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RTMFP is the foundation protocol that we use to bring the P2P and Multicast capabilities to Adobe products such as Adobe Flash and Adobe Media Server, but we believe it has applicability beyond Flash that the Internet community can use in their own innovations for next-generation real-time and P2P applications.
We are excited to continue making contributions to standards organizations such as the IETF that further Internet technologies for developers and users. We welcome comments and feedback to help us improve the quality, clarity, and accuracy of this specification and we are excited to see what the Internet community creates with it. Adobe Media Server 5 has many new features such as Protected HLS streaming (PHLS) that easily protects content for Apple devices with our without the costs and workflow required to deploy a full DRM solution.
For even more details – you can review our updated Whitepaper or check our new website. A blog post from the BBC Director General Mark Thompson has paid tribute to the Olympian efforts of everyone at the BBC who delivered what he calls “the biggest broadcasting event in our 90 year history” referring of course to the 2012 London Games.
The opening ceremony entered the record books as the most-watched programs in the history of the BBC, and figures across all 24 channels of sport were astonishingly high.
While the top ten events took most of the internet feeds, 50 percent of consumption was for ‘less popular’ events, validating the BBC’s decision to have all sports, all the time, with rewind and catch-up capabilities. BBC Sport Online’s most requested live video stream was of the Tennis Singles Finals, where Andy Murray and Serena Williams were victorious. As a publicly funded service, the BBC has delivered tremendous value to UK citizens, not only via traditional broadcast, but also through the delivery of the games online and across devices. We would like to congratulate the BBC and its leadership for the vision, collaboration, passion and drive that has set a new bar for broadcast, extending far beyond what we know today as “television.” London 2012 has set the stage for every broadcaster around the world to bring TV content and new digital experiences online. UPDATE (August 14): BBC today posted more statistics from the streaming of the London Games showing significant mobile and tablet usage.
Amazon Web Services issued a great case study how Adobe Media Server was used in combination with numerous other technologies to stream live, the landing of the Mars rover Curiosity. I am continually impressed how our customers over the past 10 years continue to push Adobe Media Server to new heights and drive new and bigger ideas. NASA and Amazon have done an incredible job configuring the servers to be resilient and scalable on an elastic network that can easily grow to meet the demand of great content like this. You may also notice that we changed the product name to reflect that streaming and protection technologies are not solely for Flash, but allow you to deliver and protect your video on an increasing number of devices supporting native app development environments such as Objective C.
Adobe Media Server stands out from all other media server technologies because we believe that streaming is not complete without a way to protect video from theft so that broadcasters or publishers can use video to drive or support a business.
With the evolution of streaming and movement towards HTTP delivery for multi-screen, Adobe not only introduced a DRM solution to meet the demands of both the most rigid requirement, but balanced the solution with simple publishing workflows.
What makes Adobe video solutions so unique in my mind is our strategy to always interleave delivery + protection– it has been in our DNA since we started the journey 10 years ago. Adobe Access 4 has advanced not only DRM with iOS jailbreak protection, but will also allow you to use the same license server to protect content across over 1 billion devices, desktops and now the Apple devices.
Adobe Media Server 5 extends the innovation around Protected HTTP Dynamic Streaming (“PHDS”) which allows you to not worry about protection, just enable the encryption and protection and let Adobe do the rest. I’m truly excited about these release, and to continue bringing technology to market that drives more and more high quality video to every single device we can. Today (at 1pm PST) at the NAB Show in Las Vegas, the MPEG-DASH promoters group will be delivering a panel discussing and demonstrating MPEG-DASH video streaming. Today we kick off the annual pilgrimage in the Dessert of Nevada, thats right… we’re back in Vegas for NAB 2012 and Adobe has never had such a tremendous amount of excitement around its video product lines. Last week we released an update to Adobe Flash Media Live Encoder (FMLE) 3.2 for the Apple Mac OS Lion.

This is a great option to deliver high quality adaptive nitrate to Adobe Flash or Apple iOS using Flash Media Server 4.5 on Amazon Web Services. Today I am happy to announce the immediate availability of Flash Media Server 4.5 on Amazon Web Services that lets you stream video and reach audiences on more devices than ever before including Apple iOS.
Since first releasing Flash Media Server on Amazon Web Services in 2010, we have seen tremendous number of customers that use this as an option to access the Flash Media Server technologies to start up a business, create social applications, create games and deliver great HD video experiences to Flash.
