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By clicking Confirm, you're committing to buy this item from the seller if you're the winning bidder and have read and agree to the Global Shipping Programme terms and conditions - opens in a new window or tab. The Velocity family of non-linear editing systems has always stood for an outstanding combination of quality, performance, flexibility and affordability.
More than just an innovative HD non-linear editor, VelocityHD also features outstanding standard-definition editing performance, with full-quality, real-time playback and mixing of multiple SD video and graphics streams, and a new flexible mixer architecture that combines the guaranteed, real-time performance of hardware with the mixing and effects flexibility of software-based solutions.
This format flexibility makes VelocityHD ideal for the transition to HD, offering the best of both worlds while you continue to work in both realms. VelocityHD delivers this power through a significantly enhanced version of our flexible and intuitive Velocity™ software interface, with the features and workflow that professionals depend on in our standard-definition VelocityQ™ multi-stream NLE. VelocityHD brings the ideal combination of real-time power, quality, productivity, flexibility, reliability, and ease of use to the high definition world. The powerful heart of VelocityHD is the ground-breaking Altitude hardware, featuring true dual-stream real-time HD operation, real-time multi-stream SD performance, compressed and uncompressed video, format flexibility, and exceptional future expansion capabilities. Altitude also features superb SD real-time performance, with full-quality, real-time playback and mixing of multiple SD video and graphics streams.
All of this real-time power can be performed on both compressed and uncompressed HD video*. Of course, the high-definition world is evolving dynamically, and VelocityHD is designed with the future in mind, with exceptional expansion capabilities. VelocityHD features an enhanced version of our flexible and intuitive Velocity software interface, and includes the all of the robust editing features that helped make the Velocity dual-stream non-linear editor and VelocityQ multi-stream NLE award-winners in the standard-definition domain.
The VelocityHD timeline interface is both powerful and flexible, with features including independent variable track scaling, mute and solo of video and audio tracks, real-time support for video files with alpha channel, multiple timeline support, and multi-clip editing, enabling edits and effects to be applied to multiple clips simultaneously. VelocityHD’s customizable interface includes a wide range of features that increase productivity, enhance the editing interface and workflow, and make it easy to quickly become proficient with VelocityHD’s extensive feature set. Hundreds of customizable transitions and effects are included and fully keyframeable for precision control. Title rolls and crawls may be taken for granted in the standard-definition domain, but long credit rolls can take considerable time to render in high definition. In addition to flexible picon viewing options on timeline clips, VelocityHD features the unique EyeCon View timeline reference. VelocityHD provides flexible options for capturing footage, including manually triggered quick capture (with or without time code) and frame-accurate batch capture. Audio is an essential element of most productions, and VelocityHD includes a wide array of flexible features for advanced audio support.
For advanced precision audio sweetening and manipulation, we include Sonic Foundry’s Sound Forge XP Studio. Please contact us for special pricing, or any questions you may have via: e-mail , or by calling (503) 644-6000. Throw yourself completely into the creative process with PowerDirector's advanced features and timeline tools.
6-track PiP effects: Create impressive animations, chroma-key effects, and masks, with up to 6 tracks of picture-in-picture objects. HD video editing : Native support for high-definition content ensures exceptional results from beginning to end. Magic Style: 12 popular themes let you automatically edit your movie, add effects, and insert a title and credits.
Video freeze frame: Create dramatic shots to highlight people, objects and moments in your videos.
Better media management: Adapt the way you access photos, videos, and effects to your working style.
Capture from anywhere: PowerDirector supports all kinds of content sources, including HDV camcorders, TV tuner cards, Blu-ray Discs, DVDs, webcams, CDs, and more.
7 styles: 3D, highlight, motion, cell, collage, scrapbook and normal offer cool ways to turn photos into a movie. Creative commons photos and audio: Don't limit yourself to your own photos and sound clips. Audio recording and mixing: Creating pro-like soundtracks for your videos is extremely easy with built-in tools for recording voice-overs and other sounds.
Beat-detection technology: Automatically sync your photos to display to the beat of your music. Your program is superior to others and your tech-support people is always patient and smart, keep good work. Amazing Video Tool, this is the most powerful and easy-to-use video tool I have ever tried, it can rip DVD, convert video, capture video, downlowd internet video, edit video, even burn video to DVD, unbeliveve.

This is a really powerful video editing software, it's a little more complicated, if you do like video editing, you will like it.
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If you wish, the program can automatically space the timing of the video segments to correspond with selected music or audio. An example of a rugged dedicated system is this Panasonic field editing unit, primarily used in news work.
