Article about marketing ethics definition,direct marketing association conference 2015,pricing strategies for established goods and services,social media marketing plan layout - Downloads 2016

23.11.2014
Completing an outline for a research paper can be essential because it makes writing the paper much easier. In order to begin outlining the research paper, determine why you are researching the subject. The MLA format provides the necessary guidelines for effectively writing an essay according to the MLA standards.
The American Psychological Association style (APA format) is used for writing papers in the social science field. All main headings in the outline should begin with Roman numerals, and the subheadings should begin with capital letters. An essay outline template tells the writer what material to insert, and it tells where the information should be inserted.
Sue Palmer, a former primary headteacher in Scotland, has been an independent educational consultant for over 25 years.
Beth Smith has been the Director of WithScotland (formerly the Multi Agency Resource Service) since 2009. Beth initially trained as a primary teacher and worked in a number of local government services before deciding on a career in social work. Previously, she worked in the former Strathclyde region, Glasgow City Council and Dumfries and Galloway Council, where she was Head of Service for Children and Families and Criminal Justice Social Work and also held the role of Chief Social Work Officer. Andy Phippen is a professor of social responsibility in information technology at the Plymouth Business School, University of Plymouth. Alison Preston is head of media literacy research at Ofcom, the independent regulator and competition authority for the UK communications industries.
She joined Ofcom in 2003, and previously worked as a research consultant in digital media policy and independent TV production business models. Brian has spent the vast majority of his working life working with challenging and excluded children in Scotland.
He moved to the voluntary sector with where he spent over 3 years and was instrumental in the design and development of an alternative to secure care residential and fostering service. Brian took up the post of Director of respectme the Scottish Government funded anti-bullying service in January 2007. Brian is also the Chair of Young Scot in Mind Management Group - a voluntary sector forum promoting children and young people’s mental health. Derek Howie is the Social Media Manager at leading digital marketing agency, fatBuzz, where he works directly with a wide range of high-profile clients across the UK on content creation, social media engagement and social media marketing. He also provides regular PR, copywriting and editing services to a number of businesses across various industry sectors. Derek graduated from The University of the West of Scotland in 2012 with a 1st class honours degree in journalism, and his work has appeared in publications including The Scottish Sun, STV and tilllate magazine. He is extremely passionate about social media and has written widely about its benefits and implications for children, as well as researching it as part of his dissertation study into journalists' use of social media as a news gathering tool when reporting on teenage deaths. Derek has also been rewarded for his academic endeavours with many personal accolades, including the 2011 and 2012 UWS Court Medal for Journalism and the 2009 and 2010 Glasgow Metropolitan College HND Journalism prize. Kirsten is Information Services Manager at Young Scot, the national youth information charity for Scotland. Anne initially trained as a nurse and worked in oncology for 10 years where she supported patients and their families through the trauma of the diagnoses, treatment and the terminal care. The Department of Computer Science hosts the world-famous computer scientist and inventor of Genetic Algorithms (GA's), Dr.
Genalytics Model 6.0 transforms large amounts of transaction data into predictive intelligence and uses genetic algorithms to automatically search and identify key combinations of time series variables found in any dataset. Starting today, past and present IlliGAL lab members and affiliates will team up to blog on genetic algorithms, evolutionary computation, and related subjects. GECCO, I was re-reading Sam Mahfoud's paper titled "population sizing for Sharing methods". Since niching mechanism is one of the key components of hierarchical and multiobjective genetic algorithms, the population-sizing paper deserves renewed attention. Over a number of years, I've followed research in iGAs and some time ago, I started to collect information about market research and product development with the idea of founding a company to do just that using interactive GA technology. Scalable Parallel Random Number Generators Library (SPRNG): An RNG library that combines various available random number generators and supports both serial and parallel platforms. Mersenne Twister (MT): An RNG which has a period of 2^19937-1 with an assured 623-dimensional equidistribution property (Thanks to Jaume for pointing me to MT).
Experiments showed that a lower mixing rate increases both the population size needed and the convergence time. Business Week article gives an overview of BBN's Boomerang project now fielded in Iraq to protect Allied troops by detecting and locating sniper fire.
This story is fine as far as it goes, but as GA afficianadoes well know, the BBN effort was supported by a crack team of card-carrying genetic algorithmists.
This year's Genetic and Evolutionary Computation Conference (GECCO-2005) is 25-29 June 2005 in Washington DC.
Those with artistic or creative talent should try their skills at designing the new SIGEVO logo as the competition ends February 7th.
Martin Pelikan's book titled "Hierarchical Bayesian Optimization Algorithm: Toward a New Generation of Evolutionary Algorithms" is now available. More details regarding hBOA and to download the software visit the hBOA page and Martin's webpage.
Lately, I have moved from WEKA to D2K, a data mining framework developed by the Automated Learning Group at the National Center for Supercomputing Applications. We all know that computational complexity of GAs depends primarily on the population size and the number of generations. What I like on using the bisection method is that all parameter tweaking will be done automatically (and thus I don't have to do it myself), because the remaining GA parameters do not influence time complexity as much (mostly by some constant factor and that's not so important when we talk about asymptotic upper bounds).
Of course, the above thinking is correct only if larger populations lead to better solutions (given enough generations we should all be able to believe this fact) and if smaller populations do not significantly increase the number of generations (in all cases I studied, any sufficiently large population size lead to about the same number of generations, as can be expected for many variants of evolutionary algorithms based primarily on recombination).
Technology Review article also highlights the history of evolutionary computation a€“ briefly mentioning the work of Holland, Goldberg, Koza, and others.
Theory and Applications of Efficient Multi-Objective Evolutionary Algorithms (CS, Feng Chia University, 2004) was ranked number one among all CS dissertations in a national competition held under the auspices of the Institute of Information & Computing Machinery (IICM). Oregon Daily Emerald reports that James Bean, noted operations researcher, genetic algorithmist, and inventor of the random keys technique for permutation and other combinatorial problems, is using genetic algorithms to help develop sustainable automobile technology in his new role as Dean of the Lundquist College of Business. The usage of EDAs can help addressing two major issues in XCS: (1) knowledge extraction and (2) structure identification. Toronto Globe and Mail reports that researchers at Laurentian University are using genetic algorithms to schedule mining of ore deposits.
Science Daily posts a University of Michigan press release entitled Falling Prey to Machines?
According to Holland, the problem with developing artificial intelligence through things like genetic algorithms is that researchers don't yet understand how to define what computer programs should be evolving toward. According to Holland, advances in software have not kept pace with the exponential improvements in hardware processing power, and there are many artificial intelligence problems that cannot be solved by simply performing more calculations. Acovea (analysis of compiler options via evolutionary algorithm) is an open source project which utilizes GAs to tune the optimization flags for GCC to yield the fastest code specifically for your computer. Another reason for the current situation is that human lifespans are no longer a good match to the turnover in intellectual ideas.
So, it is in this sense, that the acceptance of SIGEVO by ACM couldn't come at a better time, and should be seen as a very positive thing. Of course, department heads when asked about tenure and promotion will tell you that each case is special and is scrutinized without regard for brand names.
It will take some time to know the overall effect, and indeed, joining a large bureaucratic organization like ACM will come with its share of constraints and costs. Sam Williams's recent article "Unnatural Selection" in Technology Review is getting some blog traction. Another script I use very often is a perl wrapper for gnuplot, the plotting program from the GNU project.
This script receives as parameters a variable-length number of data files to overlap in the same plot.
Don't forget, the new motherboards and processors drain a lot of power, so you need about 1.5 Amps per node. ATA Engineering announced the release of version 1.0 of the Attune package for test-analysis correlation and model updating. In beta testing, a key aerospace customer used Attune to carry out hundreds of real-time correlation iterations during modal testing of a launch vehicle payload, whereas prior to this they were limited to less than a dozen manual correlations a week. Additional information is available from the Attune product website or the full press release.
Finally, a third way of approaching animation synthesis was presented by Torsten Reil, from Natural Motion. However, by abstracting the proposed optimizations on large but abstracted code with a proprietary representation, and then projecting execution time based on resource utilization and resulting code classifications for fitness, their system was able to find speedups in a just a couple of hours with only a 2% drop in speedup from that work using actual execution times. John Holland's course, Introduction to Adaptive Systems, wondering what all the genetics stuff had to do with adaptive systems. That experience on my thesis left me with a thirst to better understand genetic algorithms, how they work, and how to make them work better. My 2002 book, The Design of Innovation, tells the long version of this story, but the basic idea of little modeling is to construct models for various effects in isolation (selection alone, crossover alone, mutation alone), and use dimensional analysis to create models for complex phenomena from pairs of simpler models.
