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There’s also a nice new inspector, which looks a lot more usable and less-clumsy than the previous version. I hope to learn more about what the implications are for Sibelius scoring in Pro Tools, and how this version has changed. Other than that, it looks like a fine UI and workflow overhaul, but I'll pass on this one.
I listened to the audio samples on the Sibelius site, and wasn't particularly impressed.
In general, I don't necessarily promote an upgrade just for the sake of it, if something does suit your needs! I really enjoy writing for an orchestra, but I've stopped doing that because of the quality of the sounds. Right now I'm extracting parts from an orchestral score, so forgive me while I insert a tiny gripe about the notation features. CDM is an online magazine for creative technology, from music and DJing to motion and more. CDM by Create Digital Media GmbH is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
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You must have JavaScript enabled in your browser to utilize the functionality of this website. Twenty-five years in the making, Finale 2014 represents the latest evolution in music notation software, making Finale’s signature freedom and flexibility easy for everyone to use. Like you, Finale 2014 looks forward, with many technological investments to Finale’s core.
While others take music notation software development for granted, Finale is doubling down to provide you and your music a clear path to tomorrow. Included are many improvements, based on your requests, that impact how your notation looks before you edit anything.
With Finale 2014 you get exactly the notation you desire – quicker and more efficiently than ever before.
If you’re passionate about the placement of every rest and accidental, your job just got easier. Speaking of sharing, full, built-in MusicXML interchange support makes it possible to share notation with other tools, including Finale. Sibelius is indeed the first major native 64-bit notation software (at least, other than open source options which can be compiled for 64-bit). Sibelius has long included licensed samples, but now following the Avid acquisition, the Avid virtual instruments folks have added their own symphony, rock, pop, organ, and (via Sample Logic) even band and drum and bugle sounds. The one thing I sense may be missing from this version is improvements to notation capabilities themselves.
Considering that the sample set weighs in at about 40 GB (according to the system reqs), I didn't really notice an improvement in realism from the existing Sib 6 sounds. Sibelius seems to want to attach rehearsal letters (which are on bar lines, right?) to the previous bar, not the following bar.
I don't think that Sibelius will be particularly useful for its sound export until they allow you to edit the tempo map properly. You've read and agreed to the Global Shipping Program terms and conditions - opens in a new window or tab.

Import charges previously quoted are subject to change if you increase your maximum bid amount. The design borrows heavily from Microsoft’s Office Ribbon, though a more subdued appearance makes it look just as comfortable on the Mac. We’ll have to hear how they sound and how well-integrated they are with the notation tools.
Because of the breadth of scoring possibilities, there’s almost always room for enhancement, and this update, while it appears a worthy investment for many users, seems from the information I have now not to address the core scoring functionality.
For instance, when you add a slur that needs to go on the same side of the notehead as the stem, the slur's end aims at the end of the stem, not at the notehead itself. As these letters often fall at the end of a line when the part is ready for printing, every single ferschlugginer letter has to be dragged from the right end of one line over to the left end of the next line. My reaction to the latest update is that I do want to get this, cheifly because I can see the possibility of completing a publication within Sibelius itself, without the need to keep taking stuff out to InDesign in order to compile pages. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. My guess is that power users may just hide the whole thing and stick to keyboard shortcuts, but it should do wonders for discoverability for new users or more casual users not comfortable with that. The introduction of Text Boxes and OpenType fonts in Sibelius 7 has been my number one feature request since Sibelius 1.
Theres' a long, long list of stuff engravers want, partly because notation is so complex.

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