Working on a linear editing system is a bit like using a typewriter to type a term paper; you need to assemble everything in the proper sequence as you go along. With nonlinear editing the video and audio segments are not permanently recorded as you go along as they are in linear editing. Although a sophisticated nonlinear (random access) editing system such as the one above may take a while to learn, once you figure one out, you can  transfer the basic skills to other editing programs. A centralized video server not only gives all of the computer editing stations the advantage of having access to large amounts of storage, but it means that segments can be reviewed, edited, or played back from any of the editing workstations (desktop or laptop computers equipped with a network connection) within the facility. Estimated delivery dates - opens in a new window or tab include seller's dispatch time, and will depend on postal service selected. This item may be a floor model or an item that has been returned to the seller after a period of use. Find out more about your rights as a buyer - opens in a new window or tab and exceptions - opens in a new window or tab. Contact the seller- opens in a new window or tab and request a postage method to your location.
Delivery times may vary, especially during peak periods and will depend on when your payment clears - opens in a new window or tab. You've read and agree to the Global Shipping Programme terms and conditions - opens in a new window or tab. Import charges previously quoted are subject to change if you increase your maximum bid amount.
VelocityHD extends this tradition into high definition, bringing guaranteed, full-quality, real-time editing performance to the HD domain at a remarkable price point. Integrating the innovative new Altitude™ hardware platform with a significantly enhanced version of the acclaimed Velocity™ software interface, VelocityHD makes HD non-linear editing as efficient and easy as standard-definition editing. Even if you aren’t working in HD yet but expect to in the future, VelocityHD is the ideal solution, offering an unparalleled level of SD performance in its price range, while being immediately ready to handle HD with no expensive options required. Its dual-stream architecture makes full-quality real-time HD editing more affordable than ever before, while its HD and SD format flexibility makes it ideal for working in both domains. Altitude was developed with the same hardware expertise that won us an Emmy® Award in 2000 for Outstanding Achievement in Television Technology, and packs all of its remarkable capabilities onto a single card. This effects processing happens right on the Altitude hardware, not limited by the host system’s CPU or graphics card performance. Recording and playback can be done in 8-bit or 10-bit uncompressed, or using our own online-quality compression format.
An optional on-board dual-channel SCSI daughtercard is available, providing the fastest pipeline directly into the Altitude hardware. Key to this future-proofing is the Leitch Across-Card Edge eXpansion (LACEX) bus, which provides direct interconnection with Altitude and opens the door for possible future hardware modules to add new HD formats and functionality.
VelocityHD also uses our new Interactive Editing paradigm, which enables editing and effects application without stopping timeline playback. Whether you’re new to non-linear editing, or an experienced editor moving up from a previous system, you’ll find getting up to speed with VelocityHD quick and easy.
Captured HD sequences from two cameras can be "switched" interactively as they are viewed simultaneously in real-time, directly from the timeline.
Edits (including adding, deleting, moving and trimming clips) and real-time effects can be applied while the timeline plays back, providing immediate in-context feedback while editing and refining effects.
Transitions can be applied between clips on any video track for editing flexibility, while the Advanced Keyframer provides spline-based adjustments for each effect parameter, delivering maximum control. 3 and 4-point edit modes including insert, overlay, slip, slide, and fit-to-fill make even the most complex editing tasks easy. EyeCon View continuously displays the picons and clip timecode of all visible layers based on the current playhead position, providing constant visual reference for all layers on the timeline while scrubbing and aligning clips, and making it easy to precisely align specific frames across layers. Uncompressed (10-bit and 8-bit) and online-quality compressed formats are supported, letting you choose your preferred balance between video quality and the extensive storage space and bandwidth requirements of HD content. Whether you need to match coloration between clips shot with different cameras or lighting, correct color balance issues caused by mixed or inconsistent lighting, or change the visual tone to give your video a completely different look and feel, VelocityHD has the tools for the task. In addition to eyeon’s DFX+ compositing and image processing software, applications for DVD authoring, audio sweetening and character generation are bundled. After creating DVD-compliant MPEG-2 files directly from the timeline, use the bundled Sonic ReelDVD Studio authoring software to author them into a DVD with menus, buttons, chapters and Dolby Digital audio and output it directly to a broad range of DVD and CD recorders.
Select from our library of PiP graphics, or import a photo to create your own animated overlays.
Particle effects, alpha-blended PiPs, and slick transitions are inserted according to the style of your selected theme. Include menu navigation that gives the option to play all scenes or make a scene selection. You can imprint subtitles directly on your video to appear like captions, or set them as a selectable feature on your output DVDs. Support for Blu-ray Discs gives you even greater capacity for your high-definition videos. HD video editing software PowerDirector now lets you directly import photos from Flickra„? and audio from Freesound.

