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Author: admin | Category: Tribal Heart Tattoos | 03.10.2013

Our starting image is going to be a simple brick wall, which you can find anywhere, but if you're looking for high quality images, Shutterstock has you covered. Before we start with our text, we're first going to create a displacement map, which will come in handy later on. This will leave you with a high contrast black and white image, which will work great as a displacement map. You're free to use any font that you wish, but to get the 'graffiti' feel to your design, it's recommended that you use a graffiti style font.
Now that the text is in place, and the colors are set, it's time to make good of that displacement map we created earlier.
When the file is selected and opened, you should see a result that similar to the one below. On the Underlying Layer bar, pulling the shadows slider to the right, and the highlights slider to the left, will blend the current layer with the layer underneath, in this case, the brick wall. The advantage to using Blend If versus Blend Modes, is that you will usually end up with more 'true' colors to what you started with.

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Nice looking translucent glass type that’ll work great on any background, made completely with layer styles. Simple method to create grunge brushes, and to detail how these brushes can be used to reproduce realism in our rubber-stamped logos. A displacement map, which is usually a high-contrast black and white version of your image, will help 'form' our eventual text to the bricks of this wall.
There are several ways to achieve this, but I found that using Levels to boost the shadows and highlights will do the trick. The Displace filter can be found under the Filter > Distort menu, but before you add any filters, it's always a good idea to convert your layer into a Smart Object. Photoshop used the black and whites of the displacement map to distort the layer, giving the impression that it's 'part of the wall'. The displacement did a great job at pushing the text away from perfectly straight lines, but now it needs some blending.

The neat thing about this font, is that when you type in lowercase letters, the letters are filled in, and when you type in uppercase, you get just an outline.
There are a few ways this can be done, including experimenting with the different Blend Modes, but I'd like to show you a slightly different way of blending; Blend If. Good typography design is not easy, or should I say getting the type match and speaks for the product is often a very challenging job. In this case, we want to blend the shadows and highlights from the brick wall (underlying layer) with the text. The settings that I used can be found below, but feel free to experiment to get the result that you're after.

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