More recently, Ali Yassine, Tian-Li Yu, and I have carried the little modeling approach over to organizational theory here.
As collectors, dealers, and curators across the world make plans to attend the Spring 1999 a€?Asia Weeka€? in New York, they will notice that for the first time in recent memory neither Sothebya€™s nor Christiea€™s has scheduled a specialized auction of Chinese paintings. In my former position as Director of the Chinese Painting Department at Sothebya€™s I devoted much time and energy and more than a decade of my life to establish and maintain New York as a major center of the international Chinese painting market.
I remember clearly the first time I set foot in the old Sotheby Parke Bernet on Madison Avenue. The sale was held on November 2, 1979 and was a watershed event for the market for Chinese paintings in America, as well as the beginning of my career as a Chinese art dealer. With the support of James Lally, then head of the Chinese Works of Art Department, we introduced a full range of Chinese paintings and calligraphy, including purely decorative works, modern and contemporary paintings, as well as pre-modern Chinese paintings, to a small but enthusiastic American audience, and in doing so helped to establish a legitimate price structure for individual artists and for the various types of anonymous Chinese paintings. In May 1980, Sothebya€™s Hong Kong held its first sale of modern Chinese paintings, with Paula taking responsibility for the offerings.
The decade of the 1980s saw the market for Chinese paintings increase exponentially due to a confluence of a number of factors. In order to accommodate regional tastes, both Sothebya€™s and Christiea€™s adopted, for the most part, the strategy of offering the best 19th and 20th century Chinese paintings in Hong Kong while holding sales of Song, Yuan, Ming and Qing dynasty paintings in New York. The most rewarding aspect of working at one of the major auction houses, at least from the standpoint of an expert department, is the ability to discover and make available to the public previously unknown or little-known works of art.
Readera€™s Digest has recently been the subject of many art columns because of the highly successful auction held at Sothebya€™s featuring a significant portion of their corporate holdings of Modern and Contemporary paintings. The international character of the Chinese paintings market encouraged a global approach to marketing, in which Hong Kong and New York auctions complemented rather than competed with one another.
Another important work of Yuan dynasty calligraphy appeared in Sothebya€™s New York June 1985 auction of Fine Chinese Paintings. The great majority of works bought and sold at auction are done so anonymously, particularly in a relatively new market such as Chinese paintings.
The most exciting collection I ever worked on, however, was perhaps more interesting because of its owner than for its contents, although the collection did contain several masterpieces. At this time Zhang Xueliang was technically still under house arrest but, as he had already outlived most of his detractors and he posed no threat to the government of the Republic of China, he led a fairly unfettered existence and was even permitted to visit friends and go out to dinner. By the time Zhang Xueliang was finally released from house arrest in 1988, many of his best paintings had already been sold through New York auctions, but he still retained in Taiwan a large number of paintings and calligraphy, including hundreds of fan paintings.
The success of the Dingyuanzhai auction was the culmination of a trend which had begun in the mid-eighties--the dominance of Taiwanese buyers in the Chinese art market. Taiwanese buyers were not a factor in the sale of a 17th century masterpiece six months later at Sothebya€™s. The sale of the Wu Bin handscroll in December 1989, was clearly the highlight of my career at Sothebya€™s. There were many reasons why I resigned from my position at Sothebya€™s in October 1992, after turning down a significant promotion.
In 1995 Christiea€™s began producing semi-annual sales of a€?Fine Classical Chinese Paintingsa€? in Hong Kong, based on the presumption that the majority of buyers were in Asia and that holding sales closer to home would allow Christiea€™s to take advantage of the a€?Pacific rima€? economic boom.
Yet, in the six years that have passed since my resignation, both Sothebya€™s and Christiea€™s have held auctions in New York and they have continued to offer a number of excellent works.
Nevertheless, there is no lack of interest for Chinese paintings in America, nor is there a lack of understanding and expertise. As we enter a new year that finds parts of Asia, including Hong Kong, in the midst of the regiona€™s biggest economic decline in decades, we may question the wisdom and timing of Sothebya€™s choice to put all its Chinese painting eggs in one Asian basket.
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Shadow Skeletons and New Realitiesa€“Guohua and Cultural Identity (Reprinted from Kaikodo Journal VI, October 1997, pp.
As the dawn of a new millenium rapidly approaches, modern and contemporary Chinese art is receiving an unprecedented amount of attention throughout Asia and the West. There is now a thriving art market for contemporary Chinese paintings, done in both traditional and Western styles.
As we try to absorb this impressive flood of images and information about 20th century Chinese art we are suddenly encountering, and before we begin to assess the artistic and art-historical merits of these works of art, it is useful to present a brief outline of some of the major issues that have concerned Chinese artists during the last century and identify some of the stylistic trends that have shaped the context in which the art of this period was and is being created.
During the past one hundred years the political, social, and economic systems of China have been transformed on an unprecedented scale. Kanga€™s views represented the prevailing attitude among progressive Chinese intellectuals who associated modernization with Westernization and Westernization with the development of science and technology. Many artists chose not to abandon completely traditional Chinese painting but tried instead to make adjustments in subject matter or style in order to broaden its appeal and update its appearance, making it more responsive to the perceived needs of contemporary society. Most critics, including Kang Youwei, advocated a synthesis of Western and Chinese art: a€?if we adhere to the old way without change, Chinese painting will become extinct. Kanga€™s approach was based on a formulation that he and the other a€?self-strengthenersa€? of the unsuccessful 1898 reform movement had advocated as a solution to most of Chinaa€™s ills. During the first decades of this century, numbers of young painters took up Kanga€™s challenge in earnest.
Although agreeing on the general premise that Chinese painting needed an infusion of Western artistic know-how in order to advance into the modern age, the three leaders of this Westernizing movement, Xu, Liu, and Lin, did not see eye-to-eye on much else. The arguments among these three and their followers as to which foreign models to follow were as vehement as those waged by traditional painters about whether to imitate the Four Wangs (as did Wu Hufan and his students) or Shitao and Bada Shanren (as did Zhang Daqian and his followers). The decades of the 1920s and 1930s were a period of great creativity and artistic experimentation. By the end of the 1930s the future of Chinese art looked promising, albeit somewhat confused. The politicization of all aspects of the processes of creating, exhibiting, publishing or otherwise disseminating art in the Peoplea€™s Republic of China is discussed in several recent studies and doubtless will continue to be a subject of inquiry for many years to come. Mao Zedong, in his 1942 a€?Talks at the Yana€™an Conference on Literature and Art,a€? had clearly stated his belief that art must serve the people, and that there could not be art for arta€™s sake. Each individual is born into a culture, and its orientations and basic beliefs shape him and remain deeply rooted in his personality all of his life. LeShan and Margenau are concerned with the inherent limitations of the physical sciences to adequately describe and explain all manner of phenomena, particularly as new scientific discoveries have revealed microcosms and macrocosms for which standard Newtonian assumptions about time and space do not hold true.
In Maoist China the art bureaucracy attempted to condition societya€™s perception of reality by strictly limiting the artistsa€™ range of acceptable themes and styles, and by short-circuiting the natural feedback process through the stringent control of all means of criticism. Many early attempts to synthesize guohua techniques and approaches with new a€?revolutionarya€? subject matter failed for precisely this reason. Among all artists, traditional painters had the most difficulty modifying or updating their artistic techniques in order to satisfy the needs of the new society as envisioned by the leaders of the Peoplea€™s Republic. Although the intent of the theoreticians, such as Kang Youwei and Cai Yuanpei, was to modernize Chinaa€™s art following Western models, Xu Beihonga€™s style of academic realism was conservative, perhaps already outdated, by the time it reached China. Western art was of course undergoing its own revolution, reflecting new concepts of reality engendered by Einsteina€™s Theory of Relativity, quantum mechanics, particle physics and other scientific discoveries and philosophical intuitions. It was the Chinese artists working in Taiwan and abroad, including Zhang Daqian (1899-1983), Wang Jiqian (C.C. Working outside the constraints of the Maoist regime in relatively free artistic environments, these artists have made great strides in creating a true synthesis of traditional Chinese and modern Western painting styles.
The current exhibition presents the work of a new generation of traditional, guohua painters, active in China, Hong Kong, Taiwan, and overseas.
This generation of younger artists grew up at a time in which, when political realities renders questions of cultural identity unavoidable.