You can also adjust the audio levels of individual project resources item by item, including those on your video, PiP, music and voice tracks. Using a computer screen and a mouse you can randomly cut and past segments and move them around until you are satisfied with the result. After it's all on paper (or in this case recorded), adding, deleting or rearranging things can be a major problem. The edit decisions exist in computer memory as a series of internal digital markers that tell the computer where to look for segments on the hard disk.
If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. Import charges previously quoted are subject to change if you increase you maximum bid amount. With guaranteed full-quality HD playback of two video streams, two dynamic graphics streams, and optional real-time 3D DVE, VelocityHD offers true real-time power.
The modular nature of this daughtercard opens up the possibility of future modules to support new storage connectivity standards.
Standard and Overwrite editing styles can be mode-toggled or performed “per edit” using hotkey modifiers. Sequences can even be edited while playing at faster than real-time, enabling multi-cam edits to be performed in a fraction of the time of the actual sequence. Compressed and uncompressed footage can mixed in the same timeline without affecting performance, giving you the flexibility to use higher capture qualities only when needed.
VelocityHD’s real-time, keyframeable color correction includes three-way color-wheel control, curves, color matching and automatic white and black re-balance. Tracks can be muted or soloed, and audio control nodes can be created on-the-fly during playback using on-screen sliders or the optional FAD-5000 hardware audio controller. Plus, every dpsVelocityQ system comes bundled with Q-Tools™ , a suite of standalone modular utilities.
For users with more advanced DVD authoring needs, MPEG-2 files created with dpsVelocityQ are also compatible with a variety of other third-party DVD authoring packages. For more sophisticated tasks, the bundled Inscriber TitleMotion adds a more powerful titling interface and enhanced CG options such as graphical backgrounds, logos and more. You can move buttons, include animated chapter thumbnails, even import images as backgrounds. PowerDirector adds the final pro touch to your discs with its built-in authoring tools for Blu-ray Discs and DVDs. Creative Commons licenses allow you to use other people's work for free as long as you follow the wishes of the artist, such as provide attribution or use it for non-commercial projects.
This is instant, full-quality real-time playback – not just scaled-down real-time previews, and not just in basic effect combinations.
VelocityHD gives you the ability to balance storage space and bandwidth with your quality requirements. For those wishing to use a different type of controller or networked storage, VelocityHD also provides the flexibility of using separate system storage controllers over the host system bus. Editing can be done directly on the timeline or through the Advanced Trim Window, while mouse-based drag-and-drop, fully configurable keyboard controls and optional external hardware controllers let you choose your favorite control method and style of editing. Edits can be refined before applying them back to the timeline with cuts or transitions, and since this was done at full quality (no special resolutions required), there’s no re-capturing necessary; the sequence is immediately ready for final output. 3D effects such as rotation, perspective and warp can be applied to graphics as well as video. Batch recapture allows footage to be captured at offline compression rates, and later replaced with higher quality footage for output. Digital and analog audio scrub make working with audio easy and precise, and voice-overs can be added directly in the timeline while playing back existing audio and video for reference. Q-Tools applets allow individual function modules to be used separately and independently, allowing you to customize your workflow for specific applications. All of this real-time power can be performed on both uncompressed* and compressed HD video, delivering high-performance HD editing without sacrificing quality. Compressed and uncompressed footage can even be mixed in the same project, without affecting performance. All of these effects, plus variable speed changes, reverse, color correction, pixel effects, transparency and more can be combined simultaneously in true real-time with transitions and rolling and crawling titles, providing maximum creative flexibility. Proc amp controls, color correction, and an integrated waveform monitor and vectorscope display help keep your video levels within spec and allow you to easily fine-tune both incoming and captured video. The color correction tools also take full advantage of VelocityHD’s full-quality interactive feedback on the video monitor while adjusting parameters, allowing unparalleled precision while seeing the results in the correct color space exactly as they will appear.
For additional effects and filters, DirectShow and .VST audio plug-ins can be applied to clips or entire tracks (with automation) directly in the timeline.
All real-time effects processing happens right on the Altitude hardware, providing guaranteed performance regardless of effects combinations. Captured clips and other media are easily organized into one or more tabbed customizable galleries, and can be played, searched and managed right within the galleries.
VelocityHD’s real-time power also provides interactive feedback on the HD monitor while setting and keyframing parameters, providing precision accuracy and the creative freedom to experiment while seeing the results in full quality instantly. If you ever do need to render, Render Bank™ technology remembers previously rendered segments, eliminating re-rendering.

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