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Author: admin | Category: Tattooing | 10.06.2014

Swedish thriller based on Stieg Larsson's novel about a male journalist and a young female hacker. She is now 24 yet still lacks any feminine curves, her body resembling that of a teenage boy, wiry and slender.
Perhaps not the chick you’d take home to meet Mum for Sunday brunch, but Lizbeth is not a thug or anyone’s skanky girlfriend. After her existing parole officer equivalent fell ill she is informed that she is to deal with a new man. When Lizbeth goes back to ask for more cash, he repeats his demands and goes a step further, too far.
While she might appear like an early Tim Burton creature (before he stopped writing his own stuff and started remaking every book in the classics section of the library) Lizbeth has skillz.
Lizbeth is contacted one day by Michael Blomquist, a disgraced journalist for his personal written attacks on a well known politician which have seen him fined and due for a stay in prison, even though his claims that he is telling the truth and that his sources and evidence have been covered up by parties unknown fall on deaf ears.
In the 6 months left before his sentence starts Michael is hired by a wealthy recluse named Henrik Vanger to investigate the disappearance and presumed murder of a 16 year old girl some 40 years prior. Vanger is remarkably blunt and forthright, informing Michael that he is sure that the killer is not only still around 40 years later but is likely a member of his family. In the ensuing days Michael meets some of the extended family and members of the local police force, both inform him that he is wasting his time and effort. In one of those photo manipulation things that I am positive can only happen in movies Michael manages to find a significant breakthrough, he also finds a code written by Heather, but is disappointed to find that the code is already well known and that despite best efforts no-one has yet been able to crack it to see what it means.
When Lizbeth helps out with the code from afar via email Michael tracks her down and asks for her help. From here Lizbeth and Michael form an uneasy alliance, Michael is generally a friendly and personable chap but quickly realises Lizbeth reacts quickly and negatively at any attempt at conversation once the topic moves to her.
Lizbeth initiates sex but it seems more as a truce making exercise than real intimacy, and once proceedings end she is soon back to her own bed.
A major development seems to suggest that they are on the hunt for the perpetrator of a series of murders involving young female victims, and it seems that their investigations might be attracting the attention of those that may want them to cease and desist.
It must be said that for a while it seemed that there were too many goings on happening concurrently and there was no way to bring them all together, but even at 2 ? hours this film didn’t really drag on too much. Thankfully once the truth is finally exposed and the full story is apparent it all makes sense and falls into place, this isn’t so much a whodunit in the standard sense but it was nice to have some satisfactory closure rather than an arbitrary “well I guess we’ll never know” copout. The investigation serves more as a backdrop for Michael and Lizbeth’s relationship as it develops, which allowed tidbits of information about her past and the reasons behind her mental state to be released. Lizbeth is indeed a complicated girl, I understand this is the first of a proposed trilogy, I only hope that the actress that portrays Lizbeth here remains in the part as she has a magnetic screen presence, even when subtitled.
While I try to throw a joke or two into proceedings when I can all of the opinions presented in my reviews are genuine. The Girl with the Dragon Tattoo by Stieg Larsson was translated from its original Swedish into English by Reg Keeland. I consider myself a pretty typical American reader, and I have to say, I’d have never, ever picked up a book with that kind of title. The hair and skin color of the woman in the photograph don’t remotely match the description of said “girl” (a woman of about 25 years old). It took weeks and a few different tries to finally get a hold of the UNabridged version of the audio performance of the book. Perhaps it was listening to it on CD that got me through the very rough parts, but mostly, it’s readable without too much pain. As a woman, though, some of the scenes of violence and everyday realities were all too familiar. Stieg Larsson, who lived in Sweden, was editor in chief of the magazine Expo and a leading expert on the antidemocratic right-wing extremist and Nazi organizations. Reading this, and then reading the book, lead me to believe that there may still be hidden Nazi leanings in the business world of Sweden. I read this as a hardcover when it came out, at the recommendation of some in my Goodreads group. Another problem I had was that the issue of Swedish Nazism set up in the book never actually came into play, despite the author presenting that as a fairly strong family trait. The thing that left me ultimately unfulfilled with the story was that the main character, Mikael, did not need to be (in a literary sense) the one who solved this mystery. The pacing was indeed slow in the beginning of the book, but I was sufficiently interested, especially in Lisbeth Salander, to keep reading. Still, I love that type of character, and Lisbeth definitely is gutsier (or stupider) than most. I think Larsson had Mikael come to the end of the mystery to give Mikael a chance to redeem himself.
