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28.04.2016
Don't hesitate to let me know if you want a free participation on my Podcast (episode name's GOSPEL-Plus). The mission of The Commonwealth Fund is to promote a high-performing health care system that achieves better access, improved quality, and greater efficiency, particularly for society's most vulnerable, including low-income people, the uninsured, minority Americans, young children, and elderly adults. One of the great things about interviewing the Jules Feiffer, from an editorial standpoint, is the fact that the legendary cartoonist invariably has some new project to speak about, between a seemingly endless parade of comics, plays, and books, all of which the artist thankfully continues to crank out, a mere six months away from his 80th birthday, to a bottomless stream of career retrospectives that publishers such as Fantagraphics seem to issue like clockwork.
Conducted with the artist after a recent appearance at The Strand Bookstore, just below Manhattan’s Union Square, this interview largely celebrates the latter, in light of the recent release of Explainers, a hardbound volume celebrating the early Village Voice strips that first put Feiffer on the map, released by the completists at the aforementioned indie comics publishing house. After his discussion [video of which is available here], Feiffer happily signed several towering piles of books for admiring fans, from the aforementioned new Fantagraphics volume, to classics like The Phantom Tollbooth, to the poster for the black comedy, Little Murders, for which Feiffer penned the screenplay. In this first of our two part interview, we discuss the roles that newspaper comics, Will Eisner, and the Korean War played in the genesis of Feiffer’s career. Would you consider your time in the military, in effect, also the birth of yourself, as a politically-minded person? Well, I was already a politically-minded person, but I hadn’t thought about using politics in my work, and from the time I got in the army, everything I did was more or less political. I had been trying, since I had been out of the army for almost four years, to sell this satirical work, and got no takers at all.
There was a pretty strong background in terms of political cartooning in the United States at that point.
Oh yes, but there was not a strong background for leftwing radical political cartooning, by any means.
As a reader, do you think its more or less difficult to be confronted with these manner of ideas, if they’re coming at you in comic strip form? E-mail me your phone number and we can talk about what I’m up to with STAY TOONED!, if it interests you. Domenico Scala, Fifa's independent audit and compliance committee president, resigns in protest at reforms. There's been a lot of TV news coming out of Las Vegas this week from the CES 2016 tech show. Read more Ads that changed the way we think Council posters spark complaint Attack! Explore the BBC News News Sport Weather Shop Earth Travel Capital iPlayer Culture Autos Future TV Radio CBBC CBeebies Food iWonder Bitesize Travel Music Earth Arts Make It Digital Taster Nature Local Terms of Use About the BBC Privacy Policy Cookies Accessibility Help Parental Guidance Contact the BBC Advertise with us Ad choices Copyright © 2016 BBC.


It’s finished, but we’re in the editing process, which means that the editor is doing his edit, and I’m going over that and making changes and corrections, based on his suggestions, so that should be done within the next three or four weeks. The book unwound and as it played out, it was pretty close to what I thought it would be, in the first place. But my professional career also involves—because the work is so personal—much autobiographical detail. I got drafted during the Korean War, and my reaction to being in the service and the sense of mindless authority that any military operation oppresses you with—it hits you, right between the eyes—the use of language is misappropriated to not say what you mean, but to maneuver and manipulate people and disguise meaning. The first thing I did, as a young cartoonist, long before I was ever published, was starting work on Munro, which was a four or five-year-old kid who gets drafted, and it was a quite devastating satire on the misuse of authority. Outside of Herblock who was a liberal political cartoonist for The Washington Post and Bill Mauldin, there was virtually nobody commenting strongly in regards to the Cold War, and certainly no one at all commenting from a position as far-left as my own. Feiffer, a man (an icon, really) I was planning to contact real soon about being profiled in my brand-new magazine, STAY TOONED! Media podcast interview with cartoonist Jules Feiffer, who talks about the new collection of his comic strips from the Village Voice, Explainers, getting his start with Will Eisner on The Spirit, his plays (Little Murders), his movies (Carnal Knowledge, Popeye), the Disney musical adaptation of The Man in the Ceiling, and his forthcoming memoirs. I’ve cut 70 or 80 pages out of it, all of which has to do with making it flow and read better and making it a faster and more entertaining trip for the reader. Those were heroes and role models for me—and of course, Will Eisner, a little later, when I was about 12 and became aware of The Spirit.
All of the versions of that that I had seen in my civilian life plus all of it being so highlighted by my military experience, I decided within months of my being in the army that I wasn’t going to be a traditional comics strip artist. In other words, it’s not about the tradition of political cartooning—there was a strong tradition for political cartooning.
Publishers were interested more in continuing along the lines that had been established in the ‘30s, ‘40s, and early ‘50s, which is traditional humor and cliche and stereotype. That basically means the new model will likely be released before any other UHD Premium TVs, but it's all a bit of hot air as everyone is have this year.The DX900 is interesting for several reasons.
I decided that I had to comment about the world around me and use my cartoons for the purposes of social and political satire. And when people—particularly literary intellectuals—began taking my cartoons seriously, they insisted that they weren’t cartoons. This was just after Joe McCarthy, and there was still a very oppressive atmosphere, particularly in terms of what the media was and wasn’t willing to print.


You have to go back to World War I days—1915, -16—and a magazine called Matches, to get back to radicial political cartoons. They couldn’t use the word “cartoon” or “comic strip” in regard to my work because they thought it was a lowly form, and they therefore called it “essays” or “one-act plays.” They called it all sorts of things. The company claims that the resulting lack of lighting bleed between zones means the LCD technology used in the model can achieve the kind of contrast performance needed for UHD Premium certification.The DX900The company's claims are yet to be tested in full, but the DX900 has passed the UHD Alliances exacting standards so we're excited to see it for ourselves. The Voice, as it appeared, was the one independent newspaper that was likely to run me, if anyone was going to run me. If The Voice wasn’t going to run me, I would have run out of choices and would have had to do something else with my life. Both a 65-inch and 58-inch option will be available when the TV goes on sale in Spring 2016.It's also worth mentioning the company's new DMP-UB900 – a 4K Blu-ray player with a clever sounding High-Precision Chroma Processor.
The eight different models are 2.57mm thick, which is less than some smartphones, and ship in both flat and curved form. They comprise the UH9500 (55- to 86-inch), the UH8500 (55- to 75-inch) and the UH7700 (49- to 65-inch).
All of these new models are LED TVs.The company is also very excited about its 'LG Signature' design aesthetic, which will be applied across a number of products, TVs included. But the company is sticking with the name, unveiling the flagship SUHD TV for 206 – the KS9500.Executive VP of Samsung Electronics America described the set as the world's first bezel-less design. There will be five different sizes on offer when the TV launches, ranging from 49-inches to 85-inches.Tizen also featured heavily in Samsung's press conference where the firm announced that 20 million TVs used its Tizen-powered Smart TV platform. The South Korean firm also introduced a new smart universal remote which runs Tizen and can control all of your TV-connected devices.
Very few countries, China included, down have it, but Netflix hopes to add China to its list soon.And there it is, all the TV news from CES. Check our CES 2016 hub for the latest updates and let us know what you think of this year's TV tech in the comments.



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