Even for those who have practiced continuously the discipline of traditional Chinese painting, the period of the 1980s and 1990s seems like a new beginning. One may question the extent to which guohua has progressed in the five decades since the founding of the Peoplea€™s Republic, or for that matter, in the nearly nine decades since the fall of the Qing dynasty, but, given the extent and intensity of the criticism aimed at traditional Chinese painting and everything that it stood for, and with the recent availability of so many other artistic options, it is perhaps surprising that the art form has persisted at all. In an age of rapid information exchange and an increasingly global popular culture, it is very possible that a truly international style of art, in oils, acrylics or, more likely, some yet-to-be-invented digital medium, will be developed in the 21st century. A multicultural environment will recognize shared cultural values but it will also embrace cultural differences and encourage the preservation and development of traditional art forms. I discovered a remarkable collection in Germany which yielded a significant number of important works of Chinese painting, calligraphy, and ink rubbings, which were sold off gradually throughout the decade. Sothebya€™s December 1984 auction of Fine Chinese Paintings included several important works dating from the 13th century to the present.
France was also the source of an intriguing album of ten leaves ascribed to the great Southern Song dynasty painter Ma Yuan sold in December 1986. The author started examining the efficacy of well-known planning approaches such as Porter’s 5 Forces, SWOT Analysis, Ashridge Mission Model, Experience Curve Model, Scenario Planning, BCG Matrix, McKinsey Matrix, beside performing a review of management literature on corporate planning. While Armstrong found that many companies of all sizes are using such tools, he did not find much evidence of a guaranteed success with their use of a formalized approach to Strategic Planning. Major changes in a company structure such as Mergers or Acquisitions, big marketing changes or New Product Development. A period of strong Uncertainty such as when companies are faced with a relevant Crisis, or during important economical or political changes. Projects characterized by a high level of complexity, where a synergic collaboration is required from different parts of an organization.
According to Armstrong, only under such circumstances a formal approach to strategic planning can be effective for a company success.
In all steps of the strategic planning process, the stakeholders' commitments not only need to be high, but also be given equal "weight". Basically, it helps you organize your ideas, and appropriately place your researched information in the right section. Basically, it helps the writer organize his or her ideas and appropriately place the researched information in the right section. Our main priorities are client satisfaction and delivering high quality, original research papers.
A research paper outline or a speech outline will help keep the content of the paper in a logical order. For instance, if you are going to write about college, determine if you are interested in college culture’s norms, or maybe why more females attend college than males? In addition to a reference page, in text citation is required when writing an APA style paper.
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A MLA outline template or an APA outline template can be helpful to students who unaware of the MLA and APA style and its requirements. We have over 500 expert writers with PhD and Masters level educations who are all ready to fulfill your writing needs, regardless of the academic level or research topic. During that time she has written over two hundred books, software packages and TV programmes about primary literacy, and worked as a consultant for the Department for Education, the National Literacy Trust, the Basic Skills Agency, many educational publishers and the BBC.
Her first book on this subject, Toxic Childhood, was published in 2006, since when she has been involved in many national campaigns around education, outdoor play, screen-based entertainment and the commercialisation of childhood. She qualified as a social worker in 1987 and has worked as a frontline practitioner and manager and has also held a number of senior management and leadership positions with a focus on multi-agency partnership working. We connect research with practice, exchange knowledge and ideas and coordinate activities across Child Protection Committees and are also developing links between child protection and adult protection in Scotland. He has worked with the IT sector for over 15 years in a consultative capacity on issues of ethical and social responsibility, with companies such as British Telecom, Google and Facebook. Its media use and attitudes reports show trends since 2005 in the areas of take-up and use of different media, with a particular focus on internet habits and attitudes.
She has a doctorate from the University of Stirling which examined the development of the UK’s TV news industry, and has carried out a number of multi-country analyses of TV news coverage of conflicts.
Naively I thought that with a small bit of advertising the site would take off but this is harder work than I ever imagined! By studying time series patterns, organizations can identify credit risks, anticipate customer attrition, and detect probable bankruptcies. In April 1994, a graduate student named Kate Sherwood (Ducky) put up the first IlliGAL web page.
In the last American election cycle, blogging grew as a force to rival the mainstream media.
The population-sizing estimate though derived for fitness sharing, also holds for other niching methods such as restricted tournament selection as well. Ever since Dawkins famous Blind Watchmaker code, and Caldwell and Johnston's Faceprints work at ICGA 91, the idea of having user-driven subjective functions in place of predetermined objective functions has opened the door to evolving art, music, poetry, and more. My dreams of a great startup were dashed one semester when during my genetic algorithms course, some students researching their class project uncovered a company that was already vigorously pursuing interactive GAs in marketing applications. A simple idea such as a round robin of small disjoint training sets greatly helps Pittsburgh classifier systems in the quest for generality. Not only is the math difficult, but the system also had to work in the cacophony of urban warfare, including echoes from shots -- and do it on the move. An article written by BBNers Hussain, Montana, Brinn & Cerys entitled Genetic algorithms for UGV navigation, sniper fire localization, and unit of action fuel distribution was presented last June at GECCO 2004 at the Workshop on Military and Security Applications of Evolutionary Computation (MSAEC-2004). In his book, Martin presents a principled method for designing and analyzing scalable genetic algorithms that can solve boundedly-difficult, hierarchically-decomposable problems in polynomial (usually sub-quadratic) time. I know Martin and Jaume have also been using some of this tools too in their data mining related papers.
LIBSVM is an integrated software for support vector classification, (C-SVC, nu-SVC ), regression (epsilon-SVR, nu-SVR) and distribution estimation (one-class SVM ). Given that we know the optimum, the number of generations can be determined by the GA itself---when the GA finds the optimum or the entire population converges to it (or gets close enough), we've got it. The basic idea is to first determine a reasonable initial interval (min,max) of population sizes where min is too small and max is too large. To eliminate noise, the bisection can be run several times and the results of all bisection runs can be averaged (right now I use 10 rounds of bisection, each with 10 runs). To determine whether or not the second condition is at least partially satisfied, one can try one problem size (rather larger than smaller) and test whether the overall complexity decreases for larger populations than the one determined by the bisection. From jet engine fan blade design to minimizing power consumption of long-distance pipelines, the article cites several applications of genetic algorithms and genetic programming. Recently, such approaches are slowly infiltrating in the learning classifier systems world.


Knowledge extraction addresses the issue of mining problem knowledge from the final solution developed by XCS. He told me that the problematic GA runs would converge to a mediocre solutions, but different parts within those solution were of good quality. Thesis Symmetry in the Representation of an Optimization Problem and related papers, available as IlliGAL technical reports 2001020 and 2001030 are a good starting point for anyone interested in knowing more about symmetry and synchronization problems in optimization in general, and GAs in particular. While hardware performance continues to double almost every year and a half, the doubling time for software performance is at least 20 years. I've been heavily involved in the process of this transformation, and so my views are not entirely unbiased (no one's views are entirely unbiased or so any good postmodernist would claim), but I think this move is good for ISGEC, good for ACM, good for the field of genetic and evolutionary computation, and good for computer science. First wave evolutionary computation researchers (and cyberneticists of all stripes) in the late 50s and 60s were just getting their sea legs under them when Minsky and Papert's premature and misleading hatchet job on neural networks appeared and took the wind out of cybernetic sails generally. With GECCO as an ACM conference proceedings, young faculty can safely put their work there without endlessly defending their choice. Department heads have told me that the decision to move from ISGEC to SIGEVO will make absolutely no difference to them.
But, in the end, I believe the young people in the PhD pipeline will benefit immensely through higher probability of hiring, better chances to tenure, and improved prospects of funding as the once outlaw field of genetic algorithms and evolutionary computation comes in off the range, hangs up its six-shooter, and becomes a law-abiding denizen of the mainstream of computer science. I have used it extensively to compute statistical tests, and I made a script to automatize most of the testing process.
It uses the Bonferroni correction to ajust the significance level of the tests for the multiple comparisons.
The script generates draft plots just to check how do the results look, without the overhead of launching other programs that can generate more fancy plots like Matlab. We mostly use the cluster to run multiple GA runs to collect statistics, and also for testing the effect of different parameters on the scalability of the algorithms (For example, see Martin's blog). That means they produce a lot of heat, but nothing that a few well placed fans and couple of ACs can't fix. He tackled the problem by using a set of controllers and running it through a set of genetic algorithms to develop the motion he wanted out of them.
This still gave an overall 10-20% speedup when the found choice of optimizations were applied. Shortly thereafter, I proposed applying genetic algorithms to gas pipeline optimization and rule learning, did so, and went on to take my first teaching job at the University of Alabama. And that thirst led me to try difference equations, Markov chains, transform methods, anything that I could get my hands on, to help me do a better job in GA analysis and design. For example, we might create a model for convergence time under selection alone, combine this with a model for mixing under crossover alone, and consider the pairwise effect as a dimensionless ratio of the two times. Sothebya€™s has effectively closed the department in New York, referring prospective sellers to their Hong Kong office. The recent decision by the two leading auction houses to eliminate or significantly reduce sales in New York has prompted me to review briefly the history of Chinese paintings at auction and to reflect upon the current state of the market.
