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The main benefit to capturing our images as raw files as opposed to JPEGs is that we have a lot more image information to work with, including a much wider dynamic range (the number of brightness levels in the image) and a larger color space, and this means we can push the images a lot further than we could with JPEGs, bringing out and rescuing hidden detail in the darkest shadows and brightest highlights, detail that often gets tossed away and lost forever by a camera's JPEG conversion process. To show you what I mean, let's take a quick look at an example of how, just by working with raw files instead of JPEGs, we can get much better results with our images. Before I open these images in Camera Raw, we should first look at another important difference between raw and JPEG files, and that's file size. With the raw file selected, if we look at its metadata over in the Metadata panel in the right column of Bridge, we see that the pixel dimensions of the image are 3744 x 5616, and the file size is a whopping 26.84 MB.
The Metadata panel showing, among other things, the size of the image in both pixels and megabytes (MB). The Metadata panel in Bridge now shows us the same information but this time for the JPEG file, and here we see that the JPEG version has the exact same pixel dimensions (3744 x 5616) as the raw file.
The JPEG version is the same size, in pixels, but takes up much less space on the hard drive. Of course, the file sizes of your own images may be different and will depend largely on the megapixel (MP) count of your camera, but one thing that won't change is that a raw file will always be significantly larger than the same image saved as a JPEG. Photoshop actually lets us open and edit not only raw files but also JPEG and TIFF files in Camera Raw, so I'll open both of these images by first clicking on the image on the left to select it, then holding down the Shift key on my keyboard and clicking the image on the right.
This launches the Camera Raw dialog box, with the raw version of the image open in the large preview area in the center.
I'll click on the JPEG version's thumbnail on the left to switch to it, and now we can see the JPEG version of the image in the center preview area. In the upper right corner of the Camera Raw dialog box is the histogram which shows us the current tonal range of our image, starting with pure black on the far left and gradually increasing in brightness to pure white on the far right. The histograms are not showing much difference yet between the raw (left) and JPEG (right) versions. From what we've seen so far, it would be hard to justify the increased size of the raw file when it looks no better than the JPEG, but that's about to change. Now, this isn't meant to be a detailed tutorial on how to process images in Camera Raw, but a quick thing we can do is let Camera Raw itself take its best guess on how to improve an image. Of course, the shadows are now looking too dark but for our purposes here, I'm not going to worry about them. The JPEG version's histogram on the right is now showing gaps of missing information in the highlights. There are more advantages to working with raw files over JPEGs than what I covered here, and of course there's lots more to processing images in Camera Raw than simply clicking Auto.
Google’s own photo editing app Snapseed has received a new update that brings support for editing RAW photos.
Google first added RAW support to Android Lollipop and now the update is allowing users to edit their photos using the Snapseed app.

Sneha Bokil is a tech enthusiast and is currently using Nexus 5X but she still treasures her Nokia N70 (M). In this tutorial, the first in a series on editing and retouching images with Adobe Camera Raw, we'll take a quick look at the main difference between the two most popular file formats used by digital cameras today - raw and JPEG - and learn why one of them has a major advantage over the other when it comes to image editing and retouching. In many ways, shooting your photos as JPEGs is like sending a roll of film off to a photo lab to develop your images for you, and what you end up with is, well, whatever you end up with. A raw file is like taking the original film negative into the dark room and developing the photo yourself, with complete control and creative freedom over the final result. Here, I've used Adobe Bridge (CS6, in this case) to navigate to a folder on my desktop containing two images.
All that extra image information packed into raw files comes at a price, meaning the files themselves are a lot bigger than what we normally see with JPEGs.
We can only view one image at a time in Camera Raw, but we can see both of the images I've opened displayed as thumbnails in a filmstrip view along the left. The higher the bars appear in a certain area of the histogram, the more information we have in that brightness region of the image. If you look below the histogram in the right column of the dialog box, you'll see that by default, Camera Raw opens the Basic panel which is where we find most of the controls we need for adjusting the white balance, exposure, contrast, and color saturation of the overall image. Notice that the raw version's histogram on the left still looks nice and smooth after the edit.
Not only does it still look overexposed, but remember those gaps in the highlights in the histogram?
I'll be covering everything you need to know about working with Camera Raw in this series of tutorials, but I hope for now I at least gave you an idea of how much more potential there is for editing and retouching images when you make the switch from JPEG to capturing and editing your images in raw. The update now lets you to edit RAW photos in the DNG file format right on your mobile device. Moreover, the update offers you precise control over color and tone and offers to boost shadows and recover highlights for an enhanced image.
Many digital cameras today, including both DSLRs and higher end compact cameras, give us the option of saving our images as either raw files or JPEG files.
At first glance, just by looking at the thumbnails, it may seem like both images are the same, but there's one important difference.
Here's what the current histograms look like, with the raw version's on the left and the JPEG's on the right. Rather than dragging sliders and making changes to these controls myself, I'm going to let Camera Raw try to correct the image for me by simply clicking the Auto button directly above the Exposure slider.
A moment ago this area appeared washed out and uninteresting, yet now, with the raw version of the image, we see lots of great detail in the highlights.
I'll click on its thumbnail on the left to select it, then just as I did with the raw file, I'll simply click the Auto button in the Basics panel on the right to let Camera Raw try to correct the image for me.

That means we still have continuous tone throughout the image, with colors and brightness levels transitioning smoothly from darker to lighter. The JPEG format has been around for over 20 years and remains to this day the most widely used file format for saving and sharing digital photos. Yes, you can edit and retouch the photo yourself afterwards in Photoshop, but you're starting with an image that's already been processed, with permanent changes already made to its pixels (and a lot of the original image information already discarded). Every bit of image information captured by your camera's sensor is saved and stored in the raw file, with no processing of any kind. These days, Photoshop can easily handle a 20-30 MB file, and computer hard drives are big enough and cheap enough now that running out of storage space usually isn't an issue. This time, things don't work out nearly as well and the difference between JPEG and raw becomes more obvious.
For those unaware, a photo in RAW format preserves all of the original data that was captured by the camera.
It's just a normal word, and what it means (in the case of digital images at least) is that the file contains the raw image information that was captured by your camera's sensor when you pressed the shutter button. Wouldn't it be better if you could somehow grab the image information straight from the camera's sensor before your camera's little internal photo lab gets its high tech hands on it and makes decisions on what it thinks your photo should look like? The highlights look a little better than they did originally, but not by much and not nearly as impressive as the raw version. See that "comb" pattern in the highlights on the right with gaps between brightness levels?
While JPEG is an industry standard file format, it may surprise you to learn that raw isn't really a file format at all. They can only be opened in a program like Camera Raw where we can then process the photos in any way we choose before opening them in Photoshop for further refinement or saving them out as a JPEGs or some other traditional file type. Raw files take up much more space on your camera's memory card, which means the card will hold fewer photos than if you were shooting in JPEG. The gaps mean we now have little detail remaining in those brightness regions of the image. Also, if you're an action or sports photographer needing to fire off as many shots per second as you can, shooting in raw can slow you down since it takes your camera longer to save these larger raw files to the memory card. For most of us, though, the increased image quality and editing potential of raw images far outweigh any concerns about the file size, so let's open these two images in Camera Raw and see how much of a difference there is.

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