Now with Flash Media Server 4.5 you can deliver your video content to both Flash and HLS-compatible devices such as Apple iOS all from the same video file or live video stream. Now, pick your selves up off the floor, take a deep breath – there is 1 more thing you should know. We have partnered with the Amazon Cloudfront team to give you a tight integration with your Flash Media Server 4.5 instance that can expand your video delivery globally through Amazon Cloudfront CDN. We look forward to seeing what new video and interactive experiences are created with Flash Media Server 4.5 on Amazon Web Services! You have to love standards, imagine a world where your toaster used a different power supply than your refrigerator , or your plumbing be a mish mash of pipes, or when you go the hardware store to get a new door knob, it didn’t fit in your door. Standards help any industry grow and expand, and our video delivery industry is prime for some standards.
This is why I am excited to announce that Adobe’s video solutions will adopt the emerging video standard, MPEG-DASH across our video streaming, playback, protection and monetization technologies. Adobe announced that it will support the MPEG-DASH standard initiative for streaming video through future versions of its video streaming technologies to help increase the amount of video available online to devices by reducing fragmentation and costs caused by multiple video formats. Interoperability between content encoders, service providers, platforms and devices will allow video publishers to focus on quality content and not the infrastructure to protect and deliver video. For example, a broadcaster today may be required to support and protect multiple formats optimized for Adobe Flash, Microsoft Xbox, Samsung TV and Apple iOS.
Adobe is joined by over 20 companies in the promotion of MPEG-DASH including industry leaders such as Microsoft, Qualcomm, Akamai, NDS, Envivio, Samsung and Harmonic. The MPEG-DASH Promoters Group is a group dedicated to the promotion and implementation of the standard. Adobe will support MPEG-DASH ISOBFF on demand and live profiles which are recommended in DASH-264 recommendation. Yes, Adobe will continue developing its HDS format used to deliver high quality, protected video experiences across multiple devices. Adobe will support MPEG-DASH as an HDS profile within its future streaming technologies that include Adobe Flash Media Server, Adobe Access, Adobe Flash, Adobe AIR and the Open Source Media Framework including Flash Media Playback and Strobe Media Playback.
MPEG-DASH will also be supported by Project Primetime including Adobe Auditude Advertising platform. Adobe has not announced a timeline at this time but will have public demonstrations throughout 2012.
Dynamic Adaptive Streaming over HTTP (DASH) enables streaming of media content delivered from conventional HTTP web servers. The steps are fairly easy but so far the sample players I’ve looked at have been really complex. Parse the Manifest – this will vary depending on the DASH profile you are implmenting and the stream protocol you are supporting.
To keep the code as simple as possible I’ve manually parsed the Manifest and just included a static list of segments.
You might be interested in the dash.js open source project which is building a platform independent reference implementation of MPEG-DASH.
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It presents a unified and holistic solution to a number of Internet communication problems, including security, NAT traversal, congestion control and prioritization of parallel media and data flows, variable transmission reliability for messages, and IP address mobility. Adobe continues to develop technologies using RTMFP within Adobe Flash and Adobe Media Server including features like Multicast and Groups, being used today by our customers to deliver high quality video experiences across public and corporate networks. As a technology leader, Adobe collaborates with stakeholders from industry, academia and government to develop, drive and support standards in existing and emerging technologies, policy areas, and markets, in order to improve our customers’ experience. After 10 years of supporting the world’s online video experiences, Adobe Media Server 5 is the next generation in high quality multi-platform video delivery and protection.
Adobe Media Server 5 also meats the FCC legislated Closed Caption requirements so you can provide experiences across all viewer’s capabilities. Sea TV is a joint partnership with the Monterey Bay Aquarium and Amazon Web Services that provides a real world example of the server delivering a 24×7 live video stream direct from the Aquarium. Looking at how people were accessing the BBC coverage online, PC usage peaked at lunchtime, mobile peaked after work around 6pm and tablet use was highest around 9pm.
By working with the BBC, an organization with a mandate to push technology boundaries sand introduce innovative new services to its viewers, Adobe and all the broadcast partners have delivered an incredible feat of broadcast engineering both online and on devices.
Adobe, through elements of Adobe’s Project Primetime, is extremely proud of the role it played in helping the BBC deliver its outstanding Olympics coverage and of the deep partnerships formed with the BBC’s Future Media team. While PC and tablet usage has generally peaked and dipped at different times of the day, mobile consumption has increased steadily from the morning to a plateau in the early afternoon, before dipping away in conjunction with TV viewing in the evening. I say this as we continue to experience the XXX Olympics in awesome quality and scale on more devices than ever before. In addition, we are jointly announcing Adobe Access 4 that can now be used to securely protect videos on Apple devices that uses the same protection system to secure video on Adobe Flash, Adobe AIR running on 1 billion desktops and devices worldwide.

This strategy has been in place since the very early days of the products where in 2002, RTMP protected content because nothing was cached.