It was Autumn of 1979 and I had been approached by Paula Gasparello of the Chinese Works of Art Department to assist in the cataloging of a number of important Ming and Qing dynasty paintings from the estate of Ruth Spelman. In October our fledgling New York department produced an unprecedented sale of 145 works by living Chinese artists, which featured paintings by Zhang Daqian, Cheng Shifa, Huang Junbi, Li Keran, Wang Jiqian, Li Kuchan, Yu Chengyao, Qian Songyan, Xie Zhiliu, Xu Bangda, and others. In the West, particularly in America, academic interest in pre-modern Chinese painting was at a peak and a number of important museum exhibitions--such as a€?Eight Dynasties of Chinese Painting,a€? organized jointly by the Cleveland Museum of Art and the Nelson Gallery-Atkins Museum, Kansas City--provided increased access to an ever-more appreciative public. This allowed for two major sales per year in each location and enabled both buyers and sellers to consolidate their efforts and focus their energies on those works that most interested them. While at Sothebya€™s I had the good fortune to bring to the market quite a few important works of Chinese painting and calligraphy, many with obscure or unexpected provenances. Because the Readera€™s Digest collection of European paintings was so well known, its appearance on the auction block was accompanied by much fanfare and anticipation, but the art world at large is unaware of the quiet role that the collection played in the development of the Chinese painting market in New York.
In addition, collectors and dealers in Hong Kong, taking note of the positive results of the auctions of pre-modern Chinese paintings, began to consign works for sale in New York. One of the early successes from this consignment was the sale, on June 13, 1984, of an album of twenty-five letters by Song and Yuan dynasty calligraphers).
Expertise and administrative support were shared between the two auction sites, as were salaries and expenses.
Zhao Mengfua€™s 1303 a€?Record of the Repair of the Three Purities Palace at the Temple of the Mysterious and Marvelousa€? (Xuanmiaoguan chongxiu sanqingdian zhiji), a handscroll written in regular script, was consigned by a young Chinese gentleman who had acquired it in France from a French family who knew nothing of its origin or its potential historical or monetary value. The consignor of this set of landscapes was a wealthy Parisian who was a major collector of modern European paintings and was thus well known to the Sothebya€™s Paris office.
Part of the attraction of the process is the element of surprise; one never knows what may turn up in the next sale.
I refer to the collection of Zhang Xueliang, known to students of modern Chinese history as the a€?Young Marshall.a€? Zhang is the son of the powerful Manchurian warlord Zhang Zuolin, who was assassinated in 1928. An intermediary had brought two fine 18th century paintings into the Sothebya€™s Taipei office. I met him in person for the first time, along with Rita Wong, and for the next ten years we had many opportunities to visit with him and his wife Edith and we shared several meals with them. In consultation with Rita Wong he made the bold decision to offer the remainder of his collection at public auction in Taipei, using his studio name Dingyuanzhai. Collectors and dealers from Taiwan were already extremely active in most facets of the market, especially porcelain, jadeite jewelry, and modern paintings. Both of these paintings, as well as most of the top lots in the sale, were purchased by Taiwanese collectors.
Wu Bina€™s a€?Ten Views of a Fantastic Rocka€? is one of the most extraordinary Chinese paintings ever to appear on the auction market.
The Chinese paintings market was strong but just as the demand for paintings and calligraphy was reaching a peak, the availability of good quality paintings had greatly diminished. To some extent, I was not happy with the way the company was being run and I was dissatisfied with the direction in which both auction houses were heading.
The sales were successful but they had the negative effect of competing with New York for both consignments and resources. Christiea€™s, in particular, has been successful because of major consignments, such as the group of important Song dynasty fan paintings from the collection of Stephen Juncunc.
In fact, the level of sophistication among Western buyers (including overseas Chinese) is such that they recognize and demand high quality examples of works by both major and minor artists of all periods. Exhibitions of works in all media by Chinese artists from mainland China, Taiwan, Hong Kong (once again a part of China after a century of British rule), and overseas have been mounted or are being planned throughout Asia, Europe, and the United States. Auctions of this material are now held on a regular basis in many cities throughout China as well as in New York, Hong Kong, Taipei, and Singapore.
Even before the Imperial monarchy that had ruled China for several thousand years was completely overthrown in 1911, the Chinese had begun to assess their inherited traditions and values and to question their very cultural identity. Traditional Chinese painting (guohua)2 especially as practiced after the Song dynasty, was specifically criticized for its lack of realism or naturalism, and the conscious disregard by its practitioners of the harsh realities of contemporary society in favor of a rarefied vision of an ideal Confucian society which had never existed in fact.
This colloquialization (to borrow a phrase describing a similar but more far-reaching movement in literature) of Chinese painting is epitomized by the work of the great Qi Baishi (1864-1955), whose colorful depictions of common objects from everyday life enlivened the tradition through the introduction of a colloquial vocabulary of familiar images. Some, like Fu Baoshi (1904-1965) and the Gao brothers (founders of the Lingnan School), traveled to Japan to investigate the process by which Japanese artists were modernizing their native traditions by a selective incorporation of Western techniques and styles. History would note that, at least for the short term, Xu Beihonga€™s academic realism ultimately won out, although more for political and ideological than artistic reasons. Artists were free to work in all media, which they did in an incredible range of styles and with tremendous passion and dedication.
8 Although many questions remain and many individual stories have yet to be recounted, it is clear that one of the casualties of mainland art policy from the 1950s to the 1980s was Chinese traditional painting. During the 1950s Mao began to make good on his promise by revamping the entire system of art education and production. If he moves into a new culture with other orientations and basic beliefs, the two versions of reality are dissonant within him.
The sources from which a field grew remain within it as a shadow skeleton, and they partly define what is real and what is true, what is sense and what is nonsensea€“in short, what is the basic shape or essence of reality.
Alternate realities and multiple truths cannot be understood through their physical means alone.
In periods when control over the arts was most absolute (during the many anti-rightist campaigns, for example) artists were not only told what subjects to paint but were also given stylistic directives. Obviously, Western and Chinese painting had very different roots and very different evolutions; they are the products of completely dissimilar world views and emerge from disparate cultural contexts.
The repressive policies of the PRC ensured that this type of painting, with some ideological a€?improvements,a€? became the official means of artistic expression. Just when Chinaa€™s artists were mastering a style of painting which they thought was modern, Western artists and critics were rejecting both the style and the cultural construct it represented, and at a time when Western artists such as Picasso, Paul Klee, Mark Toby, and Jackson Pollock were recognizing and embracing non-Western artistic traditions, including Chinese painting and calligraphy, the Chinese themselves were declaring some of these same traditions invalid. It is thus upon the foundation of their work that the future of guohua is likely to be built.
It is true of course that guohua represents only one aspect of Chinese painting, which, in turn, is only one aspect of Chinese art as a whole. Their relationship to the the historical past of China and its traditional values depends to a great extent on where they were raised. This new generation of artists approaches the tradition with fresh eyes and renewed energy. It has been nearly one hundred years since Kang Youwei issued his challenge to a€?begin a new era by combining Chinese and Western art,a€? and now, a century later, it can be argued that not only have these lofty ideals not been fully attained, but the fundamental questions of artistic and cultural identity remain largely unanswered. It is worth noting, however, that as we enter the 21st century, the global context in which we live is vastly different than the one in which Kang Youwei, Cai Yuanpei or Xu Beihong existed. As popular culture becomes more global it also becomes more homogenized and the unique characteristics of a particular culture or ethnic group become all the more distinctive and significant.
I use the terms guohua and a€?traditional Chinese paintinga€? interchangeably, to refer to work painted with traditional Chinese pigments on traditional paper or silk. Kang Youwei, Travels in Eleven European Countries, quoted in Lawrence Wu, a€?Kang Youwei and the Westernisation of Modern Chinese Art,a€? Orientations (March 1990), pp.
Quoted in Michael Sullivan, Art and Artists of Twentieth-Century China, Berkeley, Los Angeles, London, 1966, p. Lawrence Leshan and Henry Margenau, Einsteina€™s Space and Van Gogha€™s Sky: Physical Reality and Beyond, New York, 1982, p.
Armstrong in his 1982 article “The Value of Formal Planning for Strategic Decisions”, Strategic Management Journal, Vol.
After having carried out research on many companies, and having completed 28 validation studies to evidence his early hypothesis, Armstrong explained his simple approach to formal strategic planning and underlined under which circumstances it might work well. In addition, we care about our client’s confidentiality and all transactions with us are private.
It also helps the writer organize ideas, connects the ideas in the paper, and builds an organized overview of the paper. Next, establish who will be your target audience and make the content of the paper relevant to them.