For one, I’m pretty sure Mikael never actively asked for a commitment from any of the women we saw him sleep with, who all seduced HIM (or controlled the relationship): Berger remained married, the neighbor seduced him and then asked him to leave, and I think Lisbeth slept with him when he was hurt or something (the first time)? Ya know, I might be taking a totally female approach to this, but I think Mikael disregards women. I just wish he could keep it in his pants and the book would have a little more substance for me.
Hollywood has trained us all to expect a certain story arc, and the rest of the world doesn’t always write that way, even for mass market or mainstream fiction books. After I submitted my comments I did consider that perhaps everything gets nicely re-threaded and tied up by the end of Book 3.

I hope it all gets tied up in a minimally satisfying way at least by the end of the third book. I don’t know about any cultural disconnect between us and Europe although I think mores there (including Sweden) are more relaxed whern it comes to sleeping around. Anyway, I wonder if Salandar will find peace in the 3rd book and if MB actually cleans up that freakin’ beer gut and stops being such a slut.
I just finished reading the book, and I didn’t understand the part where she dresses as a blonde and uses a fake name…did she do this to steal money from Hans corporation? If I get a chance to find those pages in the book again, I’ll come back with a more detailed answer.
My husband finished the third book and was thrilled with it, and so far, it is the best written in the series, as I said.
As most of you know, I have a lot of respect for Larsson and I love what he has done with all of his characters in this edgy triology. Curiously, did you happen  to note the very end of the story when Blomkvist comes to visit Salander, at her apartment?  Talk about prophetic.  (Scroll down and see my entry from about a year ago). I just wanted to say that I thought there were some good thoughts and comments posted here.
I find it hard to comment much on the third book, as I would not want to spoil anyone’s enjoyment of it.
The criticism some have made about the “over the top” violence, particularly the 4 minute sexual assault scene is worthy of some discussion. I believe she enjoyed the movie as much as I did despite the subtitles and the fact she had not read the book. Well, my husband and I just now came out of the movie of book 1, Men Who Hate Women aka The Girl with the Dragon Tattoo. Actress Noomi Rapace attends 'The Girl With The Dragon Tattoo' photocall held at the Palais Des Festivals during the 62nd International Cannes Film Festival on May 17, 2009 in Cannes, France. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik WennerstrA¶m.
Issues with her parents have seen her spend time in custody, and have resulted in her every move requiring approval from authority figures.
Her face is often covered by lengths of lifeless hair, and often on top of that by a hood drawn close. After a random attack in the subway Lizbeth fights back even though she is clearly outnumbered and probably outmatched.
After her taking action though it would be fair to say that the demands on her schedule and finances clear up significantly. The girl happened to be a carer of Michael’s when he was a little boy, and wanting to stay out of the limelight for a while he takes the job and moves into a house on Henrik’s estate.
Being from Sweden some of Henrik’s brothers and other family members had Nazi ties in the 40s and 50s, and they are still aggressive and hold their extreme views. For whatever reason Lizbeth agrees and moves in to the remote home on Henrik’s manor with Michael. As they progress through and seem to be moving closer to a solution they become more at ease in each other’s company, however Lizbeth is still prone to becoming instantly defensive and withdrawn, and she wants no part in dealing with authority.
I know this is based upon a book I have never read but I am unsure if Michael is set to feature from here on in, in either case I plan to be along for the ride. Not a world beater but refreshing to have a highly rated and intriguing premise live up to expectations. Keeland to know exactly what his complaints are, but I found the book to flow well regardless.
I was surprised to learn about the Nazi activity in Sweden before, during and after World World II.
Tying the crime into that aspect of family and Swedish history would have actually made the novel more original and interesting.
He got rescued by Lisbeth (physically) and Berger (professionally) and did nothing to change the way he goes through the world.
I think the character, Michael, is just a disaffected slut, and slutty behavior is off-putting in general.
I think Larsson knew this was going to be a three-part series, so things end a bit suddenly for books 1 and 2.
I actually had to stop reading French books because they just were too … too … character driven? Arbitrary endings rarely sell, although that movie a couple of years ago with Vince Vaughn and Jennifer Aniston (can’t remember the name of it) was left a bit open ended as I recall, yet it actually worked. I could be wrong but I also don’t think the title of the first book has to do with him.
