premiere Elements 13 also adds an interesting new feature called Favourite Moments, which allows you to pick the best moments from within a single, longer video clip. It may take a little while to figure out where everything is in iMovie these days, but at least its main editing tools still retain their admirable simplicity and ease of use. Premiere Elements and iMovie both provide a good selection of transition effects, along with templates that allow you to quickly add titles and text to your movies.
Premiere Elements 13 also added a new Guided Edit that shows you how to place moving video inside titles. You dona€™t have to buy iMovie, of course, as ita€™s given away free with all Macs a€“ although you will need to upgrade to Mavericks or Yosemite in order to use iMovie 10. The iPad 2 can now shoot 720p video at 30fps from the rear-facing camera, and VGA (640x480) video from the front-facing lens (which allows one to video conference FaceTime). It's certainly not going to replace Final Cut Pro, but I suppose filmmakers could use an iPad on-set to demo a rough edit. What do you think of the new iPad -- if you have the first-gen, does it offer enough to justify an upgrade, and if you don't have one, was this enough to put you over the edge?
Don't know if it's something I'd use actively in filmmaking, but for $4.99 it seems like fun.
Being a shameless addict to the Apple effect I must confess the thought of selling a cheap lens or two crossed my mind the moment I saw "the deuce" appear on Apple's website. If you're like me and you have two of these puppies you're averaging a little over $2k a year on your cell phone bill alone! Either way I much rather talking to someone in person or texting them quickly rather than dialing, getting their voicemail, them calling me back but I miss their call because I don't have a signal, me calling them back - you get the idea. I came across this website that is currently paying out about 50% of the orginal cost for 1st gen iPads which you could use the money from toward the V2. Get your FREE copy of the eBook called "astonishingly detailed and useful" by Filmmaker Magazine! It's 100+ pages on what you need to know to make beautiful, inexpensive movies using a DSLR.
Review Let's get one thing straight: this is not a port of Apple iMovie from the Mac OS to the iPhone OS. A more troublesome challenge is that there is no indication of how much time you have trimmed, or even that you have trimmed the clip at all. The theme can also play background music over any clip or photo: you choose on a clip-by-clip basis, and the music seems to fade in and out with acceptable grace. Double-tapping on a clip allows you to add titles, and their design is based on presets according to your theme. When your project is ready, iMovie lets you export it to one of three preset size options: Medium (640x360), Large (960x540) or HD (1280x720). Movies can be synced using USB from your iPhone's Camera Roll to your computer, just as you would with other videos and photos.


Tweet Apple released new 64-bit Final Cut Pro X professional video editor, Motion 5, and Compressor 4 today on Mac App Store. At the heart of Final Cut Pro X is the Magnetic Timeline, a trackless approach to editing your footage that lets you add and arrange clips wherever you want them, while other clips instantly slide out of the way.
Content Auto-Analysis scans your media on import and tags your content with useful information.
Completely rebuilt from the ground up, Final Cut Pro X is a 64-bit app that takes full advantage of the latest Mac hardware and software so you never have to wait for the next edit, even if you’re working with 4K video. It's the new version of Adobe's Premiere Elements, which simplifies the often-mystifying video-editing and publishing process with tools aimed at nontechnical consumers. The two applications are so similar, they feel like siblings -- albeit those born on different platforms.
Apple also publishes Final Cut Pro, a popular video editor for professionals, and Final Cut Express, a “prosumer” version.
Unlike iMovie, which exports using the H.264 codec, Premiere Elements has the ability to send your video to YouTube using the site's native Flash video format. The Project panel that occupies the lower half of the screen now provides a more conventional editing timeline where you can quickly arrange your video clips in a simple linear sequence.
The program now provides three separate editing modes that cater for people with different levels of experience. When you select this option iMovie presents you with a series of templates that mimic the style of Hollywood film trailers.