Adobe Media Server 4.5’s support for HLS format to Apple devices in September 2011 was a ground breaking shift and now Adobe Media Server 5 adds secure media delivery over HLS with easy to use workflows, and universal protection system to meet all broadcast protection requirements. Adobe Media Server 5 builds on the rich innovation that has both delivery + protection at its core. Adobe Access maintains its position with the Ultraviolet project as one of the approved DRMs. This release introduces Protected HLS streaming (“PHLS”) which uses the protection system to deliver the content license to the native IOS app without requiring a license server! I’ll be joined by industry leaders from Akamai, Harmonic and Qualcomm, AEG Digital Media and Ericsson to discuss the MPEG-DASH format standards and broadcast industry partnerships that are starting to bring it to market.
Now available in all of Amazon’s datacenters including Brazil with reduced pricing of up to 10% !
Yes, I said LIVE – We have worked closely with the Amazon CloudFront team to support live streaming for the first time ever, with the new support for lower caching, live is now possible on CloudFront. This means that you can deliver your live or on demand video streams to more devices in more locations with less buffering than ever before. With this solution, you can easily and cost-effectively deliver your live video via AWS to multiple platforms and to a world-wide audience, while paying for the AWS resources you consume. Imagine now preparing videos 4 or 5 times for different devices and imagine if you just had to do it once.
With more devices and platforms on the market that can consume and create video standards that span across every device, every platform will enable video publishers to reach more audiences and open new opportunities to monetize.
It will help streamline and simplify workflows and enable operators and content providers to build sustainable business models to continue to deliver the services that consumers demand.
MPEG-DASH standard will allow broadcasters to prepare a single format that can reach across all devices using DASH formats and its associated common encryption standard.
By adopting industry standard streaming formats such as MPEG-DASH and content profiles such as DASH-264, Adobe is joining a group of video delivery ecosystem leaders that range from encoders, DRM providers, content delivery networks, device manufacturers and platform providers. Current members include Microsoft, Qualcomm, Dolby, DTS, Akamai, AEG Digital Media, BuyDRM, Digital Rapids, Digital TV Labs, EBU-UER, Elemental, Envivio, Ericsson, Harmonic, Intertrust, NDS, Packet Ship, Path1, RGB Networks, Samsung, Thomson, ZiXi and others to bring more video content online.
The content profile is similar to Adobe’s HDS format and supports many of the performance objectives of the HDS format. Adobe will continue to innovate on the HDS format in all areas to improve the video performance, efficiency and rendering across all devices, networks and service providers. MPEG-DASH is going to be kind of a big deal in the near future so I hope this helps spread the good word. Flying elephants, Disco ElephantsFunny Animals - Pictures of funny animals like cats, dogs, cows, and MoreFunny Dogs - Cute Puppies - Cute Dog Pictures - The Funniest Pictures on the Net.
What is unique about this app is that all the video is protected with Adobe Media Server and with full DRM using Adobe Access 4 running the native Objective C Adobe Access client library for IOS. If you’re in London, the BBC is streaming the games also with Adobe Media Server and it looks fabulous – the same technology to stream video from Mars! In 2007 HD streaming opportunity was introduced with H.264 and adaptive bitrate – and so the video protection systems needed to change, and we introduced RTMPe and SWF verification which not only encrypted, but bound the media to the player. But most importantly – for the audience, it looks and performs awesome – you don’t even know the protection is there, but it is. So now you can deliver HTTP content to both native apps running on Apple devices and Flash-enabled devices using the same powerful Adobe Access client but without the Adobe Access license server. DRM and Adobe’s unique Protected HTTP Streaming (PHLS, PHDS) systems enable higher quality video and access to more content on more devices because it simplifies things for those who are publishing the video. It is an incredible scene all day with creative people learning more about the new Adobe Creative Suite 6 Production Premium reveal.
As always this great product is a free tool from Adobe, used by hundreds of thousands of people for incredible live events every day. This will reduce the workflow to prepare content and reduce storage requirements and simplify testing so the audience can receive a consistent high quality experience where every video is consumed.
As MPEG-DASH interoperable technologies come to market, Adobe will include MPEG-DASH content profiles within HDS to maintain interoperability. This is very similar to HLS but unlike HLS MPEG-DASH is the first adaptive bit-rate HTTP-based streaming solution that is an international standard. This technology is perfect for live events, news, sports or concerts, or if you just want to protect your video content without a complicated setup.
Yes, you can now use Live streaming over HTTP to Flash and Apple iOS using Amazon CloudFront CDN.
Appending the name to the base URL of the stream will give you the full URL of the init segment. Stock photo of a young black male teen using an mpeg player to listen to his favorite music.
We have juiced up the server with a much higher performing dynamic packager and encryption system that supports on demand and live streaming over both HDS and HLS that will power some of the most impressive events in 2012 that will change the way we think of multi-screen video. We have also extended the server’s utilities for offline media packaging to include HLS segmenting and encryption so you can prepare all your content in advance.

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