It can also make writing the actually paper much easier even if the student is aware of the requirements and guidelines. Just imagine, you place the order before you go to sleep and in the morning an excellent, 100% unique essay! You simply place an order with the writing instructions you have been given, and before you know it, your essay or term paper, completely finished and unique, will be completed and sent back to you. At the heart of WithScotland is the principle of improving outcomes for children in need of care and protection and adults at risk of harm by working in partnership and facilitating access to expertise across Scotland. He has presented written and oral evidence to parliamentary enquiries related to the public use of ICT and is widely published in the area. This presents a new take on how we define bullying and where responses must focus to be effective.
Two years later she became a sessional supervisor and following this her hours have been increased to cover a maternity leave. His talk on Complex Adaptive Systems (CAS) will discuss the study of complexity, innovation, and relations between CAS and GA's. To my discredit, I didn't understand why she was so fascinated by the web, but in my defense, I didn't get in her way.
In less well followed topics, blogging is growing at astonishing rates, and we hope that IlliGAL Blogging will become a resource and focal point for intelligent discourse in the growing community of genetic and evolutionary computation (GEC).
Of course, a lot of water has passed over the iGA dam since the early days, and for those interested in a fairly recent update on the state of interactive evolutionary computation, I recommend Hideyuki Takagi's article. That company, Affinova, has married iGAs and practical market research and product development notions to create a unique line of products and services.
On the Michigan approach, however, such issue was settled down after the idea of evolving classifiers based on accuracy by Wilson (now celebrating the 10th anniversary of its publication).
The paper details the development of Boomerang and other GA-based military-security applications.
Written in Java, it is easy to use, providing a flexible environment for rapid preliminary filtering and analysis of raw data. The thing I like the most about D2K, and one of the reasons for switching, is the data flow oriented paradigm that it uses.
It is a GNU project which is similar to the S language and environment which was developed at Bell Laboratories (formerly AT&T, now Lucent Technologies) by John Chambers and colleagues. Most likely, the complexity increases with the population size and thus the bisection can run the experiments for us. Chen takes the methodology of The Design of Innovation and applies it to understanding the approximate complexity of multiobjective evolutionary algorithms (MOEAs). The goal is to identify most important features in the problem and the dependencies among those features. I remembered Clarissa's worka€”that she did during her visit to IlliGALa€”about how strong symmteries in problems such as Ising and other spin-glass models can cause synchorinization problems and how niching methods can be used to avoid them.
Intelligence was just one of many traits that human beings exploited to increase their odds of survival, and the test for survival was absolute. For too long, GAs and EC more generally have lived in the backwaters of academic and industrial life. When he was asked how the acceptance of his revolutionary ideas in quantum physics was going, it is reported that he said, "Wonderful, lots of funerals." In Plank's day, perhaps the natural turnover in faculty matched the turnover of ideas, but in our time, rapid change in thinking has not been matched with a concomitant shortening of faculty life expectancy. With ACM affiliated journals in EC and GP, department heads have the moral equivalent of a Good Housekeeping seal of approval on our field to rely upon instead of the pleas of a lone faculty member up for tenure. But consumers will tell you that their decisions to buy products are also made on a case-by-case basis without regard for brands--as their grocery baskets fill with Crest, Tide, Mach 3, Ragu, Pepsi, Twinkies, and Tide.
It supposes that the results are paired, like the results obtained, for instance, from a stratified ten-fold cross-validation test. Since then, quite a few people have asked me a how to build such a cluster, what components to buy, etc. Although I had succeeded in applying GAs in my problem domain, my doing so left me with as many questions as I answered.
At first, my studies took me toward more esoteric and sophisticated tools, but then my training in fluid mechanics kicked (somewhere between my leaving Alabama and coming to Illinois), and I turned to the methodology of little models, including facetwise models, and patchquilt integration using dimensional analysis. This approach, though algebraically simple, is remarkably powerful in helping sort out experimental results and organize a researcher's thinking. Christiea€™s plans to include a small selection of paintings within their auction of Chinese Works of Art in New York, followed by a larger specialized sale of Chinese Paintings in April in Hong Kong.
The results of this auction provided compelling evidence that high quality Chinese paintings, rigorously catalogued, could be sold successfully at auction and demonstrated that there was sufficient institutional and private interest in the United States to warrant serious attention on the part of the auction houses. Many of these artists were unfamiliar to western collectors and few had ever been previously offered at auction. Wong as a specialist in Chinese painting and a mutually beneficial rivalry developed between the two houses.
In the Asia--especially Hong Kong, Taiwan, and Singapore--economic prosperity, political stability, and increased education created an environment conducive to collecting art. In cooperation with their regional offices and representatives throughout the United States and abroad, the auction houses took advantage of their broad networks of contacts to locate potential sellers and to attract potential buyers. In June of 1982, when the Chinese painting department was struggling to gain credibility and recognition, Sotheby Parke Bernet offered for sale an extremely important painting by the most significant living Chinese painter of the time, Zhang Daqian. By 1984 the increased supply of good works, coupled with evidence of a modest but increasing demand internationally, justified semi-annual specialized sales of Chinese paintings and calligraphy accompanied by the publication of separate catalogues.
Included among the leaves were examples of writing by the Song dynasty writers Liu Wuyan, Wang Sheng, Wu Ju, and Fan Chengda, and the Yuan dynasty calligraphers Zhao Mengfu, Xianyu Shu , Qiu Yuan, Zhang Yu, and Ni Zan.
Signed Hengshan Wen Bi, and inscribed with a date corresponding to October 30, 1499, this short handscroll was accompanied by a most impressive series of colophons written by many of the luminaries of late 15th-early 16th century Suzhou, including Shen Zhou, Wu Kuan, Zhu Yunming, Wang Chong, Chen Shun, Peng Nian, Wang Guxiang , Wen Peng and others. The system required cooperation and coordination and it succeeded because the individuals involved were firmly committed to the success of the enterprise. The new owner knew little more, except that it bore the signature of the famous Yuan dynasty literatus and he purchased it on the chance that it might be genuine. She could not remember where or when she had acquired the album but since it did not fit in with the rest of her collection she decided to sell it. Buyers are always looking to acquire a€?fresh goodsa€? that have not appeared on the market before. After his fathera€™s death, Zhang Xueliang took control over much of northeastern China and was a major player in the subsequent period of warfare, politics, and intrique which shaped the face of modern China. Prior to this occasion I had seen very few good Chinese paintings in private hands in Taiwan. He was always excited to talk about Chinese art, collecting, and his longtime friendship with Zhang Daqian, who had died in 1983. Although I had already resigned my position at Sothebya€™s, at Zhanga€™s request I assisted in the cataloging of the sale. During the late eighties and early nineties they became increasingly prominent bidders in New York sales of pre-modern paintings. Measuring more than thirty feet in length, the painting consists of ten sections, each depicting a specific view of a scholara€™s rock, as viewed from different angles. We had developed an international interest in an art form that had previously seemed to many to be unapproachable and unsaleable. Many of the new buyers--I hesitate to call them collectors--seemed to be in a hurry to buy a€?masterpieces,a€? major paintings by major artists. The nature of the auction house and its role in the art market had changed over the years; it had become much more of a retail outlet and had lost much of its exclusivity. The establishment of regular auction sales of Chinese painting and calligraphy in Beijing, Shanghai, and elsewhere within mainland China, as well as in Taiwan, has further diluted the supply of quality works available to the New York-based auctions. The Chang Family Han Lu Studio Collection, sold by Christiea€™s New York in September 1996, featured a rare group of letters by Song dynasty writers in addition to several fine paintings and calligraphic rubbings. If the market rejects poor works of questionable attribution, that, in fact, is a positive indication for the field of Chinese paintings as a whole. In New York, the Metropolitan Museum of Art has recently opened their renovated Chinese Galleries and, for the first time, thanks to a generous gift from Robert H. Specialized galleries have been established all over the world and several dealers in ancient Chinese art (including Kaikodo) have begun to feature contemporary paintings as well. The type of guohua practiced by the literati (wenrenhua) was severely attacked by many critics, among the most vocal of whom was the reformer Kang Youwei (1858-1927), who accused: a€?Four or five hundred years ago Chinese painting was the best.
However, Qi did not sacrifice such traditional aesthetic values as excellence in brushwork, simplicity of form, and directness of expression; on the contrary, his work may be seen as advancing the art form in each of these aspects. Some of the most famous, including Xu Beihong (1895-1953), Liu Haisu (1896-1994), and Lin Fengmian (1900-1991), went to Europe to experience Western culture at first hand and to learn what they could about European art.