Maybe living out a few years totally incapacitated would be more satisfactory to watch for most readers.
She needed to go to a bank and do some transactions as that fake person, but she couldn’t walk in to the bank expecting the bank tellers to believe she was some european heiress looking like a punk kid. I think she did divert money from Vennestrom into that fake ID account, but I can’t remember the details. To Lee’s point, the screenplay was greatly edited, yet I think justice to the book was well served.
Come back and tell me (with spoiler warnings if necessary, please) what you think of Hornet’s Nest.

It will be interesting to see how people view their earlier comments after they have read through to the end. I agonized over this, as the only one in my family who wanted to see this with me was my 24-year-old daughter. Years of having been let down and possibly taken advantage of have resulted in Lizbeth being anti-social and mistrusting of almost everyone.
She has a few more facial piercings than would probably be deemed necessary by mainstream society (the guy who cheated around on Sandra Bullock might like her though), and her attire might best be described as “Goth casual”, big boots, skinny jeans and a hoodie. In desperation she refuses to yield and grabs a broken bottle, swinging it wildly until the thugs leave, but worse yet is still to come for Lizbeth. Bossy, manipulative and sleazy, he realises that Lizbeth dare not act up for fear of being locked up again, so he imposes restrictions on her activities and bank accounts. None of this helps with her people skills though, Lizbeth is still terse, often rude and easily offended. Henrik receives a framed pressed flower each year on his birthday from a different point on the globe and is positive he is being teased by the killer, as this was what the young girl Heather did as a child. His involvement with this case did not change him (he’s still a happy-go-lucky playboy out to keep the financial world honest), nor did it (directly) solve the initial conflict he faced at the beginning of the novel. I wonder if he’s the protagonist of the next two books and will fall into some situation. I was thinking, perhaps it was a cultural disconnect that Blomkvist has this long standing affair with a married woman and it’s all ok with the husband, etc.
Anyway, the point of the disguise was to fool the bank tellers into believing that she looked like someone who would have that kind of money.
They display traits that are at times endearing and at times downright annoying, kind of like most of the people I consider my friends.
She had not read the book and I was concerned about how that may end up being a bit awkward.
When Lizbeth informs him she needs cash for a computer he demands… “favours”, then doesn’t give her enough cash. So, with no character nor conflict advancement tied in to his involvement, there was no sense of having taken a complete journey.
They tend to wander around and have very inwardly-focused characters that definitely change but basically get nothing done.
There was a big stink about the English translation of the first book, Dragon Tattoo, so perhaps the translations of the second and third books in the series were treated with a bit more respect.
I’m taking a break from reading it, as I need to get some other work done before I can really get into the story. I suppose it’s one thing to read it and imagine it, and quite another to see them portrayed on screen.
Noomi Rapace captured the vision that I had formed in my minds eye of Lisbeth Salander perfectly.
I had to look away from the rape scene, but I’m a notorious wimp with that kind of stuff. The author could have cut out the first and last thirds of this novel and the same result would have been achieved. Or is it so completely void of regard that he is, actually, the only safe guy in the world?
Rumor mills abound around the publishing industry, and you can never know what’s real and what is mere publicity. But as I was reading the last book, I was OK with them not finding one another again, probably because I have this basic disdain for Blomkvist and I want Lisbeth to stand on her own. A picture is worth a thousand words and there is a scene where she is looking off in the distance that I can picture whenever I think of the vulnerable side of Salander.
It is a scene that would be uncomfortable for anyone to watch regardless of the circumstances. Keeland was severely disappointed with the final English translation makes me curious what I missed.
It turns out that Blomkvist is just an ass and Larsson was probably referring to him in the title. I found the pace and editing of book content was well done and maintained the appropriate edginess. If you don’t find it uncomfortable then despite my earlier comment you should see a shrink. I shut my eyes during the Swedish versions… but again, they are all comfy with the misery and death. We discussed it afterwards and her opinion was that it was very effective and appropriate in making the movie meaningful and thought provoking. Hollywood will make it look so fake that we'll all be waiting eagerly for the Mystery Science Theater 3000 version to come out. Vanger, who was obviously a manipulative jerk, with so much more tenderness and respect than he ever treated any of the women in the story.

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