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Camtasia Studio gives you the power to easily record your screen, PowerPoint presentations, voice, and Web camera video to create compelling video tutorials, training presentations, and rich sales demonstrations for Web and CD-ROM delivery.
Every day, thousands of people around the world use Camtasia Studio to create videos that train, teach, sell, and more!
With Camtasia Studio's flexible recording options, you can choose to capture full screen, window or region. Once you have your content recorded, polish it up and turn it into a professional screencast. The final step in creating a screencast is sharing it with your audience - and Camtasia Studio makes that a snap. Native Instruments’ groove-centric production studio Maschine today gets its most significant update ever. I took a tour of the software and hardware upgrades in NI’s offices, and so we can bring our own hands-on look at both before they ship.
Maschine 2’s new UI sports easier arrangement (top right), a proper mixer page, custom heads-up displays for NI plugs, a new browser (left), and a cleaner look. Akai seems to have largely surrendered the conventional MPC hardware market, choosing instead to focus on augmenting their pads with your iPad or computer. Arrangement and editing, on both hardware and software, is now more logical and accessible. Custom plug-in interfaces now make nice custom displays for the Maschine modules and other Komplete additions.
Better Sampling: Various sample mapping improvements, plus zero crossing detection and overlapping samples.
That’s a lot of stuff, but for my money, having side-chaining, better performance, and drum synths make this a good deal for existing users. Because the Maschine Studio hardware commands a price premium, I also am relieved to say it’ll be easy to recommend the upgrade. The new drum synths may the most fun part of the update, covering a range of acoustic and electronic sounds via dedicated models. From today through release, the eventual upgrade to Maschine 2.0 is free with any new purchase of Maschine hardware (including Mikro). Maschine Studio shares the basic layout and colored pads of the MK 2 Maschine hardware, but expands outward in each direction from the pad grid in order to add more dedicated controls, a new jog wheel, and big, bright, crisp color displays.
And for new users, particularly those migrating from hardware (looking at you, MPC), this is the first Maschine that really feels like a proper drum machine. There’s also a clever snap-out kickstand that angles the unit and makes it easier to see the displays.
Arranging tracks on the device is finally really practical, both thanks to Maschine 2 software enhancements (like the ability to finally see the length of patterns!) and the expanded displays on the Studio hardware.
The dual displays give you unique heads-up views of the waveforms and other editing features.

In fact, at first, Maschine Studio seems like overkill – until you see this functionality. Maschine remains useful as a MIDI controller, not only when controlling the Maschine software. But won?t you need a power connection for the new maschine studio or is it all bus-powered even with the new displays? Add in music tracks, microphone, your computer's audio plus picture-in-picture with your video camera, and you've got a world-class screencast. The software has been completely rewritten from the ground up, bringing expanded editing and sound capabilities and enhanced performance. Please note that this is a first look at a pre-production unit (though nearly final), beta software, with some first impressions; we will have more specifics as the final software and hardware is made available to us and we fact-check additional details. Add as many plug-ins as you want (built-in or third-party), limited only by the capabilities of your hardware.
This makes Maschine look a little more like a DAW, yes, but it’s essential , and something hardware drum machines have.
Yes, you can actually have the wiper (on both hardware and software) follow your position in the arrangement.
Covering both modeled analog, electronic instruments and acoustic drum kits, the new synth models give you more than just sampled sounds. The UI functions in the same way, but it’s been significantly refined, with a cleaner, easier-to-read, flattened look.
Yes, that includes side-chaining third-party plug-ins, another feature sorely missing in many DAWs. In addition to side-chaining, thorough multi-core support enhances performance and 32-bit float summing improves mix quality. A reduced version is also accessible from hardware (including existing hardware, minus the additional graphics, of course). That includes bonuses, though – Massive (though you should have that already), plus the percussion synth Prism, Solid Bus Comp compressor, and Scarbee Mark I electric piano.
For existing Maschine users, the layout is similar enough that you won’t need to re-learn anything. You can use it to call up samples, but its biggest benefit is navigating patterns and arrangements. You can zoom in to sample-accurate pictures of the waves, too, while retaining the overview on the left.
Editing samples on the device seems Studio’s real killer feature, pricey as it may be. This should be a nicer Maschine for controlling Ableton Live, it seems – and since my own workflow often involves Live and Maschine (damn you, Berlin, and your inescapable software!), I look forward to trying that out.
Yes, the Studio’s self-contained design means a number of smaller machines become feasible.

There are a lot of small things that both professional and project studios have in common.Sometimes the basic set up of the recording hardware and software causes the biggest problems to getting a smooth-running and good sounding home recording. The desktop software still lags something like Maschine in flexibility, refinement, and features – the very things that could make its MPC hardware users switch to a computer. Whether using plug-ins or drum parts, you can finally keep your parts in balance without losing your mind. These are grouped into Kick, Snare, HiHat, Tom, Percussion, with most having a choice between electronic and acoustic models. NI told us they wanted no portion of each parameter to sound bad, and it seems they’ve succeded.
But it means you can use Maschine spending even less time looking at your computer display. Since some of those shift functions were hard to see in the dark, this is also easier for live performance. Via Mackie Control, you can even display interactive labels on each parameter, opening up some interactive template possibilities.
So, here are a couple things I’ve seen that are mistakes that you can avoid, and good practices you should try from the beginning. Here, for those wanting new hardware, that niche comes in the form of hardware that never requires you to look at your computer, while still maintaining the Maschine workflow.
Evidently working with parallel sound design research projects, they’ve built an array of electronic and acoustic models.
But it’s a reasonable expectation that these displays will see more use in the future.
And for those happy with existing Maschine hardware, this is a version of Maschine that promises to make it feel like you’ve upgraded your entire computer, while adding key features like side-chaining.
Push is a physical window into what you can do with Live, but Live is still a broadly-focused DAW and host, not software designed to be exclusively controlled by hardware, or on a single essential workflow.
Because they’re synths and not samples, you can produce a range of results with them, and pitching them up and down is far more satisfying. And while Arturia offers the lovely, affordable Spark, its capabilities are much narrower than Maschine’s. The electronic models sound good, but the acoustic models are particularly unique, able to produce realistic sounds but also unique experimental timbres. Having a decent patch bay is the best way of integrating outboard gear into a computer-based home studio, and by adding some analog outboard processing to thicken up your sound.Get tubes and at least one good mic. Everyone understands that if you have a terrible sounding guitar that it will not record well – it’s the same thing with a cheap mic and bad mic pre-amp.

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