Liu Haisu, renowned for being the first in China to employ nude models for life drawing in his art school, was enamored of the Impressionists and post-Impressionists. Realistic oil painting, primarily figural themes, gradually incorporating more and more elements of the Soviet Socialist Realist style, became the new orthodoxy in China. Even after he is a firmly functioning member of the new culture, the orientations of his beginnings still influence him. When the field develops so that new data contradict these old beliefs, a basic conflict develops in the field of knowledge. Art, parapsychology, ethics, and consciousness all play a part in comprehending these new realities. Only a chameleon-like illustrator could successfully create in such an environment, so it is not surprising that much of the propaganda art of the period, in style as well as function, is closer to advertising in the West than it is to fine art. That the two worlds should come together in this age of instantaneous global communication should not surprise us, but one of the most curious, even ironic aspects of this cross-cultural exchange is the way in which contemporary Chinese and Western artists and audiences tend to view the othera€™s culture.
No attempt was made to keep up with new developments in Western science and art; in fact, these were suppressed just as strenuously as traditional painting was being repressed. While many European and American artists explored alternate views of reality, through investigations into Eastern spirituality and art, (assisted, in some cases, by mind-altering drugs), the mainland Chinese artists found themselves mired in Marxist dogma and bound to a tradition of painting that was trapped in a reality-warp. Artists working in mainland China today are, at least for the time being, more free to express themselves than they have been for many decades. Perhaps they have not all attained the same level of technical prowess that painters of Imperial China would have developed through years of copying calligraphy and old master paintings, but neither are they burdened with the unenviable task of upholding Chinaa€™s artistic legacy and maintaining her outmoded cultural values.
Western domination of technology and the world economy is a remnant of her colonial past, and economists, politicians, and businessman now increasingly look eastward for expanding economies and emerging markets. Cross-cultural artistic exchanges will be so commonplace and will occur so quickly, and stylistic influences will be so vast and complex that regional or even national characteristics will be difficult, if not impossible, to discern. As cultures co-mingle rather than collide the purity of each artistic tradition is free to be rediscovered.
Andrews, Painters and Politics in the Peoplea€™s Republic of China, 1949-1979, Berkeley, Los Angeles, London, 1994, p.
Laing, The Winking Owl: Art in the Peoplea€™s Republic of China, Berkeley and Los Angeles, 1988. It will also allow you to know if you need to conduct further research on the topic of your choice.
If you are unfamiliar with constructing an outline, use a sample outline like the essay outline template on this page. A great way to get started with the outline is by brainstorming, which will guide you towards finding data and facts for the paper.
Using an outline template can help the student organize the paper and eliminate the ideas that are not relevant to the purpose of the essay.
In recent years he has specialised in the use of ICTs by children and young people, carrying out a large amount of grass roots research on issues such as their attitudes toward privacy and data protection, file sharing and internet safety. He has also conducted research into young people’s experiences of cyberbullying and their online behavior. Kibooku was the subject of a very successful debate in the Scottish Parliament and we were credited for our site and what we are trying to do. Since then, the IlliGAL web site has grown and users from countries around the world generate some 8.4 million hits in nearly 200,000 visits annually. Subsequently I met company executive Rob Frasca in another context, and got the chance to tell him how Affinova was the company that broke my entrepreneurial heart.
Like supersonic airplanes, bullets create shock waves -- mini-sonic booms -- as they speed through the air. These efforts are the result of longstanding GA work at BBN initiated by Dave Davis (now of NuTech Solutions) and carried on by Dave Montana and other hardworking GA types. Recently, I have notice the existence at least more than 20 different projects using such framework. Using an intuitive graphical editor, complicated analysis and visualization task are rapidly deployed by simple drag & drop. I have been using it in some of my recent research, and if you are interested in such areas, I definitely recommend you to take a look at it.


A "good" population size should be the one that ensures reliable convergence to the optimum (where "reliable may be defined any way we want, for instance, that the algorithm finds the optimum successfully in 9 out of 10 independent runs).
Thereafter, he successfully applies carefully designed MOEAs to problems in production planning and design of nearest-neighbor classifiers. Bean was on the faculty of the Department of Industrial and Operations Engineering (IOE) of the University of Michigan for many years, where he also held the position of Associate Dean for Academic Affairs.
The extracted knowledge may not only be used for further data mining, but may actually be re-fed into the system giving it further competence in solving problems in which dependent features, that is, building blocks, need to be processed effectively.
So, I suggested him that there might be synchronization issues with the problematic instances and using a niching method might be the solution.
No mention is made of who the reseachers are or what department, college, or lab they come from. Defining an equivalent test of fitness for targeting intelligence as an evolutionary goal for machines, however, has been elusive. Finally, the rise of symbolic AI and the subsequent cybernetics winter made it academically disreputable to persist in the "folly" of genetic algorithms and evolutionary computation, but persist the field did, and we are here today because of the courage of a small group who swam against the intellectual currents of the 60s, 70s, and 80s. The result is large numbers of powerful faculty in charge with ideas in mind that are more than a little behind the time.
In a busy world, trusted brands allow buyers to get quality products at low risk of error and low search costs. These optimizations seek to reduce memory or power usage, or to speedup the needed execution time. And although I had used GAs to help solve interesting engineering problems, I was unhappy with GAs--and my own lack of understanding of GAs--as engineered objects.
Gasparello, who introduced me a few of her colleagues, including James Lally and Carol Conover. Chinese Painting began to solidify its position in the art market, and was listed as a separate expert department at Sotheby Parke Bernet beginning in 1979 (although internally Chinese Paintings was under the jurisdiction of the Chinese Works of Art Department). Although neither sale was a financial triumpha€“the entire New York auction grossed just over $100,000a€“they paved the way for specialized sales of modern and contemporary Chinese paintings in both Hong Kong and New York and established the precedent for holding regular auctions in both locations.
For the next decade auction became one of the primary sources of Chinese painting and calligraphy for private collectors, dealers, and institutions. Twentieth century painting, in particular, satisfied a demand on the part of new collectors for art that was both Chinese and modern.
The success of Sothebya€™s Chinese Painting Department was linked, to a great extent, to the overwhelming dominance of our worldwide Chinese Works of Art Department led by James Lally in New York and Julian Thompson in London. The monumental six-panel work a€?Giant Lotusa€? had been purchased by Readera€™s Digest in 1963 from an exhibition of the artista€™s work held at Hirschl and Adler Gallery in New York. The album was of great importance, for both artistic and historical reasons, but since no work of this type had ever been offered at auction before, the presale estimate was a conservative $30,000-50,000. The inclusion of the painting in the Imperial Collection of the Qianlong and Jiaqing Emperors, attested to by the six Imperial seals affixed to the painting and its appearance in the catalogue Shiqu baoji sanbian, added luster to its provenance.
I had the good fortune to work directly with many capable and dedicated individuals, including Tammy Mui and Maria Chu in Hong Kong, and Angela Hsu and Laura Whitman in New York, all of whom began as administrators and became specialists in their own right.
Based on the collectorsa€™ seals and colophons, the scroll displayed a magnificent provenance.
There was much presale discussion among scholars as to the authenticity of the paintings, four of which bear the signature of Ma Yuan.
Sellers, on the other hand, appreciate the ability to dispose of works in a discreet manner. He is most renowned (or notorious, depending on your point of view) for his participation in the Xia€™an Incident of 1936 whereby he captured Guomindang leader Chiang Kai-shek and forced him to negotiate with the Chinese Communist Party to create a united front to fight the Japanese. Although there were no collectorsa€™ seals on the paintings, my experience told me that such high quality works, beautifully mounted, must be from a serious collection. The auction of Fine Chinese Paintings from the Dingyuanzhai Collection was held in Taipei on Sunday, April 10, 1994. The ten images of the rock are interspersed with elaborate written descriptions composed and transcribed by the scholar-official Mi Wanzhong.
Even as I revelled in a genuine sense of accomplishment, I was wary of the future of the department. They were generally more interested in the artista€™s name than in the quality of the work. Both Sothebya€™s and Christiea€™s had undergone a gradual but undeniable shift in emphasis from expertise to marketing.
During the nineties, the New York auction rooms have been increasingly dominated by international dealers, such as Paul Moss, Harold Wong, and Kaikodo, representing themselves, institutions, and private clients all over the world.
To blame every poor sales result on a€?the marketa€? shifts attention away from the real issues, which are the quality and quantity of the offerings. Ellsworth, Chinese paintings from the 19th and 20th centuries are prominently displayed alongside masterpieces from earlier periods.
