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At BMA, design solutions are arrived at by a cultivated and experienced team of professionals. BENEFITS Bill Moore and Associates offers a long term career opportunity with growth potential, medical benefits, a 401(K) plan and profit sharing. As a Project Coordinator, Lauren works with a Senior Program Manager to ensure successful completion of complex sign projects. Lauren joined BMA in 2015 after years of communicating ideas through design elements including promotional product design, graphic design, photography and cinematography.
When Alastair joined BMA in 1984 he did his drafting on a door because there were no spare desks. Social MediaVoice of the CrewDP David Stump ASC and Michael Gorczynski - Camera Assistant Local 600 talk shop. Tim BurtonDirector Tim Burton once proclaimed that he would love the chance to direct a gothic horror movie. Frankenweenie’s most palpable reference is the 1931 Universal classic Frankenstein, most obviously in its title and the naming of its lead character, the child Victor Frankenstein (who, in the Universal legacy, was the original Dr.
Of note, that world, lovingly designed by longtime Burton veteran Rich Heinrichs, recalls the Universal films’ environs while brandishing New Holland as a fully Burton-esque landscape to which one might draw parallels with Burton’s live-action projects Beetlejuice and Edward Scissorhands. Other characters resemble Boris Karloff as Frankenstein’s monster from the 1931 film and Dr. Ironically to the theme of the film, the stop-motion characters live and breathe as tangible entities in this world that, had they been rendered with computer-generated animation, might not have worked as effectively. Interestingly, Burton’s main foray into computer-generated animation, Mars Attacks!

After the painstaking animation was complete, putting Burton’s Frankenweenie vision together again on his team were Danny Elfman doing the riveting musical score and Chris Lebenzon as picture editor, with Mark Solomon, wearing a decidedly different hat than he did on recent live-action Burton films such as Dark Shadows and Sweeney Todd.
The premise was simple: Put together a pool of innovative design and manufacturing talent and provide clients with a total service at a national level.
The results of the BMA business doctrine carried out by a collective talent pool have been tremendous. Bill Moore and Associates is a multidisciplinary retail sign and environmental graphic design-build firm that works for prestigious and high profile national and regional retail clients. Albany's small town atmosphere in direct proximity to cultural centers, such as Berkeley and San Francisco, offers the ideal context for the 21st century career.
This includes everything from city code research, budgeting and billing, technical drawings and artistic renderings, to site surveys and client presentations.
Her previous work was centered around using visual design for various marketing campaigns and coordinating the necessities of these projects. In addition to serving as Skip's partner in the business of running BMA, he also provides daily guidance in design and protocol to the BMA team members. In its own way, the 2012 stop-motion animated film Frankenweenie might represent his best chance to date. Not surprisingly, Heinrichs designed and produced Burton’s 1982 stop-motion short Vincent, associate produced the 1984 short version of Frankenweenie, consulted on Beetlejuice’s visual effects and designed sets on Edward Scissorhands, in addition to many additional projects with Burton and others as production designer from the 1990s right through today. Our office resources and policies provide for an innovative, supportive and progressive working environment, while the opportunity to travel throughout the US consistently refreshes one's attitude and perspective.

Both competent and ambitious, she owns and operates multiple subsidiaries of her media company, RENZI Enterprises, which includes LacedMedia Productions, Stilly's Photo Booth Services, and PlannersParadise Custom Event Decor.
Heavily based on Burton’s 1984 short of the same name, in its essence about a boy scientist who brings a deceased pet back to life, Frankenweenie pays due homage to classic horror films of yesterday while offering top modern cinematic crafts in every department. Cinematographer Peter Sorg, a lighting cameraman on Burton’s previous stop-motion effort, Corpse Bride, frames all of this material in lush tones reminiscent of the classics while giving Frankenweenie its own distinct world in which the stop-motion animators can carefully place their characters. A monstrous dinosaur character, released upon New Holland during the concluding sequences in the film, offers a fleeting but touching nod to stop-motion animator, Ray Harryhausen.
Our eclectic, collaborative team is composed of architectural graduates, graphic designers and fine artists. Bill Moore and Associates has been in the retail sign and design business for over 35 years. Today, Skip and Alastair lead an organization that combines talent from the fields of graphic design, architecture and the sign industry.

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