The new Video Story option that was introduced in version 13 is similar to iMovie’s trailers, as it provides you with a series of storyboard templates into which you can insert a set of video clips. The clip you choose opens up in a new window where you can view the clip in detail and then mark the most interesting moments or events that you want to keep. Just drag a clip from the Browser window and place it directly above another clip in the editing timeline and iMovie automatically displays its Video Overlay menu. You can’t skim through clips using your mouse as you can with iMovie, so selecting specific scenes within a longer clip and then trimming the clip to the required length involves a little more work. If you want finer control you can simply activate the Adjustment Bar, which provides additional controls for brightness, colour and contrast settings. However, Adobe’s background in design and typography means that Premiere Elements provides much more precise controls for formatting and animating text. This is a complicated effect that would normally require a lot of work, but Premiere Elements does a really good job of guiding you through the process in just a few seconds. Premiere Elements, on the other hand, includes an extensive collection of special effects that are organised into categories such as blurs, distortion effects, and JJ Abrams lens flare.
But the area where Premiere Elements really scores is with its keyframe controls, which allow you to adjust effects over time.
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Apple's iPad 2 offers a number of updates from the first-gen gadget, including a dual-core A5 processor, magnetic "smart" cover, and biracial availability (it comes in white now, too).
It's also got an HDMI output, for mirroring the iPad's display on a HDTV or computer monitor. And as iOS features continue to trickle up to OS X, one does wonder if there's a future for touch-based NLEs.
Do you really have to hook it up to your computer using the 30 pin dock connector, or download all footage via wifi or bluetooth???
Rather, think of the iMovie iPhone app is a massively cut-down version with a handful of editing functions and even fewer options. All this does is make a bunch of transition, titling and music presets available to the project, which you can choose to ignore, and you can always change your mind later.
To remove a clip, drag it away from the timeline altogether and it vanishes in a puff of smoke. So if you want to adjust the trim to bring some frames back by dragging on the trim pins again, you have no idea whether there's a minute, a few seconds or nothing at all available for retrieving. After adding a photo, you have to drag on the pins to extend its duration – the default is just one second. Once a title style is added, you can type the text you want directly from the iPhone's visual keyboard. This can take several minutes, depending upon the length of your movie, but I was very impressed with the quality afterwards.
Apple's failure to provide a user guide, is supposedly on the basis that its apps are intuitive. You can use Clip Connections to link primary story clips to other elements like titles and sound effects, so they stay in perfect sync when you move them. Final Cut Pro X then uses that information to dynamically organize your clips into Smart Collections, so you can easily find the clips you want by close up, medium and wide shots as well as media type and the number of people in the shot. Final Cut Pro X uses multi-threaded processing and the GPU on your graphics card for blazing fast background rendering and superb real-time playback performance.
Better yet, it’s the old version of iMovie, before Apple stripped out all the features in iMovie '08. Apple dropped some of iMovie's more-advanced features in an attempt to make the application easier to use, leading many angry customers to brand the release a downgrade rather than a step forward.
The video isn't re-encoded when it lands on YouTube's servers, so there's none of the quality loss inherent in cross-encoding. Its Quick mode displays a simple editing timeline with effects, transitions and other tools neatly arranged along the bottom of the screen. There are templates for tough-guy action movies, Bollywood musicals, creepy horror films and many others, and each template includes a storyboard with a series of placeholders into which you can quickly insert your video clips. The program then deletes the unwanted sections of the clip and the sections that you want to keep can either be merged together by using crossfade transitions, or placed on the timeline as a series of individual clips to provide greater editing freedom. You can simply move your mouse cursor over any section of a video clip in order to view it in the main Monitor window.


This allows you to instantly create complex picture-in-picture effects, a split-screen effect that plays the two clips side-by-side, or to add green-screen special effects. However, experienced users who want to produce longer, more complex video projects will really appreciate the greater depth and power provided by Premiere Elements. As well as its built-in library of sound-effects, Premiere Elements also includes more than 50 pieces of stock music that you can use for your movie soundtrack.
That also brings us into the realm of special effects, which is where Premiere Elements really blows iMovie out of the water. In contrast, Premiere Elements provides a much wider and more powerful range of editing tools and special effects, and is excellent value for anyone that wants to produce longer, more professional-looking video projects.