They all progress along with the progress of science.a€?4 This emphasis on progress and the sincere belief that Western art (as the Chinese perceived it) was inherently more scientific and modern (and therefore more desirable) presented a serious challenge to advocates of literati painting and nearly signaled the end of the guohua tradition altogether. The degree of Qi Baishia€™s success is indicated most clearly by the fact that his style forms the basis of much of the guohua produced during the past fifty years.
There is great difficulty and struggle in recognizing, organizing, and solving the new problems presented by the conflict of the new data and the old beliefs and basic orientations.
While much of the booka€“which deals primarily with scientific theorya€“is likely to be incomprehensible to most specialists of art, its observations are relevant here for at least two important insights. Not since the 1920s and 1930s, have young Chinese artists been able to explore such a broad range of stylistic and theoretical options and goals. Guohua need no longer be seen as the only medium capable of expressing the cultural identity of China because it is now clearer than ever before that there is no single identity and no single tradition that represents all Chinese. Many aspects of popular culture have become globalized and most large companies have internationalized. Artists from all over the world will be able to express their individual perceptions of new global realities in a truly international, multicultural forum. Traditional Chinese painting can coexist with works in other media, as they exist today or as they will appear in the future, and it need not replace nor be replaced by any other art form. Compare my naive and overly optimistic study Painting in the Peoplea€™s Republic of China: the Politics of Style, Boulder, 1980.
When outlining your research paper, you must have all your researched materials at hand to make sure that all sub-topics are not overlooked. When outlining a research paper, all researched materials should be at hand to make sure that all sub-topics are included and not overlooked. To begin brainstorming you merely need to write down a list of all the things that come to your mind about your research subject.
We understand the pressure students are under to achieve high academic goals and we are ready help you because we love writing.
He is a research partner with the UK Safer Internet Centre and is a frequent media commentator on children and the Internet. We continue to raise awareness of safe social networking and will keep trying to do so until the site is a major success and our kids are in a safe environment on the internet”. The website has undergone kaizen or continual improvement since Ducky's early efforts, and this blog represents the latest in a series of new features to be added to the site over the years.
For those interested in a nice case study of marrying GAs and business read the Affinova white paper here. So if engineers arrange seven microphones like the spines of a sea urchin, a shock wave from a bullet will hit each microphone at a slightly different time, like a wave lapping against different pebbles on a beach. It is difficult enough working in the obscure vineyards of GAs and EC, but when a group used to toiling in obscurity does something deserving of national recognition, it would be nice if the mainstream business press would get the story right and at least mention the names of the people who really got the job done. I have been heavily using D2K in the DISCUS project, and I have no regrets about not using WEKA anymore. Herb Simon talks about decomposability of most complex real-world systems, which is a feature that a good evolutionary algorithm should be able to exploit. The dissertation concludes with novel theory and empirical work that carry over the method of fitness inheritance to MOEAs. Lo and behold, he came back yesterday and said using niching significantly improved the GA performance!
Nonetheless, a Google search on the search terms, "genetic algorithms," "mining," and "Laurentian University" quickly leads to the following link. Thus, it is difficult to draw comparisons between how human intelligence developed and how artificial intelligence could evolve. After all, evolution is one of the biggest ideas in all of science, and the impact of modern genetics is hard to overstate, so it seems quite natural that computations based on evolution and genetics should have an important place in science and technology. Unfortunately, the most obvious solutions to this problem are serious felonies, and no one is here suggesting that steps be taken to cull the herd. In the new world of ACM and SIGEVO, CS departments and their heads will be able to rely on a trusted brand in one of the most important decisions they make, the hiring, retention, and promotion of faculty. Her system tries to determine which combinations and orderings of optimizations should be performed on which portions of the code. The following year I joined Paula Gasparello as a full time specialist in Chinese painting and we began to hold regular auctions of Chinese paintings and calligraphy. Although the art market as a whole was not particularly strong in the early 1980s the Chinese department, fueled in part by a burgeoning Hong Kong economy, held its own.
Sothebya€™s early entry into the market in Asia, particularly Hong Kong, gave us a distinct advantage in cultivating new buyers and sourcing potential consignors of paintings as well as ceramics and works of art.
The curators of the Readera€™s Digest collection had no knowledge or interest in Chinese art, even contemporary Chinese art, and they decided to sell the work at auction. After intense competition, primarily among overseas Chinese collectors, the album sold for $297,000, nearly ten times the presale estimate and easily a world auction record for Chinese calligraphy at the time.
The scroll had been consigned by a young Hong Kong collector and it was finally hammered down for $187,000 to a new North American collector bidding against stiff international competition. Additionally I received tremendous support from my colleagues in the international Chinese Works of Art Department and in Sothebya€™s regional offices, especially Rita Wong, Suzanne Tory, Meeseen Loong, Tony Omura, Timothy Sammons, Jonathan Bennett, David Priestley, and Patti Lam, all of whom were helpful in finding consignments as well as in assisting collectors and cultivating new buyers. Opinions ranged from a€?genuinea€? to a€?Southern Song, but not Ma Yuan,a€? to a€?Ming Academy work,a€? to a€?17th century copy,a€? but in the end the album was sold for $319,000 to a Chinese-American collector who believes it to be a genuine work of the Song master.
In the case of famous works or well-established collections, however, the auction houses can also capitalize on the cachet and reputation associated with the individual work or collection. Chiang did give lip-service to the united front effort and flew back with Zhang to Nanjing where Chiang was given a heroa€™s welcome. The presale exhibition was extremely well attended and the salesroom was packed with serious collectors of Chinese art as well as dozens of unfamiliar faces and first-time buyers who were not really art collectors but were aware of the identity of the owner and hoped to come away with a piece of history. Following the painting are lengthy colophons by Ming and Qing dynasty writers, including Dong Qichang. I found it increasingly difficult to procure enough authentic paintings and calligraphy to satisfy their needs. But to dwell on these philosophical differences would present a negative picture of what I saw as a very positive decision and a logical career progression. Taiwan buyers are not as active as they once were but they are beginning to be replaced by a new generation of collectors in mainland China. Selectivity is the key to survival, for auction houses and dealers alike, because selectivity is the key to collecting. Not only were Chinese artists and intellectuals largely cut off from their own past, they were also isolated from artistic and scientific developments in the rest of the world.
In the struggle confusions arise, and there is a loss of communication among many of the students of the field of knowledge. 1936), and others, who discovered and pursued the underlying intellectual and spiritual connections between traditional Chinese painting and 20th century Western art, particularly abstract, non-objective painting. An accurate assessment of the visual arts in todaya€™s China would require investigation into an unprecedented variety of media including oil painting, acrylics, watercolor, gouache, sculpture, woodblock prints, ceramics, textiles, film, graphic design, and installation art in addition to the traditional forms of Chinese painting and calligraphy.
Hong Kong and overseas Chinese have had to grapple with complex questions of identity on a daily basis.
It is equally clear, however, that, in spite of all attempts to suppress it, traditional Chinese painting is both resilient and relevant. Young people the world over listen to the same music, eat the same hamburgers, and wear the same sneakers. Guohua will survive because of its unique and timeless artistic qualities: expressiveness of line, simplicity of form, and purity of spirit. However, if you are unclear about how your research paper should look or what to include, you will find a research paper outline template on this page, which will aid you in writing your paper. Place your order now and our professional writers will be more than happy to help you with any kind of your written assignment.
Afterwards, put all the correlating ideas together; then list the ideas from general facts to specific facts. By choosing us as your partner, you can achieve more academically and gain valuable time for your other interests.
Only good words is what I have about D2K's quality and how much effort the ALG people put into it to make a great package easy to extend and customize.
I'd strongly suggest this book to anyone interested in somewhat a philosphical discussion of what types of problems we should be trying to solve with our optimizers.
The Laurentian University Mining Automation Laboratory (LUMAL) under the direction of Nick Vayenas is applying simulation, robotics, and genetic algorithms to various mining problems. Why, then, have GAmists and ECers been largely relegated to second tier schools, non-tenured posts, or non-CS departments (even, god forbid, engineering departments)? And thanks to Srikant-Uni-of-Glasgow-Travails and SoloGen for the links to IlliGAL Blogging. Ma, Director of Chinese Paintings at Christiea€™s, is determined to maintain a market presence in New York, it would appear that a corporate decision has been made to eventually shift the sale of virtually all Chinese paintings, both classical and modern, to Hong Kong. I readily agreed to research and catalogue the sixteen paintings and one calligraphy, which included works by Wen Zhengming, Lu Zhi, Wang Wen, Wen Boren, Ju Jie, Lan Ying, Wang Duo, Wang Jian, Fa Ruozhen, Wang Hui, Wang Yuanqi, Gao Qipei, Huang Shen, Zheng Xie, Li Fangying, and Luo Ping. By early 1982 economic pressures led to a significant number of layoffs at Sotheby Parke Bernet. It allowed elderly collectors to dispose of works they no longer needed and families to discreetly disperse inherited private collections. The entire auction totaled nearly $800,000, well below the $1,200,000 presale low estimate for the 126 lots, but encouraging nonetheless because nearly 80% (by value) was sold and a number of pieces brought strong prices. Later, the Ming scholar Chen Jiru attached a colophon and the painter Cheng Zhengkui affixed his seal, and it then found its way into the hands of two of the premier collectors of the 17th and 18th centuries, Liang Qingbiao, and An Qi, who recorded it in his Moyuan huiguan.
Nestled amongst the leaves of the album was a short note written in French which indicated that the work had been purchased from a soldier who had fought in China, presumably during the Boxer Rebellion of 1900. Paintings that have been exhibited in museums or have appeared in serious publications tend to be more marketable.
Zhang Xuelianga€™s efforts to unify China against a common enemy, however, were rewarded with a swift court-martial and more than five decades of house arrest. Without commenting in detail about either of the works I said simply: a€?The owner of these paintings must have many good things. The sale was a tremendous success and Zhang Xueliang, along with his loving wife Edith, moved to Hawaii where they remain today as Zhang begins his second century on this earth. Wu Bina€™s name does not figure prominently in traditional Chinese accounts of painting history but he is highly regarded by Western scholars. There was now firm evidence that the right Chinese painting in the right economic environment could sell for more than a million dollars, but it had to be just the right painting offered at just the right time.
Perhaps my own notions of quality were too high and my standards for judging authenticity were more strict than the current market necessitated, but I found myself rejecting many works that were later sold successfully elsewhere.
Ma the autonomy to structure the sales in a way that is most beneficial to the company and to his clients. Guggenheim Museum is planning a major exhibition of 5,000 years of Chinese art which will include modern and contemporary works in a variety of media, and the Asia Society is organizing a show of contemporary art by Chinese artists living outside of China for the fall of 1998. Artists in Taiwan, Hong Kong, and abroad have of course had many more artistic options open to them and they have already made significant contributions to the field contemporary art. However, it is interesting to observe that these individual Chinese artists of diverse backgrounds have found common ground in their choice of medium.
It is worth noting that most of the Chinese painters who worked in both Western and Chinese media demonstrated a distinct preference for the latter in their late years. In cyberspace, national borders do not exist and information is constantly exchanged across continents at lightning speed. We can pray for crisper reporting from the the Globe and Mail, but in the meanwhile, odds are that this is the GA mining work that was so cryptically cited.
Paula Gasparello was one of the casualties and I was given responsibility for all sales of Chinese paintings in New York and Hong Kong. Sothebya€™s and Christiea€™s performed the traditional auction house role of providing a secondary market for dealers, museums, and collectors and, in the case of some contemporary works, occasionally played the unfamiliar role of developing a primary market through the introduction of new artists into the marketplace.
I was astounded to be asked by the curator whether the six large hanging scrolls, which are clearly meant to be hung together as a single work, could be sold separately. The scroll subsequently entered the Qianlong Imperial collection and it is dutifully noted in the Shiqu Baoji xubian. This album must have been looted from the Imperial Palace when the combined Western military forces were called in to quell an anti-Christian, anti-foreign Chinese peasant uprising. I would like to see them.a€? The intermediary left, saying that she would talk with the owner. Not surprisingly, this long handscroll was hotly contested by two dealers bidding on behalf of American private collectors, and it was finally sold for $1,210,000. The few buyers at the top were unpredictable, buying in what seemed to me to be a rather indiscriminate manner, often paying high prices for works of dubious merit while ignoring what I considered to be high quality examples. For whatever reasons, my competitor was extremely adept at finding works that suited the tastes and budget of the new clientele and Christiea€™s consistently won the battle of market share, which is a house-to-house comparison performed by auction house accountants, like a bizarre postmortem ritual wake, after every series of auctions.
The auction houses are large international corporations with tremendous costs and huge overhead. An examination of the current state of guohua as a distinct type of Chinese art, however, is useful because the limited focus of the investigation brings heightened clarity to larger artistic issues. Their conscious decision to work with traditional brush and ink applied to absorbent paper, at a time when so many other options are available, indicates at the least a tenuous link to Chinaa€™s artistic past.
Modern communications and transportation have made all markets international, including the art market.
For instance, if the writer’s thesis statement and position is “smoking is harmful to your health,” then key sections and subsections should support this idea.
Work in this area traditionally relies on actual execution time for fitness, which may require up to 50 hours to determine which optimizations should be performed on a small piece of code.
This afforded me a unique opportunity to build up a new market but I was faced with the daunting challenge of trying to make sense out of a very complicated subject. I was relieved to land the consignment and to receive permission to sell the painting as one lot! In spite of the impressive pedigree of the handscroll, two of the leading authorities on Chinese calligraphy in America initially expressed doubts about its authenticity, perhaps confusing it with a well known related work in a Japanese collection. As a result of the suppression of the Boxer Uprising, not only did the Qing government suffer the indignity of agreeing to pay a huge indemnity to the foreign powers, but a number of European, Japanese, and American soldiers helped themselves to what they considered to be war booty and souvenirs from the Forbidden City.
Landing an important collection or estate creates an opportunity for promotion and also enhances the reputation of the department within the field and within the company. Later that day, while Rita Wong, then head of the Taiwan office, was driving me home it occurred to me that the most logical source of the two paintings had to be Zhang Xueliang. The results of the June 1992 New York auctions of Chinese paintings, however, proclaimed Sothebya€™s the victor in market share, winning by a substantial 53% to 47% margin. As was the case during the first half of this century, the decision to paint guohua will be made for different reasons by different artists.
The key sections and subsections should not be written in phrases but in complete sentences. At the time Chinese paintings were occasionally sold by Sothebya€™s London as well, where they were included as a postscript to Japanese print sales. The image of a€?Giant Lotusa€? appeared as a wrap-around cover for the June 1982 auction of Chinese Works of Art and Paintings and it attracted interest from across the globe, selling to a collector in Taiwan for $77,000, at the time a world-record auction price for a contemporary Chinese painting. Fortunately two astute overseas Chinese collectors recognized the scrolla€™s importance and they bid it up to a final price of $77,000. A significant number of paintings and large quantities of Imperial ceramics and other works of art must have found their way into Western collections during the early part of this century in this manner, although the casual note found in this album provides rare documentation of the phenomenon.
In his youth, well before the Xia€™an Incident, Zhang had been known as a collector of Chinese art.
On the other hand, the size of the operation can render the fundamentally simple process of selling individual works of art overly complicated and expensive. For some, the impetus will be to continue to be part of an unbroken artistic tradition which they can trace back into antiquity, thus reaffirming their own cultural identities. Even today, there is something about using brush and ink, like eating food with chopsticks, that feels natural to a Chinese artist. The Spelman paintings were significant in that they presented to the market a group of excellent works with generally reliable attributions.
I was gradually able to wrestle control from the Japanese Department and for a time we experimented with selling Chinese paintings through the London Chinese Department. The sale of the painting received significant publicity in Taiwan and Hong Kong and it helped to bolster Sothebya€™s reputation in Asia for expertise in Chinese paintings. In a relatively small but extremely specialized market, like Chinese paintings, there may be other, more efficient ways to match buyer with seller. For others, the choice of guohua may be primarily a reaction against the repressive artistic policies of the Communist regime, ostensibly denying their ties to the recent past. The market there never developed and to this day collecting interest for Chinese painting in Europe remains limited. In early publications on Chinese painting his name is often listed as the owner of specific works which had not yet resurfaced. For still others, the immediacy and sensitivity of the traditional medium and its unmatched ability to respond to the subtlest of touches, may be reason enough to adopt the art form, affirming the individuala€™s artistic identity, irrespective of his political viewpoint.
However, perhaps because of this quirk in the market, Europe became for me a significant source of paintings for sale in both New York and Hong Kong. Over the next few years I developed a peculiar relationship with Zhang Xueliang, through his intermediary, who initially did not acknowledge his identity but realized that I knew who the real owner of these works was.
She began showing me paintings on his behalf, some for sale, some not, and she would relay back to Zhang my comments about the works. If not, we are witnessing the close of a short but intense chapter in Chinese painting history. We began selling the less important scrolls, which did not bear his collectora€™s seals, but gradually he consigned, always through a friend in the United States, major paintings by artists such as Shen Zhou and calligraphy by as importantt a writer as Zhao Mengfu. If the major auction houses decide that it is no longer financially viable to continue to hold sales of Chinese paintings in New York, it will be up to a few committed and knowledgable dealers to try to pick up the slack. How can those who paint just for fun in their spare time capture the true character of all things on earth.



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