Shipping March 11th, the deuce also introduces a number of video-centric features: not just one but two cameras (front- and rear-facing), and it also premieres for the first time on the iPad Apple's consumer video editing program, iMovie. But the HDMI port is reportedly only an output, so one the most sensible potential uses for an iPad -- as an on-set monitor -- is still impossible for filmmakers. After hours of messing with it and scouring online forums it seems that you can only use video shot with the iPad itself. You drag the timeline left and right to scrub and set the play point, and you can play back a full movie preview instantly at any time.When you tap on a clip in the timeline, trim pins appear at either end of the clip, letting you drag inwards to crop out as much as you like from the beginning and end. It is not possible to split a clip, but you can add the same clip to the timeline as often as you like, then trim each instance as necessary. You can then set a custom zoom and crop – by pinching and dragging the preview – for the opening pin and another for the closing pin, thus producing a rostrum zoom and pan, or what Apple still keeps calling a 'Ken Burns effect'. You cannot, however, trim the track or choose which clip it begins at, nor adjust the volume.
The final movies can be quite big, though: a two-and-a-half minute epic can occupy in excess of 70MB when exported using the Large option, or 200MB+ as HD.
You can even combine related story elements into a Compound Clip that can be edited as a single clip. You can also tag parts of clips with Range-based keywords to add custom search criteria to your media. Additionally, a ColorSync-managed color pipeline ensures color consistency from import to output.
More experienced users can opt for Expert mode, which provides you with a multi-track timeline that allows you to combine multiple audio and video clips and to perform much more complex and precise editing work. The template automatically trims your clips to the desired length, and adds music and dramatic titles that suit the style of your trailer.
This allows you to arrange clips on the timeline first, and then prompts you to select a template that will add music and effects to suit various styles or moods. There’s also an extensive library of sound effects built into iMovie, along with the ability to import music and other projects from GarageBand. There are separate controls for treble, bass, gain and balance, and its multi-track timeline allows you to add up to 100 separate audio tracks, along with a mixer that provides precise control over each individual track. Personally I had my fingers crossed for a higher resolution display and a Thunderbolt connection, but perhaps those will have to wait until the iPad 3.
I know apple makes adapters for the 30 pin port, but can you actually hook a drive up to it? After the piss-taking I have had to endure from all and sundry over my signal-fade, I really couldn't give a monkey's.Right, now that I've swept away any unrealistic expectations, you might just be prepared to give this smart little app a fair hearing. Each clip appears as frame thumbnails in a single-row timeline under the movie preview area.
Given the small size of the clip thumbnails and the even tinier pins, trimming a clip with my fat fingers is imprecise to say the least, bordering on the haphazard.
What if you want the transition effects of one theme, the titling designs from another theme? The groundbreaking new Auditions feature lets you swap between a collection of clips to instantly compare alternate takes. There’s also a Guided mode that helps beginners by providing simple, step-by-step help with common editing tasks, such as trimming clips, adding titles and transitions or recording your own voice-over tracks. Each template is typically 60-90 seconds long, so you’re not going to create a full-length movie this way, but the trailers option is a fun and effective way of combining some short video clips into something that looks pretty slick and professional.
The Thunderbolt connection, to me at least, makes too much sense to not migrate to the iPad, given it's both a high-speed data pipe and a mini DisplayPort. Alas, it’s not free with the handset, but is a ?2.99 download from App Store and is designed to take advantage of the iPhone 4’s 720p video recording capability. At this point, I find it easier to work in landscape mode by turning the handset by 90 degrees, but you can keep working in portrait mode if preferred.
Do you have to be called Ken to be good at rostrum techniques?A transition icon appears between every clip in the timeline. You also have the option of converting the trailer into a proper movie project, which will allow you to insert some longer video clips if you want to.
And Apple could ensure Thunderbolt's success almost singlehandedly by including it on millions of iPads. A double-tap calls up an options panel in which you can apply a cross dissolve or the current theme's (invariably ghastly) transition effect, lasting between half a second and two full seconds. The only part of a theme that can be used independently with any other is the background music. Speed up video, slow it down, or adjust the frame rate to make the duration match a runtime. If you don't like the theme's preset transition effect, you can switch theme by scrubbing all the way to the beginning of the timeline and tapping on the Preferences button.



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